New tenements and the image of the past: the Crown Street development in Glasgow's New Gorbals

2013 ◽  
Vol 17 (1) ◽  
pp. 37-48 ◽  
Author(s):  
Florian Urban
Keyword(s):  
Late Nineteenth Century ◽  
Victorian Era ◽  
High Rise ◽  
Historical Continuity ◽  
New Development ◽  
Historical Image ◽  
The 1960S ◽  
The One ◽  
Design Preferences ◽  
Building Designs

In 2000, the Crown Street redevelopment in Glasgow's New Gorbals area was completed following a masterplan by Piers Gough and building designs by Page and Park, Elder and Cannon, Hypostyle Architects and others. Built on symbolically contested ground previously occupied by the Gorbals tenements (1870s–1960s) and the high-rise Hutchesontown flats (1960s–1990s), the new development is a textbook example of neotraditional design. The project features ornamented facades, bay windows, courtyards and corridor streets along with local references to the heyday of Glasgow tenements during the late nineteenth century.This paper shows that the new tenements on Crown Street contributed to Glasgow's economic revival strategies by reconfiguring the site and supporting a positive view of Glasgow's Victorian era. In this sense, the architects adapted design preferences – which at the time were evident all over Europe and North America – to a local agenda.The new tenements reconcile conflicting perspectives: on the one hand a break almost as comprehensive as the urban renewal of the 1960s, and on the other hand an idea of historical continuity and long-lasting community life, which rested on a revised conception of the city's industrial past. Conveying a historical image cleared of imperfections they communicate a message of permanence that stands in stark contrast to the area's historic upheavals, but nonetheless contributed to the viability of the new neighbourhood.

scholarly journals Disputing the Character of the City: Heritage, Regeneration and the Urban Design Turn

2016 ◽  
Author(s):  
Jill L Grant ◽  
Gladys Wai Kwan Leung
Keyword(s):  
Urban Design ◽  
Heritage Conservation ◽  
New Governance ◽  
High Rise ◽  
Recent Emergence ◽  
New Development ◽  
The 1960S ◽  
The One ◽  
Historic City ◽  
The City

Like many cities with an abundant legacy of heritage structures and aspirations to expand their economic and population base, Halifax (Nova Scotia) experiences significant tensions between heritage conservation and urban development ambitions. On the one hand, Halifax has a vigorous heritage movement spawned in the wake of slum clearance and urban redevelopment efforts in the 1960s; heritage advocates work consistently to conserve the low-rise character of the historic city. On the other hand, it has an emergent urban design lobby supported by economic development interests and creative class ideas; development advocates call for signature high-rise buildings to attract investment and young people. With each new development proposal, community groups argue about the meaning of past and future, the nature of cultural identity and the image of the city. In this essay we examine the recent emergence of a social network of young urban professionals whose influence is growing rapidly in local debates about urban regeneration. Whereas a decade ago heritage conservation enjoyed high priority in planning debates in many parts of the world, today it competes with arguments for signature architecture and greater urban density. The urban design turn reflects changing cultural priorities but also reveals the operation of new governance mechanisms within local growth machines.

scholarly journals A Contaminated Landscape: Andreas Prochaska’s „The Dark Valley” as a „Nestbeschmutzer” Western

2017 ◽  
Vol 38 ◽  
pp. 59-73
Author(s):  
Józef Jaskulski
Keyword(s):  
Collective Memory ◽  
Computer Game ◽  
First Century ◽  
Late Nineteenth Century ◽  
Non Fiction ◽  
Global Trend ◽  
Nazi Past ◽  
The 1960S ◽  
The One ◽  
Adventure Novels

