Suburbanization before 1945

2015 ◽  
Author(s):  
Ann Durkin Keating
Keyword(s):  
19Th Century ◽  
Metropolitan Areas ◽  
Raw Materials ◽  
The United States ◽  
Urban Centers ◽  
Early 19Th Century ◽  
Metropolitan Regions ◽  
Industrial Enterprises ◽  
Wide Range ◽  
The 19Th Century

Since the beginning of the 19th century, outlying areas of American cities have been home to a variety of settlements and enterprises with close links to urban centers. Beginning in the early 19th century, the increasing scale of business and industrial enterprises separated workplaces from residences. This allowed some urban dwellers to live at a distance from their place of employment and commute to work. Others lived in the shadow of factories located at some distance from the city center. Still others provided food or raw materials for urban residents and businesses. The availability of employment led to further suburban growth. Changing intracity transportation, including railroads, interurbans, streetcars, and cable cars, enabled people and businesses to locate beyond the limits of a walking city. By the late 19th century, metropolitan areas across the United States included outlying farm centers, industrial towns, residential rail (or streetcar) suburbs, and recreational/institutional centers. With suburbs generally located along rail or ferry lines into the early 20th century, the physical development of metropolitan areas often resembled a hub and spokes. However, across metropolitan regions, suburbs had a great range of function and diversity of populations. With the advent of automobile commutation and the growing use of trucks to haul freight, suburban development took place between railroad lines, filling in the earlier hub-and-spokes patterns into a more deliberate built-up area. Although suburban settlements were integrally connected to their neighbors and within a metropolitan economy and society, independent suburban governments emerged to serve these outlying settlements and keep them separate. Developers often took the lead in providing differential services (and regulations). Suburban governments emerged as hybrid forms, serving relatively homogeneous populations by providing only some urban functions. Well before 1945, suburbs were home to a wide range of work and residents.

Feminism and Suffragism

2018 ◽  
Author(s):  
Monica Jovanovich-Kelley
Keyword(s):  
United States ◽  
19Th Century ◽  
The United States ◽  
Early 19Th Century ◽  
Social Theorist ◽  
The Social ◽  
Oxford Dictionary ◽  
Charles Fourier ◽  
Temperance Movements ◽  
The 19Th Century

Originating from the French word féminisme, feminism’s first appearance in 1837 is attributed to the social theorist Charles Fourier (1772–1837). Denoting a principle that argues for the rights of women and the equality of the sexes, it grew increasingly popular as a term in the second half of the 19th century, and first appeared in the Oxford Dictionary of English in 1895. As a reform movement with a network of activists comprising both sexes across the Americas and Europe, the championing of political, financial, and social equality for women had its roots in abolitionist and temperance movements of the early 19th century. Roughly divided into three waves, the first began in the mid-1800s and peaked in the United States and Europe between 1890 and 1920. The second took place from the late 1960s to the 1980s, and was followed by a third in the mid-1990s.

Print Culture and Censorship from Colonial Latin America to the US Latina/o Presence in the 19th Century

2020 ◽  
Author(s):  
Matthew J. K. Hill
Keyword(s):  
United States ◽  
Puerto Rico ◽  
Latin America ◽  
19Th Century ◽  
Latin American ◽  
Print Culture ◽  
The United States ◽  
Early 19Th Century ◽  
The Press ◽  
The 19Th Century

