‘All the Musics Which Computers Make Possible’: Questions of genre at the Prix Ars Electronica

2016 ◽  
Vol 21 (1) ◽  
pp. 15-29 ◽  
Author(s):  
Christopher Haworth
Keyword(s):  
Social Networks ◽  
Network Theory ◽  
Electronic Music ◽  
Actor Network Theory ◽  
Art Music ◽  
Genre Theory ◽  
The Third ◽  
Recent Developments ◽  
Digital Methods ◽  
Human Actors

This article explores the workings of genre in experimental electronic musics. Predominantly sociological in orientation, it has three main foci. First, it addresses practitioners’ and theorists’ resistances to the concept of genre in experimental musics. Drawing on recent developments in genre theory, it discusses the problems of agency, mediation and scale that any discussion of genre calls forth, pitting them alongside theories that emphasise genre’s necessity and inevitability in communication. The second section examines the politics of genre as they play out in practice, focusing on the Prix Ars Electronica festival and the controversy that ensued from the decision to change the name of the Computer Music category in 1999. The analysis focuses on issues of institutional mediation, historicity, genre emergence and the politics of labelling as they come into view when two broad spheres – electroacoustic art music and ‘popular’ electronic music – are brought into the same field together in competition. The third section deepens the analysis of Ars Electronica by zooming in on one of the represented genres, microsound, to examine how it is shaped and negotiated in practice. Using digital methods tools developed in the context of Actor-Network Theory, I present a view of the genre as fundamentally promiscuous, overlapping liberally with adjacent genres. Fusing Derrida’s principle of ‘participation over belonging’ with ANT’s insistence on the agency of ‘non-human actors’ in social assemblages, the map provides a means to analyse the genre through its mediations – through the varied industries, institutions and social networks that support and maintain it.

The Weblog Genre

2017 ◽  
Vol 9 (2) ◽  
pp. 1-21
Author(s):  
Hassen Rabhi
Keyword(s):  
Qualitative Analysis ◽  
Network Theory ◽  
Actor Network Theory ◽  
Genre Theory ◽  
Actor Network ◽  
Key Features ◽  
Human Actors ◽  
Generic Analysis

This article aims at exploring the process of digital genre formation in general and weblogs in particular. While genre theory basically delimits genre features, it cannot handle their construction procedures. Approaching the weblog genre through the lens of Actor Network Theory (henceforth, ANT) provides practical tools for not only conducting a generic analysis of the blogging phenomenon but also following the network relations that shape the process of its construction. The results of a quantitative and qualitative analysis of a corpus of 497 blog entries by 39 A-list American political bloggers revealed that the key features of the weblog genre are relational effects of a process of interaction between a network of humans and non-human actors. Tracing all forms of negotiations and their effects shows how the actors involved in the formation of the weblog genre are assemblies or gatherings of myriad things brought together and linked through processes of translation. Therefore, foregrounding associations does not only deepen the exploration of the weblog genre but also furthers understanding of related, yet unexamined internet-based genre. It also draws attention to the affordances of the weblog technology and their effects in connection with a network of human and non-human entities.

How Artefacts Do Leadership: A Ventriloquial Analysis

2021 ◽  
pp. 089331892199807
Author(s):  
Jonathan Clifton ◽  
Fernando Fachin ◽  
François Cooren
Keyword(s):  
Organizational Communication ◽  
Recent Work ◽  
Distributed Leadership ◽  
Network Theory ◽  
Actor Network Theory ◽  
Fine Grained ◽  
Naturally Occurring ◽  
Human Actors

To date there has been little work that uses fine-grained interactional analyses of the in situ doing of leadership to make visible the role of non-human as well as human actants in this process. Using transcripts of naturally-occurring interaction as data, this study seeks to show how leadership is co-achieved by artefacts as an in-situ accomplishment. To do this we situate this study within recent work on distributed leadership and argue that it is not only distributed across human actors, but also across networks that include both human and non-human actors. Taking a discursive approach to leadership, we draw on Actor Network Theory and adopt a ventriloquial approach to sociomateriality as inspired by the Montreal School of organizational communication. Findings indicate that artefacts “do” leadership when a hybrid presence is made relevant to the interaction and when this presence provides authoritative grounds for influencing others to achieve the group’s goals.

