scholarly journals Recharting The Philosophy of Technology in Contemporary Architecture

2018 ◽  
Vol 41 ◽  
pp. 04012
Author(s):  
Revianto Budi Santosa
Keyword(s):  
Architectural Design ◽  
Philosophy Of Technology ◽  
Le Corbusier ◽  
Modern Technology ◽  
Appropriate Technology ◽  
Western Society ◽  
Human Effort ◽  
Early Modern Era ◽  
Contemporary Architecture ◽  
Modern Era

Technology is an indispensable aspect of architecture. In fact, it is being an essential part of the human effort in making architecture. Since the early modern era, technology that rapidly change has been seen as the sign of progress, not only pertaining to the technology itself, but also architecture and even civilization. Modern architectural theoreticians, from Sant’Elia to Le Corbusier, enthusiastically embraced the progressive side of technology and engineering. Philosophically, however, modern technology is regarded pessimistically. Heidegger and Jaspers considered technology as the source of alienation to the human being themselves and to the reality they face. To overcome this gap, Alan Drengson, proposed the four philosophy of technology to rechart the variety of tendency towards technology in Western society, consisting of (1) technological anarchy, (2) technophilia, (3) technophobia, and (4) technological appropriateness. In this explanation, he coined the terms “creative philosophy” to include many aspects and ways of thinking which might be incorporated in the creative activities like architectural design. This paper attempts to evaluate the appropriatenes of Drengson’s philosophical scheme as a platform for architectural education in Indonesia in general, by relating his framework with the architectural theories and practices in Indonesia. The result of this effort is while the formulation of his scheme is the very inclusive and closely related with creative activity like architectural design, it contains bias of industrial technology appearing in the Asian scene brought by Western European colonials. Discussing philosophy underlying Gandhi’s movement in India to reject oppressive technology, we may arrive at the conclusion that the philosopy of non-violence, truth and justice based on the principle of self restrained are relevant to figure out the ideal of appropriate technology in Asia.

scholarly journals Use of color in architecture - industrial architecture perspective

2020 ◽  
Vol 18 (1) ◽  
pp. 49-63
Author(s):  
Ljiljana Jevremovic ◽  
Branko Turnsek ◽  
Ana Stanojevic ◽  
Marina Jordanovic ◽  
Milanka Vasic
Keyword(s):  
Visual Arts ◽  
Architectural Design ◽  
Research Field ◽  
Material Technology ◽  
Color Harmony ◽  
Industrial Buildings ◽  
Industrial Architecture ◽  
Contemporary Architecture ◽  
Modern Era ◽  
Modern Movement

This paper deals with the color theory and the application of this theory in architectural design. Since the modernist architects and modern era in architecture, the colors of the buildings were not in the focus of their authors. On the contrary, the modern movement has taught us that color, and especially artificial one, is almost a crime to use and in a way, it expresses a lack of a style. Through examining universal color harmony principles in this paper the problem and phenomenon of using colors in contemporary architecture was discussed, which had its roots in the modern movement and evolved through technological advance especially in material technology. The industrial architecture is used as an example, to narrow down the research field, but also for the reasons of extensive and creative use of color in this type of buildings. We have examined several industrial buildings that have been systematized into three categories. All three categories are analyzed for the application of general color harmony principles. Then discussion focuses on refining principles of color usage in architecture that appear in contemporary architecture in order to systematize those principles, particularly important for architectural education and new practitioners of architecture. In conclusion, it is stated that universal color harmony principles are applicable in architecture as well, as in other visual arts.

scholarly journals At Home with a View:  Exploring Notions of Landscape

2021 ◽  
Author(s):  
◽  
Hester Blyth Borren
Keyword(s):  
New Zealand ◽  
Architectural Design ◽  
Western Society ◽  
Design Strategies ◽  
Single View ◽  
Landscape Art ◽  
Final Design ◽  
Surrounding Landscape ◽  
Different Characteristics ◽  
Contemporary Architecture

<p>The aim of this thesis is to gain an understanding of the role and value of a view of landscape with respect to the interior of New Zealand houses. It explores the all-or-nothing manner in which contemporary architecture presents surrounding scenery. Through a translation of New Zealand landscape paintings, it presents alternative approaches for connecting the interior and exterior of a house in such a way that can enhance both the experience of a view and a house. In doing so this thesis contends that artistic themes and techniques can enrich views of landscapes, especially of nature, through the architecture of New Zealand houses. This thesis employs three research approaches to achieve its aim. The first research section, a literature review, provides an examination of historical and contemporary western attitudes towards a view. This confirms that much of western society has learnt to appreciate and benefit from, a view, and that the nature of people's response is deeply ingrained. The second section focuses on domestic views in both international and Wellington houses. Each study is analysed to gain understanding of the design strategies in respect to architectural presentations of a view. The last section pursues a more integrated designresearch approach, separated in two parts. Firstly, it explores a possible connection between the artistic treatment of landscape paintings and architectural treatments of houses. Four spaces are presented as studio residences for artists, focusing on four very different characteristics of land. Secondly, two further house designs are developed which employ techniques produced from the first design part as well as research from the previous sections. It aims to present two opposite spatial approaches to a depiction of surrounding landscape in an architectural design, one that presents a single view to look at and one that presents a series of views to engage with. This final design section explores the above contention. It presents how a connection between landscape art and architecture can offer guidance to the way in which a view is experienced from New Zealand homes. This is achieved on a theoretical as well as practical level, generating a range of techniques for further exploration.</p>