Print culture refers to the production, distribution, and reception of printed material. It includes the concepts of authorship, readership, and impact and entails the intersection of technological, political, religious, legal, social, educational, and economic practices, all of which can vary from one cultural context to another. Prior to their arrival in the Americas, Spain and Portugal had their own print culture and, following the conquest, they introduced it into their colonies, first through the importation of books from Europe and later following the establishment of the printing press in Mexico in 1539. Throughout the colonial period, the importation of books from abroad was a constant and lucrative practice. However, print culture was not uniform. As in Europe, print culture in Latin America was largely an urban phenomenon, with restricted readership due to high rates of illiteracy, which stemmed from factors of class, gender, race, and income, among others. Furthermore, the press itself spread slowly and unevenly, according to the circumstances of each region. One thing, however, that these territories had in common was widespread censorship. Reading, writing, and printing were subject to oversight by the Inquisition, whose responsibility was to police the reading habits of the populace and to ensure that no texts were printed that could disrupt the political and religious well-being of the colonies, as they defined it. In spite of Inquisitorial restrictions, print culture flourished and the number and kind of materials available increased dramatically until the early 19th century, when most of the territories under the Iberian monarchies became independent, a phenomenon due in part to the circulation of Enlightenment thought in the region. Following the era of revolutions, newly established republics attempted to implement freedom of the press. While the Inquisition no longer existed, censorship continued to be practiced to a greater or lesser degree, depending on the circumstances and who was in power. This also applies to Cuba and Puerto Rico. Immediately prior to Latin American independence, the United States became a sovereign nation. Commercial and cultural exchanges, including print materials, between the United States and Latin America increased, and many Latin Americans were traveling to and residing in the United States for extended periods. However, it was also in this period that the United States began a campaign of expansionism that did not cease until 1898 and resulted in the acquisition of half of Mexico’s national territory and of Spain’s remaining American colonies, Cuba and Puerto Rico. In addition to the land itself, the United States also “acquired” the people who had been Spanish and Mexican citizens in California, the Southwest, and Puerto Rico. With this change in sovereignty came a change in language, customs, and demographics, which provoked a cultural crisis among these new Latina/o citizens. To defend themselves against the racial persecution from Anglo-Americans and to reverse the impending annihilation of their culture and language, they turned to the press. The press allowed Latinas/os a degree of cultural autonomy, even as their position was slowly eroded by legal and demographic challenges as the 19th century progressed.

Labor in the Spanish and Early US–Mexican Borderlands (1540–1848)

2021 ◽  
Author(s):  
Eric V. Meeks
Keyword(s):  
19Th Century ◽  
The United States ◽  
Forced Labor ◽  
Early 19Th Century ◽  
Border States ◽  
The North ◽  
Chattel Slavery ◽  
And Migration ◽  
The 19Th Century ◽  
Debt Peonage

The forced, coerced, and voluntary labor systems of the Spanish and early US–Mexico borderlands were as diverse as the territories where they predominated, and they evolved substantially over the course of three centuries. Spanish borderlands refers to an immense region that encompassed New Spain’s northern “interior provinces.” They were mostly inhabited and controlled by Indigenous peoples. In the 19th century, these provinces would become the modern border states and territories of California, Nevada, Arizona, New Mexico, Utah, Colorado, and Texas to the north; and Baja California, Sonora, Chihuahua, Coahuila, Nuevo León, and Tamaulipas to the south. Thousands of Indigenous, Black, mulatto, and mestizo people worked in coerced and unfree labor systems that ranged from outright slavery to encomienda, repartimiento, and debt peonage. New labor forms emerged with expanding global trade, economic reform, and industrialization in Europe and the United States. Compensated labor coexisted alongside forced labor in the colonial period, until it came to rival and, in some cases, replace involuntary labor by the early 19th century. Yet debt peonage and chattel slavery grew in importance during the same period. Workers themselves struggled to maintain autonomy and resisted through means that ranged from flight, malingering, and migration to outright rebellion.

