A Golden Age for a Changing Nation: Polish National Identity and the Histories of the Wilanów Residence of King Jan III Sobieski

2006 ◽  
Vol 49 ◽  
pp. 101-128
Author(s):  
Barbara Arciszewska

As we continue to probe the boundaries of architectural history and to seek new approaches to the complex legacy of the past, we have to reassess the body of knowledge produced thus far, exposing its often-hidden agendas in order to be aware of our own engagement with today’s ideologies. The architectural history of Central Europe, although usually marginalized, serves as a particularly instructive field in which to study the mutability of ideological positions and their impact on interpretation. Scholarship on the Wilanów Palace near Warsaw (c. 1677–96) (Figs 1 and 2) offers some of the most interesting examples of architectural history’s appropriations, oversights and extraordinary intellectual constructions devised solely in order to claim a relationship with the glorious past, or to sever ties with certain aspects of it, depending upon the contemporary ideological agendas. This material demonstrates how a single building has been used over the years to express diverse concepts of national identity, either by subjecting that building to certain physical modifications, or by making it serve as a point of departure for narratives that emphasize different characteristics of precisely the same physical fabric. The vocabulary of classical architecture employed in Wilanów was particularly well suited to such cultural practices. Classicism – the paradigmatic architectural language, positioned at the nexus of the indigenous and the foreign – has traditionally been associated with discourses of national identity. It was a universal idiom of authority, easily reflecting diverse (or even conflicting) social agendas, its visual vocabulary lending itself to a succession of new meanings, in line with shifting expectations and ideological priorities. In Wilanów the classical and the universal were continually redefined in an attempt to express in visual form the national and the particular.

2018 ◽  
Vol 44 (3) ◽  
Author(s):  
Nelly Mwale ◽  
Joseph Chita

The strides to historicise Pentecostalism in Zambia have attempted to account for the growth of Pentecostal and charismatic churches without delving into the prominent features of Pentecostalism that have been popularised over time. One such characteristic is the “spiritual voice” that has been associated with the Pentecostal “Men of God” (clergy) in contemporary Zambia. Hence, this article explores the use of the voice as the power of articulation, understood as a spiritual vocal gift, as an expression of spiritual identity among the “Men of God” using the identity theory as a lens in Zambian Pentecostal church history. This is deemed significant not only for contributing to the body of knowledge but also to underscore the neglected attribute of Pentecostal influence on Zambia’s religious landscape. An interpretivist case study was employed in which raw data (video of sermons and pastoral ministries) and documents were analysed and interpreted. It was established that these “Men of God” perceived “broken vocal cords” as spiritual vocal gifts. As such, the voice not only evoked the power of articulation to communicate the spiritual emotions, but was also used to appeal, attract, and satisfy congregants (religious marketing) through assuming a ministerial “identity.” The article argues that the history of Pentecostalism in Zambia could not be detached from the romanticisation of the voice as a symbol of spirituality, and an imprint of identity on the “Men of God.”


PEDIATRICS ◽  
1960 ◽  
Vol 26 (6) ◽  
pp. 899-902
Author(s):  
William M. Wallace

The investigative work of James L. Gamble found its instigation in the accentuated peculiarities of disease in infants and children, but as much as any other research in the field of pediatrics, his contributions have been universally applicable to all areas of medicine. The enormous and fruitful body of knowledge of water and electrolyte metabolism now at hand had much of its origin and a considerable segment of its basic foundation arise from the pioneer work of a small group of American pediatricians. Not only were their investigations of great value as pure contributions to the natural sciences, but their work has had an enormous practical application. In a review in 1950 by Darrow and Pratt1 it is stated: "Probably the proper use of water and electrolyte solutions is responsible for saving more lives of seriously ill patients than is the use of any other group of substances." Dr. Gamble was the last survivor of this small group of originators of basic concept upon which so much has been constructed. As a sketch of Gamble's life is available elsewhere,2 it seems more pertinent in this place to undertake a résumé of the history of the period of remarkable scientific achievement in which Gamble played so great a role. The study of the body fluids had its inception in efforts to understand and treat the dysenteric diseases. During the Nineteenth Century a few physicians studied the effects of abnormal losses of intestinal fluids, drew surprisingly correct conclusions and even assayed, with success, treatment with parenteral fluids.


Author(s):  
Simangele D Mavundla ◽  
Ann Strode ◽  
Dumsani Christopher Dlamini

Women's subordination is not new in the world. As society became human rights conscious, many countries started abrogating or scrapping discriminatory laws and attitudes towards women, in particular married women. However, it has taken Eswatini more than 100 years to deal with the fact that the common law principle of marital power discriminates against women. This paper traces the reception of marital power into the legal framework of Eswatini and how advocacy groups on women's rights and freedoms have opposed women's subordination, fortified by research. This paper presents a desktop review of selected literature and case laws touching on women's emancipation in Eswatini. This research work is significant in that it adds to the body of knowledge by recording the origins of women's subjection to marital power and their eventual emancipation in the landmark case of Sacolo v Sacolo (1403/2016) [2019] SZHC 166 (30 August 2019).


