Printing the Talmud in Poland in the Sixteenth and Seventeenth Centuries

Author(s):  
Krzysztof Pilarczyk

This chapter explores Jewish religious print culture in Poland during the second half of the sixteenth century and the first half of the seventeenth centuries. During this period, Jewish printers in Poland established their printing houses in Kraków and Lublin. Jews in the Polish diaspora in the second half of the sixteenth and the first half of the seventeenth century saw the development of Jewish typography as essential to the normal functioning of Jewish communities everywhere. The members of the communities needed books to study the Torah, and in particular they needed the Talmud — the fundamental work on which rabbinic Judaism is based. The printers in Kraków and Lublin in this period satisfied the needs of the Jewish book market in Poland to a considerable degree while also competing with foreign printers. Jewish typography in Poland, managed by a few families over two or three generations, could not equal that of Venetian printers or later of Dutch printers, who had a much greater influence on culture and economy and served many European communities. Nevertheless, printers in Poland played a significant role in printing the Talmud.

Author(s):  
Kenneth Austin

This chapter summarizes how the Jews of Europe were in a very different position by the end of the seventeenth century compared to where they had been at the start of the sixteenth century. It points out how Spain had still not reversed its policy on Jews while most parts of Europe had become rather more welcoming to Jews in the interim. It also looks into the Jewish communities of Amsterdam, Frankfurt am Main, Prague, and Venice that exceeded 2,000 people for the first time in the seventeenth century, joining other cities, such as Rome that had already achieved that population in the sixteenth century. The chapter recounts how Jewish communities sprung up in places which had not traditionally been a home to Jews, especially in Eastern Europe. It talks about England and France, which had been the first territories to expel their Jewish populations back in the thirteenth and fourteenth centuries but had begun to reverse that policy in the seventeenth century.


2002 ◽  
Vol 82 ◽  
pp. 197-245
Author(s):  
Ian Goodall

Sizergh– known as Sizergh Hall from the seventeenth century, and renamed Sizergh Castle in the mid-nineteenth century– has been the seat of the Strickland f amily for over seven hundred years. Although it has a medieval core, the house as it exists today is substantially the work of Walter Strickland (1516–69) who, in the mid- 1550s, initiated a comprehensive rebuilding programme, which more than trebled it in size. The enlarged house, built around three sides of a courtyard, reflected, in its rooms and their disposition, the concern for privacy and segregation that characterized the age. The fitting-out of the interior with high-quality panelling, ceilings and furnishings was incomplete on Walter's death, but was continued by his family over the next two or three generations. The house was altered and subdivided during the eighteenth and nineteenth centuries, but much of the integrity of the mid-sixteenth-century building still survives.


2021 ◽  
pp. 369-389
Author(s):  
Miriam Bodian

The western Sephardic diaspora was created by descendants of Jews who underwent forced baptism in Portugal in 1497, just a few years after the expulsion from Spain had brought a flood of Jewish exiles across the border. These conversos, many of them crypto-Jews, became known as the “nação” (“nation”), a term that conveyed an ambiguous identity that had made them targets of the Portuguese Inquisition. At first, some immigrated to Iberian colonial lands or fled to Jewish communities in Italy and the Ottoman Empire. By the mid-sixteenth century, some who were active in the expanding Atlantic trade began settling in southwest France as “New Christians.” In the seventeenth century Portuguese ex-conversos were able to build a thriving, openly practicing Jewish community in the Atlantic commercial center of Amsterdam. This became the hub of a diaspora that eventually included the Caribbean and the Atlantic coast of North America. Although some of its traditions have been carefully preserved, by the mid-eighteenth century this once dynamic diaspora had lost much of its commercial and cultural vitality.


1998 ◽  
Vol 2 (2) ◽  
pp. 158-179 ◽  
Author(s):  
John W Cairns

This article, in earlier versions presented as a paper to the Edinburgh Roman Law Group on 10 December 1993 and to the joint meeting of the London Roman Law Group and London Legal History Seminar on 7 February 1997, addresses the puzzle of the end of law teaching in the Scottish universities at the start of the seventeenth century at the very time when there was strong pressure for the advocates of the Scots bar to have an academic education in Civil Law. It demonstrates that the answer is to be found in the life of William Welwood, the last Professor of Law in St Andrews, while making some general points about bloodfeud in Scotland, the legal culture of the sixteenth century, and the implications of this for Scottish legal history. It is in two parts, the second of which will appear in the next issue of the Edinburgh Law Review.