Museum Preserves in the Sphere of “Cultural Tourism”: Through the Example of the Cultural Preserves of Tatarstan

2019 ◽  
Vol 9 (4) ◽  
pp. 193-198
Author(s):  
Lyudmila S. Timofeeva ◽  
Albina R. Akhmetova ◽  
Liliya R. Galimzyanova ◽  
Roman R. Nizaev ◽  
Svetlana E. Nikitina
Keyword(s):  
19Th Century ◽  
Art Museum ◽  
Medium Size ◽  
Business Elite ◽  
Wide Range ◽  
The Subject ◽  
Tourist Center ◽  
Regional Authorities ◽  
The 19Th Century ◽  
The City

Abstract The article studies the existence experience of historical cities as centers of tourism development as in the case of Elabuga. The city of Elabuga is among the historical cities of Russia. The major role in the development of the city as a tourist center is played by the Elabuga State Historical-Architectural and Art Museum-Reserve. The object of the research in the article is Elabuga as a medium-size historical city. The subject of the research is the activity of the museum-reserve which contributes to the preservation and development of the historical look of Elabuga and increases its attractiveness to tourists. The tourism attractiveness of Elabuga is obtained primarily through the presence of the perfectly preserved historical center of the city with the blocks of integral buildings of the 19th century. The Elabuga State Historical-Architectural and Art Museum-Reserve, which emerged in 1989, is currently an object of historical and cultural heritage of federal importance. Museum-reserves with their significant territories and rich historical, cultural and natural heritage have unique resources for the implementation of large partnership projects. Such projects are not only aimed at attracting a wide range of tourists, but also stimulate interest in the reserve from the business elite, municipal and regional authorities. The most famous example is the Spasskaya Fair which revived in 2008 in Elabuga. It was held in the city since the second half of the 19th century, and was widely known throughout Russia. The process of the revival and successful development of the fair can be viewed as the creation of a special tourist event contributing to the formation of new and currently important tourism products.

scholarly journals Variations in American marketing practices of early 19th-century ceramic importers and dealers, reflecting culture and identity

2020 ◽  
Vol 12 (3) ◽  
pp. 345-375
Author(s):  
Neil Ewins
Keyword(s):  
19Th Century ◽  
Design Methodology ◽  
Marketing Research ◽  
Early 19Th Century ◽  
Content Type ◽  
Advertising Strategy ◽  
Political Views ◽  
The Usa ◽  
Anglo American ◽  
The 19Th Century

Purpose This paper explores the advertising strategy of crockery importers and dealers in relationship to their origins and backgrounds. This is a departure from earlier ceramic-history literature which tended to focus on the Staffordshire producers, with limited awareness on how the identity of importers and dealers influenced what products were sold, and their individual approaches to marketing. Design/methodology/approach Within a context of historical marketing research, this paper analyses newspaper advertising and commentary. It combines an examination of marketing practices with a wider consideration of the cultural identities of ceramic importers and dealers. The digitalization of historical records, combined with sophisticated search engines, makes it more feasible to examine a broader range of sources. Thus, modern research methods can enhance our understanding of production and demand and reveal how marketing strategy was diverse. Findings Awareness on how advertising was influenced by the backgrounds and socio-political views of importers and dealers demonstrates ways in which Anglo-American ceramic trade could be far more market-led. More significantly, marketing approaches were not necessarily responding to American demand, but rather that importers could engage in commissioning goods which reflected their own views on politics, religion or slavery. Originality/value Examining the advertising of importers demonstrates the complex relationship between production and ceramic demand. This paper opens up debates as to how far the advertising of other merchandise in the USA shows evidence of taking a more individual approach by the 19th century.

Brazilian Colonial Art and the Decolonization of Art History

2021 ◽  
Author(s):  
Maria Berbara
Keyword(s):  
19Th Century ◽  
Art History ◽  
18Th Century ◽  
Early Modern Period ◽  
Minas Gerais ◽  
Early 19Th Century ◽  
Art Objects ◽  
Colonial Art ◽  
The One ◽  
The 19Th Century

