Eschatological Expectation in the Works of J. S. Bach

1994 ◽  
Vol 10 ◽  
pp. 217-223
Author(s):  
Jan R. Luth
Keyword(s):  
The Body ◽  

When we look at the texts with which Bach was involved, we discover that eschatology has several meanings. In many texts we find a wish for death, which is the moment in which the body finds rest and the soul is liberated from sin. Dying means also standing before Jesus, not at the day of final judgement, but immediately after death. A difference is made between the body, which is buried, and the soul, which is ascending. Sometimes death is not glorified, because one also knows the pangs of death. However death remains welcome, because all necessities disappear. Dying means going to heaven and enjoying eternal rest. The body is the dress of mortality and is given back to the earth, and then begins the time in which the faithful are with Christ. One can take leave from the sinful world with pleasure. We find this approach—that eternal life starts with dying—much more than eschatology seen as the time of the return of Christ and final judgement. So let us look at the exceptions.

2021 ◽  
pp. 002114002110176
Author(s):  
David J. Norman

This article examines the question of when the resurrection of the body begins. Matthew 27:51–53 testifies to the resurrection of bodies on Good Friday; and 2 Corinthians 5:1 speaks of those who die in Christ receiving a building/body from God, a house not made with hands, eternal in the heavens. Eternal life begins for Christians with baptism into Christ’s death; they become members of his Body, the Church. Through the presence of Christ’s Spirit, our bodies undergo a spiritual transformation up to the moment of death. Those who die in Christ pass from resurrected life in the physical body to the fullness of resurrected life at death in Christ’s spiritual body. Whether one is in the (physical) body and away from the Lord or with the Lord and away from the (physical) body, one remains in Christ.


2020 ◽  
Vol 22 ◽  
pp. 135-151
Author(s):  
Prisca Amoroso ◽  

This essay builds on two questions: the relation of the child with the other and the child’s way of knowing, in which the resistance of the unreflected is not yet problematized. Through a reconstruction of Merleau-Ponty’s critique of Piaget’s idea of the child’s linear intellectual progression toward reflexive abstraction, I highlight the moment of unreflection by taking up the notion of ultra-thing, which Merleau-Ponty borrows from Henry Wallon. These ultra-things are entities with which the child entertains a vague relation and which always remain at the horizon of her perception without yet being possessed in a representation or grasped in a concept. They include, for example, the sun, the sky, the Earth, the body as an object, existence before the birth of the child – uninhabitable dimensions or, to the contrary, ones that are necessarily inhabited. The concept of ultra-thing has not been sufficiently explored in Merleau-Pontian studies and its importance remains underappreciated. This essay thus formulates a hypothesis about the relation between ultra-things and hyper-reflection.


Vox Patrum ◽  
2016 ◽  
Vol 65 ◽  
pp. 141-154
Author(s):  
Bogdan Czyżewski

The article aims at the presentation of the exegesis of Gen 2:7 made by some early Christian writers. Their interpretation contains three essential elements. Fathers start with pointing out the matter as a material from which God created man. Although the human body undergoes natural decomposition, it is not be­cause of the material from which it is built, but because of its frailty due to sin. Fathers also pay attention to the soul, which has its source in what Genesis calls the breath of God. However, it did not exist before the creation of the material body, as proclaimed by Origen, but was created along with the body. The soul animates the body putting it in motion. Although man was formed from the dust of the earth by the hands of God, he should be seen as a spiritual being. Whereas the soul is created, the body has been formed and this clearly differentiates the two. Due to the greatness and grandeur of man, he cannot be reduced to animal being, as it has a rational soul that animates his body. Finally, the third thread in connec­tion with the exegesis of the Gen 2:7 indicates the union of the body and the soul at the moment of creation. It occurred at the time when God breathed into man’s nostrils and put in some part of his grace. This does not mean, however, that the nature of God has changed into the soul of man. Not only did the first man receive the breath of God – everyone gets a second breath, the Holy Spirit, which leads to the creation of a new humanity.


