scholarly journals Text and discourse models as knowledge formats

2021 ◽  
Vol 101 ◽  
pp. 03024
Author(s):  
Е.А. Ogneva ◽  
Е.N. Musaelian ◽  
D.E. Smirnova ◽  
I.A. Danilenko ◽  
M.O. Sushenok
Keyword(s):  
Literary Text ◽  
Literary Discourse ◽  
Conceptual Domain ◽  
Thematic Unity

Knowledge format is a construct for information storing, accumulating, transmitting. Text and discourse are studied as main knowledge formats. Previous studies have found the literary text is defined as a product of writer’s speech-thinking activity. Discourse is interpreted as a text immersed in a communicative situation. The construction specific features of text and discourse are revealed through their modeling as an objective way of knowledge formats architectonics visualising. Literary text is considered in the form of conceptual domain as a set of literary concepts wich are correlated with writer’s text world. There are two types of writer’s text world models such as monomodel and polymodel. It is proved that monomodel text world is the plot-thematic unity of all literary conceptual domain which the writer creates. The polymodel text world consists of the plot-thematic correlation of literary dominant concepts formed according to different themes. Both monomodel and polymodel text worlds are the base for literary discourse forming. Monomodel text world is the base for monomodel literary discourse. Polymodel text world is the base for polymodel one’s. The research of text and discourse models of knowledge formats is the optimal interpretative way to discover the patterns of knowledge existence.

ELEMENTS OF SCIENTIFIC DISCOURSE AS A MEANS OF REALIZATION OF COMIC EFFECT IN THE SPACE OF ENGLISH LITERARY TEXT

2020 ◽  
pp. 231-238
Author(s):  
D. A. Kozhanov ◽  
Keyword(s):  
Literary Text ◽  
Scientific Discourse ◽  
Literary Texts ◽  
Literary Discourse ◽  
Expressive Function

The article is devoted to interpretation activity of the reader of the literary text in the context of discursive interactions in the text space. The author pays special attention to heterogeneous character of the literary text space that is reflected in the presence of numerous elements of other discourses considered as donors for literary discourse. The author points out the significance of the expressive function of these units that manifests itself in their ability to create various stylistic effects. The author analyses comic effect in the context of discursive interactions on the basis of English literary texts.

scholarly journals House of Memories and Oblivion by Filip David: Literature, Memory and Death

2017 ◽  
pp. 241-258
Author(s):  
Časlav V. Nikolić
Keyword(s):  
World War Ii ◽  
Jewish People ◽  
Literary Text ◽  
Symbolic Order ◽  
Western Civilization ◽  
Literary Discourse ◽  
World War ◽  
The Holocaust ◽  
The Status ◽  
The Way

The aim of this paper, is to determine the status of the Holocaust themes in contemporary Serbian literature. Philip David’s novel House of memories and oblivion contains resonances of the civilization after World War II considering the fate of Jewish people in this war. The attempt to highlight the work and the way of Western civilization to define itself in respect of the Holocaust was made. David’s novel is an example of a literary text which tests the boundaries of narrative regarding life of those who survived the Holocaust and tryed to find their identity. Literary discourse also allows to search for the truth about the crime in the gaps of the symbolic order of our world.

scholarly journals 'Haunted by ambiguities' revisited: in search of a metamethod for literary text disambiguation

Lege Artis ◽  
2017 ◽  
Vol 2 (1) ◽  
pp. 428-496 ◽  
Author(s):  
Olga P. Vorobyova
Keyword(s):  
Short Fiction ◽  
Literary Text ◽  
Literary Discourse

Abstract This paper addresses the issue of ambiguity in literary discourse, viewed through its multiple verbal and narrative manifestations in Virginia Woolf's short fiction. The research is aimed to combine traditional and most recent techniques of semantic, conceptual, narrative, semiotic, and configurational analyses as constituents of a metamethod of literary text disambiguation, which highlights some hidden features of the writer's linguistic personality.

Conclusion

2020 ◽  
pp. 205-212
Author(s):  
Arne Höcker
Keyword(s):  
Eighteenth Century ◽  
Literary Text ◽  
Literary Discourse ◽  
The Novel ◽  
Scientific Methods ◽  
Rational Discourse ◽  
Narrative Literature ◽  
Psychological Truth ◽  
Style Of Writing ◽  
Narrative Forms

This chapter studies how the experience and cultivation of individual subjectivity that since the end of the eighteenth century was inextricably tied to literary discourse and narrative forms of storytelling seems to have been absorbed completely into a thinking and writing in cases. The previous chapters read Robert Musil's and Alfred Döblin's novels as poetological responses to this development. In The Man without Qualities, Musil suggests an essayistic style of writing with which the literary text distances itself from scientific and rational discourse without, however, lapsing into mere fiction. Moreover, the essay sets out to fictionalize rational discourse and pushes it to the very point where it coincides with the fiction that precedes it. Döblin, in contrast, confines his critique to that of narrative while affirming the validity of scientific methods. As a consequence, he rejects any psychological truth claim of literary discourse and attempts to turn the novel into a modern epos that approaches life in its unfiltered totality. The chapter then considers three phases of the discourse of literature, each of which reflects a transformation in the function of fiction that defines the particular historical status of narrative literature.

scholarly journals Analysing Literary Discourse: Implications for Literary Translation

2002 ◽  
Vol 37 (2) ◽  
pp. 193-203 ◽  
Author(s):  
Kazem Lotfipour-Saedi
Keyword(s):  
Literary Text ◽  
Literary Translation ◽  
Literary Discourse ◽  
Special Effect ◽  
Translation Process ◽  
Textual Strategies

Abstract This paper will attempt to look at the notion of translation equivalence in literary discourse. Literature is usually distinguished from non-literature in terms of the special effect it creates on the reader. The paper will try to characterize this “special effect” in terms of special discoursal and textual strategies employed in literary text. It will then examine ways of rendering such strategies in the translation process drawing implications for the issue of translatability in literature.

