‘Enter Revenge’: Henry Burkhead and Cola's Furie

1990 ◽  
Vol 15 (1) ◽  
pp. 1-17 ◽  
Author(s):  
Patricia Coughlan
Keyword(s):  
Old English ◽  
Strong Support ◽  
Literary Text ◽  
The Political ◽  
Political Work ◽  
Supreme Council ◽  
The City

There are very few texts written from the viewpoint of the Catholics in Ireland in the 1640s; among these, A Tragedy of Cold's Furie, OR, Lirenda's Miserie (Kilkenny, 1646), a five-act verse tragedy or tragicomedy, is striking in being a specifically literary, as well as a political, work.Almost nothing is known about Henry Burkhead, whose name appears in various forms and who has been mistakenly conflated with another similar-sounding writer. Anthony a Wood rather slightingly calls Burkhead ‘no Academian, only a Merchant of Bristol’, and Langbaine also notices Cola's Furie, repeating this description and saying the play was never performed. A search of the Bristol city archives has failed to discover any mention of him, which may indicate that he resided in Kilkenny and traded with Bristol; various forms of his surname do, however, occur there, and it seems to be an English, rather than an Irish or ‘Old English’ one. The authors of the three sets of fulsome commendatory verses printed with the play – William Smyth, Paul Aylward, and Daniel Breede – seem even more obscure than Burkhead himself; all that is clear biographically is Burkhead's strong support of the Catholic cause, inferred from the play itself. As for its printing, it is not known whether the Jesuit press which then existed in the city was used, or that run by the Supreme Council of the Catholic confederates; it is highly unusual in being a literary text amidst the political, religious and administrative documents, pamphlets and proclamations which make up the remainder of the output from Kilkenny.

scholarly journals Imagining the anti-gang: the state, the father and Jean-Claude Van Damme

2021 ◽  
Vol 9s11 ◽  
pp. 41-65
Author(s):  
Maarten Hendriks
Keyword(s):  
Martial Arts ◽  
The State ◽  
Urban Life ◽  
Political Order ◽  
The Political ◽  
Political Work ◽  
The City

Empirically focusing on the so-called anti-gang, a civilian policing group in the city of Goma (DRC), this article examines the nexus between the workings of the imagination and the politics of everyday policing. Four forms of political imaginations through which the anti-gang imagine themselves as everyday policing actors are identified: political imaginations around the state, citizenship, the father, and martial arts and action movies. The article makes two main arguments. First, political imaginations are not merely fantasies. Instead, the anti-gang harness them to do political work and impose themselves as street authorities. In doing so, they in turn contribute to giving form to these political imaginations, by making them tangible and experienced as real in everyday urban life. Second, the article asserts that the political imaginations that shape and are shaped by anti-gang practices show that they do not so much propose a new political order. Instead, they seek to be included in it, escape marginalisation and become politically significant.

Democracy's Performance

2003 ◽  
Vol 47 (2) ◽  
pp. 117-128 ◽  
Author(s):  
Jon McKenzie
Keyword(s):  
Strong Support ◽  
Political Engagement ◽  
Self Determination ◽  
The Political ◽  
Political Struggle ◽  
North Americans ◽  
The World ◽  
To Come ◽  
City State ◽  
The City

McKenzie asks, “If the ancient Greeks invented democracy in the form of the city-state, and colonial North Americans reinvented it in the nation-state, what democratic forms might the world create in the age of global performance?” He explores this question in relation to the thought of Nietzsche and Marcuse—and in terms of “dissatisfied democrats”: people who strongly believe in democracy but are unhappy with its particular embodiments. Could it be that democracy is an inherently incomplete project, one that is always “to come,” always being invented, always being tested and contested, always being asked to perform? The Electronic Disturbance Theater demonstrates how the Internet can be used to facilitate social and political engagement and protest. Dubbed “virtual Zapatistas” because of its strong support for the liberation movement in Mexico and throughout Latin America, EDT's actions combine the political struggle for indigenous self-determination with a critique of neoliberalism aka globalization. In the articles and interview that follow, EDT's origins, development, and ongoing actions are examined. You are invited to participate.

