Gender and Sexuality in Colonial Brazil

2021 ◽  
Author(s):  
Ronaldo Vainfas
Keyword(s):  
Turning Point ◽  
Deviant Behavior ◽  
Moral Theology ◽  
Gender And Sexuality ◽  
Historical Research ◽  
Early 20Th Century ◽  
Marital Relations ◽  
Sexual Imagery ◽  
History Of ◽  
Brazilian History

The topics of gender and sexuality in Brazilian historiography, though available from colonial chroniclers to the present, were notably absent in 19th-century historiography, which was constrained by the moral taboos and racial prejudices of that age. This was true until the early 20th-century turning point represented by the works of Paulo Prado with regard to language, and of Gilberto Freyre with regard to content, in their pioneering attempts to address the issue, emphasizing how interracial procreation and sexual desires shaped Brazilian history. Historical research at universities began in the 1980s, based on unpublished sources and international scholarship on new topics. This resulted in studies on marital relations, misogynist patriarchalism, accepted models of licit sexuality, and various other transgressions such as adultery, concubinage, male and female homosexuality, sexual imagery, libidinous behavior by members of the clergy, and acts considered deviant behavior or associated with heresy. Recently, sources have come into use from the Ecclesiastical Court and the Portuguese Inquisition, which assumed jurisdiction over accusations of bigamy, sodomy, priests who took advantage of the confessional to molest their parishioners, and declarations that contradicted Catholic moral theology with regard to chastity, celibacy, and fornication or were suspected of being heretical due to their association with Protestant doctrines. Additionally, there are important works inspired by French scholarship on the history of mentalities and the historical and philosophical contributions of Michel Foucault.

scholarly journals Joaquim Norberto de Souza Silva: palestra brasileira

2005 ◽  
Vol 13 (1) ◽  
pp. 33-58
Author(s):  
José Américo Miranda
Keyword(s):  
Literary Criticism ◽  
Historical Research ◽  
Brazilian Literature ◽  
Romantic Period ◽  
History Of ◽  
Brazilian History ◽  
Present Text

Resumo: O texto aqui apresentado, preparado para publicação por José Américo Miranda, é obra de um dos mais operosos literatos do Romantismo brasileiro: Joaquim Norberto de Sousa Silva. Mais conhecido por sua crítica literária e sua contribuição à história da literatura brasileira, assim como por seus estudos biográficos e pelas edições que preparou dos poetas árcades e românticos brasileiros, Joaquim Norberto foi também historiador, poeta e teatrólogo. Nesta “Palestra Brasileira”, que publicou nas páginas da Revista Popular, no primeiro semestre de 1862, sob o pseudônimo de Fluviano, o autor combina sua vocação poética com a de historiador, num texto em que dados coletados em pesquisas de natureza histórica aparecem humoristicamente emoldurados por uma narrativa de cunho ficcional.Palavras-chave: Literatura Brasileira; História do Brasil; Romantismo.Abstract: The present text, prepared for publication by José Américo Miranda, was written by Joaquim Norberto de Sousa Silva, one of the most laborious men of letters during the Brazilian Romantic period. Better known for his literary criticism and his contribution to the history of Brazilian Literature, as well as for his biographical studies and for his editions of works by Brazilian Arcadians and Romantic writers, Sousa Silva was also an historian, poet, and dramatist. His “Palestra Brasileira” [Brazilian Lecture], published under the pseudonym Fluviano in Revista Popular during the first half of 1962, is a piece in which he joins his poetic aptitude and his endowment as an historian and in which the data gathered through historical research are lightheartedly framed by a fictional narrative.Keywords: Brazilian Literature; Brazilian History; Romanticism.

scholarly journals Het belang van '1814' in de Belgische archiefgeschiedenis

1970 ◽  
Vol 71 ◽  
pp. 99-113
Author(s):  
Timo Van Havere
Keyword(s):  
Nineteenth Century ◽  
United Kingdom ◽  
The Netherlands ◽  
Turning Point ◽  
Historical Research ◽  
French Empire ◽  
The United Kingdom ◽  
National Archives ◽  
History Of ◽  
The City

In recent years archivists and historians have been pondering the importance of '1800' inthe history of archives and historiography: did the turn of that century mark the start of'modern' archival organisation, focused on historical research? Even though the accessibilityof Belgian archives was unsurpassed in nineteenth-century Europe, the archival historyof that country has been neglected thus far. By looking at the National Archives inBrussels and the city archives of Ghent, new light can be shed on the Belgian archivallandscape around 1800. As it turns out, 1814 was an important turning point. The politicalchange ftom the French Empire to the United Kingdom of the Netherlands was used bysome historians to secure an appointment as archivist. At the same time, the new nationalgovernment actively remodelled archives into historiographical institutions.

