Further Parallels to the ‘Hadrianum' from St. Gregory the Great's Commentary on the First Book of Kings

Traditio ◽  
1960 ◽  
Vol 16 ◽  
pp. 364-373
Author(s):  
Henry Ashworth

A previous study entitled ‘Liturgical Prayers of Pope Gregory I’ sought to establish links between some 80 prayer formulae of the Hadrianum and the recognized authentic works of Saint Gregory the Great. That study, begun and completed several years ago, did not take into account — unfortunately as now appears — works about which there had been controversy in the past and whose Gregorian authenticity was not unanimously accepted. For this reason no parallel texts were given from the Commentary on the First Book of Kings. But Dom P. Verbraken has recently shown in two convincing articles that hesitations concerning St. Gregory's authorship of the Commentary are not justified. Even though the diffusion of this work in the Middle Ages was a very restricted one, there can be no real doubt that it was written by St. Gregory himself. This conclusion was by itself a sufficient stimulus to set about analyzing the Commentary on Kings with a continual eye on the text of the Hadrianum, and the result has not been unrewarding: a new set of parallels can be added to those already published in the previous article, and in addition six new prayers inserted in the list. The very fact that such loca parallela can be found in the Commentary would seem in itself a further proof of the Gregorian authenticity of this work. A few texts have also been taken from the beginning of the Commentary on the Canticle of Canticles, also attributed to St. Gregory.

2020 ◽  
Vol 138 (1) ◽  
pp. 3-18
Author(s):  
Nikolas O Hoel

Pope Gregory I was the first monk to hold the office of Bishop of Rome, and he was one of the most prolific papal writers of the Middle Ages. It should not be a surprise that his views on monasticism can be found in everything that he wrote, including the Homiliae in Evangelia. This text includes lessons that would be heard by both monks and lay people, because both would have been listening to the sermons. By looking at the first two of these homilies, it can be determined that Gregory urged his audience to strive for asceticism, which he equated to martyrdom. Yet, the asceticism of the monk could not be the same as that of the lay person. This article argues that Gregory conceived of two types on non-red martyrdom: the white martyrdom of the monks which served as the model for the blue martyrdom of the laity.


2015 ◽  
Vol 84 (1) ◽  
pp. 1-31
Author(s):  
Jacob A. Latham

In modern scholarship, Pope Gregory I “the Great” (590–604) is often simultaneously considered the final scion of classical Rome and the first medieval pope. The letania septiformis, a procession organized into seven groups that Gregory instituted in 590 in the face of plague and disease (and performed only once thereafter in 603), has similarly been construed as the very moment when Antiquity died and the Middle Ages were born. However, his Roman contemporaries in the papal curia largely ignored Gregory and his purportedly epochal procession. In fact, memory of the procession languished in Italy until the late-eighth century when Paul the Deacon made it the center of his Life of Gregory. At Rome, remembrance of the procession lay dormant in the papal archives until John the Deacon dug it out in the late-ninth century. How then did the letania septiformis come to be judged so pivotal? Over the course of centuries, the letania septiformis was inventively re-elaborated in literature, liturgy, and legend as part of the re-fashioning of the memory of Gregory. Shorn of its context, the letania septiformis gained greater imaginative power, becoming the emblem of Gregory's pontificate, if not also of an historical era.


2021 ◽  
Vol 3 (1) ◽  
pp. 17-31
Author(s):  
Anna McKay

Over the past two decades, medieval feminist scholarship has increasingly turned to the literary representation of textiles as a means of exploring the oftensilenced experiences of women in the Middle Ages. This article uses fabric as a lens through which to consider the world of the female recluse, exploring the ways in which clothing operates as a tether to patriarchal, secular values in Paul the Deacon’s eighthcentury Life of Mary of Egypt and the twelfth-century Life of Christina of Markyate. In rejecting worldly garb as recluses, these holy women seek out and achieve lives of spiritual autonomy and independence.


1980 ◽  
Vol 8 ◽  
pp. 129-149 ◽  
Author(s):  
Rosemary Jann

Critical attention to the dominant tradition of Victorian medievalism has stressed its essentially conservative tendencies. For representative proponents of this tradition – Carlyle, Ruskin, Young England – the imaginative value of the Middle Ages lay in their contrast with the political and social disorder of the present. The antidote to those modern poisons – laissez faire capitalism, Utilitarian ethics, Liberal individualism – lay in a resuscitation of medieval hierarchy, one which called on the Captains of Industry to form a new aristocracy, and the state to assume control over the economy and social welfare. For such thinkers, the spiritual health and organic order of medieval society depended upon its essentially undemocratic structure. The prominence of this analysis has unfortunately overshadowed the importance of two alternative treatments of Victorian medievalism, the Whig and the Socialist. While opposed in fundamental ways to one another, these interpretations are opposed in more significant ways to that dominant conservative tradition in that they created alternative myths of the Middle Ages to justify a more – not less – democratic society in the present and future. Such myths assisted the development of class consciousness by using the authority of history to sanction a social order which drew its moral and political strengths not from the ideals of the aristocracy, but from those of the middle and working classes, respectively. However, the following demonstration of the way similar historical points of departure can lead investigators to radically different conclusions ultimately reinforces the central characteristic of Victorian medievalism: that it represented less an attempt to recapture the past “as it really was” than a projection of current ideals back into time.