There are at least two ways to think about the term “Brazilian colonial art.” It can refer, in general, to the art produced in the region presently known as Brazil between 1500, when navigator Pedro Álvares Cabral claimed the coastal territory for the Lusitanian crown, and the country’s independence in the early 19th century. It can also refer, more specifically, to the artistic manifestations produced in certain Brazilian regions—most notably Bahia, Minas Gerais, and Rio de Janeiro—over the 18th century and first decades of the 19th century. In other words, while denotatively it corresponds to the art produced in the period during which Brazil was a colony, it can also work as a metonym valid to indicate particular temporal and geographical arcs within this period. The reasons for its widespread metonymical use are related, on the one hand, to the survival of a relatively large number of art objects and buildings produced in these arcs, but also to a judicative value: at least since the 1920s, artists, historians, and cultivated Brazilians have tended to regard Brazilian colonial art—in its more specific meaning—as the greatest cultural product of those centuries. In this sense, Brazilian colonial art is often identified with the Baroque—to the extent that the terms “Brazilian Baroque,” “Brazilian colonial art,” and even “barroco mineiro” (i.e., Baroque produced in the province of Minas Gerais) may be used interchangeably by some scholars and, even more so, the general public. The study of Brazilian colonial art is currently intermingled with the question of what should be understood as Brazil in the early modern period. Just like some 20th- and 21st-century scholars have been questioning, for example, the term “Italian Renaissance”—given the fact that Italy, as a political entity, did not exist until the 19th century—so have researchers problematized the concept of a unified term to designate the whole artistic production of the territory that would later become the Federative Republic of Brazil between the 16th and 19th centuries. This territory, moreover, encompassed a myriad of very different societies and languages originating from at least three different continents. Should the production, for example, of Tupi or Yoruba artworks be considered colonial? Or should they, instead, be understood as belonging to a distinctive path and independent art historical process? Is it viable to propose a transcultural academic approach without, at the same time, flattening the specificities and richness of the various societies that inhabited the territory? Recent scholarly work has been bringing together traditional historiographical references in Brazilian colonial art and perspectives from so-called “global art history.” These efforts have not only internationalized the field, but also made it multidisciplinary by combining researches in anthropology, ethnography, archaeology, history, and art history.

Afghanistan: Martial Society Without Military Rule

2021 ◽  
Author(s):  
Amin Tarzi
Keyword(s):  
World War Ii ◽  
Soviet Union ◽  
19Th Century ◽  
Democratic Party ◽  
Central Government ◽  
The United States ◽  
The Soviet Union ◽  
Military Campaigns ◽  
The 19Th Century ◽  
The Military

Since its inception as a separate political entity in 1747, Afghanistan has been embroiled in almost perpetual warfare, but it has never been ruled directly by the military. From initial expansionist military campaigns to involvement in defensive, civil, and internal consolidation campaigns, the Afghan military until the mid-19th century remained mainly a combination of tribal forces and smaller organized units. The central government, however, could only gain tenuous monopoly over the use of violence throughout the country by the end of the 19th century. The military as well as Afghan society remained largely illiterate and generally isolated from the prevailing global political and ideological trends until the middle of the 20th century. Politicization of Afghanistan’s military began in very small numbers after World War II with Soviet-inspired communism gaining the largest foothold. Officers associated with the People’s Democratic Party of Afghanistan were instrumental in two successful coup d’états in the country. In 1979, the Soviet Union invaded Afghanistan, ending the country’s sovereignty and ushering a period of conflict that continues to the second decade of the 21st century in varying degrees. In 2001, the United States led an international invasion of the country, catalyzing efforts at reorganization of the smaller professional Afghan national defense forces that have remained largely apolitical and also the country’s most effective and trusted governmental institution.

scholarly journals Some notes on a historical perspective of panic disorder

2006 ◽  
Vol 55 (2) ◽  
pp. 154-160 ◽  
Author(s):  
Antonio Egidio Nardi
Keyword(s):  
Panic Disorder ◽  
20Th Century ◽  
19Th Century ◽  
Greek Mythology ◽  
Laboratory Studies ◽  
Biochemical Tests ◽  
Wide Range ◽  
Therapeutic Development ◽  
History Of ◽  
The 19Th Century

