A LOCALISED BOUNDARY OBJECT: SEVENTEENTH-CENTURY WESTERN MUSIC THEORY IN CHINA

2020 ◽  
Vol 39 ◽  
pp. 75-113
Author(s):  
Sheryl Chow
Keyword(s):  
Seventeenth Century ◽  
Print Culture ◽  
Music Theory ◽  
Scientific Revolution ◽  
Cultural Exchange ◽  
Boundary Object ◽  
Western Music ◽  
Coincidence Theory ◽  
New Knowledge ◽  
Musical Traditions

In 1685, the Portuguese Jesuit Thomas Pereira was ordered by the Qing Kangxi emperor to write books on Western music theory in Chinese. Presented in the books were seventeenth-century practical and speculative music theories, including the coincidence theory of consonance. Invoking the concept of ‘boundary object’, this article shows that the cultural exchange, which gave rise to new knowledge by means of selection, synthesis and reinterpretation, was characterised by a lack of consensus between the transmitter and the receivers over the functions of the imported theories. Although the coincidence theory of consonance could potentially effect the transition from a pure numerical to a physical understanding of pitch, as in the European scientific revolution, it failed to flourish in China not only because of different theoretical concerns between European and Chinese musical traditions, but also because of its limited dissemination caused by Chinese print culture.

Language Matters: ‘Counsel’ in Early Modern and Modern Medicine

2018 ◽  
Author(s):  
Ian Sabroe ◽  
Phil Withington
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Scientific Revolution ◽  
Modern Medicine ◽  
Francis Bacon ◽  
Social Worlds ◽  
Founding Fathers ◽  
Human Understanding ◽  
Successful Scientist

Francis Bacon is famous today as one of the founding fathers of the so-called ‘scientific revolution’ of the seventeenth century. Although not an especially successful scientist himself, he was nevertheless the most eloquent and influential spokesperson for an approach to knowledge that promised to transform human understanding of both humanity and its relationship with the natural and social worlds. The central features of this approach, as they emerged in Bacon’s own writings and the work of his protégés and associates after 1605, are equally well known. They include the importance of experiment, observation, and a sceptical attitude towards inherited wisdom (from the ‘ancients’ in general and Aristotle in particular).

scholarly journals The Jesuitesses in the Bookshop: Catholic Lay Sisters’ Participation in the Dutch Book Trade, 1650–1750

2021 ◽  
Vol 57 ◽  
pp. 163-184
Author(s):  
Elise Watson
Keyword(s):  
Seventeenth Century ◽  
Print Culture ◽  
Catholic Church ◽  
Literary Culture ◽  
Book Trade ◽  
Dutch Book ◽  
Dutch Republic ◽  
Institutional Critique ◽  
Public Criticism

The institutional Catholic Church in seventeenth-century Amsterdam relied on the work of inspired women who lived under an informal religious rule and called themselves ‘spiritual daughters’. Once the States of Holland banned all public exercise of Catholicism, spiritual daughters leveraged the ambiguity of their religious status to pursue unique roles in their communities as catechists, booksellers and enthusiastic consumers of print. However, their lack of a formal order caused consternation among their Catholic confessors. It also disturbed Reformed authorities in their communities, who branded them ‘Jesuitesses’. Whilst many scholars have documented this tension between inspired daughter and institutional critique, it has yet to be contextualized fully within the literary culture of the Dutch Republic. This article suggests that due to the de-institutionalized status of the spiritual daughters and the discursive print culture that surrounded them, public criticism replaced direct censure by Catholic and Reformed authorities as the primary impediment to their inspired work.

« ET VIDI COELUM NOVUM ET TERRAM NOVAM »

Nuncius ◽  
1986 ◽  
Vol 1 (2) ◽  
pp. 49-77
Author(s):  
MAURIZIO TORRINI
Keyword(s):  
Seventeenth Century ◽  
Traditional Knowledge ◽  
Scientific Revolution ◽  
Single Access ◽  
New Science ◽  
Modern Thought ◽  
Formal School ◽  
Made In ◽  
School Boundaries

Abstract<title> SUMMARY </title>Contemporary movements, united by their common rejection of traditional knowledge and by their common beginnings and development outside formal school boundaries, libertinism and the new science are often considered, evaluated and classified in the univocal light of modern thought introduced by Descartes. A comparison totally unfavourable to libertinism which did not benefit from the attempt made in some cases to assimilate it to the scientific revolution in the name of a common anti-dogmatic character. The movements were in fact distinct in their aims and motives and their occasional interaction must not make us forget the contemporary presence of different and often contrasting ideas at the dawn of modern thought. The aim of this paper is to overcome the historiographical approach which, by privileging a single access to modern thought, evaluates all the others according to the same measure.The paper, through an examination of the European discussion stimulated by Galileo's Sidereus nuncius, shows the philosophical consequences of the astronomical revolution and the series of projects, hopes and misunderstandings that marked its course. An event that did not encounter the indifference of libertines like Naude, who read in the celestial revolution confirmation of the crisis of terrestrial knowledge. In Italy the bond between libertine thought and the scientific revolution came tragically into being as from the condemnation of Galileo and found its consecration in the Neapolitan trial of the atheists at the end of the seventeenth century, thus reuniting in the name of a single orthodoxy, two different conceptions of nature and knowledge.

scholarly journals 來自「東方」的聲音圖景：江文也作品的異國情調與民族追尋

2020 ◽  
Vol 36 (36) ◽  
pp. 081-106
Author(s):  
張琬琳 張琬琳
Keyword(s):  
Twentieth Century ◽  
Music Theory ◽  
Global Scale ◽  
Musical Instruments ◽  
International Standards ◽  
The Other ◽  
Western Music ◽  
Political Issue ◽  
The World ◽  
General Society