scholarly journals At Home with a View:  Exploring Notions of Landscape

2021 ◽  
Author(s):  
◽  
Hester Blyth Borren
Keyword(s):  
New Zealand ◽  
Architectural Design ◽  
Western Society ◽  
Design Strategies ◽  
Single View ◽  
Landscape Art ◽  
Final Design ◽  
Surrounding Landscape ◽  
Different Characteristics ◽  
Contemporary Architecture

<p>The aim of this thesis is to gain an understanding of the role and value of a view of landscape with respect to the interior of New Zealand houses. It explores the all-or-nothing manner in which contemporary architecture presents surrounding scenery. Through a translation of New Zealand landscape paintings, it presents alternative approaches for connecting the interior and exterior of a house in such a way that can enhance both the experience of a view and a house. In doing so this thesis contends that artistic themes and techniques can enrich views of landscapes, especially of nature, through the architecture of New Zealand houses. This thesis employs three research approaches to achieve its aim. The first research section, a literature review, provides an examination of historical and contemporary western attitudes towards a view. This confirms that much of western society has learnt to appreciate and benefit from, a view, and that the nature of people's response is deeply ingrained. The second section focuses on domestic views in both international and Wellington houses. Each study is analysed to gain understanding of the design strategies in respect to architectural presentations of a view. The last section pursues a more integrated designresearch approach, separated in two parts. Firstly, it explores a possible connection between the artistic treatment of landscape paintings and architectural treatments of houses. Four spaces are presented as studio residences for artists, focusing on four very different characteristics of land. Secondly, two further house designs are developed which employ techniques produced from the first design part as well as research from the previous sections. It aims to present two opposite spatial approaches to a depiction of surrounding landscape in an architectural design, one that presents a single view to look at and one that presents a series of views to engage with. This final design section explores the above contention. It presents how a connection between landscape art and architecture can offer guidance to the way in which a view is experienced from New Zealand homes. This is achieved on a theoretical as well as practical level, generating a range of techniques for further exploration.</p>

The Application of Wooden Building Materials in Contemporary Architectural Design

2013 ◽  
Vol 575-576 ◽  
pp. 434-440
Author(s):  
Zhe Min Xu
Keyword(s):  
Energy Conservation ◽  
Environmental Protection ◽  
Resource Utilization ◽  
Architectural Design ◽  
Building Materials ◽  
Green Building ◽  
Modern Technology ◽  
Special Significance ◽  
Contemporary Architecture

Wood is ecological sustainable to be used as construction material.It plays an important role for green-building, reasonable resource utilization and environmental protection. Meanwhile, the wooden building has a special significance to China.Wood implicates the traditional Chinese living style and cultural essence. This article analyzed the advantage and feasibility of using wood as a construction material.Besides,it has made a detailed analysis in the application of wooden building materials in contemporary architecture. Furthermore, it has also done a case study to reveal the salient energy-saving effort of wood and eventually discussed the application prospect in China. Through all these studies, with processing and used by the modern technology, energy conservation and environmental protection characteristics, wood was established to be an important factor of contemporary architecture, and continues to promote the development of contemporary architectural culture.

scholarly journals A Fantastic Frenzy of Consumption in Early Modern France

2015 ◽  
Vol 38 (3) ◽  
pp. 119-140
Author(s):  
Kathleen M. Llewellyn
Keyword(s):  
Social Class ◽  
Early Modern ◽  
French Literature ◽  
Western Society ◽  
Early Modern France ◽  
Men And Women ◽  
Modern France ◽  
Early Modern Era ◽  
Modern Era ◽  
Contemporary Western Society

The enthusiastic (even excessive) consumerism of contemporary western society has its roots, according to some, in the expansion of the consumption of goods in Renaissance Europe. Early modern men and women were ardent, even “passionate” consumers. Such self-indulgence was regarded as decadent and socially perilous; religious and other moral authorities of the era sought to eradicate or at least control these sins of excess. My study examines criticism of “crimes of consumption” in both serious and satirical French literature of the early modern era, including such pamphlets as Frenaizie fantastique Françoise Sur la Nouvelle Mode des Nouveaux Courtisans bottez de ce temps and Pasquil de la Cour pour apprendre à discourir et s’habiller à la mode. Scrutiny of these texts suggest that women’s “crimes of consumption” tended to reveal who they “really were”—bad women, sinful women, dangerous women who led men into sin. Men’s crimes of passionate consumption sometimes also revealed their sinful selves—some were seen as gluttons, for example. But men’s consumption was also, at times, condemned as an attempt to appear to be what they were not; their display of acquired objects revealed an effort to claim membership in a social class to which they did not belong. Le consumérisme enthousiaste (et même démesuré) de la société occidentale contemporaine a ses racines, d’après certains, dans l’expansion de la consommation de biens en Europe pendant la Renaissance. Dès les débuts de la modernité, hommes et femmes furent des consommateurs ardents, voire « passionnés ». S’adonner au plaisir d’acquérir était sévèrement condamné par les théologiens et les moralistes. Cet article examine la critique de ces passions excessives dans la littérature morale et satirique de l’époque, incluant les pamphlets tels que Frenaizie fantastique Françoise Sur la Nouvelle Mode des Nouveaux Courtisans bottez de ce temps et Pasquil de la Cour pour apprendre à discourir et s’habiller à la mode. Une analyse approfondie de ces textes montre combien la question du gender influe sur l’interprétation de ces passions : la femme coupable de tels excès y est vue mauvaise, pécheresse, dangereuse pour l’homme ; l’homme, quant à lui, est condamné pour dissimuler et vouloir paraître autre que ce qu’il est, entendre d’une autre classe que celle à laquelle il appartient.