Author(s):  
Daniel R. Melamed

If there is a fundamental musical subject of Johann Sebastian Bach’s Mass in B Minor, a compositional problem the work explores, it is the tension between two styles cultivated in church music of Bach’s time. One style was modern and drew on up-to-date music such as the instrumental concerto and the opera aria. The other was old-fashioned and fundamentally vocal, borrowing and adapting the style of Giovanni Pierluigi da Palestrina, his sixteenth-century contemporaries, and his seventeenth-century imitators. The movements that make up Bach’s Mass can be read as exploring the entire spectrum of possibilities offered by these two styles (the modern and the antique), ranging from movements purely in one or the other to a dazzling variety of ways of combining the two. The work illustrates a fundamental opposition in early-eighteenth-century sacred music that Bach confronts and explores in the Mass.


Author(s):  
Bridget Heal

Chapter 5 focuses on one particular type of Lutheran devotional image: the crucifix. It examines transformations in Lutheran Passion piety from the early Reformation to the era of Paul Gerhardt (1607–76), using this to illustrate the increasing significance accorded to images. Luther himself had condemned the excesses of late-medieval Passion piety, with its emphasis on compassion for Christ and the Virgin Mary, on physical pain and on tears. From the later sixteenth century onwards, however, Lutheran sermons, devotional literature, prayers and poetry described Christ’s suffering in increasingly graphic terms. Alongside this, late-medieval images of the Passion were restored and new images were produced. Drawing on case studies from the Erzgebirge, a prosperous mining region in southern Saxony, and Upper Lusatia, the chapter investigates the ways in which images of the Passion were used in Lutheran communities during the seventeenth century.


Author(s):  
Scott C. Levi

While it may seem counterintuitive, the increase in Mughal India’s maritime trade contributed to a tightening of overland commercial connections with its Asian neighbors. The primary agents in this process were “Multanis,” members of any number of heavily capitalized, caste-based family firms centered in the northwest Indian region of Multan. The Multani firms had earlier developed an integrated commercial system that extended across the Punjab, Sind, and much of northern India. In the middle of the sixteenth century, Multanis first appear in historical sources as having established their own communities in Central Asia and Iran. By the middle of the seventeenth century, at any given point in time, a rotating population of some 35,000 Indian merchants orchestrated a network of communities that extended across dozens, if not hundreds, of cities and villages in Afghanistan, Central Asia, and Iran, stretching up the Caucasus and into Russia.


Author(s):  
Jonathan Hehn

This chapter outlines the history of Presbyterian worship practice from the sixteenth century to the present, with a focus on North American Presbyterians. Tracing both their hymnody and their liturgy ultimately to John Calvin, Presbyterian communions have a distinct heritage of worship inherited from the Church of Scotland via seventeenth-century Puritans. Long marked by metrical psalmody and guided by the Westminster Directory, Presbyterian worship underwent substantial changes in the nineteenth century. Evangelical and liturgical movements led Presbyterians away from a Puritan visual aesthetic, into the use of nonscriptural hymnody, and toward a recovery of liturgical books. Mainline North American and Scottish Presbyterians solidified these trends in the twentieth and twenty-first centuries; however, conservative North American denominations and some other denominations globally continue to rely heavily on the use of a worship directory and metrical psalmody.


2021 ◽  
Vol 57 ◽  
pp. 163-184
Author(s):  
Elise Watson

The institutional Catholic Church in seventeenth-century Amsterdam relied on the work of inspired women who lived under an informal religious rule and called themselves ‘spiritual daughters’. Once the States of Holland banned all public exercise of Catholicism, spiritual daughters leveraged the ambiguity of their religious status to pursue unique roles in their communities as catechists, booksellers and enthusiastic consumers of print. However, their lack of a formal order caused consternation among their Catholic confessors. It also disturbed Reformed authorities in their communities, who branded them ‘Jesuitesses’. Whilst many scholars have documented this tension between inspired daughter and institutional critique, it has yet to be contextualized fully within the literary culture of the Dutch Republic. This article suggests that due to the de-institutionalized status of the spiritual daughters and the discursive print culture that surrounded them, public criticism replaced direct censure by Catholic and Reformed authorities as the primary impediment to their inspired work.


Aschkenas ◽  
2020 ◽  
Vol 30 (1) ◽  
pp. 1-19
Author(s):  
Lucia Raspe

AbstractShimʻon Günzburg’s Yiddish collection of customs, first brought to press in Venice in 1589 and reprinted dozens of times over the following centuries, is often considered a mere translation of the Hebrew Minhagim put together by Ayzik Tyrnau in the 1420s. Another claim often made about the book is that, although it was first printed in Venice, it was intended less for the Italian book market than for export. This article sets out to test these assumptions by examining Günzburg’s compilation from the perspective of minhag, or prayer rite. Drawing on Yiddish manuscripts preserved from sixteenth-century Italy, as well as early printed editions overlooked by scholars, it argues that Günzburg’s Minhogim are, in fact, more Italian than has been recognized. It also points up their potential for a comparative history of Ashkenazic book culture across the political and linguistic borders of Europe.


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