Exploring the Past of the ‘Other’: the Practice of U.S. History in Mexico

2002 ◽  
Vol 1 (4) ◽  
pp. 308-329 ◽  
Author(s):  
Georg Leidenberger

In the courses on U.S. history I teach in Mexico, this speech by Maine congressman Severance serves well to illustrate arguments of the opposition movement to the U.S.-Mexican War. Severance offers a variety of reasons for his anti-war stand, but to my students I like to emphasize this particular one, for it follows a logic contrary to their nationally-framed perceptions. What Severance suggests here, is that these two countries share a common identity, namely that of being “the two largest republics of the world” based on “the principles of civil liberty and elective government,” and that therefore they ought not to be at war. My insistence on a perspective that views the commonalities of the two countries' historic experiences has been futile, however, when teaching about a war that resulted in the “transfer” - to put it in neutral terms - of over half of Mexico's national territory to the U.S. Students are little impressed by this congressman's (and my own) argumentation and stress instead what divides Mexico and the U.S., not only with regard to this historical event, but also with regard to the countries' pasts as a whole. For instance, in a conference at a university in Toluca, my efforts to make my audience understand the internal dynamics of U.S. foreign policy during the 19th century not only appeared to fall on deaf ears but also provoked nearly hostile reactions.

1979 ◽  
Vol 3 (3-4) ◽  
pp. 242-244 ◽  
Author(s):  
Bruce Kuklick

Despite differences in coloration Miller and Benson are birds of a feather. Although he is no Pollyanna, Miller believes that there has been a modest and decent series of advances in the social sciences and that the most conscientious, diligent, and intelligent researchers will continue to add to this stock of knowledge. Benson is much more pessimistic about the achievements of yesterday and today but, in turn, offers us the hope of a far brighter tomorrow. Miller explains Benson’s hyperbolic views about the past and future by distinguishing between pure and applied science and by pointing out Benson’s naivete about politics: the itch to understand the world is different from the one to make it better; and, Miller says, because Benson sees that we have not made things better, he should not assume we do not know more about them; Benson ought to realize, Miller adds, that the way politicians translate basic social knowledge into social policy need not bring about rational or desirable results. On the other side, Benson sees more clearly than Miller that the development of science has always been intimately intertwined with the control of the environment and the amelioration of the human estate.


PMLA ◽  
1967 ◽  
Vol 82 (1) ◽  
pp. 14-27
Author(s):  
Leon F. Seltzer

In recent years, The Confidence-Man: His Masquerade, a difficult work and for long an unjustly neglected one, has begun to command increasingly greater critical attention and esteem. As more than one contemporary writer has noted, the verdict of the late Richard Chase in 1949, that the novel represents Melville's “second best achievement,” has served to prompt many to undertake a second reading (or at least a first) of the book. Before this time, the novel had traditionally been the one Melville readers have shied away from—as overly discursive, too rambling altogether, on the one hand, or as an unfortunate outgrowth of the author's morbidity on the other. Elizabeth Foster, in the admirably comprehensive introduction to her valuable edition of The Confidence-Man (1954), systematically traces the history of the book's reputation and observes that even with the Melville renaissance of the twenties, the work stands as the last piece of the author's fiction to be redeemed. Only lately, she comments, has it ceased to be regarded as “the ugly duckling” of Melville's creations. But recognition does not imply agreement, and it should not be thought that in the past fifteen years critics have reached any sort of unanimity on the novel's content. Since Mr. Chase's study, which approached the puzzling work as a satire on the American spirit—or, more specifically, as an attack on the liberalism of the day—and which speculated upon the novel's controlling folk and mythic figures, other critics, by now ready to assume that the book repaid careful analysis, have read the work in a variety of ways. It has been treated, among other things, as a religious allegory, as a philosophic satire on optimism, and as a Shandian comedy. One critic has conveniently summarized the prevailing situation by remarking that “the literary, philosophical, and cultural materials in this book are fused in so enigmatic a fashion that its interpreters have differed as to what the book is really about.”


Politeja ◽  
2020 ◽  
Vol 17 (2(65)) ◽  
pp. 189-204
Author(s):  
Katarzyna Marcol

The Role of Language in Releasing from Inherited Traumas. Negotiations of the Social Position of the Silesian Minority in Serbian Banat The aim of the paper is to show the dependence between language, collective memory (also post-memory) and sense of identity. This issue is analysed using the example of an ethnic minority living in the village of Ostojićevo (Banat, Serbia) called ‘Toutowie.’ Their ancestors came in the 19th century from Wisła (Silesian Cieszyn, Poland); they left their homes because of great hunger and were looking for jobs in Banat. Narratives about the past contain traumatic experiences of the past generations transmitted in the Silesian dialect and constituting communicative memory. At the same time, a new Polish national identity is being constructed, supported by institutions and authorities; it carries a new image of the world and creates a new cultural memory. This new identity – shaped on the basis of national categories – leads to changes of its self-identification and gives the opportunity to raise its social position in the multi-ethnic Banat community.


