Disruptive writing and a critique of territoriality

2004 ◽  
Vol 30 (2) ◽  
pp. 201-228 ◽  
Author(s):  
Prem Kumar Rajaram
Keyword(s):  
Collective Memory ◽  
Gilles Deleuze ◽  
Political Identity ◽  
Specific Consumption ◽  
Felix Guattari ◽  
The Political ◽  
Contemporary State ◽  
The World

Gilles Deleuze and Félix Guattari wrote of the territorialising of the world, describing the commodification of space; its parcelling out and regimentation ensuring stable, unvarying coherence. Territorialised space, when well regulated, becomes a settled base for the political and for notions of political identity, heritage and kinship. Kenan Ferguson describes this as ‘the location and creation of civilization in a specific consumption of the land, as well as the subsequent delegitimation of those with different conceptions of it.’ The contemporary state is the receptacle of human ambition and desires, with history, allegiance and kinship understood in terms of its borders; there is a retrospective history premised on strategic forgetting and the cultivation of a collective memory coherent before the contemporary state.

The Star and the Stripes

2016 ◽  
Author(s):  
Michael N. Barnett
Keyword(s):  
Foreign Policy ◽  
Political Theology ◽  
Political Identity ◽  
The Political ◽  
Current Debate ◽  
American Jews ◽  
Peace And Justice ◽  
The World ◽  
Policy Beliefs ◽  
Justice Movements

How do American Jews envision their role in the world? Are they tribal—a people whose obligations extend solely to their own? Or are they prophetic—a light unto nations, working to repair the world? This book is an interpretation of the effects of these worldviews on the foreign policy beliefs of American Jews since the nineteenth century. The book argues that it all begins with the political identity of American Jews. As Jews, they are committed to their people's survival. As Americans, they identify with, and believe their survival depends on, the American principles of liberalism, religious freedom, and pluralism. This identity and search for inclusion form a political theology of prophetic Judaism that emphasizes the historic mission of Jews to help create a world of peace and justice. The political theology of prophetic Judaism accounts for two enduring features of the foreign policy beliefs of American Jews. They exhibit a cosmopolitan sensibility, advocating on behalf of human rights, humanitarianism, and international law and organizations. They also are suspicious of nationalism—including their own. Contrary to the conventional wisdom that American Jews are natural-born Jewish nationalists, the book charts a long history of ambivalence; this ambivalence connects their early rejection of Zionism with the current debate regarding their attachment to Israel. And, the book contends, this growing ambivalence also explains the rising popularity of humanitarian and social justice movements among American Jews.

Deleuze and Italian Thought

2019 ◽  
Vol 13 (4) ◽  
pp. 495-507 ◽  
Author(s):  
Felice Cimatti
Keyword(s):  
Human Subject ◽  
Gilles Deleuze ◽  
The Political ◽  
The World ◽  
Giacomo Leopardi ◽  
The One

The tradition of Italian Thought – not the political one but the poetic and naturalistic one – finds in the philosophy of Gilles Deleuze a way to enter into the new century, the century of immanence and animality. In fact, Deleuze himself remained outside the main philosophical traditions of his own time (structuralism and phenomenology). The tradition to which Deleuze refers is the one that begins with Spinoza and ends with Nietzsche. It is an ontological tradition, which deals mainly with life and the world rather than with the human subject and knowledge. Finally, the text sketches a possible dialogue between Deleuze and the poet-philosopher Giacomo Leopardi, one of the most important (and still unknown) figures of Italian Thought.

scholarly journals Realities to be-come: on Cosmopolitics

2013 ◽  
Vol 16 (1) ◽  
Author(s):  
Michael Schillmeier
Keyword(s):  
Gilles Deleuze ◽  
The Other ◽  
Felix Guattari ◽  
Possible World ◽  
The Social ◽  
The World ◽  
Isabelle Stengers ◽  
Key Terms

