Three Romanesque Great Churches in Germany, France and England, and the Discipline of Architectural History

2011 ◽  
Vol 54 ◽  
pp. 1-22
Author(s):  
Eric Fernie
Keyword(s):  
Social History ◽  
Eleventh Century ◽  
Architectural History ◽  
Masonry Structure ◽  
The Body ◽  
Human History ◽  
Annual Lecture ◽  
Documentary History ◽  
History Of ◽  
Courtauld Institute

(This is the text of the SAFIGB Annual Lecture, delivered at the Courtauld Institute of Art, London, on 29 November 2010)This is a lecture about architecture and politics in the eleventh century. First, however, I would like to say a few words about another aspect of architectural history, namely style, because it does not feature in the body of the lecture and because of the criticism it currently faces and has faced for some time. I shall append my comments to two recollections. The first of these relates to a presentation in the 1990s at which the speaker identified the different kinds of expertise needed to understand a building, including that of the palaeographer for the documentary history, of the petrologist if it was a masonry structure, and so on to the architectural historian, who was given the task of dealing with style. The second recollection concerns a conference a few years later at which one of the participants said they wished that discussion of style could be banned. The two remarks taken together lead to an amusing conclusion, but they were separate utterances and so should be considered separately. As to the first, there are of course many other contributions that the architectural historian can make, not least in terms of social history, but I am pleased to see the task of assessing the relevance of style assigned to them because, if they do not undertake it, it is unlikely that anyone else will. On the second, I have some sympathy with the speaker, because style can be such a slippery concept that at times one might think it better to do without it. But, however justified such criticism, the varying stylistic characteristics found in objects carry so much information about the choices made by innumerable individuals in the course of human history that it would be counterproductive to abandon them, regardless of the difficulties.

A Golden Age for a Changing Nation: Polish National Identity and the Histories of the Wilanów Residence of King Jan III Sobieski

2006 ◽  
Vol 49 ◽  
pp. 101-128
Author(s):  
Barbara Arciszewska
Keyword(s):  
National Identity ◽  
Cultural Practices ◽  
Architectural History ◽  
The Body ◽  
Body Of Knowledge ◽  
New Meanings ◽  
History Of ◽  
Architectural Language ◽  
Social Agendas ◽  
Different Characteristics

As we continue to probe the boundaries of architectural history and to seek new approaches to the complex legacy of the past, we have to reassess the body of knowledge produced thus far, exposing its often-hidden agendas in order to be aware of our own engagement with today’s ideologies. The architectural history of Central Europe, although usually marginalized, serves as a particularly instructive field in which to study the mutability of ideological positions and their impact on interpretation. Scholarship on the Wilanów Palace near Warsaw (c. 1677–96) (Figs 1 and 2) offers some of the most interesting examples of architectural history’s appropriations, oversights and extraordinary intellectual constructions devised solely in order to claim a relationship with the glorious past, or to sever ties with certain aspects of it, depending upon the contemporary ideological agendas. This material demonstrates how a single building has been used over the years to express diverse concepts of national identity, either by subjecting that building to certain physical modifications, or by making it serve as a point of departure for narratives that emphasize different characteristics of precisely the same physical fabric. The vocabulary of classical architecture employed in Wilanów was particularly well suited to such cultural practices. Classicism – the paradigmatic architectural language, positioned at the nexus of the indigenous and the foreign – has traditionally been associated with discourses of national identity. It was a universal idiom of authority, easily reflecting diverse (or even conflicting) social agendas, its visual vocabulary lending itself to a succession of new meanings, in line with shifting expectations and ideological priorities. In Wilanów the classical and the universal were continually redefined in an attempt to express in visual form the national and the particular.

