We Dance for Knowledge

2008 ◽  
Vol 40 (1) ◽  
pp. 31-44 ◽  
Author(s):  
Sharon Māhealani Rowe
Keyword(s):  
Natural History ◽  
Limited Range ◽  
Folk Dance ◽  
Exotic Dancers ◽  
The Past ◽  
Art Form ◽  
The Social ◽  
The World ◽  
The Rich ◽  
The Many

Every year, for hundreds of thousands of tourists, seeing “real Hawaiian hula” in a hotel or in a packaged lū'au setting is standard fare. Commonplace too is receiving one's introduction to hula through any of the many competitions that take place annually in Hawai'i and, with increasing frequency, throughout the world. Still others find hula marketed for its exercise benefits, peddled as the latest fitness fad in gyms and malls across the country. But is hula the allure of exotic dancers evoking prurient responses from tourists, one moment tantalized by undulating hips only to be teasingly chastised the next to “keep your eyes on the hands”? Is it the crisp, impeccably synchronized movement danced before panels of judges at the several hula competitions that mark the year for many hula hālau? Is hula the movement, the meaning conveyed through the movement, or the full context out of which movement casts itself into an art form that inspires passion and perpetuates a traditional way of living?For Mary Kawena Pukui, credited with helping to bring the rich traditional context of hula into the present, hula is “a general name for many types of Hawaiian folk dances” (1942/1980, 70). Pukui's laconic description says everything, and nothing. Everything because hula is the unique dance of the Hawaiian people. Everything because despite the homogenizing influence of hula competition, which has brought only a limited range of the vast hula repertoire to the public's attention over the past thirty-five years, hula encompasses many different styles and types of dances. But it says nothing because hula simply cannot be reduced to Hawaiian folk dance. Hula is a moving encyclopedia inscribed into the sinews and postures of dancers' bodies. It carries forward the social and natural history, the religious beliefs, the philosophy, the literature, and the scientific knowledge of the Hawaiian people.

What Makes Art Art?

1975 ◽  
Vol 7 (1) ◽  
pp. 10-12
Author(s):  
Mary H. Kaprelian
Keyword(s):  
Social Context ◽  
Cross Section ◽  
Aesthetic Theory ◽  
Work Of Art ◽  
Art Form ◽  
The Social ◽  
The World ◽  
The Many ◽  
Definition Of

Those of us in the field of dance may encounter difficulties discussing the many facets of dance among ourselves, but most of us take for granted that dance can be an art form. Currently, however, there are many approaches to dance including chance choreography, the dance happening, non-dance, and minimal dance which are in radical contrast to what has generally been accepted as the art of dance. It is reasonable to raise questions about how the new dance forms fit into the established scheme of things. It is reasonable to also raise questions about the defining properties of art in general. The purpose of this paper is to point out very briefly, some of the thoughts of respected aestheticians on the concept of art. An examination of pertinent aesthetic theory will indicate there can be no simple answer to the question, “What is art?”. There is no one theory of the artistic which offers a comprehensive explanation. A cross section of references chosen for their readability, accessibility, and relatedness bears this out. Although there are no articles devoted specifically to dance, one can sift through the material and find what pertains not only to art in general, but also to dance.Because the world of art is always changing, the phrase, “work of art,” is bound to be used in varying ways. Paul Ziff has pointed out the difficulties in arriving at a definition of art. Disputes occur simply because of what critics mean when they refer to something as being a work of art. Ziff maintains that these disputes must always be examined in the social context in which they occur.

Benson and Miller in Perspective

1979 ◽  
Vol 3 (3-4) ◽  
pp. 242-244 ◽  
Author(s):  
Bruce Kuklick
Keyword(s):  
Social Sciences ◽  
Social Policy ◽  
Applied Science ◽  
The Other ◽  
Social Knowledge ◽  
The Past ◽  
The Social ◽  
The World ◽  
The One ◽  
Stock Of Knowledge

Despite differences in coloration Miller and Benson are birds of a feather. Although he is no Pollyanna, Miller believes that there has been a modest and decent series of advances in the social sciences and that the most conscientious, diligent, and intelligent researchers will continue to add to this stock of knowledge. Benson is much more pessimistic about the achievements of yesterday and today but, in turn, offers us the hope of a far brighter tomorrow. Miller explains Benson’s hyperbolic views about the past and future by distinguishing between pure and applied science and by pointing out Benson’s naivete about politics: the itch to understand the world is different from the one to make it better; and, Miller says, because Benson sees that we have not made things better, he should not assume we do not know more about them; Benson ought to realize, Miller adds, that the way politicians translate basic social knowledge into social policy need not bring about rational or desirable results. On the other side, Benson sees more clearly than Miller that the development of science has always been intimately intertwined with the control of the environment and the amelioration of the human estate.