Ephemerality as Data Prevention: Values for an Ethics of Ephemeral Mobile Media

2020 ◽  
Vol 8 (3) ◽  
pp. 419-435
Author(s):  
Sarah Welsh
Keyword(s):  
Mobile Technology ◽  
Network Theory ◽  
Mobile Applications ◽  
Actor Network Theory ◽  
Shared Values ◽  
Ethical Framework ◽  
Data Retention ◽  
Mobile Media ◽  
Response Data ◽  
Human Actors

Mobile media is a chief driver of digitizing locational information, geotags, and photos that are produced and collected as we communicate with and exist within our networks. But when these data are stored and recorded—in quantities that far exceed any of our abilities to manage—mobile technology denies our ability to actively forget. This article argues that digital ephemerality via mobile applications (i.e. Snapchat, Signal, Confide, and Facebook Messenger Secret) has emerged because of the granular possibilities for data retention enabled by mobile devices. Together these applications move towards a practice of preventing data from being stored and shared. In response, “data prevention” is proposed as an ethical framework for ephemeral mobile media, and is theorized with an eye toward the distributed agency inherent to networks. This ethics is positioned within a framework of distributed agency across stakeholders that draws most directly from actor–network theory, and three commonly articulated values—trust, transparency, and privacy—are proposed. These values help to define a system of networked practices within ephemeral mobile media that requires consideration of both human and non-human actors. Building sustainable ephemeral technologies necessitates aligning shared values amongst divergent stakeholders. The article concludes by motioning to LIMITS research, where data prevention might be included, linking and further intensifying shared values across technical and social concerns.

Entanglement, Materiality and the Social Organisation of Construction Workers in Classical Athens

2018 ◽  
pp. 512-528
Author(s):  
Diane Harris Cline
Keyword(s):  
Social Networks ◽  
Social Network ◽  
Social Network Analysis ◽  
Network Analysis ◽  
Network Theory ◽  
Actor Network Theory ◽  
Fifth Century ◽  
Actor Network ◽  
The Social ◽  
Building Program

This chapter views the “Periclean Building Program” through the lens of Actor Network Theory, in order to explore the ways in which the construction of these buildings transformed Athenian society and politics in the fifth century BC. It begins by applying some Actor Network Theory concepts to the process that was involved in getting approval for the building program as described by Thucydides and Plutarch in his Life of Pericles. Actor Network Theory blends entanglement (human-material thing interdependence) with network thinking, so it allows us to reframe our views to include social networks when we think about the political debate and social tensions in Athens that arose from Pericles’s proposal to construct the Parthenon and Propylaea on the Athenian Acropolis, the Telesterion at Eleusis, the Odeon at the base of the South slope of the Acropolis, and the long wall to Peiraeus. Social Network Analysis can model the social networks, and the clusters within them, that existed in mid-fifth century Athens. By using Social Network Analysis we can then show how the construction work itself transformed a fractious city into a harmonious one through sustained, collective efforts that engaged large numbers of lower class citizens, all responding to each other’s needs in a chaine operatoire..

The Impact of Network of Actors on the Information Technology

2011 ◽  
pp. 234-246 ◽  
Author(s):  
Tiko Iyamu ◽  
Arthur Tatnall
Keyword(s):  
Information Technology ◽  
Network Theory ◽  
Actor Network Theory ◽  
It Strategy ◽  
Web Portal ◽  
Computing Environment ◽  
Actor Network ◽  
Design And Implementation ◽  
Human Actors ◽  
The Impact

Organisations’ reliance on Information Technology (IT) is rapidly increasing. IT strategy is developed and implemented for particular purposes by different organizations. We should therefore expect that there will be network of actors within the computing environment, and that such network of actors will be the key to understanding many otherwise unexpected situations during the development and implementation of IT strategy. This network of actors has aligned interests. Many organizations are developing and implementing their IT strategy, while little is known about the network of actors and their impacts, which this paper reveals. This paper describes how Actor-Network Theory (ANT) was employed to investigate the impact of network of actors on the development and implementation of IT strategy in an organisation. ANT was used as it can provide a useful perspective on the importance of relationships between both human and non-human actors. Another example: design and implementation of a B-B web portal, is offered for comparison.