Doctoring the Body and Exciting the Soul: Drugs and consumer culture in medieval and early modern Iran

2019 ◽  
Vol 54 (2) ◽  
pp. 554-617
Author(s):  
RANIN KAZEMI
Keyword(s):  
Middle East ◽  
Early Modern ◽  
Social History ◽  
Consumer Culture ◽  
Rural Areas ◽  
Early Modern Period ◽  
The Body ◽  
Mass Consumption ◽  
History Of ◽  
Urban And Rural Areas

AbstractThis article focuses on the development of early modern consumerism in a part of the Middle East that historians of consumer culture are yet to fully explore. Making use of a wide variety of unexplored and underexplored original sources, the article contends that early modern consumer culture in Iran was grounded deeply in the ever-widening patterns of exchange and use that had developed slowly over the course of the previous centuries. The discussion below takes the growing popular interest in a few key psychoactive substances as a useful barometer of the dynamics of mass consumption, and chronicles how the slow and ever-expanding use of alcohol, opium, and cannabis (or a cannabis-like product) in the medieval period led to the popularity of coffee, tobacco, older drugs, and still other commodities in the sixteenth and seventeenth centuries. The aim here is to use the history of drug culture as an entry point to scrutinize the emergence of early modern consumerism among the elites and the non-elites in both urban and rural areas of the Middle East. In doing so, this article reconstructs the cultural and social history of recreational drugs prior to and during the early modern period, and elucidates the socio-economic context that helped bring about a ‘psychoactive revolution’ in the Safavid state (1501–1736).

scholarly journals Solidarity: The Social History of an Idea in Nineteenth Century France

1959 ◽  
Vol 4 (2) ◽  
pp. 261-284 ◽  
Author(s):  
J. E. S. Hayward
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Social History ◽  
Grand Nombre ◽  
Human History ◽  
The Social ◽  
Nineteenth Century France ◽  
History Of

The survival of a concept is generally only secured at the price of an intellectual odyssey in the course of which it is transformed out of all recognition. The nineteenth century fortunes of the idea of solidarity exemplify this axiom only too strictly. It became the victim of a multiplicity of ingenious puns and metaphors as well as outright malicious distortions that rendered a simple, technical word, drawn from the sphere of jurisprudence, at once emotive and obscure, influential and diffuse. As the eminent and caustic critic of the twentieth century, Julien Benda, formulated this vital problem of the fate of concepts, “pour l'historien des idées des hommes, la réalité ce n'est point ce qu'ont été les idées dans l'esprit de ceux qui les ont inventées, mais ce qu'elles ont été dans l'esprit de ceux qui les ont trahies… car il est clair qu'une doctrine se propage d'autant plus largement qu'elle est apte à satisfaire un plus grand nombre de sentiments divers.” This pessimistic view has been all too frequently verified in human history.

Notes on an Eleventh-Century Missal, Walters Manuscript 11

Traditio ◽  
1948 ◽  
Vol 6 ◽  
pp. 328-340
Author(s):  
Anselm Strittmatter
Keyword(s):  
Eleventh Century ◽  
The Body ◽  
Metropolitan City ◽  
The People ◽  
Proper Mass ◽  
History Of ◽  
Excellent Description ◽  
Time Served ◽  
The Church ◽  
Vexing Problem

In his excellent description and analysis of Walters MS 11, Dr. Leo F. Miller gives little or no attention to what is at times the most vexing problem a liturgical manuscript can present, viz., for what church was the codex written? He determines the predominantly Ravennate character of the ‘martyrologium’ prefixed to the sacramentary-missal which constitutes the body of the book, but in general hesitates to assign the manuscript to Ravenna itself, because ‘it contains none of the liturgical uses proper to that city's ancient liturgy, to which the people clung so tenaciously until they were abolished by Archbishop Julius della Rovere,’ and adds: ‘would a Ravenna calendar lack such great names as Peter Chrysologus and Iohannes Angeloptes?’ It will not be amiss, therefore, to look about for other clues which may help us solve the problem. An initial clue may, indeed, be said to stand out in the calendar itself: March 21. Natale S. Patris nostri Benedicti. This formulation, which is found normally only in Benedictine calendars, taken together with the proper mass for the feast of the saint on fo1.37, leaves little room for doubt concerning the character of the church for which the book was intended, even as the blessing of the weekly reader, inserted after the Canon of the Mass (fol.12r), clearly indicates that the book at one time served a monastic church. Our problem, therefore, is to identify the abbey or priory, if possible, and here again there exists an important clue. In the ‘Missa pro Congregatione In honore (sic) sanctae Mariae,’ St. Ambrose is mentioned in both collect and postcommunion, as he is also in the ‘Nobis quoque peccatoribus’ and in the embolism after the Pater noster. There can be no question that the saint mentioned in the two prayers—Defende, quaesumus and Copiosa—is normally the patron of the monastery, and that this particular mass-formulary has in this book been adapted for use in a church dedicated to the famous bishop of Milan. It would be interesting, therefore, to find in the province of Ravenna a monastery dedicated to St. Ambrose, so remote, too, perhaps from the metropolitan city as not to be obliged or inclined to keep all its local observances. Such a monastery did, indeed, exist—Sancti A mbrosii de Rancla (Ranclo; the modern Ranchio), situated about seven kilometers north-northwest of Sarsina, the episcopal city of the diocese to which it belonged, a suffragan see of Ravenna—and although no chronicle or annals, recounting the inner and outer history of the abbey would seem to be extant, the archives of the diocese, meagerly published, to be sure, do give us for the eleventh, twelfth, and thirteenth centuries an occasional glimpse of its fortunes, at times perhaps even more.