The Perils of Vanguardism

2017 ◽  
Vol 17 (4) ◽  
pp. 947-968 ◽  
Author(s):  
Joshua C Gordon
Keyword(s):  
Causal Explanation ◽  
Unemployment Benefit ◽  
Right Wing ◽  
Social Democrats ◽  
Asylum Policy ◽  
The Past ◽  
The Social ◽  
The Rich ◽  
The Right ◽  
Unexpected Outcome

AbstractOver the past 25 years, Sweden has gone from having one of the most generous unemployment benefit systems among the rich democracies to one of the least. This article advances a multi-causal explanation for this unexpected outcome. It shows how the benefit system became a target of successive right-wing governments due to its role in fostering social democratic hegemony. Employer groups, radicalized by the turbulent 1970s more profoundly than elsewhere, sought to undermine the system, and their abandonment of corporatism in the early 1990s limited unions’ capacity to restrain right-wing governments in retrenchment initiatives. Two further developments help to explain the surprising political resilience of the cuts: the emergence of a private (supplementary) insurance regime and a realignment of working-class voters from the Social Democrats to parties of the right, especially the nativist Sweden Democrats, in the context of a liberal refugee/asylum policy.

scholarly journals Rola języka w uwalnianiu się z dziedzicznych traum

Politeja ◽  
2020 ◽  
Vol 17 (2(65)) ◽  
pp. 189-204
Author(s):  
Katarzyna Marcol
Keyword(s):  
Collective Memory ◽  
Cultural Memory ◽  
Social Position ◽  
Traumatic Experiences ◽  
The Past ◽  
The Social ◽  
The World ◽  
The 19Th Century ◽  
The Village

The Role of Language in Releasing from Inherited Traumas. Negotiations of the Social Position of the Silesian Minority in Serbian Banat The aim of the paper is to show the dependence between language, collective memory (also post-memory) and sense of identity. This issue is analysed using the example of an ethnic minority living in the village of Ostojićevo (Banat, Serbia) called ‘Toutowie.’ Their ancestors came in the 19th century from Wisła (Silesian Cieszyn, Poland); they left their homes because of great hunger and were looking for jobs in Banat. Narratives about the past contain traumatic experiences of the past generations transmitted in the Silesian dialect and constituting communicative memory. At the same time, a new Polish national identity is being constructed, supported by institutions and authorities; it carries a new image of the world and creates a new cultural memory. This new identity – shaped on the basis of national categories – leads to changes of its self-identification and gives the opportunity to raise its social position in the multi-ethnic Banat community.

L’Antartide è veramente un "awful place"? I caratteri ambientali del continente più freddo della Terra

2012 ◽  
pp. 29-46
Author(s):  
Claudio Smiraglia
Keyword(s):  
Indigenous Population ◽  
Terrestrial Ecosystems ◽  
South Pole ◽  
The Past ◽  
Unique Information ◽  
The World ◽  
Antarctic Continent ◽  
Harsh Climate ◽  
The Many ◽  
The Antarctic

The Antarctic continent is certainly made an "awful" place by its harsh climate: in the past, explorers and researchers endured terrible hardships and the climate remains a challenge today, in spite of the many improvements in knowledge and technology. The Antarctic may be termed "the continent of the extremes", as it occupies an area unlike any other on earth. It is the farthest and most inaccessible and isolated continent; the most regular because of its rounded shape, with the South Pole at the centre; the coldest continent, with temperatures falling to -90°C; the driest (with an average of 130 mm of precipitation); the windiest, the highest, the most glacialized (it contains 91% of the volume of the earth’s ice). It also displays the most monotonous landscapes and presents the greatest contrast between marine and terrestrial ecosystems. But the Antarctic is also "extreme" because it is the least populated continent, with no indigenous population at all, while its few settlements (consisting in scientific bases) are concentrated on the coast; it is the only place that does not belong to one nation, but to all the world; it is the place where unique information on the past, present and future of humankind is revealed.

Making History: Chan as an Art Form

2016 ◽  
Author(s):  
Alan Cole
Keyword(s):  
The Past ◽  
Art Form ◽  
Human Ability ◽  
The Everyday ◽  
The World ◽  
Everyday World

This chapter highlights several important elements at work in the process of writing history. The first thing to see is that writing history represents a doubling of reality: in addition to the everyday world that one lives in, where one's senses are engaged in a fluid and continuous manner, the writer of history works to evoke scenes and events that, though invisible, can be made to appear to the reader as integral parts of reality, albeit in the past. Put this way, one can appreciate how the skills needed to write history reflect the growing human ability to artify the world. Why this matters for understanding Chan literature is that one wouldn't be far wrong in describing Chan as a gradually solidifying set of literary gestures designed to enhance—and organize—the present, by carefully designing and curating images of an imaginary past.