2021 ◽  
Vol 31 (1) ◽  
pp. 195-217

Among the various human attitudes toward a pandemic, along with fear, despair and anger, there is also an urge to praise the catastrophe or imbue it with some sort of hope. In 2020 such hopes were voiced in the stream of all the other COVID-19 reactions and interpretations in the form of predictions of imminent social, political or economic changes that may or must be brought on by the pandemic, or as calls to “rise above” the common human sentiment and see the pandemic as some sort of cruel-but-necessary bitter pill to cure human depravity or social disorganization. Is it really possible for a plague of any kind to be considered a relief? Or perhaps a just punishment? In order to assess the validity of such interpretations, this paper considers the artistic reactions to the pandemics of the past, specifically the images of the plague from Alexander Pushkin’s play Feast During the Plague, Antonin Artaud’s essay “The Theatre and the Plague” and Albert Camus’s novel The Plague. These works in different ways explore an attitude in which a plague can be praised in some respect. The plague can be a means of self-overcoming and purification for both an individual and for society. At the same time, Pushkin and Camus, each in his own way and by different means, show the illusory nature of that attitude. A mass catastrophe can reveal the resources already present in humankind, but it does not help either the individual or the society to progress.


2020 ◽  
pp. 75-96
Author(s):  
Ronald W. Schatz

The Labor Board vets insisted that they were always realistic and had no ideological convictions of any kind. This chapter argues that such a characterization is not accurate. Clark Kerr, John Dunlop, and the other veterans of the board’s staff were in truth utopians—not utopians as that term is usually imagined, but liberal reformers who believed that they could transform the world over time, one step at a time. The famous German sociologist Karl Mannheim termed that mindset “liberal-humanitarian utopian.” The chapter looks back to their youth to explain how they came to that worldview and how unarticulated utopian beliefs pervaded their teaching, writing, and other work. The chapter concludes with the prediction advanced by Clark Kerr, John Dunlop, Charles Myers, and Frederick Harbison that the U.S. and Soviet systems would converge in the future--a conviction that appeared realistic in the latter 1980s and the early 1990s.


Antiquity ◽  
1944 ◽  
Vol 18 (71) ◽  
pp. 123-129
Author(s):  
F. W. Robins

The story of the ferry is, at the outset, the story of the boat. It begins with prehistoric man noticing that wood will float and possibly, from the riding of birds and small animals, that it will carry a burden according to its size and character. Observant and imitative, the human animal, in the childhood of the world, proceeds to experiment gingerly and doubtfully at first, boldly and confidently—perhaps in some cases too boldly and confidently, later. He mounts himself astride a log and propels it, probably at first with his legs, towards the opposite bank of the river near which he lives. On the other side lies a new world, with resources untapped, especially in the matter of food, which he is anxious to reach. Even in the middle of the 19th century Pickering (Races of Man) speaks of men in the tide waters of the Sacramento river crossing, standing on split logs.


Arts ◽  
2020 ◽  
Vol 9 (2) ◽  
pp. 71
Author(s):  
Yael Munk

This article relates to the complex approach of Dina Zvi-Riklis’ film Three Mothers (2006) to immigration, an issue that is central to both the Jewish religion and Israeli identity. While for both, reaching the land of Israel means arriving in the promised land, they are quite dissimilar, in that one is a religious command, while the other is an ideological imperative. Both instruct the individual to opt for the obliteration of his past. However, this system does not apply to the protagonists of Three Mothers, a film which follows the extraordinary trajectory of triplet sisters, born to a rich Jewish family in Alexandria, who are forced to leave Egypt after King Farouk’s abdication and immigrate to Israel. This article will demonstrate that Three Mothers represents an outstanding achievement, because it dares to deal with its protagonists’ longing for the world left behind and the complexity of integrating the past into the present. Following Nicholas Bourriaud’s radicant theory, designating an organism that grows roots and adds new ones as it advances, this article will argue that, although the protagonists of Three Mothers never avow their longing for Egypt, the film’s narrative succeeds in revealing a subversive démarche, through which the sisters succeed in integrating Egypt into their present.