Associated by audiences worldwide with the 1960s Winnetou westerns featuring Pierre Brice as the heroic Apache chief originally introduced by Karl May’s adventure novels, the Western in the Ger­man-speaking countries has showed renewed signs of life early into the twenty first century. Sever­al productions have been released, including Uwe Boll’s computer game-based Bloodrayne 2006, Kilian Manning’s post-apocalyptic Snowblind 2010 and Thomas Arslan’s naturalistic Gold 2013. While these films constitute notable examples of the global trend to redefine the Western as a transna­tional genre, they tend to be largely derivative, amounting to inter-generic pulp infused with references to the classics. One intriguing exception to this tendency can be found in Andreas Prochaska’s The Dark Valley 2015. Set in late nineteenth-century Tyrol, the film follows in the footsteps of Michael Haneke’s The White Ribbon and Stefan Rusowitzky’s The Counterfeiters as another Austrian Academy Award candidate tackling the country’s Nazi past. The paper offers an interpretation of Prochaska’s picture as arevisionist allegory of Austrian collective memory, and an exemplar of the transnational Western today: aglocal genre whose universally recognizable formula enables directors to comment on locally specific issues. The author examines The Dark Valley in the context of the Austrian Nest­beschmutzer literature in particular Thomas Bernhard’s Extinction and Martin Pollack’s non-fiction books, on the one hand, and as an inventive combination of the Heimatfilm with the dark vein of the spaghetti Western represented by Sergio Corbucci, on the other.SKAŻONY KRAJOBRAZ — MROCZNA DOLINA ANDREASA PROCHASKI JAKO NESTBESCHMUTZER WESTERNKojarzony przez światową publiczność z westernami o Winnetou z lat 60. z Pierre’em Brice’em w roli głównej jako bohaterskim wodzem Apaczów, pierwotnie wprowadzonym w powieściach przygodo­wych Karola Maya, western ten w krajach niemieckojęzycznych dał nowe oznaki życia na początku XXI wieku. Ukazało się do tej pory kilka produkcji, m.in. oparty na grze komputerowej Bloodrayne Uwe Bolla 2006, postapokaliptyczny Snowblind 2010 Kiliana Manninga oraz naturalistyczny Gold 2013 Thomasa Arslana. Choć filmy te są istotnymi przykładami światowego trendu nadającego we­sternowi nowy ponadnarodowy wymiar, przejawiają tendencję głównie derywacyjną, równając się z międzygatunkową pulpą, aromatyzowaną nawiązaniem do gatunkowej klasyki. Jeden intrygujący wyjątek od tej tendencji można odnaleźć w filmie Mroczna dolina 2014 Andreasa Prochaski. Osa­dzony w dziewiętnastowiecznym Tyrolu, film ten naśladuje Białą wstążkę Michaela Hanekego oraz Fałszerzy Stefana Rusowitzkiego jako kolejny kandydat do nagrody Austriackiej Akademii dotykający kwestii nazistowskiej przeszłości kraju. Artykuł prezentuje interpretację obrazu Prochaski jako rewi­zjonistycznej alegorii zbiorowej pamięci Austriaków oraz jako wzorcowego współczesnego ponadna­rodowego westernu — globalnego gatunku, którego powszechnie rozpoznawalna formuła umożliwia reżyserom komentowanie typowo lokalnych problemów. Z jednej strony autor analizuje Mroczną doli­nę w kontekście austriackiej literatury Nestbeschmutzer w szczególności książki Wymazywanie. Roz­pad Thomasa Bernharda oraz książek literatury faktu Martina Pollacka, zdrugiej zaś strony ujmuje ją jako pomysłową kombinację Heimatfilmu z ciemną nutą spaghetti westernu reprezentowanego przez Sergia Corbucciego.                                                                                             Przeł. Kordian Bobowski

Detection and representation of the basic peculiarities of vegetation cover by the mapping method (experience based on a research of goltsy-taiga territories)

2013 ◽  
pp. 32-47
Author(s):  
S. V. Osipov
Keyword(s):  
Vegetation Cover ◽  
Mapping Method ◽  
Vegetation Changes ◽  
Large Classes ◽  
High Rise ◽  
The Third ◽  
Altitudinal Belts ◽  
The One ◽  
Dynamic Series ◽  
River Valleys