To assume that all things we want to describe – humans and non-humans alike – can be done so properly only in terms of 'societies', requires a contrast – a momentum of cosmopolitics – to the very abstract distinctions upon which our classical understanding of sociology and its key terms rests: 'The social' as defined in opposition to 'the non-social', 'society' in opposition to 'nature'. The concept of cosmopolitics tries to avoid such modernist strategy that A. N. Whitehead called 'bifurcation of nature' (cf. Whitehead 1978, 2000). The inventive production of contrasts names a cosmopolitical tool which does not attempt to denounce, debunk, replace or overcome abstract, exclusivist oppositions that suggest divisions as 'either…or'-relations. Rather, as the Belgian philosopher of science Isabelle Stengers stresses, 'the contrast will have to be celebrated in the manner of a new existent, adding a new dimension to the cosmos' (Stengers 2011: 513). Cosmopolitics, then, engages with 'habits we experiment with in order to become capable of new experiences' (Stengers 2001: 241) and opens up the possibility of agency of the non-expected Other, the non-normal, the non-human, the non-social, the un-common. 'The Other is the existence of a possible world', as Gilles Deleuze and Felix Guattari (1994: 17-18) have put it. It is 'the condition for our passing from one world to another. The Other (...) makes the world go by.'

Political Identity, Democratic Empowerment, and Political Learning

2020 ◽  
pp. 1-28
Author(s):  
Niels Noergaard Kristensen
Keyword(s):  
Political Identity ◽  
Political Activity ◽  
The Political ◽  
Political Learning ◽  
Political Issues ◽  
Political Struggles ◽  
Political Orientations ◽  
The World ◽  
The One ◽  
Political Turmoil

The political commotion of the world is rising anew. Political challenges and political turmoil unfold side by side, and at the fore of many current political struggles stands the notion of “political identity.” Identity is a key asset in citizens' orientations toward political issues, their selection of information, and not least their political participation at large. The character of political challenges and struggles suggests that we need a revitalized and more comprehensive conceptual framework and operationalization of political identity. Political identity plays a role in most political activity, and the authors engage in elaborating the concept. The discussion presents the notion of political learning in order to bridge the complex and vigorous relations between on the one side political orientations and awareness and on the other side current manifestations of democratic political identities.

Military cosmopolitanism and romantic indigeneity: Crafting claims to statehood in Kiran Desai’s The Inheritance of Loss and Easterine Kire’s Bitter Wormwood

2020 ◽  
pp. 002198941989730
Author(s):  
Sushmita Sircar
Keyword(s):  
West Bengal ◽  
Political Identity ◽  
The Political ◽  
Political Rights ◽  
Way Of Life ◽  
Indigenous Identity ◽  
The World ◽  
Indian State ◽  
Identity Based ◽  
The Many

The world wars definitively changed the relations with the state of the peoples of India’s northeastern frontier. The wars were both fought on their terrain (with the invasion of the Japanese army) and led to the recruitment of people from the region to serve in the British Army. The contemporary Anglophone Indian novel documents the lingering effects of this militarization in the many insurgencies that have fragmented the region in the postcolonial era. Kiran Desai’s The Inheritance of Loss (2006) depicts the Gorkhaland uprising of the 1980s in the Kalimpong district of West Bengal, which demanded a separate state, while Easterine Kire’s Bitter Wormwood (2011) describes the Naga peoples’ traditional way of life against the backdrop of attempts to declare independence from the Indian state. In this article I argue that these novels capture how these secessionist movements use the experience of the world wars to craft a political identity based on military brotherhood to claim independence from the Indian state. These movements thus undertake a complex reworking of the valences of the figure of the “soldier”, central to so many accounts of national integrity. At the same time, reproducing the nationalist logic of the Indian state, these novels more readily recognize an “indigenous” identity based on a claim to the land as the political basis of nationhood. Hence, these novels about secessionist struggles reveal how certain narratives of nation formation become the only legitimate means for making claims for political rights and independent statehood over the course of the twentieth century.

