The Making of a Slovak City: The Czechoslovak Renaming of Pressburg/Pozsony/Prešporok, 1918–19

2004 ◽  
Vol 35 ◽  
pp. 205-227 ◽  
Author(s):  
Peter Bugge
Keyword(s):  
Twentieth Century ◽  
World War I ◽  
Central Europe ◽  
Slovak Republic ◽  
World War ◽  
Cultural Life ◽  
Future State ◽  
The Future ◽  
The City

Any modern atlas or encyclopedia will inform us that Bratislava is the capital of the Slovak Republic, the center of Slovak political and cultural life. But before World War I—or even toward the end of it in 1918—it was far from clear that the city could or should be defined as “Slovak,” to say nothing of a “Slovak capital”; that it was to belong to the future state of Czechoslovakia; or that it was to be called Bratislava. This essay will describe the processes that led to these outcomes, and how a name shift became a crucial instrument in the “Slovakization” of the city. In focusing also on the ways local and central actors responded to these political and symbolic transformations, I hope to shed new light on the complexity of collective identifications and allegiances, and on the significance of renaming as a catalyst for processes of nationalization in Central Europe in the early decades of the twentieth century.

A Tower of Tangled Histories: The Upper Silesia Tower in Poznań and the Making of an Unromantic Poland, 1911–1955

Slavic Review ◽  
2020 ◽  
Vol 79 (3) ◽  
pp. 566-590
Author(s):  
Patryk Babiracki
Keyword(s):  
Twentieth Century ◽  
National Identity ◽  
Cold War ◽  
World War I ◽  
Material Structure ◽  
World War ◽  
Upper Silesia ◽  
The Cold War ◽  
The City ◽  
Over Time

Engaging with regional, international, and spatial histories, this article proposes a new reading of the twentieth-century Polish past by exploring the vicissitudes of a building known as the Upper Silesia Tower. Renowned German architect Hans Poelzig designed the Tower for the 1911 Ostdeutsche Ausstellung in Posen, an ethnically Polish city under Prussian rule. After Poland regained its independence following World War I, the pavilion, standing centrally on the grounds of Poznań’s International Trade Fair, became the fair's symbol, and over time, also evolved into visual shorthand for the city itself. I argue that the Tower's significance extends beyond Posen/Poznań, however. As an embodiment of the conflicts and contradictions of Polish-German historical entanglements, the building, in its changing forms, also concretized various efforts to redefine the dominant Polish national identity away from Romantic ideals toward values such as order, industriousness, and hard work. I also suggest that eventually, as a material structure harnessed into the service of socialism, the Tower, with its complicated past, also brings into relief questions about the regional dimensions of the clashes over the meaning of modernity during the Cold War.

Reclaiming the Past, Building a Future: Māori Identity in the Plays of Hone Kouka

2001 ◽  
Vol 26 (1) ◽  
pp. 15-24 ◽  
Author(s):  
William Peterson
Keyword(s):  
Twentieth Century ◽  
New Zealand ◽  
World War I ◽  
The Other ◽  
World War ◽  
The Past ◽  
Aotearoa New Zealand ◽  
Rural And Urban ◽  
The Future ◽  
The 1960S

Hone Kouka's historical plays Nga Tangata Toa and Waiora, created and produced in Aotearoa/New Zealand, one set in the immediate aftermath of World War I, and the other during the great Māori urban migrations of the 1960s, provide fresh insights into the way in which individual Māori responded to the tremendous social disruptions they experienced during the twentieth century. Much like the Māori orator who prefaces his formal interactions with a statement of his whakapapa (genealogy), Kouka reassembles the bones of both his ancestors, and those of other Māori, by demonstrating how the present is constructed by the past, offering a view of contemporary Māori identity that is traditional and modern, rural and urban, respectful of the past and open to the future.

Commentary: In Step with the Times: A Slovak Perspective

2005 ◽  
Vol 36 ◽  
pp. 198-207
Author(s):  
M. Mark Stolarik
Keyword(s):  
Twentieth Century ◽  
World War I ◽  
Central Europe ◽  
North American ◽  
World War ◽  
East Central Europe ◽  
East Central ◽  
Before And After ◽  
The Times

Paul robert magocsi has written a thought-provoking essay on the role of North American political diasporas from east central Europe before and after the seminal years of 1918 and 1989. While he showed that the pre-1918 diasporas had a major impact on the future of east central Europe during and after World War I, he found very little evidence of a similar impact before and after 1989. He suggested that we look closely at 1989 to see what, if any, impact such diasporas had at the end of the twentieth century.