2012 ◽  
Author(s):  
◽  
Joan Alkema

This dissertation was researched in two main parts. The first enquiry was to establish whether the Afrikaner women practised any form of craft during their time of interment in the Anglo-Boer War concentration camps, during 1899-1902. The second part explores the appropriation of craft within the Post-Modern context by five South African artists. During this research into the craft practises of Afrikaner women in the concentration camps, I discovered that this particular issue has not been satisfactorily documented. The reasons for this are directly connected to the patriarchal system of the Calvinist Afrikaner. The impact which this system had on the craft practices of Afrikaner women and the lack of documentation thereof, are discussed. The paucity of information on Afrikaner women‟s history led to primary research where I gained the information I needed from the descendents of interned women. The findings of this research includes various forms of needlecraft such as embroidery, quilting, crocheting, and dress and bonnet making. Amongst the artefacts found were two ceramic dogs made in the camp. Various forms of tin and wire artefacts were also found. The contribution to the impoverished Afrikaner women by Hobhouse, the South African Agricultural Association and the South African Women‟s Federation is explained in relation to this dissertation. The freedom that Post-Modern thought created amongst artists enabled them to explore exciting ways of executing their art. The five South African artists whose work I chose to explore are Billy Zangewa, Sue Pam-Grant, Gina Waldman, Antionette Murdoch and Nirmi Ziegler. Their art practices are varied but the common denominator is the incorporation of various forms of traditional feminine craft into their work. They subvert the patriarchal order, draw attention to land issues, explore women‟s fragility and raise awareness concerning the abuse of the environment. I conducted an interview with Ziegler and relied on written documentation for the research concerning the other artists. I also made use of my own analysis and instinct as a woman and mother to interpret some works. As an Afrikaner woman I execute my work by using traditional feminine craft and specific motives found during my research. I deliver commentary on the lack of vi documentation of all of Afrikaner women‟s history. I use myself as an example of an Afrikaner woman and document my own history within the greater Afrikaner history which is contained and embedded within the history of South Africa. My research into and documentation of the craft practises of Afrikaner women during and directly after the Anglo-Boer War adds to the body of knowledge concerning the history of Afrikaner women. The same applies to the work of the five artists I explored. The diversity of material, concept and execution of their work will add some knowledge to the existing body of knowledge about their work, but more so to the documentation of women's history.


2021 ◽  
Author(s):  
Stephanie O'Rourke

Can we really trust the things our bodies tell us about the world? This work reveals how deeply intertwined cultural practices of art and science questioned the authority of the human body in the late eighteenth and early nineteenth centuries. Focusing on Henry Fuseli, Anne-Louis Girodet and Philippe de Loutherbourg, it argues that romantic artworks participated in a widespread crisis concerning the body as a source of reliable scientific knowledge. Rarely discussed sources and new archival material illuminate how artists drew upon contemporary sciences and inverted them, undermining their founding empiricist principles. The result is an alternative history of romantic visual culture that is deeply embroiled in controversies around electricity, mesmerism, physiognomy and other popular sciences. This volume reorients conventional accounts of romanticism and some of its most important artworks, while also putting forward a new model for the kinds of questions that we can ask about them.


2018 ◽  
Vol 7 (3.7) ◽  
pp. 232
Author(s):  
Mastura Md Zali ◽  
Saiful Farik Mat Yatin ◽  
Mohd Razilan Abdul Kadir ◽  
Siti Noraini Mohd Tobi ◽  
Nurul Hanis Kamarudin ◽  
...  

A collection of facts about a patient’s life and health history of past and present illnesses and treatments is known as medical records. The health professionals were contributing to record the patient’s care. The responsibility in managing daily records that produced by each of department is by the Medical Records Department. It is a department under clinical support services with activities including managing of patient records, patient information production, management of medical reports, and hospital statistics. This article aims to discuss the challenge associated with managing medical records in the organization and how to handle and manage it with the records management as a tool to mitigate risk. Therefore, it is likely to prompt further research by addressing existing gaps towards improving service delivery that can contribute to the body of knowledge in the field of records management and archives generally.  


Author(s):  
Alessandra Loureiro Morales dos Santos ◽  
Pedro Enrique Navas-Suarez ◽  
Juliana Guerra ◽  
Ticiana Brasil Ervedosa ◽  
Luana Rivas ◽  
...  

