Crusade Propaganda in Word and Image in Early Modern Italy: Niccolò Guidalotto’s Panorama of Constantinople (1662)*

2014 ◽  
Vol 67 (2) ◽  
pp. 503-543
Author(s):  
Nirit Ben-Aryeh Debby
Keyword(s):  
Early Modern ◽  
Ottoman Empire ◽  
Early Modern Period ◽  
Tel Aviv ◽  
Word And Image ◽  
Golden Horn ◽  
Early Modern Italy ◽  
Modern Period ◽  
The City ◽  
Venetian Republic

AbstractThe focus of this article is a vast seventeenth-century panorama of Constantinople, which is an exceptional drawing of the city, currently displayed at the Tel Aviv Museum of Art. The panorama is an elaborate piece of anti-Ottoman propaganda designed by the Franciscan friar Niccolò Guidalotto da Mondavio. Guidalotto also prepared a large manuscript, held in the Vatican Library, which details the panorama’s meaning and the motivation behind its creation. It depicts the city as seen from across the Golden Horn in Galata, throwing new light on both the city and the relationships between the rival Venetian Republic and the Ottoman Empire. It also trumpets the unalloyed Christian zeal of Niccolò Guidalotto and serves as a fascinating example of visual Crusade propaganda against the Ottomans in the early modern period.

Coda: Repositioning Early Modern Prague on the Global Stage

2021 ◽  
pp. 1-2
Author(s):  
Suzanna Ivanič
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Cultural History ◽  
Early Modern Period ◽  
Religious Change ◽  
Early Modern Europe ◽  
Modern Period ◽  
Musical Knowledge ◽  
Historical Moment ◽  
The City

The question that sparked this forum was to what extent we can see Prague as an important stage for Renaissance and Reformation exchange and as an internationally connected city. It is striking, though not unexpected, that all the authors have been drawn to some extent to sources and subjects in Rudolfine Prague. It must be stressed, however, that the emphasis of each of these studies is somewhat different to an older field of “Rudolfine studies.” The researchers here do not focus on the emperor's court but use it as context. It is tangential to their main focal points—on Jewish communities, religious change, and the exchange of scientific and musical knowledge—and these are first and foremost historians not of Prague but of social and cultural history, music, art, material culture, and religion. This indicates a marked shift from the historiography. For this generation of scholars, Prague is not only a city that is home to a fascinating and intriguing art historical moment but is also a city of early modern international connections. It provides a unique context for understanding communities, everyday experiences, religion, and culture in early modern Europe—a multilingual, multiconfessional, and multicultural mixing pot whose composition changed dramatically across the early modern period. Rudolf's court was certainly a catalyst for these crossings and encounters, but they did not fade away after his death in 1612, nor were they limited to the confines of the castle above the city.

Die geschriebene Stadt

2021 ◽  
Vol 48 (1) ◽  
pp. 1-40
Author(s):  
Teresa Schröder-Stapper
Keyword(s):  
Early Modern ◽  
Middle Ages ◽  
Urban Space ◽  
Essential Role ◽  
Early Modern Period ◽  
Space And Time ◽  
Late Middle Ages ◽  
Modern Period ◽  
The City

The Written City. Inscriptions as Media of Urban Knowledge of Space and Time The article investigates the function of urban inscriptions as media of knowledge about space and time at the transition from the late Middle Ages to the early modern period in the city of Braunschweig. The article starts with the insight that inscriptions in stone or wood on buildings or monuments not only convey knowledge about space and time but at the same time play an essential role in the construction of space and time in the city by the practice of inscribing. The analysis focuses on the steadily deteriorating relationship between the city of Braunschweig and its city lord, the Duke of Braunschweig-Lüneburg, and its material manifestation in building and monument inscriptions. The contribution shows that in the course of the escalating conflict over autonomy, a change in epigraphic habit took placed that aimed at claiming both urban space and its history exclusively on behalf of the city as an expression of its autonomy.

scholarly journals “Turkish” Textiles in South-Eastern and East-Central Europe in the Early Modern Period: The Evidence of Transylvanian Customs Accounts