Rebirth

Jockomo ◽  
2019 ◽  
pp. 109-122
Author(s):  
Shane Lief ◽  
John McCusker
Keyword(s):  
Twentieth Century ◽  
Hurricane Katrina ◽  
New Orleans ◽  
Mardi Gras ◽  
The Public ◽  
Cultural Life ◽  
The Future ◽  
Major Disruption ◽  
The City

This final chapter describes how Mardi Gras Indians became more prominent in the public eye during the twentieth century. While they were often associated with violent street clashes during the early decades, by the last quarter of the century, a deliberate move towards harmony and growing cooperation led to more peaceful encounters among Mardi Gras Indians. This development paralleled the city’s growing acceptance and ultimate embrace of the Mardi Gras Indian as a cultural icon of the city. Just a few years into the twentieth century, Hurricane Katrina caused a major disruption in the cultural life of New Orleans, impacting the lives of Mardi Gras Indians and throwing the future of their tradition into doubt. Featured in this chapter is another series of interviews in which Mardi Gras Indians describe their struggles to return to New Orleans and their role in leading the city back to recovery and renewal.

Commentary: Renaming the Promised Land

2004 ◽  
Vol 35 ◽  
pp. 259-267
Author(s):  
Pieter M. Judson
Keyword(s):  
Twentieth Century ◽  
Second Language ◽  
World War I ◽  
Central Europe ◽  
World War ◽  
Central European ◽  
Promised Land ◽  
Public Protest ◽  
Territorial Claims

What's in a name? For nationalist activists in Habsburg Central Europe in the early part of the twentieth century, names seem to have meant everything. As Peter Bugge and Maura Hametz convincingly demonstrate in their engaging essays on Bratislava and Trieste after World War I, the use of particular names gave nationalists the power to assert symbolic territorial claims against opponents. Well before 1914 in many regions of the monarchy, as apparently innocent a gesture as hanging a business sign in one language in a neighborhood inhabited by speakers of another language could inflame the passions of local nationalists enough to create political causes célèbres out of such displays. Similarly, the decision of a town council in a linguistically mixed region either to add or to prohibit street signs in a second language could easily provoke serious public protest. The activists who labored obsessively to nationalize both Central European peoples and the spaces they inhabited experienced decisions in favor of one or another set of names as incursions launched against the territory of a national enemy. Never mind that such “linguistic attacks” frequently originated as innocent business advertisement. Nationalists made sure that they would become understood as the legitimate (or illegitimate) reclamation (or seizure) of one nation's property from another.

‘Grey Dawn’ in the British Pacific: Race, Security and Colonial Sovereignty on the Eve of World War I

2016 ◽  
Vol 9 (1) ◽  
pp. 32-54 ◽  
Author(s):  
Jesse Tumblin
Keyword(s):  
Twentieth Century ◽  
World War I ◽  
Military Force ◽  
Royal Navy ◽  
World War ◽  
Building Projects ◽  
Cooperative Security ◽  
Strategic Defense ◽  
Racial Discourses ◽  
The Way

This article examines the way a group of colonies on the far reaches of British power – Australia, New Zealand, Canada, and India, dealt with the imperatives of their own security in the early twentieth century. Each of these evolved into Dominion status and then to sovereign statehood (India lastly and most thoroughly) over the first half of the twentieth century, and their sovereignties evolved amidst a number of related and often countervailing problems of self-defence and cooperative security strategy within the British Empire. The article examines how security – the abstracted political goods of military force – worked alongside race in the greater Pacific to build colonial sovereignties before the First World War. Its first section examines the internal-domestic dimension of sovereignty and its need to secure territory through the issue of imperial naval subsidies. A number of colonies paid subsidies to Britain to support the Royal Navy and thus to contribute in financial terms to their strategic defense. These subsidies provoked increasing opposition after the turn of the twentieth century, and the article exlpores why colonial actors of various types thought financial subsidies threatened their sovereignties in important ways. The second section of the article examines the external-diplomatic dimension of sovereignty by looking at the way colonial actors responded to the Anglo-Japanese Alliance. I argue that colonial actors deployed security as a logic that allowed them to pursue their own bids for sovereignty and autonomy, leverage racial discourses that shaped state-building projects, and ultimately to attempt to nudge the focus of the British Empire's grand strategy away from Europe and into Asia.