Philosophic Pride

2012 ◽  
Author(s):  
Christopher Brooke
Keyword(s):  
Early Modern ◽  
Political Thought ◽  
Historical Context ◽  
Vital Role ◽  
Intellectual Life ◽  
Marcus Aurelius ◽  
Hugo Grotius ◽  
History Of ◽  
Early Modern Era ◽  
Modern Era

This is the first full-scale look at the essential place of Stoicism in the foundations of modern political thought. Spanning the period from Justus Lipsius's Politics in 1589 to Jean-Jacques Rousseau's Emile in 1762, and concentrating on arguments originating from England, France, and the Netherlands, the book considers how political writers of the period engaged with the ideas of the Roman and Greek Stoics that they found in works by Cicero, Seneca, Epictetus, and Marcus Aurelius. The book examines key texts in their historical context, paying special attention to the history of classical scholarship and the historiography of philosophy. The book delves into the persisting tension between Stoicism and the tradition of Augustinian anti-Stoic criticism, which held Stoicism to be a philosophy for the proud who denied their fallen condition. Concentrating on arguments in moral psychology surrounding the foundations of human sociability and self-love, the book details how the engagement with Roman Stoicism shaped early modern political philosophy and offers significant new interpretations of Lipsius and Rousseau together with fresh perspectives on the political thought of Hugo Grotius and Thomas Hobbes. The book shows how the legacy of the Stoics played a vital role in European intellectual life in the early modern era.

scholarly journals Geldtheorie und -politik in Preußen Mitte des 18. Jahrhunderts

2020 ◽  
Vol 61 (1) ◽  
pp. 217-257
Author(s):  
Jan Greitens
Keyword(s):  
18Th Century ◽  
Economic Thought ◽  
Monetary Theory ◽  
Clear Understanding ◽  
Monetary System ◽  
Monetary Approach ◽  
History Of ◽  
Early Modern Era ◽  
Value Of Money ◽  
Modern Era

AbstractIn the history of economic thought, monetary theories in the Germanspeaking world of the early modern era are considered backward compared to the approaches in other European countries. This backwardness can be illustrated by two authors from the mid-18th century who were not only contemporaries but also successively in the service of Frederick II (“the Great”) of Prussia. The first is Johann Philipp Graumann, one of the 'projectors' of the 18th century. As master of the mints in Prussia, he developed a coin project, where he tried to implement a new monetary standard to promote trade, generate seigniorage income and implement the Prussian coins as a kind of a reserve currency. In his writings, he developed a typical mercantilistic monetary theory with a clear understanding of the mechanism in the balance of payments. But even when he tried to include credit instruments, he did not take banks or broader financial markets into account. The second thinker is Johann Heinrich Gottlob Justi, who took the opposite position concerning the coin project as well as in his theory. He defended a strictly metalistic monetary approach where the value of money is only based on the metal's value. While Graumann rejected the English coin system, Justi recommended its laws for countries without their own mines, because the sovereign should not misuse his right of coinage. For him, the monetary system had tobe reliable and stable to serve trade and economic development.

scholarly journals Edogawa Rampo’s short story Kagami Jigoku: A Structural Study

KIRYOKU ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 7-17
Author(s):  
Yuliani Rahmah
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Japanese Society ◽  
Modern Technology ◽  
Point Of View ◽  
The Other ◽  
Cultural Aspects ◽  
Analysis Process ◽  
Structural Methods ◽  
Modern Era

The purpose of this research is to analyze the intrinsic elements found in the short story Kagami Jigoku by Edogawa Rampo. By using structural methods the analysis process  find out the intrinsic elements which builds  the Kagami Jikoku short story. As a result it is known that the Kagami Jikoku is a short story with a mystery theme as the hallmark of Rampo as its author. The characteristic of this short story can be seen from the theme which raised the unusual obsession problem of the main characters. With the first person point of view which tells in unusual way from the other short stories, the regression plot in Kagami Jikoku is able to tell the unique phenomenon of Japanese society and its modern technology through elements of place, time and socio-cultural aspects of Japanese society in the modern era

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