Talking about Associations and Descriptions or a Short Story about Associology

2017 ◽  
pp. 220-233
Author(s):  
Beate Ochsner
Keyword(s):  
Short Story ◽  
Network Theory ◽  
Actor Network Theory ◽  
Bruno Latour ◽  
Actor Network ◽  
The Subject ◽  
Human Actors ◽  
Agency And Structure

In 1999, Bruno Latour advocated for “abandoning what was wrong with ANT, that is ‘actor,' ‘network,' ‘theory' without forgetting the hyphen.” However, it seems that the “hyphen,” which brings with it the operation of hyphenating or connecting, was abandoned too quickly. If one investigates what something is by asking what it is meant as well as how it emerges, by (re-)tracing the strategy in materials in situated practices and sets of relations, and, by bypassing the distinction between agency and structure, one shifts from studying “what causes what” to describing “how things happen.” This perspective not only makes it necessary for us to clarify the changing positions and displacements of human and non-human actors in the assemblage, but, also question the role (the enrolment) of the researcher him/herself: What kind of “relation” connects the researcher to his/her research and associates him/her with the subject, how to prevent (or not) his/her own involvement, and, to what degree s/he ignores the relationality of his/her writing in a “sociology of association?”

Gene, Genomics and Networks

2017 ◽  
Vol 9 (1) ◽  
pp. 1-12
Author(s):  
Manoj Vimal
Keyword(s):  
Network Theory ◽  
Life Science ◽  
Genetic Disorders ◽  
Decisive Role ◽  
Actor Network Theory ◽  
Human Genomics ◽  
Genomics Research ◽  
Human Actors ◽  
Tools And Techniques ◽  
Human Genetic Disorders

Innovations in biomedical research have the potential to transform the healthcare diagnostics. Human genomics research is another approach which provides new tools and techniques by which life science researchers hope will help in predicting susceptibility towards common diseases. In this backdrop, this paper attempts to explore at the intersection of health, technology and society by attempting to understand as how human genomics approach can help the life scientists to unravel the disease susceptibility in case of human genetic disorders. Actor-Network Theory has been deployed as a theoretical framework as it gives some agency to non-human actors along with human actors. It has been argued in this paper that non-human ‘actants' play a decisive role in case of human genomics research. Rise of human genomics has been traced since the term ‘genomics' was first coined to the present day's promise and hope generated by the advances in human genomics. Some misconceptions and clarifications regarding ANT have also been discussed in this paper.

Actor-Network Theory and the Online Investor

2012 ◽  
Vol 4 (2) ◽  
pp. 25-31
Author(s):  
Arthur Adamopoulos ◽  
Martin Dick ◽  
Bill Davey
Keyword(s):  
Network Analysis ◽  
Network Theory ◽  
Actor Network Theory ◽  
Actor Network ◽  
Wide Range ◽  
Human Actors ◽  
Theory Research ◽  
The Way

An actor-network analysis of the way in which online investors use Internet-based services has revealed a phenomenon that is not commonly reported in actor-network theory research. An aspect of the research that emerged from interviews of a wide range of online investors is a peculiar effect of changes in non-human actors on the human actors. In this paper, the authors report on the particular case and postulate that this effect may be found, if looked for, in many other actor-network theory applications.

scholarly journals Secured and Sorted Mobilities: Examples from the Airport.

2002 ◽  
Vol 1 (4) ◽  
Author(s):  
Peter Adey
Keyword(s):  
Network Theory ◽  
Actor Network Theory ◽  
Public Spaces ◽  
Local Scale ◽  
International Travel ◽  
Shopping Malls ◽  
Surveillance Studies ◽  
Pass Through ◽  
Global Movements ◽  
Human Actors

Surveillance is increasingly focused upon mobility. Be it in cities, shopping malls or outdoor 'public' spaces, surveillance is now able to track and monitor peoples movements. In recent years the most diverse forms of surveillance have been found at airports, yet paradoxically these spaces remain largely invisible within surveillance studies literature. This paper discusses a taxonomy of surveillance at the airport where several scales of mobility intersect – the global movements of international travel to local scale terminal activity. These are put under surveillance by techniques such as the passport and modern CCTV technologies. This paper illustrates the surveillant sorting that is perhaps most illustrative of airport surveillance, where airports can be seen to act as filters (Lyon, 2003) to the mobilities that pass through them. Using an Actor Network Theory (ANT) approach, trends to monitor the 'means of terrorism' are discussed in regard to the monitoring of objects and actors. The paper continues to critique the way by which we tend to focus chiefly upon the human subject of surveillance, often disregarding the surveillance of non-human actors.

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