The Birth of the Gods: Sexuality, Conflict and Cosmic Structure in Hesiod's Theogony
The Theogony is a poem about the creation of a cosmos, that is, an order. This order is created through the interaction of sexual beings, and the essentially sexual nature of the creative act eventually comes to structure and organize the space of the universe. Sexuality, moreover, implies a fundamental source of tension or conflict between opposites. Paradoxically, conflict in the Theogony is not destructive; rather, conflict enhances and expands the creative potential of sexuality by ensuring that the end product of sexual interaction, new being, will be able to act upon the world.Conflict arises in the first two divine generations when a divine being attempts to contravene the telos of sexual movement by preventing his already conceived and fully gestated offspring from coming into the world. Conflict thus works against the destructuring of the world. The consequence of each conflict is a world which is more ordered and structured, as the offspring first of Gaia and Ouranos, and then of Rheia and Kronos, are permitted to assume their appropriate places in it, or as Zeus is able to turn his attention from the suppression of his enemies to the establishment of a fixed moral order. Thus conflict decreases the entropy of the world and tends toward creation and new order.