Assembling emergence: making art and selling gas in Bulawayo

Africa ◽  
2019 ◽  
Vol 89 (3) ◽  
pp. 479-498
Author(s):  
Joshua D. Rubin
Keyword(s):  
Gilles Deleuze ◽  
Felix Guattari ◽  
The Political ◽  
Art Galleries ◽  
Innovative Strategies ◽  
Liquid Petroleum Gas ◽  
Political Conditions ◽  
The City ◽  
Economics And Politics ◽  
Making Art

AbstractThis article is an ethnographic investigation of the labours of making art and selling liquid petroleum gas (LPG) in Bulawayo, Zimbabwe. It locates these activities within a shared social world, centred on one of Bulawayo's major art galleries, and it demonstrates that artists and LPG dealers use similar strategies to respond to the political conditions of life in the city. This article frames these conditions as unpredictable, insofar as they change frequently and crystallize in unexpected forms, and it argues that both groups are attempting to act within these conditions and shape them into emergent assemblages. In adopting this term ‘assemblage’, which has been elaborated theoretically by Gilles Deleuze, Félix Guattari and their many interlocutors, this article emphasizes both the mutability and the unpredictability of these formations. The artists who work in the gallery, for their part, make their art by assembling their chosen media. The processes by which they choose their media constitute assemblages as well, in that artists have to adapt their artistic visions to the materials that Zimbabwe's market can provide. Street dealers in gas also produce emergent assemblages against the backdrop of unpredictability. If they want to make natural gas available to consumers, dealers must shepherd their medium through an always emergent process of distribution. They participate in transnational networks of trade, but they also theorize innovative strategies of procurement, develop circuits of trust and loyalty, and conjure up visions of a predatory state. Like artists, they use their work to construct dynamic representations of the world around them. Artists may produce images, and dealers circulate gas, but this article shows that conceptualizing these practices in terms of ‘assemblages’ calls their commonalities into view. In doing so, it also demonstrates that these practices complicate easy distinctions between aesthetics, economics and politics.

scholarly journals On Feeling Political: Negotiating (within) Affective Landscapes and Soundscapes

PhaenEx ◽  
2012 ◽  
Vol 7 (2) ◽  
pp. 96
Author(s):  
JEAN-THOMAS TREMBLAY
Keyword(s):  
Gilles Deleuze ◽  
Research Question ◽  
The Other ◽  
Political Life ◽  
Felix Guattari ◽  
The Political ◽  
Political Theorist ◽  
Alternative Approach ◽  
Lauren Berlant

This article generates an affective hermeneutics of the political. The research question, What is feeling political? is, at first, refined through the oeuvre of political theorist Simone Weil, whose focus on experience, involvement and attention highlights the role of sentience in political life. The inescapable normativity of Weil’s texts calls for an alternative approach to the question at hand, one that acknowledges the inevitability of the phenomenon of feeling political. In order to produce such an approach, the realm in which said phenomenon occurs is spatialized as an indefinite series of rhizomatic affective atmospheres in which the negotiation of one’s involvement, resistance, association, and isolation prompts a variety of orientations. The work of Lauren Berlant is subsequently considered as a means to stress the interplay between noise and ambience on one hand, and the notions of citizenship and community on the other. Ultimately, a reflection inspired by Gilles Deleuze and Félix Guattari emphasizes the humanist undertone of this investigation, reposing the question of feeling political as an ontological query.  

scholarly journals A literatura de Caio Fernando Abreu como máquina de guerra

Scriptorium ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 73
Author(s):  
Dhemersson Warly Santos Costa ◽  
Maria Dos Remédios De Brito
Keyword(s):  
Gilles Deleuze ◽  
Felix Guattari ◽  
Military Power ◽  
Deleuze And Guattari ◽  
Philosophical Concept ◽  
War Machine ◽  
The World ◽  
The Military