Geobotanical mapping of the territory in riverheads Bureya of 4500 sq.km is carried out and the map of a actual vegetation cover of scale 1 : 200 000 is prepared. The legend of the map is presented in the form of the text with three-level hierarchy of classes. At the heart of structure of a legend of the map such regularities of a vegetation cover, as its latitudinal zonality / altitudinal belts, situation in a relief and dynamic series lie. The largest divisions of the legend reflect, first, change of large classes of mesocombinations of vegetation at the level of belts and, secondly, distinction in a boreal - forestry belt between a vegetation cover of tops and slopes of mountains, on the one hand, and the bottoms of river valleys, with another. Divisions of the legend of the second level reflect, first, vegetation changes in the form of high-rise and barrier changes of subbelts, secondly, distinctions of a vegetation cover in different geomorphological conditions (small and average river valleys, northern slopes, etc.). Divisions of the legend of the second level correspond to dynamic series of units of the third level. Essential addition to it are block diagrams of dynamics of a vegetation cover.

Structural Transformation and Inclusive Growth

2018 ◽  
Author(s):  
Andy Sumner
Keyword(s):  
Structural Transformation ◽  
Global Economy ◽  
Focal Point ◽  
Import Substitution ◽  
National Development ◽  
Inclusive Growth ◽  
1960S And 1970S ◽  
The 1960S ◽  
The One ◽  
Import Substitution Industrialization

This chapter reviews currents in theory with a focus on modernization and neoclassical statements of comparative advantage on the one hand, and structuralism, dependency, and other theories of underdevelopment on the other. The latter theories of underdevelopment hit their zenith in the policies of the import-substitution industrialization of the 1960s and 1970s. They were largely dismissed in the 1980s as the limits of import-substitution industrialization became apparent and as East Asia industrialized, undermining any argument that structural transformation was problematic in the periphery. This chapter theorizes that neither orthodox nor heterodox theories of structural transformation adequately explain the development of late developers because of the heterogeneity of contemporary capitalism. That said, heterodox theories, which coalesce around the nature of incorporation of developing countries into the global economy, do retain conceptual usefulness in their focal point, ‘developmentalism’, by which we mean the deliberate attempts at national development led by the state.

scholarly journals Lost in Migration – Mirandese at a Crossroads

2019 ◽  
Vol 5 (1) ◽  
pp. 488-495
Author(s):  
Cláudia Martins ◽  
Sérgio Ferreira
Keyword(s):  
Minority Language ◽  
Three Dimensions ◽  
Highly Qualified ◽  
Linguistic Rights ◽  
The Bible ◽  
Literary Forms ◽  
Before And After ◽  
The 1960S ◽  
The One ◽  
The 19Th Century

AbstractThe linguistic rights of Mirandese were enshrined in Portugal in 1999, though its “discovery” dates back to the very end of the 19th century at the hands of Leite de Vasconcellos. For centuries, it was the first or only language spoken by people living in the northeast of Portugal, particularly the district of Miranda do Douro. As a minority language, it has always moved among three dimensions. On the one hand, the need to assert and defend this language and have it acknowledged by the country, which proudly believe(d) in their monolingual history. Unavoidably, this has ensued the action of translation, especially active from the mid of the 20th century onwards, with an emphasis on the translation of the Bible and Portuguese canonical literature, as well as other renowned literary forms (e.g. The Adventures of Asterix). Finally, the third axis lies in migration, either within Portugal or abroad. Between the 1950s and the 1960s, Mirandese people were forced to leave Miranda do Douro and villages in the outskirts in the thousands. They fled not only due to the deeply entrenched poverty, but also the almost complete absence of future prospects, enhanced by the fact that they were regarded as not speaking “good” Portuguese, but rather a “charra” language, and as ignorant backward people. This period coincided with the building of dams on the river Douro and the cultural and linguistic shock that stemmed from this forceful contact, which exacerbated their sense of not belonging and of social shame. Bearing all this in mind, we seek to approach the role that migration played not only in the assertion of Mirandese as a language in its own right, but also in the empowerment of new generations of Mirandese people, highly qualified and politically engaged in the defence of this minority language, some of whom were former migrants. Thus, we aim to depict Mirandese’s political situation before and after the endorsement of the Portuguese Law no. 7/99.

