TENDING TO OLD STORIES:DANIEL DERONDAAND HYSTERIA, REVISITED

2018 ◽  
Vol 46 (2) ◽  
pp. 443-465
Author(s):  
Doreen Thierauf
Keyword(s):  
Nineteenth Century ◽  
Charles Darwin ◽  
Medical Knowledge ◽  
Reciprocal Relationship ◽  
Late Nineteenth Century ◽  
Daniel Deronda ◽  
Herbert Spencer ◽  
New Novel ◽  
Mind And Body ◽  
The Relationship

The appearance of the word‘dynamic’ on the first page of George Eliot's novel,Daniel Deronda(1876), to describe Gwendolen's unsettled/unsettling glance famously elicited critique from her publisher John Blackwood as well as from an anonymous reviewer at theExaminer, both of whom challenged Eliot's use of scientific jargon that had not yet entered her audience's everyday vocabulary. In line with this often-cited vignette, critics usually understand Eliot to respond thoughtfully and prophetically to late-nineteenth-century scientific trends. In the words of theExaminerreviewer, Eliot's “culture is scientific” (“New Novel” 125), probably more so than any other Victorian novelist's. Studies investigating the reciprocal relationship between Eliot's fiction, particularlyMiddlemarchandDaniel Deronda, and nineteenth-century scientific writing suggest her familiarity with notable works by Henry Lewes, Alexander Bain, William Carpenter, Charles Darwin, Herbert Spencer, James Sully, and others. Scholarship of the past three decades has largely focused on Eliot's application of Victorian theories regarding epistemology, evolution, and the relationship between mind and body. However, scholars have not yet fully examined Eliot's utilization of mid-nineteenth-century medical knowledge concerning the female body's proneness to hysteria, a connection that emerges prominently in her final novel.

scholarly journals Fantasia e ciência na Amazônia: O mundo perdido, de Arthur Conan Doyle

2017 ◽  
Vol 6 (2) ◽  
Author(s):  
Roberto José Da Silva
Keyword(s):  
Nineteenth Century ◽  
Science Fiction ◽  
Amazon Basin ◽  
Charles Darwin ◽  
Scientific Research ◽  
Fantasy Literature ◽  
Scientific Theories ◽  
New Novel ◽  
Arthur Conan Doyle ◽  
The Relationship

FANTASIA E CIÊNCIA NA AMAZÔNIA: O MUNDO PERDIDO, DE ARTHUR CONAN DOYLE   Resumo Em 1912 Arthur Conan Doyle publicou O mundo perdido, ingressando na ficção científica, a partir das pesquisas científicas realizadas pelos naturalistas, biólogos e zoólogos europeus que estiveram na Amazônia no século XIX. Nessa nova produção introduziu o Professor Challenger que se tornou personagem ícone de uma série de romances de ficção científicas que viriam a ser publicados a partir dessa obra. Maple White foi o nome dado à terra encontrada num platô na bacia Amazônica, onde habitavam seres pré-históricos e Arthur Conan Doyle recorreu como pressuposto para expor e discutir teorias científicas vigentes naquele momento como, por exemplo, a origem das espécies, de Charles Darwin. Desse modo, o objetivo desse trabalho é fazer um exame de O mundo Perdido à luz das descobertas científicas daquele momento, assim como estudar as relações entre ciência e ficção, tendo a Amazônia com cenário desse romance. Palavras-chave: Arthur Conan Doyle; ficção científica; Amazônia; literatura fantástica.         FANTAZY AND SCIENCE IN THE AMAZON: THE LOST WORLD, BY ARTHUR CONAN DOYLE Keywords In 1912 Arthur Conan Doyle published The Lost World, joining in the science fiction, from the scientific research conducted by Europeans naturalists, biologists and zoologists who went to Amazon in the nineteenth century. In this new novel Arthur Conan Doyle introduced Professor Challenger who became icon character of a series of scientific fiction novels that will be published from this work. Maple White was the name given to the land found on a plateau in the Amazon basin, where lived prehistoric beings and Arthur Conan Doyle appealed for granted to expose and discuss current scientific theories at that time, for example, the Origin of Species by Charles Darwin. Thus, the aim of this study is to make an examination of The Lost World under the light of scientific findings that moment, and to study the relationship between science and fiction, been Amazon as scenary of this novel. Keywords: Arthur Conan Doyle; science fiction; Amazon; fantasy literature.            