A máquina de guerra é um conceito criado pelos filósofos Gilles Deleuze e Félix Guattari, que não tem relação com o poder bélico de um Estado, mas, sobretudo, é uma potência inventiva, imbricada em um nomadismo, capaz de fissurar as organizações da máquina estatal (sedentária), abalando suas estruturas, escapando dos sistemas dominantes, inventado linhas de fugas. O nômade, inventor da máquina de guerra, cria para si outros modos de habitar no mundo, inventa seu próprio território, vagando por trajetos indefinidos. Nesta perspectiva, a intenção desta proposta é tencionar ressonâncias entre o conceito filosófico de máquina de guerra e a literatura de Caio Fernando Abreu. Parte-se do pressuposto de que a máquina de guerra compõe o elemento (des) arranjador de toda a obra do autor, uma verdadeira máquina literária que explode em linhas de fuga por todos os lados, declarando a guerra dos sexos, dos desejos, das sexualidades, das identidades. *** The Literature of Caio Fernando Abreu as a war machine ***The war machine is a concept created by the philosophers Gilles Deleuze and Felix Guattari, who has nothing to do with the military power of a State, but above all, it is an inventive power, imbricated in a nomadism, capable of fissuring the organizations of the machine state (sedentary), shaking its structures, escaping from the dominant systems, invented escape lines. The nomad, inventor of the war machine, creates for himself other ways of inhabiting the world, fashions his own territory, wandering on indefinite paths. The intention of this proposal is to consider resonances between the philosophical concept of war machine and the literature of Caio Fernando Abreu. It is assumed that the war machine composes the element (dis) arranger of all the author’s work, a true literary machine that explodes in lines of escape on all sides, declaring the war of the sexes, the desires, the sexualities, identities.Keywords: war machine; Caio Fernando de Abreu; Deleuze and Guattari; literatura.

scholarly journals Thinking with the world – to explore the becoming of phenomena

2021 ◽  
Vol 12 (2) ◽  
Author(s):  
Bosse Bergstedt
Keyword(s):  
Educational Research ◽  
Background Noise ◽  
Gilles Deleuze ◽  
Niels Bohr ◽  
Felix Guattari ◽  
Limit Values ◽  
Inner Self ◽  
The World ◽  
Karen Barad ◽  
Self Differentiation

This article discusses how it is possible to think with the world in educational research. How can this thinking with the world generate knowledge about the becoming of phenomena? To answer this question this paper undertakes a diffractive reading of selected texts from Niels Bohr, Karen Barad, Gilles Deleuze, Felix Guattari, Donna Haraway, and Michel Serres. This diffractive reading reveals that the world becomes with itself contributing to an internal principle or an inner self-differentiation. This means that all phenomena can be understood as related to the world in one way or another. This paper contends that the researcher body is important to investigations of the becoming of phenomena with the world, therefore a haptic sensorium is developed as a means to visualize bodily affects and to recognize limit values to the world, for example, background noise. The article concludes with a discussion about creating knowledge of this process as a rhizome. The article attempts to illustrate that thinking with the world can generate new knowledge to understand the becoming of phenomena, which can contribute to the development of educational research.

scholarly journals Politik Identitas dalam Sejarah Pembentukan Negara Israel

2014 ◽  
Vol 1 (01) ◽  
pp. 84
Author(s):  
Elpeni Fitrah
Keyword(s):  
Cultural Identity ◽  
Cultural Politics ◽  
State Formation ◽  
Identity Politics ◽  
Political Identity ◽  
The Political ◽  
Main Argument ◽  
Political Movement ◽  
The World

This paper discusses how the political identity becomes a motive of Israel state formation. Identitypolitics is a part of cultural politics which consisted by race, religion, ethnic and culture. TheAuthor identified identity politics as a concept or political movement which focusing into diversity.The main argument of this paper is Israel has succeed utilize its cultural identity narrative to unitethe perception of the Jewish around the world to reproduce as a historical justification as well asthe tools of politics for the sake of the embodiment of national ideals in establishing their ownnation state. Keywords: Identity Politics, Narrative, Perception, Israel

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