2020 ◽  
Vol 24 (4-5) ◽  
pp. 363-382
Author(s):  
Mária Pakucs-Willcocks
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Early Modern ◽  
Fifteenth Century ◽  
Ottoman Empire ◽  
Early Modern Period ◽  
East Central Europe ◽  
East Central ◽  
Modern Period ◽  
Serial Data

Abstract This paper analyzes data from customs accounts in Transylvania from the middle of the sixteenth century to the end of the seventeenth on traffic in textiles and textile products from the Ottoman Empire. Cotton was known and commercialized in Transylvania from the fifteenth century; serial data will show that traffic in Ottoman cotton and silk textiles as well as in textile objects such as carpets grew considerably during the second half of the seventeenth century. Customs registers from that period also indicate that Poland and Hungary were destinations for Ottoman imports, but Transylvania was a consumer’s market for cotton textiles.

Moscow: The Third Rome

2021 ◽  
Author(s):  
Nick Mayhew
Keyword(s):  
Early Modern ◽  
19Th Century ◽  
Early Modern Period ◽  
16Th Century ◽  
Human Soul ◽  
The Third ◽  
Modern Period ◽  
Imperial Ideology ◽  
The City ◽  
Modern Russian

In the mid-19th century, three 16th-century Russian sources were published that alluded to Moscow as the “third Rome.” When 19th-century Russian historians discovered these texts, many interpreted them as evidence of an ancient imperial ideology of endless expansion, an ideology that would go on to define Russian foreign policy from the 16th century to the modern day. But what did these 16th-century depictions of Moscow as the third Rome actually have in mind? Did their meaning remain stable or did it change over the course of the early modern period? And how significant were they to early modern Russian imperial ideology more broadly? Scholars have pointed out that one cannot assume that depictions of Moscow as the third Rome were necessarily meant to be imperial celebrations per se. After all, the Muscovites considered that the first Rome fell for various heretical beliefs, in particular that Christ did not possess a human soul, and the second Rome, Constantinople, fell to the Turks in 1453 precisely because it had accepted some of these heretical “Latin” doctrines. As such, the image of Moscow as the third Rome might have marked a celebration of the city as a new imperial center, but it could also allude to Moscow’s duty to protect the “true” Orthodox faith after the fall—actual and theological—of Rome and Constantinople. As time progressed, however, the nuances of religious polemic once captured by the trope were lost. During the 17th and early 18th centuries, the image of Moscow as the third Rome took on a more unequivocally imperialist tone. Nonetheless, it would be easy to overstate the significance of allusions to Moscow as the third Rome to early modern Russian imperial ideology more broadly. Not only was the trope rare and by no means the only imperial comparison to be found in Muscovite literature, it was also ignored by secular authorities and banned by clerics.

On the Appropriation of Lexicographic Methods of Kemālpaşazāde’s (1468–1534) Glossary Daḳāyiḳu l-ḥaḳāyiḳ

DIYÂR ◽  
2021 ◽  
Vol 2 (1) ◽  
pp. 14-26
Author(s):  
Hasmik Kirakosyan ◽  
Ani Sargsyan
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Ottoman Empire ◽  
Semantic Analysis ◽  
Early Modern Period ◽  
Linguistic Analysis ◽  
Persian Language ◽  
Modern Period ◽  
Analysis Methods ◽  
First Time

The glossary Daḳāyiḳu l-ḥaḳāyiḳ by Kemālpaşazāde is a valuable lexicological work that demonstrates the appropriation of medieval lexicographic methodologies as a means of spreading knowledge of the Persian language in the Transottoman realm. The article aims to analyse this Persian-Ottoman Turkish philological text based on the Arabic and Persian lexicographic traditions of the Early Modern period. The advanced approaches to morphological, lexical and semantic analysis of Persian can be witnessed when examining the Persian word units in the glossary. The study of the methods of the glossary attests to the prestigious status of the Persian language in the Ottoman Empire at a time when Turkish was strengthening its multi-faceted positions. Taking into account the linguistic analysis methods that were available in the sixteenth century, contemporary philological research is suggesting new etymologies for some Persian words and introduces novel lemmata, which make their first-time appearance in Persian vocabulary.