scholarly journals Rurality, ruins and archives: mapping the architectural history of the Greek countryside.

2019 ◽  
Vol 63 ◽  
pp. 08004
Author(s):  
Afroditi Maragkou
Keyword(s):  
Social History ◽  
Social Life ◽  
Architectural History ◽  
Rural Landscape ◽  
Historical Sources ◽  
The Social ◽  
History Of ◽  
The 1960S ◽  
Greek Landscape ◽  
Rural Part

What remains unexamined and undervalued in the Greek landscape, are the extreme and abandoned limits of the small non-metropolitan regional areas. At the limits of Greek cities, we can identify a great dispersion, a marginal instability, states of transition and deposition. The architectural and planning policies of the Greek state, through the modernistic period, have set a significant number of traces on the rural part of the country. These traces on the countryside, can only be recorded and historically analysed through systematic approach and subjective mapping, such as the methodology of oral history promotes. The landscape of the lowlands of Thessaly is selected as a paradigm of a changing reality, where one can see and recognize a number of exemplary transformations and specificities. The resettlement phenomenon of the mountain populations in Karditsa region, which was affected by the reclamation infrastructure of the 1960s (construction of Megdova dam), is the springboard for a dispersion of new residential settlements in the lowlands. This relocation process had a significant impact on the transformation of the rural landscape of Thessaly, as well as on the social life of the countryside. The architectural and historical research is motivated from the current ruin condition of these promising residential settlements on the countryside of Thessaly and systematically examines the policies that lead from the construction of Megdova dam to these abandoned traces on the landscape. The methodology of this research is based on an ongoing microhistorical archive which aims to raise microhistory as the main interpretation tool. Composed by oral testimonies, historical sources, state documents, blueprints and other official recordings, this microhistorical archive will be able to map andinterpret the architectural, topological and social history of these modernistic interventions on the countryside of Thessaly.

Women, Art and Observant Franciscan Piety

2018 ◽  
Author(s):  
Kathleen Giles Arthur
Keyword(s):  
Visual Culture ◽  
Early Modern ◽  
Social History ◽  
The Body ◽  
Body Of Christ ◽  
Archival Research ◽  
Religious Women ◽  
Art Objects ◽  
History Of ◽  
Women Patrons

Caterina Vigri (later Saint Catherine of Bologna) was a mystic, writer, teacher and nun-artist. Her first home, Corpus Domini, Ferrara, was a house of semi-religious women that became a Poor Clare convent and model of Franciscan Observant piety. Vigri's intensely spiritual decoration of her breviary, as well as convent altarpieces that formed a visual program of adoration for the Body of Christ, exemplify the Franciscan Observant visual culture. After Vigri's departure, it was transformed by d'Este women patrons, including Isabella da Aragona, Isabella d'Este and Lucrezia Borgia. While still preserving Observant ideals, it became a more elite noblewomen's retreat. Grounded in archival research and extant paintings, drawings, prints and art objects from Corpus Domini, this volume explores the art, visual culture, and social history of an early modern Franciscan women's community.