Arts ◽  
2020 ◽  
Vol 9 (4) ◽  
pp. 129
Author(s):  
Sigrún Alba Sigurðardóttir

The past 20 years have seen a shift in Icelandic photography from postmodern aesthetics towards a more phenomenological perspective that explores the relationship between subjective and affective truth on the one hand, and the outside world on the other hand. Rather than telling a story about the world as it is or as the photographer wants it to appear, the focus is on communicating with the world, and with the viewer. The photograph is seen as a creative medium that can be used to reflect how we experience and make sense of the world, or how we are and dwell in the world. In this paper, I introduce the theme of poetic storytelling in the context of contemporary photography in Iceland and other Nordic Countries. Poetic storytelling is a term I have been developing to describe a certain lyrical way to use a photograph as a narrative medium in reaction to the climate crisis and to a general lack of relation to oneself and to the world in times of increased acceleration in the society. In my article I analyze works by a few leading Icelandic photographers (Katrín Elvarsdóttir, Heiða Helgadóttir and Hallgerður Hallgrímsdóttir) and put them in context with works by artists from Denmark (Joakim Eskildsen, Christina Capetillo and Astrid Kruse Jensen), Sweden (Helene Schmitz) and Finland (Hertta Kiiski) artists within the frame of poetic storytelling. Poetic storytelling is about a way to use a photograph as a narrative medium in an attempt to grasp a reality which is neither fully objective nor subjective, but rather a bit of both.


2019 ◽  
pp. 7-19
Author(s):  
Katarzyna Wądolny-Tatar ◽  

Retroactivity of the Biography and Works of Antonina Domańska Retroactivity is the process of inscription, it is about updating the contextually interpreted past. Thus, retroactive reading is seen as a selective and affirmative attempt to internalise the world, imitating the personal system of existential and reading experiences. On the other hand, as a part of literary research, it counts as a description of the works and life of the creators from earlier eras, carried out with the use of modern ways to explore “signs of the past”, through the new scientific methods and concepts. For Szymon Wróbel, author of the monograph Lektury retroaktywne. Rodowody współczesnej myśli filozoficznej [Retroactive Reading. Origins of Contemporary Philosophical Thought], retroactive reading is “travelling in the vehicle of multiple narratives”. We invite you to such a journey in the collective monograph (Re)Construction of the Past in Antonina Domańska’s Prose, in which we propose a multilateral interpretation of the biography and works of Antonina Domańska, including her family connections, vision of literature for children and young people, ways of understanding history in the dynamics of memory and imagination, world of values (also spiritual) designed in her texts, biological and cultural construction of sexes (also from the perspective of socio-cultural roles of Domańska), finally – including the critical reception of the works of the author of Historia żółtej ciżemki in comparison with the works of other artists.


Antiquity ◽  
1947 ◽  
Vol 21 (83) ◽  
pp. 116-121
Author(s):  
M. E. L. Mallowan

IT is a pity that Hume, who carried the Cartesian system of philosophy to its logical conclusion, lived too early to contemplate the discoveries of the past century in Egypt and Babylonia, for he would readily have understood and assimilated the ancient processes of thought which arose at the dawn of history in Western Asia--‘ And no truth appears to me more evident ’, he said, ‘ than that beasts are endowed with thought and reason as well as man ’. The arguments are developed in section XVI of ‘ The Understanding ’, where there are many delightful passages of special relevance to the ancient concepts about life. Again, he said that a bird, that ‘chooses with such care and nicety the place and materials of the nest, and sits upon her eggs for a due time, and in a suitable season, with all the precaution that a chymist is capable of in the most delicate projection, furnishes us with a lively instance of animal sagacity’. Locke, on the other hand, in his discussion of animal rationale, had refused to be drawn so far. ‘ And if Balaam’s ass had, all his life, discussed as rationally as he did once with his master, I doubt yet whether any one would have thought him worthy the name ‘man’, or allowed him to be of the same species with himself ’. Of these two statements Hume’s approximates more closely to the earliest Asiatic view of life, and it is on these lines that Messrs. Frankfort, Wilson, and Jacobsen have approached their problem, which, briefly put is-how did the early thinkers of the Near East come to say what they did about creation, the state, and man ? Professor and Mrs Frankfort define the earliest mode of thought as an ‘ I-thou ’ relation-ship, by which they mean that the primitive Asiatic conceived of all creation in a reciprocal nexus wherein the material world was percipient as well as perceived, and Professor Wilson elaborates the same theme by saying that for the Egyptians the world was consubstantial, and that their view of life might be defined as monophysite. Pro-fessor Jacobsen’s contribution illustrates to what extent the Mesopotamian view of life conformed with this outlook, for example how salt and grain were conceived of as animate beings in a close relationship with man, responsible and responsive to him. Other ideas peculiar to the Mesopotamian mind are no less clearly stressed, and herein lies the fascination of the book, that we have a comparative examination of the Egyptian, Mesopotamian and Israelite approach to life, for Hebrew theology was cast out of a similar matrix. In a concluding chapter by the Frankforts, we see the dawn of a new intellectual era. The Greek physical philosophers, regardless of the data of experience, carried the old basic concepts of the Egyptians and Mesopotamians from a concrete to an abstract frame and worked them to a reductio ad absurdurn, much as Hume did for the concepts of Cartesian philosophy. Their prescience gave birth to science. Nor should we forget that Thales of Miletus prophesied an eclipse, thereby following in the wake of the Babylonian astronomers, who had made similar observations and recorded them centuries earlier.


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