‘Line Struggle‘ in Theory and Practice: The Origins of the Cultural Revolution Reconsidered

1977 ◽  
Vol 72 ◽  
pp. 675-712 ◽  
Author(s):  
Lowell Dittmer

The extent to which the Cultural Revolution has transformed the world-view of the Chinese masses remains among the psycho-cultural imponderables, but clearly it has revolutionized the western view of Chinese politics. The dominant pre-1966 image of a consensual solidarity disturbed only rarely by purges, also handled in an orderly way by a consensus excluding only its victims, was challenged by a sudden multitude of polemical claims to the effect that a struggle for power and principle had been raging behind the scenes for decades. This struggle was characterized as a “struggle between two lines”: a “proletarian revolutionary line,” led by Mao Tse-tung, and a “bourgeois reactionary line,” led by Liu Shao-ch'i and Teng Hsiaop'ing. This struggle allegedly represented a deep underlying ideological cleavage within the leadership that had repercussions on every aspect of Chinese life: foreign policy, strategies of economic development, techniques of leadership and administration, pay scales and living standards, delivery patterns for education, medicine, and other services; even scientific method. Allegations concerning this struggle were supported by a wealth of documentary evidence, culled from hitherto confidential Party and government files. Initially greeted with scepticism among western journalists and academic circles, some variant of the “two lines” paradigm has made increasing inroads into our attempts to understand the origins of the Cultural Revolution. The time has come to re-evaluate the conception of a two-line struggle in retrospect and to try to determine just what it means and how it functions.

2007 ◽  
Vol 5 (3) ◽  
pp. 415
Author(s):  
Fahruddin Faiz

The patriarchal culture that is gender biased has been proven to bring a negative effect in the harmony of human life. Men and women ideally must complete one-another and support each other in different ways. However patriarchal culture has made men became the main actors, dominant and hegemonic, and women became the figurant side, on the border and unable to express themselves. This 'sidedness' in the world of informational technology is one of the real facts in this problem. This article tries to prove how women's access to the technological world has been 'walled' since the beginning and how women are positioned only as a profitable object by exploiting their body and sexuality by technological practitioners. In the end of this article, the writer advises the need of a world-view patriarchal deconstruction, a cultural revolution, and a reformation of social structure as a way out of this problem.


2012 ◽  
Vol 1 (1) ◽  
pp. 21
Author(s):  
CARLA FERRETI SANTIAGO ◽  
DÉBORA DE VIVEIROS PEREIRA

<p class="MsoNormal" style="text-align: justify;"><span style="font-size: 11pt;">Este artigo propõe a análise dos movimentos de contracultura em Belo Horizonte, entre os anos de 1968 e 1978, a partir de reportagens do jornal Diário da Tarde. A contracultura, movimento de proporções mundiais, surgida entre as décadas de 1950 e 1960, na Europa – notadamente França, Alemanha e Inglaterra – e nos Estados Unidos, foi difundida pelo mundo, especialmente após a “revolução cultural” de maio de 1968, em Paris. No Brasil, ficou conhecida principalmente através do movimento Tropicália, que englobava diversos âmbitos artísticos em um mesmo grupo. Em Belo Horizonte, especificamente, as análises dos periódicos possibilitaram a descoberta e subdivisão de movimentos contraculturais artísticos, “anti-artísticos” e aqueles considerados “ameaças” à sociedade.</span></p> <p class="MsoNormal"><strong><span style="font-size: 11.0pt;">Palavras-chave:</span></strong><span style="font-size: 11.0pt;"> Movimentos contraculturais – História Cultural – Diário da Tarde.</span></p><p> </p><p class="MsoNormal"> </p><p class="MsoNormal"><span><strong><span style="font-family: " lang="EN-US">Abstract: </span></strong></span><span><span style="font-family: " lang="EN-US">This article proposes the analysis of the movements of counterculture in <em>Belo Horizonte</em> between 1968 and 1978, starting from the reports of the newspaper “Diário da Tarde”. The counterculture, movement of world proportions, started between 1950 and 1960, between Europe – in particular France, Germany and England – and the United States o America, was spread throughout the world, especially after the “cultural revolution” of May 1968, in Paris. In Brazil, it became known especially through the “Tropicália” movement, which encompassed several artistic fields in a same group. In <em>Belo Horizonte</em>, especially, the analyses from the periodicals enabled the discovery and subdivision of artistic counterculture movements, “anti-art” and those deemed “threats” to society.</span></span></p><p class="MsoNormal"> </p><p class="MsoNoSpacing"><span><strong><span style="font-family: " lang="EN-US">Keywords: </span></strong></span><span><span style="font-family: " lang="EN-US">Counterculture Movements </span></span>–<span><span style="font-family: " lang="EN-US"> Cultural History </span></span>–<span><span style="font-family: " lang="EN-US"> Newspaper “</span></span><span style="font-family: ">Diário da Tarde”.</span></p><p> </p><p> </p>


2015 ◽  
Vol 11 (1) ◽  
pp. 161-164
Author(s):  
T Yuchkovskayz Luiza

The article notes that the modern comparative linguistics, the theory and practice of translation should be anthropocentric, that is, assume communication activities and take into account the human factor in the analysis and translation of linguistic material. Such concepts as "world view", "conceptual picture of the world", "linguistic picture of the world", "phraseological picture of the world" are included with this approach. The most essential features of phraseological picture of the world are considered. These features are universalism, anthropocentrism, expressiveness.