Author(s):  
Thomas A. Prendergast ◽  
Stephanie Trigg

As a disciplinary formation, Medieval Studies has long been structured by authoritative hierarchies and conservative scholarly decorums; the associated fear of error in medieval studies dates back to the Renaissance and the Protestant reformation. In contrast, medievalism increasingly celebrates creative play and imaginative invention. Such invention inevitably produces anxiety about historical accuracy. Popular scholarship and journalism in turn are often attracted to the abject otherness of the Middle Ages, especially the torture practices associated with its judicial systems. Such practices are designed to solicit the truth, and so, like illness, mortality and death, they are a useful double trope through which to analyse the relationship between medieval and medievalist approaches to the past.


Author(s):  
Thomas A. Prendergast ◽  
Stephanie Trigg

Conventional wisdom sees medievalism occurring “after” the Middle Ages; and indeed much medievalist practice seems to support this view, as the Middle Ages are often conceptualised in spatio-temporal terms, through the fictions of time-travel and the specific trope of “portal medievalism”. But the two formations are more accurately seen as mutually constitutive. Medieval literature offers many examples of layered or multiple temporalities. These are often structured around cultural and social difference, which is figured in powerfully affective, not just epistemological terms. Several examples from medieval English literature demonstrate how medieval culture prefigures many of medievalism’s concerns with the alterity of the past.


2021 ◽  
pp. 1-34
Author(s):  
Louise D'Arcens

This chapter situates the book within the development of an increasingly ‘global’ conceptualization of the Middle Ages, and links this conceptualization to a rising desire to reckon with the discipline’s colonialist, nationalist, and racist legacies. Tracing this development’s main stages and debates, the chapter explores the centrality of interconnectedness and cultural exchange as motifs in the study of the global Middle Age. Through negotiating debates in the field of world literature, the chapter argues for the efficacy of the term ‘world medievalism’ rather than ‘global medievalism’, not just because world medievalism shares the inclusive ethical project of world literature, but also because it enables us to formulate medievalism itself as ‘world-disclosing’—a transhistorical encounter that enables the modern subject to apprehend the past ‘world’ opened up in medieval and medievalist texts and objects. This chapter addresses the strengths and drawbacks of viewing non-European spaces through the lens of medievalism.


Antiquity ◽  
1928 ◽  
Vol 2 (8) ◽  
pp. 443-451 ◽  
Author(s):  
D. Talbot Rice

The peninsula of Athos, home of monks, resort of pilgrims and the sole surviving example of the life of the Middle Ages which exists in Europe, is the only spot in these days of hooting motor cars, roaring machinery and rushing, busy people, in which it is possible to lead a completely altered life. There only in Europe can one meet an entirely original mental outlook. Even in the remotest European village everyday life is of this age and it is only by exercising the imagination that one can transfer oneself to the past. But on arrival on Athos this earth is left behind and one begins to experience the life of a pilgrim of the Middle Ages. One sees from actual experience what that life really was, and one continues to live it until the discomforts of the thirteenth century finally persuade one that the evils of this age are amply repaid by its merits and that the romance of the Middle Ages is even excelled by the adventurous spirit of today. The medieval life is something that one likes to remember as a curiosity, something to be experienced occasionally only. But the claims of its art are more lasting and in these days of ease and luxury we can appreciate them the more fully.


2019 ◽  
Vol 79 (5) ◽  
pp. 393-401
Author(s):  
Cyril Hovorun

AbstractCan a compilation from the past be creative? Does the notion of tradition contradict the idea of innovation? The case of a Syrian theologian, who lived in the Arabic caliphate when Antiquity turned to the Middle Ages, whose name was John of Damascus, demonstrates that the answer to both questions can be positive, contrary to the common wisdom. The article explores the concepts of Tradition with capital T, traditions with lower case t, and traditionalism, through the prism of the writings of John. It argues that the best illustration to what tradition was for John, is not the famous »Black square« by Kizimir Malevich, but the Farbstudie Quadrate by Wassily Kandinsky.


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