International Opera in Nineteenth-century New York

2020 ◽  
pp. 244-269
Author(s):  
Karen Ahlquist
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
New York City ◽  
World War I ◽  
Buenos Aires ◽  
Considerable Extent ◽  
World War ◽  
Metropolitan Opera ◽  
The City

This chapter charts how canonic repertories evolved in very different forms in New York City during the nineteenth century. The unstable succession of entrepreneurial touring troupes that visited the city adapted both repertory and individual pieces to the audience’s taste, from which there emerged a major theater, the Metropolitan Opera, offering a mix of German, Italian, and French works. The stable repertory in place there by 1910 resembles to a considerable extent that performed in the same theater today. Indeed, all of the twenty-five operas most often performed between 1883 and 2015 at the Metropolitan Opera were written before World War I. The repertory may seem haphazard in its diversity, but that very condition proved to be its strength in the long term. This chapter is paired with Benjamin Walton’s “Canons of real and imagined opera: Buenos Aires and Montevideo, 1810–1860.”

Commentary: ‘Just the tip of the iceberg’: Queensland’s experience of the influenza pandemic of 1918–20

2020 ◽  
Vol 27 (2) ◽  
pp. 154-165
Author(s):  
Patrick Hodgson
Keyword(s):  
World War I ◽  
Influenza Pandemic ◽  
The State ◽  
World War ◽  
Coastal Shipping ◽  
The City

AbstractThis article provides a synopsis of the spread of epidemic influenza throughout Queensland in 1919–20.1 Statewide the story was, to a greater or lesser extent, the same – regardless of occupation or whether one was from the city or the bush, on the coast or in the far west, no one was immune; even being 300 kilometres from the nearest epicentre of the outbreak was no guarantee of safety. An examination of the state’s newspapers, particularly the Brisbane Courier, makes it evident that outbreaks of influenza erupted almost simultaneously throughout the state. Aided and abetted by Queensland’s network of railways and coastal shipping, together with the crowding of people at country shows, race meetings and celebrations of the formal conclusion of World War I, the disease was swiftly diffused throughout the state. This article hopes to give the reader a sense of how the sheer scale and urgency of the crisis at times overwhelmed authorities and communities.

„Zurück zu Schleiermacher! und von Schleiermacher aus vorwärts!“

2012 ◽  
Vol 19 (2) ◽  
Author(s):  
Brent A. R. Hege
Keyword(s):  
Twentieth Century ◽  
World War I ◽  
The State ◽  
World War ◽  
Psychological Method ◽  
Dialectical Theology ◽  
Complex Picture ◽  
History Of ◽  
The Subject ◽  
Definition Of

AbstractAs dialectical theology rose to prominence in the years following World War I, the new theologians sought to distance themselves from liberalism in a number of ways, an important one being a rejection of Schleiermacher’s methods and conclusions. In reading the history of Weimar-era theology as it has been written in the twentieth century one would be forgiven for assuming that Schleiermacher found no defenders during this time, as liberal theology quietly faded into the twilight. However, a closer examination of this period reveals a different story. The last generation of liberal theologians consistently appealed to Schleiermacher for support and inspiration, perhaps none more so than Georg Wobbermin, whom B. A. Gerrish has called a “captain of the liberal rearguard.” Wobbermin sought to construct a religio-psychological method on the basis of Schleiermacher’s definition of religion and on his “Copernican turn” toward the subject and resolutely defended such a method against the new dialectical theology long after liberal theology’s supposed demise. A consideration of Wobbermin’s appeals to Schleiermacher in his defense of the liberal program reveals a more complex picture of the state of theology in the Weimar period and of Schleiermacher’s legacy in German Protestant thought.

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