Pater's Parerga: Framing the Imaginary Portraits

2013 ◽  
Vol 3 (2) ◽  
pp. 119-135
Author(s):  
Giles Whiteley
Keyword(s):  
Nineteenth Century ◽  
Formal Structure ◽  
Literary Genre ◽  
Late Nineteenth Century ◽  
Liminal Space ◽  
Critical Attention ◽  
Similar Operation ◽  
Late Nineteenth ◽  
The Relationship

Walter Pater's late-nineteenth-century literary genre of the imaginary portrait has received relatively little critical attention. Conceived of as something of a continuum between his role as an art critic and his fictional pursuits, this essay probes the liminal space of the imaginary portraits, focusing on the role of the parergon, or frame, in his portraits. Guided by Pater's reading of Kant, who distinguishes between the work (ergon) and that which lies outside of the work (the parergon), between inside and outside, and contextualised alongside the analysis of Derrida, who shows how such distinctions have always already deconstructed themselves, I demonstrate a similar operation at work in the portraits. By closely analysing the parerga of two of Pater's portraits, ‘Duke Carl of Rosenmold’ (1887) and ‘Apollo in Picardy’ (1893), focusing on his partial quotation of Goethe in the former, and his playful autocitation and impersonation of Heine in the latter, I argue that Pater's parerga seek to destabilise the relationship between text and context so that the parerga do not lie outside the text but are implicated throughout in their reading, changing the portraits constitutively. As such, the formal structure of the parergon in Pater's portraits is also a theoretical fulcrum in his aesthetic criticism and marks that space where the limits of, and distinctions between, art and life become blurred.

Police Records

2019 ◽  
pp. 797-819
Author(s):  
Cristina Vatulescu
Keyword(s):  
Nineteenth Century ◽  
Detective Fiction ◽  
Media History ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Police Records ◽  
History Of ◽  
Late Nineteenth ◽  
Relationship Of ◽  
The Relationship

This chapter approaches police records as a genre that gains from being considered in its relationships with other genres of writing. In particular, we will follow its long-standing relationship to detective fiction, the novel, and biography. Going further, the chapter emphasizes the intermedia character of police records not just in our time but also throughout their existence, indeed from their very origins. This approach opens to a more inclusive media history of police files. We will start with an analysis of the seminal late nineteenth-century French manuals prescribing the writing of a police file, the famous Bertillon-method manuals. We will then track their influence following their adoption nationally and internationally, with particular attention to the politics of their adoption in the colonies. We will also touch briefly on the relationship of early policing to other disciplines, such as anthropology and statistics, before moving to a closer look at its intersections with photography and literature.

scholarly journals HERBERT SPENCER’S CASE FOR FREE BANKING

2021 ◽  
pp. 1-18
Author(s):  
George Bragues
Keyword(s):  
Nineteenth Century ◽  
Money Supply ◽  
Late Nineteenth Century ◽  
Free Banking ◽  
Herbert Spencer ◽  
Late Nineteenth ◽  
The Government

Though now almost entirely forgotten, Herbert Spencer was among the most widely read thinkers during the late nineteenth century. As part of his system of synthetic philosophy, Herbert Spencer addressed the topics of money and banking. This philosophic system articulates a concept of justice based on the principle of equal freedom. Invoking this principle, Spencer rejected a government-superintended regime of money and banking as unjust. Instead, he morally favored a system of free banking. Spencer also defended this system on economic grounds. His argument was that banks could be self-regulating in their management of the money supply, on the condition that the government limit its activities in the financial sphere to the enforcement of contracts. While Spencer’s case is not beyond questioning on philosophic and political grounds, he offers a distinctive and forceful analysis.