Queering Musical Biography in the Writings of Edward Prime-Stevenson and Rosa Newmarch

2020 ◽  
Vol 44 (2) ◽  
pp. 100-118
Author(s):  
Kristin M. Franseen
Keyword(s):  
Twentieth Century ◽  
Instrumental Music ◽  
Primary Source ◽  
Gender And Sexuality ◽  
Benjamin Britten ◽  
Twentieth Century Music ◽  
History Of ◽  
Music Research ◽  
Symphonic Music ◽  
Biographical Knowledge

Beginning with the “open secret” of Benjamin Britten and Peter Pears's relationship and continuing through debates over Handel's and Schubert's sexuality and analyses of Ethel Smyth's memoirs, biography has played a central role in the development of queer musicology. At the same time, life-writing's focus on extramusical details and engagement with difficult-to-substantiate anecdotes and rumors often seem suspect to scholars. In the case of early-twentieth-century music research, however, these very gaps and ambiguities paradoxically offered some authors and readers at the time rare spaces for approaching questions of sexuality in music. Issues of subjectivity in instrumental music aligned well with rumors about autobiographical confession within Tchaikovsky's Symphony No. 6 (Pathétique) for those who knew how to listen and read between the lines. This article considers the different ways in which the framing of biographical anecdotes and gossip in scholarship by music critic-turned-amateur sexologist Edward Prime-Stevenson and Tchaikovsky scholar Rosa Newmarch allowed for queer readings of symphonic music. It evaluates Prime-Stevenson's discussions of musical biography and interpretation in The Intersexes (1908/9) and Newmarch's Tchaikovsky: His Life and Works (1900), translation of Modest Tchaikovsky's biography, and article on the composer in Grove's Dictionary of Music and Musicians to explore how they addressed potentially taboo topics, engaged with formal and informal sources of biographical knowledge (including one another's work), and found their scholarly voices in the absence of academic frameworks for addressing gender and sexuality. While their overt goals were quite different—Newmarch sought to dismiss “sensationalist” rumors about Tchaikovsky's death for a broad readership, while Prime-Stevenson used queer musical gossip as a primary source in his self-published history of homosexuality—both grappled with questions of what can and cannot be read into a composer's life and works and how to relate to possible queer meanings in symphonic music. The very aspects of biography that place it in a precarious position as scholarship ultimately reveal a great deal about the history of musicology and those who write it.

Queering Gender Identity Work: A Life History of a Black Transgender Woman

2018 ◽  
Vol 5 (1) ◽  
Author(s):  
Esethu Monakali
Keyword(s):  
Life History ◽  
Gender Identity ◽  
Public Spaces ◽  
Identity Work ◽  
Social Identities ◽  
Gender And Sexuality ◽  
Ongoing Effort ◽  
History Of ◽  
The Individual

This article offers an analysis of the identity work of a black transgender woman through life history research. Identity work pertains to the ongoing effort of authoring oneself and positions the individual as the agent; not a passive recipient of identity scripts. The findings draw from three life history interviews. Using thematic analysis, the following themes emerge: institutionalisation of gender norms; gender and sexuality unintelligibility; transitioning and passing; and lastly, gender expression and public spaces. The discussion follows from a poststructuralist conception of identity, which frames identity as fluid and as being continually established. The study contends that identity work is a complex and fragmented process, which is shaped by other social identities. To that end, the study also acknowledges the role of collective agency in shaping gender identity.

Public Libraries of the Vladimir and Kostroma Provinces' District Towns in the Second Half of the 19th — early 20th Century

2010 ◽  
pp. 98-101 ◽  
Author(s):  
Aleksey A. Soloviev
Keyword(s):  
20Th Century ◽  
Statistical Data ◽  
Public Libraries ◽  
17Th Century ◽  
Early 20Th Century ◽  
Native Population ◽  
History Of

On the history of the first public libraries in the province towns of Vladimirskaya and Kostromskaya provinces in the second half of the 17th century - early 20th century. The author considers main statistical data of libraries and analyses necessity and influence of these libraries and reading rooms on the native population.

