Conference Reports

Robotica ◽  
1998 ◽  
Vol 16 (4) ◽  
pp. 477-478
Author(s):  
Saeid Nahavandi

WORLD MANUFACTURING CONGRESS '97 18–21 NOVEMBER 1997, MASSEY UNIVERSITY, AUCKLAND, NEW ZEALANDThe World Manufacturing Congress '97 was organised jointly between Massey University and International Computer Science Conventions (ICSC) of Canada. The event was held from 18–21 November at Albany Campus, Massey University in Auckland, New Zealand. This inaugural WMC attracted the participation of over 30 nations and many aspects of manufacturing systems, manufacturing technology and manufacturing management were presented by high profile authors. WMC '97 was dedicated to Philip Crosby for his devotion to the field of quality and more specifically his ÒQuality is Free" impetus to the quality revolution in the late 70's.

In opening the discussion, Dr Williamson said it was a valuable opportunity for an interchange of ideas on all aspects of manufacturing technology and the developments that might be expected in the next two decades. He hoped, for instance, it would cover the reasons for the paralytically slow rates of change in manufacture compared with those which are technically feasible. Many factors are involved here, ranging from the structure of companies to accounting procedures and individual attitudes, but they all added up to a barrier to beneficial change which could destroy our economy if it is allowed to persist. He asked if there were factors which had not so far been identified which could modify or nullify the patterns of change which speakers had suggested. Would forecasts in future be made by projection of past trends, or by means of causal relationships as Dr Young had suggested? Our industrial survival depends on major technological innovations. With one brilliant invention, Sir Alastair Pilkington had changed the world plate glass industry. How can we ensure that such innovations occur? New and successful manufacturing systems could change the entire structure of manufacturing industry. Should this be our objective, or are we going to restrict our thinking to minor modifications of what already exists, and leave the great leaps to others?


Author(s):  
Ira Nadel

Mansfield and the world of the Ballets Russes, is the focus of this discussion of the importance of movement and dance for her writing and life. Incorporating aspects of Russian dance, especially its expressiveness, gesture and experimentation, into her prose becomes an important feature of her writing marked in part by the physical actions of her characters. Balancing the Chekhovian dispassion of her short stories was a vitality located in her incorporation of elements of the Ballets Russes which became, for a period, the intellectual and fashionable centre of London. Part of their originality was collaboration with dancers and choreographers working with set designers and musicians. The Ballets Russes also confirmed her own artistic efforts to unite novelty and tribalism, especially in her New Zealand stories. Her co-editing Rhythm became another venue for her support of the innovative work produced by Diaghilev, choreographed by Massine, costumed by Léon Bakst and highlighted by sets designed by Cocteau and Picasso. Sharing the impact of the Ballets Russes with high profile admirers, Mansfield applied their originality to her own efforts recognising that their overall impact was not technique alone but the expression of technique into idea as the Times wrote in June 1911.


1978 ◽  
Vol 17 (01) ◽  
pp. 28-35
Author(s):  
F. T. De Dombal

This paper discusses medical diagnosis from the clinicians point of view. The aim of the paper is to identify areas where computer science and information science may be of help to the practising clinician. Collection of data, analysis, and decision-making are discussed in turn. Finally, some specific recommendations are made for further joint research on the basis of experience around the world to date.


2018 ◽  
Vol 12 ◽  
pp. 187-193
Author(s):  
Marina S. TSVETKOVA ◽  
Vladimir M. KIRYUKHIN

In 2018 the IOI will celebrate its thirtieth anniversary. Over these three decades, not only the world secondary school Olympiads in informatics community have been formed, which covers more than 80 countries from all continents, but a formation of an united methodological space of the school Informatics started also. This space allows many countries today to develop school computer science education, using the experience of other countries, materials from the IOI conference journal, sites of computer science contests, and other Internet resources. This article describes a model for organizing an international training event for juniors – International School in Informatics “Junior” – ISIJ.


Author(s):  
Peter Hoar

Kia ora and welcome to the second issue of BackStory. The members of the Backstory Editorial Team were gratified by the encouraging response to the first issue of the journal. We hope that our currentreaders enjoy our new issue and that it will bring others to share our interest in and enjoyment of the surprisingly varied backstories of New Zealand’s art, media, and design history. This issue takes in a wide variety of topics. Imogen Van Pierce explores the controversy around the Hundertwasser Art Centre and Wairau Māori Art Gallery to be developed in Whangarei. This project has generated debate about the role of the arts and civic architecture at both the local and national levels. This is about how much New Zealanders are prepared to invest in the arts. The value of the artist in New Zealand is also examined by Mark Stocker in his article about the sculptor Margaret Butler and the local reception of her work during the late 1930s. The cultural cringe has a long genealogy. New Zealand has been photographed since the 1840s. Alan Cocker analyses the many roles that photography played in the development of local tourism during the nineteenth century. These images challenged notions of the ‘real’ and the ‘artificial’ and how new technologies mediated the world of lived experience. Recorded sound was another such technology that changed how humans experienced the world. The rise of recorded sound from the 1890s affected lives in many ways and Lewis Tennant’s contribution captures a significant tipping point in this medium’s history in New Zealand as the transition from analogue to digital sound transformed social, commercial and acoustic worlds. The New Zealand Woman’s Weekly celebrates its 85th anniversary this year but when it was launched in 1932 it seemed tohave very little chance of success. Its rival, the Mirror, had dominated the local market since its launch in 1922. Gavin Ellis investigates the Depression-era context of the Woman’s Weekly and how its founders identified a gap in the market that the Mirror was failing to fill. The work of the photographer Marti Friedlander (1908-2016) is familiar to most New Zealanders. Friedlander’s 50 year career and huge range of subjects defy easy summary. She captured New Zealanders, their lives, and their surroundings across all social and cultural borders. In the journal’s profile commentary Linda Yang celebrates Freidlander’s remarkable life and work. Linda also discusses some recent images by Friedlander and connects these with themes present in the photographer’s work from the 1960s and 1970s. The Backstory editors hope that our readers enjoy this stimulating and varied collection of work that illuminate some not so well known aspects of New Zealand’s art, media, and design history. There are many such stories yet to be told and we look forward to bringing them to you.


Author(s):  
Patricia O'Brien

This is a biography of Ta’isi O. F. Nelson, the Sāmoan nationalist leader who fought New Zealand, the British Empire and the League of Nations between the world wars. It is a richly layered history that weaves a personal and Pacific history with one that illuminates the global crisis of empire after World War One. Ta’isi’s story weaves Sweden with deep histories of Sāmoa that in the late nineteenth century became deeply inflected with colonial machinations of Germany, Britain, New Zealand and the U. S.. After Sāmoa was made a mandate of the League of Nations in 1921, the workings and aspirations of that newly minted form of world government came to bear on the island nation and Ta’isi and his fellow Sāmoan tested the League’s powers through their relentless non-violent campaign for justice. Ta’isi was Sāmoa’s leading businessman who was blamed for the on-going agitation in Sāmoa; for his trouble he was subjected to two periods of exile, humiliation and a concerted campaign intent on his financial ruin. Using many new sources, this book tells Ta’isi’s untold story, providing fresh and intriguing new aspects to the global story of indigenous resistance in the twentieth century.


1992 ◽  
Vol 18 (1) ◽  
pp. 218
Author(s):  
Cecil J. Houston ◽  
Donald Harman Akenson ◽  
Richard Kearney ◽  
Patrick O'Farrell
Keyword(s):  

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