Limbs

2019 ◽  
pp. 79-106
Author(s):  
Sarah Blackwood
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Racial Violence ◽  
Late Nineteenth Century ◽  
Inner Life ◽  
Mind And Body ◽  
Late Nineteenth ◽  
The U.S

This chapter traces a new visual genealogy of inner life as it appears in canonical late-nineteenth-century painter and portraitist Thomas Eakins’s work. It situates Eakins’s lauded portraits alongside the complex political and racialized questions about mind and body that emerged in the U.S. after the Civil War. It centers a reading of a marginal Eakins painting—Whistling for Plover—that Eakins gave as a gift to neurologist S. Weir Mitchell. This painting is a part of a web of inventive thinking about mind and body in the postbellum U.S., evincing the deep anxiety felt nationally over the bodily scars left by the Civil War’s racial violence, an anxiety that is essential to the development of the New Psychology as a discipline.

Inscribing çingene in Late Ottoman Cultural Forms

2019 ◽  
pp. 124-166
Author(s):  
Sonia Tamar Seeman
Keyword(s):  
Nineteenth Century ◽  
Popular Culture ◽  
Social Order ◽  
Late Nineteenth Century ◽  
Rural Settings ◽  
Social Landscape ◽  
Tanzimat Reforms ◽  
Ottoman Literature ◽  
The Relationship ◽  
Late Ottoman

This chapter focuses on the relationship between Ottoman social order and urban popular culture. Social upheavals contributed to the intensified display of the çingene stereotype, with the çingene representing the experience of social marginalization. Playing out the anxieties of urban audiences as they confronted problems of modernity, urbanism, social disruption, and moral decay, the stereotypical figure of the çingene remained consistent from the late nineteenth century to the 1990s. A discussion of the dramatic nineteenth century Tanzimat reforms is followed by analyses of çingene characters in karagöz shadow puppetry, kanto theatrical songs, and Ottoman literature. The çingene was portrayed in two irreconcilable types: as an essentialized, nomad in pastoral rural settings; as the polluted degenerate and potentially contagious agent of urban chaos, social disorder, and moral decadence. By portraying the “çingene” as the quintessential “other” among an array of diverse social types, these forms rendered the anxiety-producing urban social landscape in stark relief.

scholarly journals Chaikovsky and the Economics of Art Music in Late Nineteenth-Century Russia

2019 ◽  
Vol 36 (2) ◽  
pp. 195-227
Author(s):  
Philip Ross Bullock
Keyword(s):  
Nineteenth Century ◽  
Art Music ◽  
Late Nineteenth Century ◽  
Art World ◽  
Systematic Account ◽  
Institutional Structures ◽  
Musical Institutions ◽  
The One ◽  
Musical Genres ◽  
The Relationship

As Russia’s first professional, conservatory-trained composer, Petr Il'ich Chaikovsky operated in the rapidly evolving social and economic context of post-emancipation Russia, identifying ways to interact with Russia’s musical institutions—its opera houses and theaters, its concert organizations and publishers—to fashion a career that was as successful financially as it was critically. Yet the myth of Chaikovsky’s financial incompetence persists, and the image, whether popular or scholarly, is still one of Chaikovsky as a spendthrift, unable to manage his income or regulate his outgoings. This article challenges such views by drawing on the recently published complete correspondence between Chaikovsky and his publisher, Petr Iurgenson, as well as on financial records preserved in the composer’s archives. In particular, this article analyzes the relationship among Chaikovsky, Iurgenson, and the operation of Russia’s musical “marketplace” at the level of genre, examining the interaction between financial considerations on the one hand and Chaikovsky’s decision to work in particular musical forms on the other. By examining the connections among Russia’s nascent musical institutions, Chaikovsky’s particular collaboration with his publisher, and the relative status of different musical genres, it becomes possible to establish the nature of Russia’s musical “art world” in the second half of the nineteenth century. In proposing a more nuanced and systematic account of Chaikovsky’s economic agency than has been attempted previously, this article thus contributes to a growing body of work on the institutional structures that shaped the Russian arts in the nineteenth century.

scholarly journals THE INTERACTION BETWEEN LANDSCAPE ARCHITECTURE AND URBAN DEVELOPMENT. DO WE HAVE A COMMON GOAL? / KRAŠTOVAIZDŽIO ARCHITEKTŪROS IR URBANISTIKOS SĄVEIKA – AR TURIME BENDRĄ TIKSLĄ