Elections and Social Media

2015 ◽  
pp. 314-328
Author(s):  
Ahmet Sarıtaş ◽  
Elif Esra Aydın
Keyword(s):  
Social Media ◽  
Political Communication ◽  
Political Campaigns ◽  
The Internet ◽  
Election Campaigns ◽  
The Past ◽  
Target Mass ◽  
The Social ◽  
The World ◽  
Use Of Social Media

Today, using of the internet extended social media by individuals habitually enables both the business firms and politicians to reach their target mass at any time. In this context, internet has become a popular place recently where political communication and campaigns are realized by ensuring a new dimension to political campaigns. When we examine the posts and discussions in the social media, we can say that they are converted into open political sessions. As there are no censorship in such channels, individuals have a freedom to reach to any partial/impartial information and obtain transparent and fast feedback, and with this regard, political parties, leaders and candidates have a chance to be closer to electors. In this study, it is aimed to give information about the social media, present what medium has been used for election campaigns from the past until today and besides, by considering the effects of effective and efficient use of social media and new trends related to the internet by politicians, together with their applications in the world, to make suggestions about its situation and application in Turkey.

Critical Times for the Social Contract

2021 ◽  
pp. 19-40
Author(s):  
Charles Devellennes
Keyword(s):  
Social Contract ◽  
Political Order ◽  
The Past ◽  
Social Contracts ◽  
Political Upheaval ◽  
The Social ◽  
The World ◽  
Fundamental Challenge ◽  
Political Turmoil ◽  
Critical Times

This chapter proposes a theory of the social contract, in the context of the gilets jaunes. This theory is detailed in the five chapters that follow. The theory proposed here is that the movement itself is best understood as a fundamental challenge to the existing social contract in France — and by extension to other social contracts throughout the world — and its history is not limited to the months of political turmoil it engendered in France or even to the past couple of years of political upheaval in the wider world, but it poses a challenge to the very future of political order. A rethinking of the social contract is necessary given this crisis, and framing the present political turmoil in philosophical terms will help shed some light on the opportunities for change that are arising, in part thanks to the movement.

Conclusion

A Child's Day ◽  
2020 ◽  
pp. 165-178
Author(s):  
Killian Mullan
Keyword(s):  
Time Use ◽  
Daily Life ◽  
Well Being ◽  
Social Contexts ◽  
Public Debate ◽  
The Past ◽  
The Social ◽  
The World ◽  
The Uk

This concluding chapter surveys the key findings and issues raised in the previous chapters. This study of a child's day provides the most extensive picture currently available in the UK, and elsewhere in the world, into how children's time use has changed over the past several decades. It identifies areas of expected change as well as other areas of surprising stability. It reveals how change and stability in children's time use blend together to comprise a child's day, uncovering also the multi-layered contexts of a child's day. Aspects of children's time use, and how this may have changed, will no doubt continue to surface in public debate in connection with their well-being. While welcoming this, it is necessary to always question and seek to understand how supposed changes actually fit within a child's day, the types of days where these changes are concentrated, among whom, and to seek out evidence on how such changes relate to other activities and the social contexts of daily life.

Realism, Radical Constructivism, and Film History

2006 ◽  
Vol 7 (2) ◽  
pp. 187-199
Author(s):  
Nick Redfern ◽  
Keyword(s):  
Film History ◽  
Historical Knowledge ◽  
Radical Constructivism ◽  
Realist Theory ◽  
The Past ◽  
Basic Model ◽  
Art Form ◽  
The World ◽  
Nature Development ◽  
Viable Approach

As a technology and an art form perceived to be capable of reproducing the world, it has long been thought that the cinema has a natural affinity with reality. In this essay I consider the Realist theory of film history out forward by Robert C. Allen and Douglas Gomery from the perspective of Radical Constructivism. I argue that such a Realist theory cannot provide us with a viable approach to film history as it presents a flawed description of the historian’s relationship to the past. Radical Constructivism offers an alternative model, which requires historians to rethink the nature of facts, the processes involved in constructing historical knowledge, and its relation to the past. Historical poetics, in the light of Radical Constructivism, is a basic model of research into cinema that uses concepts to construct theoretical statements in order to explain the nature, development, and effects of cinematic phenomena.

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