Australia and Indonesian Independence

1967 ◽  
Vol 8 (2) ◽  
pp. 226-239 ◽  
Author(s):  
W. J. Hudson
Keyword(s):  
The Netherlands ◽  
United Nations ◽  
Colonial Power ◽  
South West ◽  
South West Africa ◽  
The United Nations ◽  
Southern Rhodesia ◽  
The 1960S ◽  
The One ◽  
United Nations Charter

Relations between Australia and Indonesia became strained within months of Indonesia's attainment of independence, deteriorating as conflict developed first on the question of West Irian and then as a result of Indonesia's hostility towards Malaysia. For many years, it seemed ironical that Australia should have played a major part in the emergence of a neighbour whose external policies and internal trends endangered rather than safeguarded Australian interests. But there is more involved here than historical irony in the context of Australian-Indonesian relations. Sufficient time has now elapsed for Australian policy on the Indonesian independence question to be seen in the wider context of the whole postwar phenomenon of decolonisation. For it is not merely of interest that Australia should have assisted neighbouring Asian rebels against a European colonial Power (remembering that Australia herself was, and is, a European colonial Power) and should then have been embarrassed by the activities of the rebels coming to office. It is of greater interest that, of the immense number of colonial issues anxiously engaging the attention of international society in the 1940s and 1950s, the years which saw the virtual demise of western colonialism, this was the one issue on which Australia took up the rebel cause. Throughout this period and irrespective of the complexion of the parties in power in Canberra, Australia persistently jeopardised her regional objective of friendly relations with anti-colonial Asia by opposing strongly and, at times, bitterly the anti-colonial cause in the United Nations. If nothing else, the United Nations has provided a forum in which each year Australia and other members have been forced to declare themselves on colonial questions. And, until the 1960s when Australia switched policy, Australia fought against all the anti-colonial Powers' largely successful attempts to have developed a system of international control over colonies under the authority of Chapter XI (“Declaration Regarding Non-Self-Governing Territories”) of the United Nations charter, to tighten the trusteeship system of supervision erected under Chapters XII and XIII of the charter, and to involve the United Nations in particular disputes so as to meet alleged threats to peace — all of them being attempts, however indirectly, to hasten the attainment of independence by dependent territories. Thus, Australia supported South Africa on South-West Africa, the Netherlands on West New Guinea, the British on Southern Rhodesia and Oman, the Portuguese on their African territories, the French on Morocco, Tunisia and Algeria. But Australia opposed the Netherlands on the Indonesian question.

The foundations and prerequisites of imagology

2021 ◽  
pp. 65-74
Author(s):  
Valerii P. Trykov ◽  
Keyword(s):  
Social Engineering ◽  
Dominant Strategy ◽  
The Other ◽  
Special Role ◽  
The West ◽  
European Culture ◽  
Post War ◽  
The 1960S ◽  
The One ◽  
Eu Project

The article examines the conceptual foundations and scientific, sociocultural and philosophical prerequisites of imagology, the field of interdisciplinary research in humanitaristics, the subject of which is the image of the “Other” (foreign country, people, culture, etc.). It is shown that the imagology appeared as a response to the crisis of comparatives of the mid-20th century, with a special role in the formation of its methodology played by the German comparatist scientist H. Dyserinck and his Aachen School. The article analyzes the influence on the formation of the imagology of post-structuralist and constructivist ideological-thematic complex (auto-reference of language, discursive history, construction of social reality, etc.), linguistic and cultural turn in the West in the 1960s. Shown is that, extrapolated to national issues, this set of ideas and approaches has led to a transition from the essentialist concept of the nation to the concept of a nation as an “imaginary community” or an intellectual construct. A fundamental difference in approaches to the study of an image of the “Other” in traditional comparativism and imagology, which arises from a different understanding of the nation, has been distinguished. It is concluded that the imagology studies the image of the “Other” primarily in its manipulative, socio-ideological function, i.e., as an important tool for the formation and transformation of national and cultural identity. The article identifies ideological, socio-political factors that prepared the birth of the imagology and ensured its development in western Humanities (fear of possible recurrences of extreme nationalism and fascism in post-war Europe, the EU project, which set the task of forming a pan-European identity). It is concluded that the imagology, on the one hand, has actualized an important field of scientific research — the study of the image of the “Other”, but, on the other hand, in the broader cultural and historical perspective, marked a departure not only from the traditions of comparativism and historical poetics, but also from the humanist tradition of the European culture, becoming part of a manipulative dominant strategy in the West. To the culture of “incorporation” into a “foreign word” in order to understand it, preserve it and to ensure a genuine dialogue of cultures, the imagology has contrasted the social engineering and the technology of active “designing” a new identity.