Effacement ou collecte indifférenciée ?

2007 ◽  
Vol 17 (1) ◽  
pp. 14-34
Author(s):  
Michèle Touret
Keyword(s):  
World War Ii ◽  
Literary Text ◽  
Literary Discourse ◽  
World War ◽  
Post World War Ii ◽  
New Form ◽  
Personal Testimony ◽  
Action Taking ◽  
Shed Light

The event and its figuration in the literary text may shed light on the relation of the work to its context, not in terms of content so much as in terms of its properly literary configuration. In event is not (always) erased but parodied, displaced, erased or estimated; it obsesses a narrator who is the fallible memorialist or inventor of a story – his own – which escapes him. This narrator, concerned with determining what could have or should havebeen, also appears as an observer exploring a new form of speech, one engaged in a dialogue slanted again the literary discourse of Beckett's time, the discourse of post–World War II novels, where the hero discovers himself in a need of adventure or action–taking, the discourse as well of the personal testimony of historical catastrophe.

scholarly journals Translation and the Literary Text

2008 ◽  
Vol 20 (2) ◽  
pp. 89-119
Author(s):  
Augusto Ponzio
Keyword(s):  
Literary Text ◽  
Literary Translation ◽  
Central Issue ◽  
Literary Discourse ◽  
Translation Theory ◽  
Literary Genres ◽  
Linguistic Approach

Abstract In the present paper we shall focus on literary translation, on the question ofthe translation of “complex” or “secondary” texts, but with the intention of makinga contribution to the problem of translating non-literary, “simple,” “primary” textsas well. In other words, we shall examine the problem of text translation from asemiotic perspective. In fact, this study founds translation theory in sign theorydeveloping a semiotic-linguistic approach to the problem of translation in thedirection of so-called interpretation semiotics which also implies the semiotics ofsignificance. Translation concerns both simple and complex texts, which correspondrespectively to Mikhail Bakhtin’s primary and secondary texts. Simple texts concernnon literary discourse genres whilst complex texts the literary genres, where theformer are better understood in the light of the latter, and not vice versa. Thispaper also focuses on the concept of the literary text as a hypertext maintainingthat the hypertext is a methodics for translative practice. The relation between thetext and language understood as a modeling device is also important for anadequate theory of translation and sheds light on the question of translatability.Another central issue in this study is the relation between translation andintertextuality.

scholarly journals Literary text as a literary discourse: theoretical aspect

2020 ◽  
Vol 82 (5) ◽  
pp. 134-140
Author(s):  
Raisa S. Ilyasova ◽  
Elena S. Gailomazova
Keyword(s):  
Theoretical Aspect ◽  
Literary Text ◽  
Literary Discourse

scholarly journals Character’s Inner Speech as Effective Way of Literary Discourse Organization (Novel “The Remains of the Day” by Kazuo Ishiguro)

2021 ◽  
pp. 92-112
Author(s):  
S. Yu. Lavrova ◽  
L. A. Ermakova
Keyword(s):  
Discourse Markers ◽  
Literary Text ◽  
Point Of View ◽  
Inner Speech ◽  
Literary Discourse ◽  
The Novel ◽  
Kazuo Ishiguro ◽  
Close Analysis ◽  
Discourse Organization

The article examines the protagonist’s verbalized  inner  speech  in  the   literary   text of the novel “The Remains of the Day” as a way of literary discourse organization by English novelist Kazuo Ishiguro. The  relevance of the study is explained by the interest in   the analysis of the inner speech of characters in a literary text, which differs from the natural inner speech of an individual in the ways of  linguistic  expression,  the  specifics   in the structure of the narrative. It is shown that the study of the inner speech of a character   of literary discourse using such parameters of its measurement as structural-compositional, semantic-conceptual, communicative, allows us to identify the features of the functional role of this type of speech. The novelty of the research lies in the substantiation of how the character's inner speech (introspection), being a significant unit of composition, correlates with prospection and retrospection of the text, acting as the main form of narration. The article elicits four basic concepts that organize the content of the character's inner speech. The authors of the article offer a close analysis of the rheme-theme correlation of the title of the novel and the main text as the basis of the author’s literary discourse. Particular attention is paid to the modality of the character's inner speech from the point of view of the pragmatic orientation of this type of speech towards the addressee-reader and discourse markers that influence the process of discourse interpretation.

Mapping the conceptual domain of aesthetic emotion terms: A pile-sort study.

2017 ◽  
Vol 11 (4) ◽  
pp. 457-473 ◽  
Author(s):  
Georg Hosoya ◽  
Ines Schindler ◽  
Ursula Beermann ◽  
Valentin Wagner ◽  
Winfried Menninghaus ◽  
...  
Keyword(s):  
Conceptual Domain ◽  
Pile Sort
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