Translating from/for the margins of empire

Target ◽  
2019 ◽  
Vol 31 (2) ◽  
pp. 207-227 ◽  
Author(s):  
Aura E. Navarro ◽  
Catherine Poupeney Hart

Abstract The third series of the Gaceta de Guatemala (1797–1807) represents a high point of early journalistic production in colonial Spanish America. It benefitted from the presence of a particularly dynamic and cohesive group of young men involved in the development of the paper as a means of improving the social and economic situation of a territory extending from Chiapas to Costa Rica. Against a backdrop of censorship, and undeterred by their marginal position vis-à-vis the European centers of knowledge, they managed to include a surprising number of translations and references to foreign works. In conjunction with Colonial Studies, the Translation Studies perspective adopted in this article highlights how the editors of the Gaceta and their close collaborators, far from being passive consumers, managed to use translation as a tool to engage in, and prepare their readership for, dialogue with the Enlightened elites of the Western world.

Author(s):  
Corina Buzoianu ◽  
Monica Bira ◽  
Alina Duduciuc

This paper aims to shed a light on the importance of looking on the epistemological and methodological grounds of communication as a discipline in Romania in order to be able to discuss about the professionalization of the domain. We start from the widely acknowledged idea that communication is a new and emerging field, drawing its concepts, theories, and methods from diverse other fields and domains. In Romania, as well as in other former communist countries, after 1990 the changes in the political and economic situation created the premises to establish university programs in communication and to create jobs for people working in communication. All these were possible with the help of “imports” from the Western world, imports that transferred not only concepts and theories, but also the epistemological dispute and weakness of the field. This paper explores the development and the current state of communication as an academic discipline in Romania. Through an analysis of the social documents available on the University program’s website, we seek to understand the theoretical roots of the discipline of communication, as well as its current development.<div id="mouseposition-extension-element-full-container" style="position: fixed; top: 0px; left: 0px; right: 0px; bottom: 0px; pointer-events: none; z-index: 2147483647; font-weight: 400;"> </div>


2020 ◽  
Author(s):  
William Abbiss

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.


2020 ◽  
Author(s):  
William Abbiss

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.


2014 ◽  
Vol 2 (3) ◽  
Author(s):  
Redacción CEIICH

<p class="p1">The third number of <span class="s1"><strong>INTER</strong></span><span class="s2"><strong>disciplina </strong></span>underscores this generic reference of <em>Bodies </em>as an approach to a key issue in the understanding of social reality from a humanistic perspective, and to understand, from the social point of view, the contributions of the research in philosophy of the body, cultural history of the anatomy, as well as the approximations queer, feminist theories and the psychoanalytical, and literary studies.</p>


Author(s):  
Tim Lewens

Many evolutionary theorists have enthusiastically embraced human nature, but large numbers of evolutionists have also rejected it. It is also important to recognize the nuanced views on human nature that come from the side of the social sciences. This introduction provides an overview of the current state of the human nature debate, from the anti-essentialist consensus to the possibility of a Gray’s Anatomy of human psychology. Three potential functions for the notion of species nature are identified. The first is diagnostic, assigning an organism to the correct species. The second is species-comparative, allowing us to compare and contrast different species. The third function is contrastive, establishing human nature as a foil for human culture. The Introduction concludes with a brief synopsis of each chapter.


Author(s):  
Marek Korczynski

This chapter examines music in the British workplace. It considers whether it is appropriate to see the history of music in the workplace as involving a journey from the organic singing voice (both literal and metaphorical) of workers to broadcast music appropriated by the powerful to become a technique of social control. The chapter charts four key stages in the social history of music in British workplaces. First, it highlights the existence of widespread cultures of singing at work prior to industrialization, and outlines the important meanings these cultures had for workers. Next, it outlines the silencing of the singing voice within the workplace further to industrialization—either from direct employer bans on singing, or from the roar of the industrial noise. The third key stage involves the carefully controlled employer- and state-led reintroduction of music in the workplace in the mid-twentieth century—through the centralized relaying of specific forms of music via broadcast systems in workplaces. The chapter ends with an examination of contemporary musicking in relation to (often worker-led) radio music played in workplaces.


Author(s):  
Paolo Delle Site

For networks with human-driven vehicles (HDVs) only, pricing with arc-specific tolls has been proposed to achieve minimization of travel times in a decentralized way. However, the policy is hardly feasible from a technical viewpoint without connectivity. Therefore, for networks with mixed traffic of HDVs and connected and autonomous vehicles (CAVs), this paper considers pricing in a scenario where only CAVs are charged. In contrast to HDVs, CAVs can be managed as individual vehicles or as a fleet. In the latter case, CAVs can be routed to minimize the travel time of the fleet of CAVs or that of the entire fleet of HDVs and CAVs. We have a selfish user behavior in the first case, a private monopolist behavior in the second, a social planner behavior in the third. Pricing achieves in a decentralized way the social planner optimum. Tolls are not unique and can take both positive and negative values. Marginal cost pricing is one solution. The valid toll set is provided, and tolls are then computed according to two schemes: one with positive tolls only and minimum toll expenditure, and one with both tolls and subsidies and zero net expenditure. Convergent algorithms are used for the mixed-behavior equilibrium (simplicial decomposition algorithm) and toll determination (cutting plane algorithm). The computational experience with three networks: a two-arc network representative of the classic town bypass case, the Nguyen-Dupuis network, and the Anaheim network, provides useful policy insight.


1959 ◽  
Vol 4 ◽  
pp. 3-24

The latest evidence strengthens the view that recovery is well under way in Britain and that the forces of recovery are spreading through the western world. In most industrial countries demand and activity are rising rapidly. Although the primary producing countries have not yet experienced much recovery in their export earnings, the impact of the recession on them is waning.


2021 ◽  
Vol 562 (1) ◽  
pp. 23-26
Author(s):  
Piotr Kurowski

The article presents estimates of social minimum baskets for the second and third quarter of 2020, i.e. when the sanitary restrictions resulting from the COVID-19 pandemic took place. They obviously affected the functioning of households in various aspects. The presented estimates take into account the needs as foreseen in the model under normal conditions; the new circumstances of Covid-19 were not taken into account. There is lack of research data on changes in household consumption in 2020. If there will be a need to change assumptions in the model, the values of social minimum can be recalculated in the future. The value of the social minimum in the 2nd quarter increased by 2.1% in a one-person household and by 1.8% in a four -person household, with inflation by 0.3%.The increase in the subsistence minimum was mainly due to a further increase in food prices (from 4.3 to 4.5%), with the costs of housing and energy carriers rising from 1.7 to 2.0%. The very same factor contributed to a decline in the value of the minimum in the third quarter. In this period, the social minimum estimates decreased by -1% in a one-person household and by -1.1% in a four-person household, with a trace increase in CPI index (+0.1%). Seasonal decreases in food prices caused the value of food in the basket to decrease from -6.1 to -6.4%, with a CPI of -2.3% in this expenditure group. This time, expenditure on housing and energy products did not exceed 0.5%


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