2020 ◽  
Vol 8 (2) ◽  
pp. 1-10
Author(s):  
João José Pinto Ferreira ◽  
Anne-Laure Mention ◽  
Marko Torkkeli

Literature is the noblest of all the arts. Music dies on the air, or at best exists only in memory; oratory ceases with the effort; the painter’s colors fade and the canvas rots; the marble is dragged from its pedestal and is broken into fragments. Elbert Hubbard At a very early age, we start to develop a sense of playfulness. We touch things, we build things, we break them apart. Soon after we begin to utter words. We babble, we squeal, we try to imitate. Music begins to inform our bodily movements. What develops last and continues to develop throughout our waking lives is connections of words. The essential and characteristic features of words used to describe things within and around us are the hardest to grapple with. The same word can be expressed in different ways and could mean different things in different contexts. Literature, being the written expression of words in its various forms, has progressively shaped our world view. Liberal news outlets around the world have been stressing recurrently that words matter, as the imagination of some politicians’ is set loose and boundaries to what one may say seem not to exist. However, despite this current societal struggle to adhere to facts, namely amid the current pandemic, science has remained irreducible in its systematic approach supported by the scientific method where facts and doubt do co-exist as a process towards the discovery and construction of new knowledge. (...)


1997 ◽  
Vol 7 (3) ◽  
pp. 27-35
Author(s):  
Jianping Gao ◽  

From 1978 to 1985 there was a craze for aesthetics in China. This was anticipated by a "great aesthetics discussion" between 1956 and 1962, but its cause lay more in its significance for Chinese society immediately after the Cultural Revolution. It played an important part in the ideological liberation movement, which transformed the minds of the Chinese; it encouraged the spread of Western ideas in China, and it broke up the ossified Zhdanovist system in Uterary and artistic theory, making the Chinese reflect on their own tradition, recognize Western culture and thus try to develop an aesthetics of both China and the world.


1974 ◽  
Vol 60 ◽  
pp. 750-766 ◽  
Author(s):  
John Gittings

As much as one-quarter of the contents of the two Wan-sui volumes deals with matters relating either to the theory or the practice of foreign policy. Very little material of this kind had emerged in the earlier “unofficial” collections of Mao's speeches and writings which came to our knowledge after the Cultural Revolution, and this latest acquisition breaks entirely new ground. As far as the “official” record is concerned, we have until now known more of Mao's views on international affairs before 1949 than after the Liberation. During the 1950s there were a few formal statements on Sino-Soviet relations – telegrams, greetings and the like which required very close analysis to reveal the complex web of tensions beneath the surface. There were some brief and fairly stereotyped descriptions of the international scene in Mao's published speeches to Party and Government conferences. The second decade of the People's Republic was served rather better in the “official” record, but only if one regarded the major documents in the Sino-Soviet polemic as either written by Mao or expressing his views. There were some well-publicized reports of Mao's various meetings with Third World visitors in the 1960s though the level of conversation with, in the main, overawed and deferential amateurs clearly never taxed Mao's intellect. One could perhaps have pieced together the scraps of documentary evidence to construct the bare bones of Mao's outlook on the world, but it would have lacked all the flesh and substance now imparted to it by the Wan-sui documents.


Dearest Lenny ◽  
2019 ◽  
pp. 169-176
Author(s):  
Mari Yoshihara

In the mid-1980s, as Leonard Bernstein looked ahead at what he wanted to accomplish in his remaining years, his artistic and professional priorities became clear. Along with his continued commitments as a composer and a conductor, Bernstein decided to prioritize education as his mission. He also continued his activism to address the AIDS crisis. His defiance of the US government took another phase in November 1989, when he rejected the National Medal for the Arts in protest of the National Endowment for the Arts’ withdrawal of funding for an art show dealing with the theme of AIDS. In the meantime, the end of the Cultural Revolution and the opening of China’s door to the West led many musicians to seek artistic exchanges, and Amberson began to explore the possibility of the maestro’s visit to China.


2008 ◽  
Vol 10 (1) ◽  
pp. 26-51 ◽  
Author(s):  
Lorenz Lüthi

This article traces the origins, development, and demise of the Third-Line Defense project in the People's Republic of China (PRC) from 1964 to 1966. Responding to the U.S. escalation of the Vietnam War, Chinese leaders decided to transfer strategic military and civilian assets from the vulnerable coastal and border provinces to the country's interior. Following the dispatch of U.S. Marines to Vietnam in March 1965, the PRC proceeded with the construction of provincial Third-Line Defense projects. In the end, the Third-Line Defense project fell victim to Mao Zedong's ideological radicalization in the lead-up to the Cultural Revolution. The article uses documentary evidence from Chinese provincial archives as well as published collections of Chinese documents.


1975 ◽  
Vol 45 (2) ◽  
pp. 211-223 ◽  
Author(s):  
Joseleyne Slade Tien

Education in China has undergone a dramatic transformation since the Cultural Revolution. The university has become a means for bringing together theory and practice, the intellectual and the worker. In this article the author not only describes recent changes in Chinese higher education but also gives a personal account of a visit to an English class at Wuhan University.


1980 ◽  
Vol 84 ◽  
pp. 720-726 ◽  
Author(s):  
Qiu Qihua

Since the founding of The People's Republic of China, research on the world economy has been developed on an unprecedented scale, although not without setbacks. The Cultural Revolution and the activities of the “ gang of four ” seriously affected such research and virtually brought it to a halt for 10 years. However, the removal of the “ gang of four ” has meant that work on the world economy has revived and reached a completely new stage of development.


Sign in / Sign up

Export Citation Format

Share Document