The Organisation of the Scottish Church in the Twelfth Century

1947 ◽  
Vol 29 ◽  
pp. 135-149 ◽  
Author(s):  
M. Morgan
Keyword(s):  
Social History ◽  
Twelfth Century ◽  
Eleventh Century ◽  
Transition Period ◽  
Religious Communities ◽  
North East ◽  
The North ◽  
History Of ◽  
Scottish History ◽  
Special Studies

It is well known that organisation of bishoprics and parishes came late to the greater part of Scotland, beginning probably with the gradual spread of Norman influence in the late eleventh century and becoming marked in the time of David I. Before that time the Celtic church was predominant in the region between Forth and Spey, which was the main seat of the monarchy, and there were strong Celtic influences in the Highlands, Clydesdale and Galloway. The church was mainly monastic and missionary with religious communities serving wide areas; though in addition Skene has hinted at the existence of tribal churches in the north-east lowlands. Lothian, a part of the ancient kingdom of Northumbria, was peculiar, for it resisted Celtic influences and looked, ecclesiastically, towards Durham; but any parochial organisation it may have had was rudimentary. In general it can be said with truth that ecclesiastical Scotland was completely transformed by the coming of the Normans. Owing to lack of sources twelfth-century Scottish history is obscure; but something at least may be discovered from the charters, which have been in print for over a hundred years and still remain unexplored. And it was in the hope that a reconstruction of church organisation during the transition period might help to illuminate the social history of Scotland that this paper was undertaken. I have concentrated on one subject: the structure of parishes and the relation of local lay and ecclesiastical authorities, because it is a crucial one: and one region, southern Scotland, because there Norman influence was strongest. If in the absence of special studies on the subject my conclusions must remain tentative, they may at least indicate the problems and provoke wider discussion from which the truth will emerge.

scholarly journals Stereotomy and the Mediterranean: Notes Toward an Architectural History

2017 ◽  
pp. 73 ◽  
Author(s):  
Sara GALLETTI
Keyword(s):  
Mediterranean Basin ◽  
Eleventh Century ◽  
Architectural History ◽  
Third Century ◽  
The Third ◽  
Region I ◽  
History Of ◽  
The Mediterranean ◽  
Hellenistic Greece ◽  
The Mediterranean Basin

Stereotomy, the art of cutting stones into particular shapes for the construction of vaulted structures, is an ancient art that has been practiced over a wide chronological and geographical span, from Hellenistic Greece to contemporary Apulia and across the Mediterranean Basin. Yet the history of ancient and medieval stereotomy is little understood, and nineteenth- century theories about the art’s Syrian origins, its introduction into Europe via France and the crusaders, and the intrinsic Frenchness of medieval stereotomy are still largely accepted. In this essay, I question these theories with the help of a work-in-progress database and database-driven maps that consolidate evidence of stereotomic practice from the third century BCE through the eleventh century CE and across the Mediterranean region. I argue that the history of stereotomy is far more complex than what historians have assumed so far and that, for the most part, it has yet to be written.

Digging the Dirt in the Pursuit of Cleanliness

2020 ◽  
pp. 1-28
Author(s):  
Susan North
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Social History ◽  
Early Modern England ◽  
The Body ◽  
The Other ◽  
Documentary Sources ◽  
History Of The Body ◽  
History Of

The introduction outlines the historiography on cleanliness and the influence of Georges Vigarello on early modern social history and history of the body. It reviews both the philosophical and the practical aspects that make researching cleanliness so challenging. On one hand, the prejudices of contemporary observers and commentators are acknowledged and, on the other, the practice of cleanliness is so habitual it goes unnoticed and unrecorded. The methodology for the book is described, first to use traditional documentary sources from a variety of media to elucidate what advice was given about cleanliness in early modern England. In order to determine whether such advice was followed, a study of the material culture of cleanliness is proposed and outlined, acknowledging that it may be more successful for linen than for bodies. Finally the drawing together of these various strands of research is emphasized.

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