Religious Syncretism and Art in the Nineteenth and Twentieth Centuries

2021 ◽  
Author(s):  
Ori Soltes
Keyword(s):  
18Th Century ◽  
Colonial Era ◽  
Religious Traditions ◽  
The Matrix ◽  
Religious Perspectives ◽  
Religious Syncretism ◽  
Spiritual Perspectives ◽  
The 1960S ◽  
The One ◽  
Anti Jewish

Religious and cultural syncretism, particularly in visual art in the Jewish and Christian traditions since the 19th century, has expressed itself in diverse ways and reflects a broad and layered series of contexts. These are at once chronological—arising out of developments that may be charted over several centuries before arriving into the 19th and 20th centuries—and political, spiritual, and cultural, as well as often extending beyond the Jewish–Christian matrix. The specific directions taken by syncretism in art is also varied: it may be limited to the interweave of two religious traditions—most often Jewish and Christian—in which most often it is the minority artist seeking ways to create along lines consistent with what is created by the majority. It may also interweave three or more traditions. It may be a matter of religion alone, or it may be a matter of other issues, such as culture or gender, which may or may not be obviously intertwined with religion. The term “syncretism” has, in certain specifically anthropological and theological circles, acquired a negative connotation. This has grown out of the increasing consciousness, since the 1960s, of the political implications of that term in the course of Western history, in which hegemonic European Christianity has addressed non-Christian religious perspectives. This process intensified in the Colonial era when the West expanded its dominance over much of the globe. An obvious and particularly negative instance of this is the history of the Inquisition as it first affected Jews in late-15th-century Spain and later encompassed indigenous peoples in the Americas, Asia, and Africa. While this issue is noted—after all, art has always been interwoven with politics—it is not the focus of this article. Instead “syncretism” will not be treated as a concept that needs to be distinguished from “hybridization” or “hybridity,” although different modes of syncretism will be distinguished. Syncretistic preludes to visual artists in the 19th and 20th centuries, suggesting some of the breadth of possibility, include Pico della Mirandola, Kabir, and Baruch/Benedict Spinoza. Specific religious developments and crises in Europe from the 16th century to the 18th century brought on the emancipation of the Jews in some places on the one hand, and a contradictory continuation of anti-Jewish prejudice on the other, the latter shifting from a religious to a racial basis. This, together with evident paradoxes regarding secular and spiritual perspectives in the work of key figures in the visual arts, led to a particularly rich array of efforts from Jewish artists who revision Jesus as a subject, applying a new, Jewishly humanistic perspective to transform this most traditional of Christian subjects. Such a direction continued to spread more broadly across the 20th century. The Holocaust not only raised new visual questions and possibilities for Jewish artists, but also did so from the opposite direction for the occasional Christian—particularly German—artist. Cultural syncretism sometimes interweaves religious syncretism—which can connect and has connected Christianity or Judaism to Eastern religions—and a profusion of women artists in the last quarter of the century has added gender issues to the matrix. The discussion culminates with Siona Benjamin: a Jewish female artist who grew up in Hindu and Muslim India, attended Catholic and Zoroastrian schools, and has lived in America for many decades—all these aspects of her life resonate in her often very syncretistic paintings.