Göçmen edebiyatında din ve kimlik yansımaları -Fakir Baykurt’un Yarım Ekmek Romanında Din ve Gelenek-

2015 ◽  
Vol 2 (1) ◽  
pp. 117-145
Author(s):  
İsmail Güllü
Keyword(s):  
The Political ◽  
The Novel ◽  
Cultural Shock ◽  
Turkish Literature ◽  
Socialist Realist ◽  
Long Time ◽  
Societal Structure ◽  
Immigrant Religion ◽  
Turks In Germany ◽  
The City

Yarım aşırı aşan bir geçmişe sahip Almanya’ya göç olgusu beraberinde önemli bir edebi birikimi (Migrantenliteratur) de getirmiştir. Farklı adlandırmalar ile anılan bu edebi birikim, kendi içinde de farklı renkleri de barındıran bir özelliğe sahiptir. Edebi yazını besleyen en önemli kaynaklardan biri toplumdur. Yazarın içinde yaşadığı toplumsal yapı ve problemler üstü kapalı veya açık bir şekilde onun yazılarına yansımaktadır. Bu bağlamda araştırma, 50’li yaşlarında Almanya’ya giden ve ömrünün sonuna kadar orada yaşayan, birçok edebi ve düşünsel çalışması ile Türk edebiyatında önemli bir isim olan Fakir Baykurt’un “Koca Ren” ve Yüksek Fırınlar” adlı romanları ile birlikte Duisburg Üçlemesi’nin son kitabı olan “Yarım Ekmek” romanında ele aldığı konu ve roman kahramanları üzerinden din ve gelenek olgusu sosyolojik bir yaklaşımla ele alınmaktadır. Toplumcu-gerçekçi çizgide yer alan yazarın, uzun yıllar yaşadığı Türkiye’deki siyasi ve ideolojik geçmişi bu romanda kullandığı dil ve kurguladığı kahramanlarda kendini göstermektedir. Romanda Almanya’nın Duisburg şehrinde yaşayan Türklerin yeni kültürel ortamda yaşadıkları çatışma, kültürel şok, arada kalmışlık, iki kültürlülük temaları ön plandadır. Yazar romanda sadece Almanya’daki Türkleri ele almamakta, aynı zamanda Türkiye ile hatta başka ülkeler ile de ilişkilendirmeler yaparak bireysel ve toplumsal konuları ele almaktadır. Araştırmada, romanda yer alan dini ve geleneksel unsurlar sosyolojik olarak analiz edilmiştir. Genel anlamda bir göç romanı olma özelliği yanında Yarım Ekmek romanında dini, siyasi ve ideolojik birçok yorum ve tartışma söz konusudur. Romandaki bu veriler, inanç, ritüel, siyaset ve toplumsal boyutlarda kategorize edilerek ele alınmıştır.  ENGLISH ABSTRACTReligion and identity reflections in literature of immigrant: Religion and Tradition in Fakir Baykurt’s novel Yarım EkmekThe immigration fact which has nearly half century in Germany have brought a significant literal accumulation (Migrantenliteratur) in its wake. This literal accumulation, which is named as several denominations, has a feature including different colours in itself. One of the most important source snourishing literature is society. Societal structure and problems that the writer lives inside, directly or indirectly reflect on his/her compositions. In this context, the matter of religion and tradition by way of the issue and fictious characters in the novel of Fakir Baykurt who went to Germany in her 50’s and lived in there till his death and who is a considerable name in Turkish literature with his several literal and intellectual workings; “Yarım Ekmek” which is the third novel of Duisburg Trilogy with “Koca Ren” and “Yüksek Fırınlar” are discussed sociologically in the study. The political and ideological past of the socialist realist lined writer in Turkey where he spent his life for a long time, manifest itself on the speech and fictious characters of novel. In the novel, themes of new Turks’ conflict, cultural shock, being in the middle, bi culturalism in their new cultural nature in Duisburg which is the city they live in. The writer not only deals with Turks in Germany but also personal and social subjects via comparing them to Turkey and even other countries. In the study, religious and traditional elements analyzed sociologically. Besides the speciality of being a migration novel in general, there are a lot of religious, political and ideological interpretations and discussions in the novel. These datum in the novel are examinated in the context of belief, ritual, politics and social categorisation. 

Introduction

2017 ◽  
Author(s):  
Aled Davies
Keyword(s):  
Industrial Development ◽  
The Political ◽  
Social Democratic ◽  
Financial Centre ◽  
Conservative Government ◽  
The Social ◽  
Post War ◽  
City Of London ◽  
The Relationship ◽  
The City

This book is a study of the political economy of Britain’s chief financial centre, the City of London, in the two decades prior to the election of Margaret Thatcher’s first Conservative government in 1979. The primary purpose of the book is to evaluate the relationship between the financial sector based in the City, and the economic strategy of social democracy in post-war Britain. In particular, it focuses on how the financial system related to the social democratic pursuit of national industrial development and modernization, and on how the norms of social democratic economic policy were challenged by a variety of fundamental changes to the City that took place during the period....