Health as a Social Agent in Ottoman Patronage and Authority

2007 ◽  
Vol 37 ◽  
pp. 147-175 ◽  
Author(s):  
Miri Shefer Mossensohn
Keyword(s):  
Nineteenth Century ◽  
Early Modern ◽  
Ottoman Empire ◽  
Early Modern Period ◽  
Medical System ◽  
Social Policies ◽  
Social Agent ◽  
Modern Period ◽  
Over Time

AbstractOttoman society and its medical system of the early modern period and the nineteenth-century demonstrate the marriage of medicine and power. I present the view from the imperial center and focus on the aims and wishes of the Ottoman elite and imperial authorities in İstanbul as they were embodied in state activities, such as formal decrees and policies meant to be implemented all over the empire. For the Ottoman elite, medicine was always a significant imperial tool, but it was neither the only tool of control, nor the most important one. The extent to which the Ottoman elite used medicine in its social policies changed over time. A comparison between the Ottoman use and distribution of health and food from the early modern period until the nineteenth century illustrates this point. It was especially during the nineteenth century that medicine was intentionally-and successfully-implemented as a mechanism of control in the Ottoman Empire.

Fiscal Crisis and Institutional Change in the Ottoman Empire and France

2009 ◽  
Vol 69 (3) ◽  
pp. 809-845 ◽  
Author(s):  
Eliana Balla ◽  
Noel D. Johnson
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Institutional Change ◽  
Ottoman Empire ◽  
Early Modern Period ◽  
Fiscal Crisis ◽  
Fiscal Institutions ◽  
Modern Period ◽  
Tax Farming ◽  
Fiscal Pressure

Why is it that some countries adopted growth enhancing institutions earlier than others during the early modern period? We address this question through a comparative study of the evolution of French and Ottoman fiscal institutions. During the sixteenth century, both countries made extensive use of tax farming to collect revenue, however, uncertain property rights caused by fiscal pressure led to different paths of institutional change in each state. In France, tax collectors successfully overcame the collective action costs of imposing constraint on the king. In the Ottoman Empire, tax collectors faced prohibitive transaction costs to organizing in a similar manner.

scholarly journals Introduction

2014 ◽  
Vol 47 (2) ◽  
pp. 221-244
Author(s):  
Eli Rubin
Keyword(s):  
Early Modern ◽  
Middle Ages ◽  
Early Modern Period ◽  
Ice Age ◽  
Special Issue ◽  
Open Spaces ◽  
Modern Period ◽  
History Of ◽  
Last Ice Age ◽  
The City

The essays in this special issue all focus on the city of Berlin, in particular, its relationship with its margins and borders over thelongue dureé. The authors—Kristin Poling, Marion Gray, Barry Jackisch, and Eli Rubin—all consider the history of Berlin over the last two centuries, with special emphasis on how Berlin expanded over this time and how it encountered the open spaces surrounding it and within it—the “green fields” (grüne Wiesen) referred to in the theme title. Each of them explores a different period in Berlin's history, and so together, the essays form a long dureé history of Berlin, although each of the essays in its own way explores the roots of Berlin's history in deeper time scales, from the early modern period, to the Middle Ages, and even to the very end of the last ice age, more than 10,000 years ago.

Thomas Nashe’s Anatomy of Venice in The Unfortunate Traveller or the Life of Jack Wilton (1594): Utopia Revisited

Moreana ◽  
2010 ◽  
Vol 47 (Number 181- (3-4) ◽  
pp. 186-204
Author(s):  
Anne Geoffroy
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
Urban Spaces ◽  
Prose Fiction ◽  
Negative Aspect ◽  
Modern Period ◽  
City State ◽  
The City ◽  
The Ideal

Although most critics have focused on the overall negative aspect of Jack Wilton’s Italian tour in The Unfortunate Traveller (1594), as suggested in the title of Thomas Nashe’s prose fiction, the specificity of the narrator’s Venetian adventures should be examined more closely. This paper argues that Thomas Nashe’s representation of Venice needs to be reassessed in the context of Thomas More’s Utopia and the question of the ideal commonwealth. Notwithstanding Nashe’s reliance on pervasive irony, the author provides an image of the city-state which – thanks to a retrospective approach – puts the topic of alternative urban spaces in the early modern period into perspective.

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