UNDERSTANDING THE FEVZI ÇAKMAK NEIGHBORHOOD: THROUGH ITS PAST, PRESENT AND PLANNED TOMORROW

2021 ◽  
Vol 6 (11) ◽  
pp. 365-384
Author(s):  
Filiz SÖNMEZ ◽  
Hatice DOĞAN ◽  
Okan KARAKAŞ
Keyword(s):  
Urban Planning ◽  
Field Studies ◽  
Grocery Store ◽  
Urban Transformation ◽  
Organizational Relationships ◽  
Republican Period ◽  
Historical Continuity ◽  
The Future ◽  
The Republic ◽  
The 1960S

Mahalle is a place name derived from the Arabic roots halel and hulul, meaning “to land, to settle down” (Turkish Dictionary, 1998). In addition to the residential structures within a neighborhood, it has a mosque, primary school, fountain, baths, a grocery store, bakery, parks, etc. It is the smallest settlement in a city. On the other hand, socially a neighborhood refers to a community that is placed somewhere and has organizational relationships. The neighborhood phenomenon is one of the most important legacies that continue from the Ottoman Empire to the Republic. During the Republican period, many new neighborhoods have also been established, often formed by adhering to a plan. In this study, the formation of Fevzi Çakmak neighborhood, one of the neighborhoods designed according to the Kayseri ARU-Oelsner (1945) zoning plan, and the change that the neighborhood has undergone from the past to the present will be examined. According to the data obtained, the aim of the Kayseri ARU-Oelsner zoning plan is to contribute to the Urban Transformation Project of Fevzi Çakmak neighborhood, which will be planned by the local government in the future. Literature and field studies, document analysis and oral history studies will be used as methods in the study. In this context, maps belonging to the neighborhood, zoning plans, Kayseri Metropolitan Municipality and Kocasinan Municipality archive records and old photographs will be provided. The Fevzi Çakmak neighborhood, which was built in the 1960s, has a grid plan type and is one of the modern neighborhoods that have contributed to the development of the city in an east direction. A city analysis will be carried out in historical continuity from the establishment of Fevzi Çakmak neighborhood to the present day. It is believed that detecting interventions in significant areas of change/transformation of the neighborhood will make significant contributions to the future urban transformation project. Accordingly, it is proposed that the analysis to be conducted in the neighborhood be evaluated within a theoretical framework which is known in Urban Planning as “we-zoning and Hoyt classification”. Accordingly, the areas identified in the neighborhood in the present study will be evaluated within the scope of “protection”, “correction” (improvement) and “renewal” strategies. It is expected that this work, carried out in the Kayseri Fevzi Çakmak neighborhood, will contribute to urban planning and transformation projects and architectural discussions throughout the country.

scholarly journals Conducting experimental investigations of wind influence on high-rise constructions

2018 ◽  
Vol 33 ◽  
pp. 02067 ◽  
Author(s):  
Olga I. Poddaeva ◽  
Anastasia N. Fedosova ◽  
Pavel S. Churin ◽  
Julia S. Gribach
Keyword(s):  
Aerodynamic Drag ◽  
Experimental Investigations ◽  
Building Structures ◽  
High Rise ◽  
Aerodynamic Pressure ◽  
Stage Of Development ◽  
Wind Influence ◽  
Under Construction ◽  
Building Designs ◽  
The Impact

The design of buildings with a height of more than 100 meters is accompanied by strict control in determining the external loads and the subsequent calculation of building structures, which is due to the uniqueness of these facilities. An important factor, the impact of which must be carefully studied at the stage of development of project documentation, is the wind. This work is devoted to the problem of studying the wind impact on buildings above 100 meters. In the article the technique of carrying out of experimental researches of wind influence on high-rise buildings and constructions, developed in the Educational-research-and-production laboratory on aerodynamic and aeroacoustic tests of building designs of NRU MGSU is presented. The publication contains a description of the main stages of the implementation of wind tunnel tests. The article presents the approbation of the methodology, based on the presented algorithm, on the example of a high-rise building under construction. This paper reflects the key requirements that are established at different stages of performing wind impact studies, as well as the results obtained, including the average values of the aerodynamic pressure coefficients, total forces and aerodynamic drag coefficients. Based on the results of the work, conclusions are presented.

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