<p>二十世紀初，在國際間崛起的各國勢力，加速了各民族內部自我整頓與反省的動力，東方音樂家學習西方音樂，也試圖以西方音樂的樂制，來整建自我民族內部的音樂紋理。</p> <p>東方音樂家欲望著西方，希冀能登上國際音樂舞臺；西方樂壇也期待從東方音樂家那裡，聽見西方人能夠「聽得懂」的「東方聲音」。在東 / 西方彼此期待、渴望之間，音樂本身被賦予極大的感官寓意，對西方人而言，帶有異國情調的音樂，尤其能夠吸引他們的目光；對於東方音樂家而言，這些「東方」的元素，卻是取自於不同民族風土的獨特聲音。</p> <p>本文聚焦臺灣近代音樂家江文也，以近年來新出版的傳記、日記和音樂作品全集，以及本論文作者近年於歐洲搜集的史料為分析佐證，探討江文也「屬於自己 / 東方的聲音」創作，如何引發西方樂壇對於「東方聲音」的想像。</p> <p>&nbsp;</p><p>The early twentieth century was a century that had the two global-scale World Wars between world powers across continents and oceans. Rising nationalism and increasing national awareness became a major political issue in general society. Eastern musicians reflected on the issue and diligently learned Western music system to get a remarkable grasp of it. Because they knew well the so-called Oriental music sounds must be rooted in the Western music theory to be able to compete among nations by international standards. On one hand, Eastern musicians desired to be seen and rival upon the world stage; on the other hand, Western musicians looked forward to hearing pure Oriental music sounds from the East. However, for Taiwanese composer Jiang, Wen-Ye, the Oriental music sounds are not the ones of a traditional and exotic concept. Traditionally, the Oriental music sounds derive its flavor from the pentatonic scale and use traditional Chinese musical instruments to play. It is under such circumstances Jiang, Wen-Ye compose beautiful musical forms that embody his love and respectful duty to the Taiwanese motherland throughout frequent international music events and competitions.</p> <p>&nbsp;</p>

Production, Communication, and Comprehension of Knowledge of the New World: Ethnographic Descriptions in Caspar Barlaeus’ Rerum per Octennium

2012 ◽  
Vol 2 (3) ◽  
pp. 223-246
Author(s):  
Britt Dams
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
New World ◽  
Classical Antiquity ◽  
Careful Selection ◽  
The Bible ◽  
New Knowledge ◽  
Trading Network ◽  
Shed Light ◽  
Dutch Brazil

This article deals with the textual legacy of Dutch Brazil, in particular the ethnographic descriptions in one of the most popular works about the colony: Barlaeus’ Rerum per Octennium in Brasilia et alibi nuper gestarum. Barlaeus never set foot in Brazil, but was an important Dutch intellectual authority in the seventeenth century. To compose the Rerum per Octennium, he relied on a wide variety of available sources, not only firsthand observations, but also classical, biblical and other contemporary sources. From these, he made a careful selection to produce his descriptions. Recent research shows that the Dutch participated in networks of knowledge and imagination as well as in a more familiar early modern trading network. This article reveals that Barlaeus’ descriptions not only circulated as knowledge, but also produced new knowledge. The Rerum soon became one of the standard works about the colony due to the importance of its author and its composition. Furthermore, the article discusses the rhetorical techniques used in some selected descriptions in order to shed light upon the strategies Barlaeus used in his discourse on the strange reality of the New World. For example, his ethnographic descriptions employed parallel customs or events from the classical Antiquity or the Bible. In these comparisons he displays both his intellectual capacities and shows his desire to comprehend this exotic reality.

The Dawn of Scientific Biography

2021 ◽  
Vol 26 (3) ◽  
pp. 207-230
Author(s):  
Michael Segre
Keyword(s):  
Seventeenth Century ◽  
History Of Science ◽  
Scientific Revolution ◽  
Classical Literature ◽  
Modern History ◽  
Scientific Biography ◽  
Deep Roots ◽  
History Of ◽  
Literary Model

Abstract This article endeavors to contribute to a better understanding of the literary contexts of early biographies of scientists written during the Scientific Revolution. To what extent are these biographies influenced by stereotypes that are an inadequate fit for modern history of science? Its claim is that there was, indeed, a literary model for biographies of scientists, and that this model had deep roots in Biblical and classical literature. While the model was similar to that used in Renaissance biographies of artists, it did not fully emerge until as late as the seventeenth century.

Printing the Talmud in Poland in the Sixteenth and Seventeenth Centuries

2002 ◽  
pp. 59-64
Author(s):  
Krzysztof Pilarczyk
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Print Culture ◽  
Significant Role ◽  
Considerable Degree ◽  
Book Market ◽  
Normal Functioning ◽  
Jewish Communities ◽  
Rabbinic Judaism ◽  
Three Generations

This chapter explores Jewish religious print culture in Poland during the second half of the sixteenth century and the first half of the seventeenth centuries. During this period, Jewish printers in Poland established their printing houses in Kraków and Lublin. Jews in the Polish diaspora in the second half of the sixteenth and the first half of the seventeenth century saw the development of Jewish typography as essential to the normal functioning of Jewish communities everywhere. The members of the communities needed books to study the Torah, and in particular they needed the Talmud — the fundamental work on which rabbinic Judaism is based. The printers in Kraków and Lublin in this period satisfied the needs of the Jewish book market in Poland to a considerable degree while also competing with foreign printers. Jewish typography in Poland, managed by a few families over two or three generations, could not equal that of Venetian printers or later of Dutch printers, who had a much greater influence on culture and economy and served many European communities. Nevertheless, printers in Poland played a significant role in printing the Talmud.

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