2015 ◽  
Vol 7 (1) ◽  
pp. 6-19 ◽  
Author(s):  
Vaiva Deveikienė
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Urban Development ◽  
Urban Design ◽  
Landscape Architecture ◽  
Urban Landscape ◽  
Late Nineteenth Century ◽  
Common Goal ◽  
Late Nineteenth ◽  
The Relationship

The article analyses the problem of the relationship and interaction between urban design and landscape architecture. This refers to the period of the modern city from the late nineteenth century to the present day. There are presented and discussed urbanization processes and examples of solutions with emphasis on problems arising from the relationship between a city and nature as well as those related to urban landscape and sustainability of urban landscaping in the twentieth century. Straipsnyje analizuojama urbanistikos ir kraštovaizdžio architektūros santykio ir sąveikos problema. Aprėpiamas moderniojo miesto laikotarpis – nuo XIX a. antrosios pusės iki nūdienos. Pateikiama XX a. urbanizacijos procesų ir sprendinių pavyzdžių, aptariama akcentuojant miesto santykio su gamta, želdynais, t. y. gyvo, tvaraus miesto kraštovaizdžio, formavimo problematiką.

A Geography of Medical Knowledge: Country Doctors in Elizabeth Stuart Phelps and Sarah Orne Jewett

2010 ◽  
Vol 44 (4) ◽  
pp. 691-708
Author(s):  
MARK STOREY
Keyword(s):  
Nineteenth Century ◽  
Medical Knowledge ◽  
Point Of View ◽  
Elizabeth Stuart Phelps ◽  
Late Nineteenth Century ◽  
Literary Representations ◽  
Sarah Orne Jewett ◽  
The Social ◽  
Late Nineteenth ◽  
Nineteenth Century Novels

This essay examines two of the best-known postbellum representations of country doctors, Elizabeth Stuart Phelps's Doctor Zay (1882) and Sarah Orne Jewett's A Country Doctor (1884). While they have often been considered from a feminist point of view, this essay seeks both to complement and to argue against these existing readings by bringing a specifically geo-medical framework to bear on the texts. I consider both the thematic and the generic implications of representing country doctors in the postbellum era, exploring how they reflect, refract and encode the state of medical knowledge in postbellum America. I argue that literary representations of country doctors can contribute to an understanding of postbellum medical modernization by decentring it – by, in a sense, allowing us to comprehend the course of modern medical knowledge from a place usually assumed to remain outside modernity's transformations. Whilst I do, therefore, approach both these novels from a loosely new historicist perspective, I also want to think about how the social context they were engaging with determined, constrained and embedded itself into the thematic, formal and generic makeup of the novels themselves. Ultimately, this essay not only offers fresh readings of two important late nineteenth-century novels, but makes an intervention within the wider debates about nineteenth-century medical history and geography.

The implications of illegitimacy in late-nineteenth-century Iceland: the relationship between infant mortality and the household position of mothers giving birth to illegitimate children

2000 ◽  
Vol 15 (3) ◽  
pp. 435-461 ◽  
Author(s):  
ÓLÖF GARĐARSDÓTTIR
Keyword(s):  
Nineteenth Century ◽  
Infant Mortality ◽  
Premarital Sex ◽  
Late Nineteenth Century ◽  
Sexual Permissiveness ◽  
Late Nineteenth ◽  
Premarital Sexual ◽  
High Degree ◽  
Sex Attitudes ◽  
The Relationship

In his article ‘Premarital sexual permissiveness and illegitimacy in the Nordic Countries’, Richard F. Tomasson discusses high illegitimacy rates in preindustrial Iceland. He points out that during the nineteenth century children born out of wedlock were proportionally more numerous in Iceland than in other European countries. In Tomasson's view high illegitimacy rates in Iceland were due to liberal attitudes towards premarital sex – attitudes that were deeply rooted in traditional Nordic society. In his words, ‘The Ancient Scandinavians accorded women higher status, and along with this went liberal attitudes toward premarital sex relations, illegitimacy, and divorce. Such attitudes often appear to be a concomitant of a high degree of equality between the sexes.’

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