Toxoplasmosis is a zoonotic disease caused by the ubiquitous coccidia Toxoplasma gondii. Rodents play an important role in maintaining its life cycle, as they are one of the main diet sources for felids (wild and domestic), the unique definitive hosts. However, reports of toxoplasmosis in porcupines (Rodentia Order) are uncommon, with gaps concerning its pathophysiology. South America is the continent with the greatest genetic diversity of rodents and T. gondii. A free-ranging hairy dwarf porcupine was admitted to a wildlife rescue center with a history of trauma. During rehabilitation, the animal presented neurological symptoms (sporadic episodes of hind limbs paresis) and died five months later. The main findings during necropsy were brain congestion and severe incisor overgrowth associated with maxillary perforation. The histopathological exam showed moderate encephalitis, with variable-sized round cysts, positive for PAS stain and immunohistochemistry for T. gondii. Additionally, two cysts were observed in the medulla of the adrenal gland. Molecular techniques were performed to characterize the parasite load by qPCR (Cq=30) and the genotype by PCR-RFLP with 11 markers, which revealed a new genotype. This case adds to the body of knowledge in comparative pathology of Neotropical Rodentia and reports a new genotype circulating in South America.


2018 ◽  
pp. 210-214
Author(s):  
Robert Anderson

This chapter presents reviews of Building Knowledge: An Architectural History of the University of Glasgow (2013) by Nick Haynes and Building Knowledge: An Architectural History of the University of Edinburgh (2017) by Nick Haynes and Clive B. Fenton. These books are published in a uniform and lavishly illustrated format by the body responsible for Scotland’s built heritage. The authors, who are primarily architectural historians, focus on style, patronage, costs, building methods, and other topics of architectural history, and use the papers of individual architects as well as university archives. Their work is also an important contribution to the history of universities, as the evolution of buildings reflects the changing demands of university education, and the place of universities within the urban community.


2011 ◽  
Vol 54 ◽  
pp. 1-22
Author(s):  
Eric Fernie

(This is the text of the SAFIGB Annual Lecture, delivered at the Courtauld Institute of Art, London, on 29 November 2010)This is a lecture about architecture and politics in the eleventh century. First, however, I would like to say a few words about another aspect of architectural history, namely style, because it does not feature in the body of the lecture and because of the criticism it currently faces and has faced for some time. I shall append my comments to two recollections. The first of these relates to a presentation in the 1990s at which the speaker identified the different kinds of expertise needed to understand a building, including that of the palaeographer for the documentary history, of the petrologist if it was a masonry structure, and so on to the architectural historian, who was given the task of dealing with style. The second recollection concerns a conference a few years later at which one of the participants said they wished that discussion of style could be banned. The two remarks taken together lead to an amusing conclusion, but they were separate utterances and so should be considered separately. As to the first, there are of course many other contributions that the architectural historian can make, not least in terms of social history, but I am pleased to see the task of assessing the relevance of style assigned to them because, if they do not undertake it, it is unlikely that anyone else will. On the second, I have some sympathy with the speaker, because style can be such a slippery concept that at times one might think it better to do without it. But, however justified such criticism, the varying stylistic characteristics found in objects carry so much information about the choices made by innumerable individuals in the course of human history that it would be counterproductive to abandon them, regardless of the difficulties.


2006 ◽  
Vol 23 (1) ◽  
pp. 95-97
Author(s):  
Faisal Ghori

Jordan has existed now for nearly 60 years, since the termination of theBritish mandate in 1946, and has generally been studied in terms of itsHashemite rulers and the “King’s men,” those who helped the Hashemitesconstruct it. These historical narratives, argues Anderson, have privilegedthe Jordanian monarchy and the “high” elements of society and, consequently,have ignored the “urban” elements that played an equal, if not agreater, role in constructing the Jordanian national identity. In this sense,Anderson gives voice to narratives that were previously unknown andunheard and, by so doing, makes a significant contribution to the body ofliterature on Jordan.She contends that the “Arab Street” “holds a key to understandingJordan in the twentieth century” and, in this regard, focuses upon the “true”Jordanian natives and their narrative. Taking a subaltern approach toJordanian history, she examines the foundation of the Jordanian NationalMovement (JNM), a coalition of leftist parties based loosely upon Arabnationalism, and its influence upon the nation’s formation. Given her uniqueapproach to Jordanian history, she admits that her work is incomplete, formany first-hand accounts and memoirs, which cannot be found, should beexamined in light of the larger body of literature on Jordan.The history of Jordan is that of post-colonial independence and nationhood,of a nation that had never existed in the hearts and minds of those whowould live within its borders until it was actually drawn on a map. In anagreement brokered in late March 1921 between Winston Chuchill, then theBritish colonial secretary, and Abdullah I, the latter would accept British ...


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