scholarly journals Guilds, Social Mobility and Status in Sixteenth-Century Ghent

1998 ◽  
Vol 43 (1) ◽  
pp. 31-78 ◽  
Author(s):  
Johan Dambruyne
Keyword(s):  
Sixteenth Century ◽  
Social Mobility ◽  
Upward Mobility ◽  
Social Promotion ◽  
Social Position ◽  
The Political ◽  
Political Situation ◽  
Democratic Character ◽  
The Relationship ◽  
The City

This article investigates the relationship between social mobility and status in guilds and the political situation in sixteenth-century Ghent. First, it argues that Ghent guilds showed neither a static picture of upward mobility nor a rectilinear and one-way evolution. It demonstrates that the opportunities for social promotion within the guild system were, to a great extent, determined by the successive political regimes of the city. Second, the article proves that the guild boards in the sixteenth century had neither a typically oligarchic nor a typically democratic character. Third, the investigation of the houses in which master craftsmen lived shows that guild masters should not be depicted as a monolithic social bloc, but that significant differences in status and wealth existed. The article concludes that there was no linear positive connection between the duration of a master craftsman's career and his wealth and social position.

The forging of an Atlantic port city: socio-economic and physical transformations in Cork, 1660–1700

Urban History ◽  
2001 ◽  
Vol 28 (1) ◽  
pp. 25-45 ◽  
Author(s):  
Mark McCarthy
Keyword(s):  
The Political ◽  
Port City ◽  
Urban Hierarchy ◽  
British America ◽  
Morphological Aspects ◽  
Higher Rank ◽  
The City

This article investigates the socio-economic and morphological aspects of how the city of Cork, having lost the salient elements of its medieval character in the early 1600s, transformed into a prosperous Atlantic port city during the period of renaissance it experienced between 1660–1700. Despite the political upheavals caused by the expulsions of the Catholics in the 1640s and 1650s, the city increased in size and population from the early 1660s onwards as it began to thrive on the provisions trade to the colonial plantations of British America. In the process, Cork assumed a higher rank in the general European urban hierarchy.

From Hospitality to Hostility: Ibadan and Strangers, 1830–1904

1985 ◽  
Vol 26 (1) ◽  
pp. 51-68 ◽  
Author(s):  
Toyin Falola
Keyword(s):  
Nineteenth Century ◽  
The Political ◽  
Colonial Rule ◽  
Open Door ◽  
Equal Opportunities ◽  
Open Door Policy ◽  
Political Crises ◽  
City State ◽  
The City

The view that Ibadan society in the nineteenth century did not discriminate against strangers, irrespective of their origins in Yorubaland, is now firmly entrenched in the literature. To be sure, Ibadan, a new nineteenth-century Yoruba city-state, founded as a consequence of the political crises of the early decades of the century, did maintain an ‘open door’ policy to strangers, many of whom went there as adventurers, craftsmen and traders, hoping to acquire wealth and fame. This article, however, controverts the view that Ibadan society gave the strangers and the indigenes equal opportunities to wealth and power. It argues that all the key political offices went only to the Oyo-Ibadan group which dominated the city-state. Strangers were also not allowed to participate fully in the leading heights of the economy, with the result that most of the wealthy citizens were also of Oyo-Yoruba origin.In the 1890s discrimination against strangers was such that a number of moves were made to expel them. However, the British, who imposed colonial rule on Ibadan in 1893, were against the expulsion of strangers.

Goods and States: The Political Logic of State-Socialist Material Culture

2009 ◽  
Vol 51 (2) ◽  
pp. 426-459 ◽  
Author(s):  
Krisztina Fehérváry
Keyword(s):  
Material Culture ◽  
Democratic Governance ◽  
Soviet Bloc ◽  
The Political ◽  
State Socialism ◽  
Iron Curtain ◽  
The Everyday ◽  
Widespread Phenomenon ◽  
The City ◽  
State Socialist

In the two decades since the fall of state socialism, the widespread phenomenon ofnostalgiein the former Soviet satellites has made clear that the everyday life of state socialism, contrary to stereotype, was experienced and is remembered in color. Nonetheless, popular accounts continue to depict the Soviet bloc as gray and colorless. As Paul Manning (2007) has argued, color becomes a powerful tool for legitimating not only capitalism, but democratic governance as well. An American journalist, for example, recently reflected on her own experience in the region over a number of decades:It's hard to communicate how colorless and shockingly gray it was behind the Iron Curtain … the only color was the red of Communist banners. Stores had nothing to sell. There wasn't enough food… . Lines formed whenever something, anything, was for sale. The fatigue of daily life was all over their faces. Now… fur-clad women confidently stride across the winter ice in stiletto heels. Stores have sales… upscale cafés cater to cosmopolitan clients, and magazine stands, once so strictly controlled, rival those in the West. … Life before was so drab. Now the city seems loaded with possibilities (Freeman 2008).

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