Conclusion
On the evidence of the 75 palaces discussed in the book’s previous chapters, the conclusion distills four major concepts of space in the palatial architecture of the Islamic West and synthesizes their development from the arrival of Islam in in the region through the Early Modern Period. Planar, view-framing, linear, and interior understandings of space reflect answers to evolving questions about the nature of rulership during a span of history marked by dramatic shifts in power. Each concept of space makes a distinct statement about how rulers relate to society. Within the same palace, the seemingly incoherent combination of spatial concepts may articulate the political and ideological tensions of the moment. All four spatial concepts can, nevertheless, be understood as variations on the idea that space is infinite, which may be considered the uniting characteristic of Islamic palatial architecture in the western Mediterranean.