Author(s):  
Ruiping FAN

LANGUAGE NOTE | Document text in Chinese; abstract in English only.Kwan addresses near death experiences (NDEs) from different perspectives. His attitude is reasonable and humble. Basically, he indicates that scientific studies of NDE can neither prove nor falsify the existence of the soul. Given this circumstance, religious explanations cannot be excluded as unreasonable. He also rightly points out that one may not draw on NDEs to defend only one particular religious view, such as that of Christianity. This commentary essay suggests that it may also be heuristic to study NDE from a Confucian metaphysical perspective. The classical Confucian view considers the basic element of the cosmos to be qi (air/energy 氣), which is believed to be both material and spiritual at the same time. Thus, Confucianism has kept a distance from either Platonic dualism or modern materialistic reductionism. The soul under the Confucian conception includes two parts: the hun (魂the intelligent soul) and the po (魄the animal soul). When a human being dies, “the intelligent soul returns to heaven; the body and the animal soul return to the earth.” Accordingly, it is crucial for Confucians to perform ritual sacrifices to seek the union of a deceased ancestor’s soul. NDE may take place at the moment the hun and po have just separated, but are not yet far from each other.DOWNLOAD HISTORY | This article has been downloaded 54 times in Digital Commons before migrating into this platform.


Author(s):  
Fred Feldman

Reflection on death gives rise to a variety of philosophical questions. One of the deepest of these is a question about the nature of death. Typically, philosophers interpret this question as a call for an analysis or definition of the concept of death. Plato, for example, proposed to define death as the separation of soul from body. However, this definition is not acceptable to those who think that there are no souls. It is also unacceptable to anyone who thinks that plants and lower animals have no souls, but can nonetheless die. Others have defined death simply as the cessation of life. This too is problematic, since an organism that goes into suspended animation ceases to live, but may not actually die. Death is described as ‘mysterious’, but neither is it clear what this means. Suppose we cannot formulate a satisfactory analysis of the concept of death: in this respect death would be mysterious, but no more so than any other concept that defies analysis. Some have said that what makes death especially mysterious and frightening is the fact that we cannot know what it will be like. Death is typically regarded as a great evil, especially if it strikes someone too soon. However, Epicurus and others argued that death cannot harm those who die, since people go out of existence when they die, and people cannot be harmed at times when they do not exist. Others have countered that the evil of death may lie in the fact that death deprives us of the goods we would have enjoyed if we had lived. On this view, death may be a great evil for a person, even if they cease to exist at the moment of death. Philosophers have also been concerned with the question of whether people can survive death. This is open to several interpretations, depending on what we understand to be people and what we mean by ‘survive’. Traditional materialists take each person to be a purely physical object – a human body. Since human bodies generally continue to exist after death, such materialists presumably must say that we generally survive death. However, such survival would be of little value to the deceased, since the surviving entity is just a lifeless corpse. Dualists take each person to have both a body and a soul. A dualist may maintain that at death the soul separates from the body, thereby continuing to enjoy (or suffer) various experiences after the body has died. Some who believe in survival think that the eternal life of the soul after bodily death can be a good beyond comparison. But Bernard Williams has argued that eternal life would be profoundly unattractive. If we imagine ourselves perpetually stuck at a given age, we may reasonably fear that eternal life will eventually become rather boring. On the other hand, if we imagine ourselves experiencing an endless sequence of varied ‘lives’, each disconnected from the others, then it is questionable whether it will in fact be ‘one person’ who lives eternally. Finally, there are questions about death and the meaning of life. Suppose death marks the end of all conscious experience – would our lives be then rendered meaningless? Or would the fact of impending death help us to recognize the value of our lives, and thereby give deeper meaning to life?


2011 ◽  
Vol 5 (1) ◽  
pp. 18-34 ◽  
Author(s):  
Rick Dolphijn

Starting with Antonin Artaud's radio play To Have Done With The Judgement Of God, this article analyses the ways in which Artaud's idea of the body without organs links up with various of his writings on the body and bodily theatre and with Deleuze and Guattari's later development of his ideas. Using Klossowski (or Klossowski's Nietzsche) to explain how the dominance of dialogue equals the dominance of God, I go on to examine how the Son (the facialised body), the Father (Language) and the Holy Spirit (Subjectification), need to be warded off in order to revitalize the body, reuniting it with ‘the earth’ it has been separated from. Artaud's writings on Balinese dancing and the Tarahumaran people pave the way for the new body to appear. Reconstructing the body through bodily practices, through religion and above all through art, as Deleuze and Guattari suggest, we are introduced not only to new ways of thinking theatre and performance art, but to life itself.