ABOUT CUSTOMS BUSINESS IN TURKESTAN IN THE SECOND HALF OF THE 19th -EARLY 20th CENTURY

2020 ◽  
Vol 12 (3) ◽  
pp. 38-47
Author(s):  
Chinpulat Kurbanov ◽  
Keyword(s):  
20Th Century ◽  
Scientific Article ◽  
Early 20Th Century ◽  
The Future ◽  
History Of ◽  
Stage Development

The author in this scientific article examines the stage-by-stage development and formation of customs in Turkestan in the second half of the 19th -early 20th centuries. The author studied the history of customs in Turkestan and its role in establishing a single customs line in the future with neighboring khanates. The author focuses on the role of Russia in the establishment of a single customs line and the development of customs in Turkestan

‘... Call the Mute Artifacts to Speech’: New Essays on the History of Archeology

2018 ◽  
pp. 1274-1279
Author(s):  
Elena V. Olimpieva ◽  
Keyword(s):  
20Th Century ◽  
Comparative Method ◽  
Early 20Th Century ◽  
Historical Overview ◽  
Historical Experience ◽  
Historical Material ◽  
Manuscript Tradition ◽  
History Of ◽  
Publication Practices ◽  
Controversial Nature

The article reviews O. A. Shashkova’s ‘... Call the Mute Artifacts to Speech.’ Essays on the History of Archaeography of the 15th - Early 20th Century. Wide array of sources and broad geographical frameworks allow Shashkova to present emergence and development of Russian and European archaeography from the 15th to early 20th century intelligibly enough for educational purposes. A whole chapter is devoted to the manuscript tradition and publishing of sources before Gutenberg. When considering the formation of archaeographical tradition, the author uses comparative method. O. A. Shashkova offers a historical overview and analyzes theoretical and practical issues of archaeography. The reviewer notes the significance of the chosen topic due to a need to reconsider the development of publishing in light of modern views on archaeography and to make it accessible to students and non-professionals. She notes traditional academic approach of O. A. Shashkova to presentation of the development publication practices. The review considers the possibility of using the ‘Essays...’ in studying the history of archaeography and offers possible directions for a broader consideration of historical experience, in particular, of Novikov’s publication projects. The review notes the controversial nature of the author’s approach to systematization of her large historical material in order to consider issues concerning the study of archaeographical practices. It stresses that coverage of issues of development of methods of preparation of publications separately from its historical and practical aspects hinders successful mastering of the material by an untrained reader. It concludes that the publication has high practical value for specialists in archaeography and students.

LITERARY ROMANTICISM AS A THEORETICAL ISSUE

2020 ◽  
pp. 19-27
Author(s):  
Vera V. Serdechnaia ◽  
Keyword(s):  
20Th Century ◽  
Conceptual Analysis ◽  
18Th Century ◽  
Theoretical Concept ◽  
Historical Research ◽  
Theoretical Issue ◽  
Main Research ◽  
Literary Process ◽  
History Of ◽  
The Subject

The article is devoted to the analysis of the concept of literary romanticism. The research aims at a refinement of the “romanticism” concept in relation to the history of the literary process. The main research methods include conceptual analysis, textual analysis, comparative historical research. The author analyzes the semantic genesis of the term “romanticism”, various interpretations of the concept, compares the definitions of different periods and cultures. The main results of the study are as follows. The history of the term “romanticism” shows a change in a number of definitions for the same concept in relation to the same literary phenomena. By the end of the 20th century, realizing the existence of significant contradictions in the content of the term “romanticism”, researchers often come to abandon it. At the same time, the steady use of the term “romanticism” testifies to the subject-conceptual component that exists in it, which does not lose its relevance, but just needs a theoretical refinement. Conclusion: one have to revise an approach to romanticism as a theoretical concept, based on the change in the concept of an individual in Europe at the end of the 18th century. It is the newly discovered freedom of an individual predetermines the rethinking for the image of the author as a creator and determines the artistic features of literary romanticism.

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