On-site Raman Analysis Of Cultural Heritage Sites: The Stained Glass Windows Of The Sainte-Chapelle (Paris) And San Rock Art (South Africa)

2010 ◽  
Author(s):  
Philippe Colomban ◽  
Linda C. Prinsloo ◽  
Aurélie Tournié ◽  
P. M. Champion ◽  
L. D. Ziegler
2021 ◽  
Vol 10(4) (10(4)) ◽  
pp. 1257-1274
Author(s):  
Mavhungu Abel Mafukata ◽  
Aneesah Khan ◽  
Modise Moseki

The Northern Limpopo Province of South Africa is characterized by a number of natural, environmental and cultural heritage sites, which could be developed into sustainable tourism sites. These sites could assist formerly disadvantaged communities improve on their livelihood options. This study covers the cultural heritage site of the tombs of the Masingo dynasty of the Vhavenda. The site is located in the Vhembe District of Limpopo Province, South Africa. The study used the model applied at the Baganda cultural heritage site at the Kasubi tombs in Uganda, where some Baganda kings (kabakas) are buried in what is known as the Muzibu-Azaala Mpanga. Historical critical analysis was applied to data collected through a qualitative literature study, key informant interviews, and site visits. The study found that, while Ugandans supported Kasubi being used for tourism purposes, the custodians of the Swongozwi site were not willing to make the site available for tourism development, or any other economic activities. Developing cultural heritage sites of indigenous African peoples should be informed by their attitudes to the protection of culture and identity, though it means that opportunities for poverty alleviation are missed. The result corroborated other studies conducted earlier amongst the Vhavenda.


2009 ◽  
Vol 36 (9) ◽  
pp. 1847-1856 ◽  
Author(s):  
Heinz Rüther ◽  
Michael Chazan ◽  
Ralph Schroeder ◽  
Rudy Neeser ◽  
Christoph Held ◽  
...  

ZARCH ◽  
2021 ◽  
pp. 148-153
Author(s):  
José Antonio González Zarandona

Can heritage be practiced and thought outside the binary of exaltation vs. denigration? To answer this question posed by the editors, this paper will analyse the destruction and protection of Indigenous heritage sites in Australia, where the destruction of significant cultural heritage sites, mainly Indigenous heritage sites, is the result of biased and outdated practice of cultural heritage that divides Indigenous heritage (prior 1788) from Australian heritage (after 1788). This rift has caused an immense damage to Indigenous heritage around the country as it shows how in Australia heritage is practiced and thought outside the dualism of celebration versus destruction. In this paper, I will show how the destruction of Indigenous rock art sites has been a constant in the 20th and 21st century and how this destruction has been framed in media as a result of vandalism. By arguing that this framing is perpetuating the dualism of celebration versus destruction, I suggest that we can move out of this binary by considering the concept of iconoclasm to go beyond this dualism.


2019 ◽  
pp. 59-66
Author(s):  
Ksenia I. Nechaeva

The current state of the Moscow Metro station of the first priority that became operational in 1935 does not allow it to be called a cultural heritage site. This is due to the fact that lighting modernisation carried out by the Moscow Metro was based on fluorescent lamps. Such lamps are more energy efficient compared to incandescent lamps, which were used in original lighting devices specified in the Station Lighting Project developed by architects and designers. However, they significantly changed the station appearance, transforming the originally designed station with entire well visible architectural tectonics?1 from the standpoint of lighting into a simple, flat, unremarkable, and little loaded station of the Moscow Metro./br> This paper describes a method of lighting reconstruction at Krasnoselskaya station by means of original lighting devices that meet modern standards and requirements for cultural heritage sites. The historical analysis on the development of the station lighting environment was conducted during its operation in order to understand what kind of station was conceived by its architects, what changes occurred with its lighting over time, and how it influenced the station appearance and safety of passenger transportation.


2019 ◽  
Vol 49 (3) ◽  
pp. 372-381
Author(s):  
Tanfer Emin Tunc

Author(s):  
Anil Verma ◽  
G. Rajendran

Delighting consumers has been one of the most important goals for marketing stakeholders but the effect of historical nostalgia on tourists delight at the world cultural heritage sites has rarely been examined. This study examines the impact of historical nostalgia on the heritage tourists' delight, their satisfaction and destination loyalty intention. The survey for the study was conducted at the world cultural heritage site of Mahabalipuram, India. The hypotheses were tested through the structural equation modelling technique. The results indicated positive and significant effect of historical nostalgia on tourists' delight, satisfaction and destination loyalty intention. The study makes contribution to the tourism studies by examining the role of historical nostalgia in delighting the tourists at the cultural heritage sites and instructs the managers to evoke such experiences to keep the heritage tourists delighted and thereby enhance their loyalty.


2021 ◽  
Vol 11 (2) ◽  
pp. 870
Author(s):  
Galena Pisoni ◽  
Natalia Díaz-Rodríguez ◽  
Hannie Gijlers ◽  
Linda Tonolli

This paper reviews the literature concerning technology used for creating and delivering accessible museum and cultural heritage sites experiences. It highlights the importance of the delivery suited for everyone from different areas of expertise, namely interaction design, pedagogical and participatory design, and it presents how recent and future artificial intelligence (AI) developments can be used for this aim, i.e.,improving and widening online and in situ accessibility. From the literature review analysis, we articulate a conceptual framework that incorporates key elements that constitute museum and cultural heritage online experiences and how these elements are related to each other. Concrete opportunities for future directions empirical research for accessibility of cultural heritage contents are suggested and further discussed.


2021 ◽  
Vol 13 (4) ◽  
pp. 92
Author(s):  
Agnese Augello ◽  
Ignazio Infantino ◽  
Giovanni Pilato ◽  
Gianpaolo Vitale

This paper deals with innovative fruition modalities of cultural heritage sites. Based on two ongoing experiments, four pillars are considered, that is, User Localization, Multimodal Interaction, User Understanding and Gamification. A survey of the existing literature regarding one or more issues related to the four pillars is proposed. It aims to put in evidence the exploitation of these contributions to cultural heritage. It is discussed how a cultural site can be enriched, extended and transformed into an intelligent multimodal environment in this perspective. This new augmented environment can focus on the visitor, analyze his activity and behavior, and make his experience more satisfying, fulfilling and unique. After an in-depth overview of the existing technologies and methodologies for the fruition of cultural interest sites, the two experiments are described in detail and the authors’ vision of the future is proposed.


Sign in / Sign up

Export Citation Format

Share Document