2018 ◽  
Vol 8 (1) ◽  
pp. 49-66
Author(s):  
Monika Szuba

The essay discusses selected poems from Thomas Hardy's vast body of poetry, focusing on representations of the self and the world. Employing Maurice Merleau-Ponty's concepts such as the body-subject, wild being, flesh, and reversibility, the essay offers an analysis of Hardy's poems in the light of phenomenological philosophy. It argues that far from demonstrating ‘cosmic indifference’, Hardy's poetry offers a sympathetic vision of interrelations governing the universe. The attunement with voices of the Earth foregrounded in the poems enables the self's entanglement in the flesh of the world, a chiasmatic intertwining of beings inserted between the leaves of the world. The relation of the self with the world is established through the act of perception, mainly visual and aural, when the body becomes intertwined with the world, thus resulting in a powerful welding. Such moments of vision are brief and elusive, which enhances a sense of transitoriness, and, yet, they are also timeless as the self becomes immersed in the experience. As time is a recurrent theme in Hardy's poetry, this essay discusses it in the context of dwelling, the provisionality of which is demonstrated in the prevalent sense of temporality, marked by seasons and birdsong, which underline the rhythms of the world.


2017 ◽  
Vol 2017 (1) ◽  
pp. 39-54
Author(s):  
Jörg Zimmer

In classical philosophy of time, present time mainly has been considered in its fleetingness: it is transition, in the Platonic meaning of the sudden or in the Aristotelian sense of discreet moment and isolated intensity that escapes possible perception. Through the idea of subjective constitution of time, Husserl’s phenomenology tries to spread the moment. He transcends the idea of linear and empty time in modern philosophy. Phenomenological description of time experience analyses the filled character of the moment that can be detained in the performance of consciousness. As a consequence of the temporality of consciousness, he nevertheless remains in the temporal conception of presence. The phenomenology of Merleau-Ponty, however, is able to grasp the spacial meaning of presence. In his perspective of a phenomenology of perception, presence can be understood as a space surrounding the body, as a field of present things given in perception. Merleau-Ponty recovers the ancient sense of ‘praesentia’ as a fundamental concept of being in the world.


2019 ◽  
pp. 105-107
Author(s):  
A. S. Busygin ◽  
А. V. Shumov

The paper considers a method for simulating the flight of a multistage rocket in Matlab using Simulink software for control and guidance. The model takes into account the anisotropy of the gravity of the Earth, changes in the pressure and density of the atmosphere, piecewise continuous change of the center of mass and the moment of inertia of the rocket during the flight. Also, the proposed model allows you to work out various targeting options using both onboard and ground‑based information tools, to load information from the ground‑based radar, with imitation of «non‑ideality» of incoming target designations as a result of changes in the accuracy of determining coordinates and speeds, as well as signal fluctuations. It is stipulated that the design is variable not only by the number of steps, but also by their types. The calculations are implemented in a matrix form, which allows parallel operations in each step of processing a multidimensional state vector of the simulated object.


Designs ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 8
Author(s):  
Pyrrhon Amathes ◽  
Paul Christodoulides

Photography can be used for pleasure and art but can also be used in many disciplines of science, because it captures the details of the moment and can serve as a proving tool due to the information it preserves. During the period of the Apollo program (1969 to 1972), the National Aeronautics and Space Administration (NASA) successfully landed humans on the Moon and showed hundreds of photos to the world presenting the travel and landings. This paper uses computer simulations and geometry to examine the authenticity of one such photo, namely Apollo 17 photo GPN-2000-00113. In addition, a novel approach is employed by creating an experimental scene to illustrate details and provide measurements. The crucial factors on which the geometrical analysis relies are locked in the photograph and are: (a) the apparent position of the Earth relative to the illustrated flag and (b) the point to which the shadow of the astronaut taking the photo reaches, in relation to the flagpole. The analysis and experimental data show geometrical and time mismatches, proving that the photo is a composite.


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