This article aims to describe important points in the history of panic disorder concept, as well as to highlight the importance of its diagnosis for clinical and research developments. Panic disorder has been described in several literary reports and folklore. One of the oldest examples lies in Greek mythology - the god Pan, responsible for the term panic. The first half of the 19th century witnessed the culmination of medical approach. During the second half of the 19th century came the psychological approach of anxiety. The 20th century associated panic disorder to hereditary, organic and psychological factors, dividing anxiety into simple and phobic anxious states. Therapeutic development was also observed in psychopharmacological and psychotherapeutic fields. Official classifications began to include panic disorder as a category since the third edition of the American Classification Manual (1980). Some biological theories dealing with etiology were widely discussed during the last decades of the 20th century. They were based on laboratory studies of physiological, cognitive and biochemical tests, as the false suffocation alarm theory and the fear network. Such theories were important in creating new diagnostic paradigms to modern psychiatry. That suggests the need to consider a wide range of historical variables to understand how particular features for panic disorder diagnosis have been developed and how treatment has emerged.

Content and Consistency in the Endogenous Depressive Pattern

1966 ◽  
Vol 112 (486) ◽  
pp. 471-484 ◽  
Author(s):  
Saul H. Rosenthal ◽  
Gerald L. Klerman
Keyword(s):  
19Th Century ◽  
The Other ◽  
Psychotic Depression ◽  
Public Attention ◽  
Half Century ◽  
Manic Depressive ◽  
Wide Range ◽  
The 19Th Century ◽  
Mourning And Melancholia ◽  
The Way

As currently used, the diagnosis of depression includes a wide range of clinical phenomena. This has not always been the case. Near the end of the 19th century, when the term depression began to evolve the meanings that it has today it was applied primarily to psychotics. The formulations of Freud in Mourning and Melancholia (1917), and of Kraepelin in Manic Depressive Insanity (1921) were based upon observations of patients who were both depressed and psychotic. In their work the contrast was between psychotic depression (or “melancholia”) on one hand, and normal sadness on the other. In the succeeding half-century, however, as psychiatry has extended its boundaries, increasing attention has been focused on non-psychotic depressions, often called “neurotic” or “reactive.” As these “neurotic” or “reactive” depressions reached public attention, a debate began over the way in which the depressive population should be described and the extent to which it should be subdivided. Critical and often sarcastic written battles were fought between the separatists and the unifiers during the 1920's and 1930's. These debates have been informatively chronicled by Partridge (1949). We have found it useful to divide these theorists into unifiers, dualists, and pluralists.

The ‘Genius of language’

2004 ◽  
Vol 31 (2-3) ◽  
pp. 367-388 ◽  
Author(s):  
Christiane Schlaps
Keyword(s):  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
Wide Range ◽  
Dynamic Form ◽  
Text Types ◽  
Scientific Value ◽  
The 19Th Century ◽  
Static Concept ◽  
Interior Part

Summary The so-called ‘genius of language’ may be regarded as one of the most influential, and versatile, metalinguistic metaphors used to describe vernacular languages from the 17th century onwards. Over the centuries, philosophers, grammarians, trans­lators and language critics etc. wrote of the ‘genius of language’ in a wide range of text types and with reference to various linguistic positions so that a set of rather diverse types of the concept was created. This paper traces three prominent stages in the development of the ‘genius of language’ argument and, by identifying some of the most frequent types as they evolved in the context of the various linguistic dis­courses, endeavours to show the major transformations of the concept. While early on, discussion of the stylistic and grammatical type of the ‘genius of language’ concentrates on surface features in the languages considered, during the middle of the 18th century, the ‘genius of language’ is relocated to the semantic, interior part of language. With the 19th-century notion of an organological ‘genius of language’, the former static concept is personified and recast in a dynamic form until, taken to its nationalistic extremes, the ‘genius of language’ argument finally ceases to be of any epistemological and scientific value.

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