Kolkata/Calcutta

Hinduism ◽  
2020 ◽  
Author(s):  
Deonnie Moodie

Some may ponder the relevance of an entry on “Kolkata” in a bibliography on Hinduism. By official accounts, this is not a Hindu city. Nor is it a city with ties to a Hindu kingdom. It is instead a modern city made famous for being the first capital of the British Empire in India. Kolkata is, however, the largest city in the region of Bengal that is home to long-standing and distinctive Hindu traditions. Hindus furthermore make up about 75 percent of the city’s population. As such, Kolkata is home to some of the most well-known and well-frequented temples in the region and also hosts some of the most elaborate celebrations of Bengali Hindu festivals. As a major metropolis, it is also home to vibrant non-Bengali Hindu traditions. Hindus in Kolkata furthermore live alongside a very large Muslim minority as well as smaller religious and ethnic minority communities—leading at times to catholic and hybrid manifestations of Hinduism, and at other times to more defensive ones. Another reason Kolkata is an important site for the study of Hinduism is that it was the center of major Hindu reform and revival movements in the 19th century that went on to shape nationalist movements across India, and continue to influence the way Hinduism is understood around the world today. The first half of this bibliography addresses Hindu sites, practices, and communities in the city, while the second half focuses on major Hindu debates, movements, and leaders that emerged in the city during the colonial era. A short note on scope: This is a bibliography on Kolkata, and yet—much like the category “Hinduism” itself—this is not a bounded entity that lends itself to easy demarcation. It refers to a territory that originally included only three villages on the eastern bank of the Hooghly River: Sutāṇuṭi, Kalikātā, and Govindapur. Yet the Kolkata metropolitan area today includes over 700 square miles of territory that includes towns as far north as Barrackpore, as far south as Joka, and that extends eastward to new developments such as Salt Lake and New Town. This bibliography takes the term “Kolkata” (and “Calcutta” when referring to the city prior to its official name change in 2001) quite liberally. It includes studies dealing with sites close to the city as well as those that hearken to the city as their major locus of authority.

Author(s):  
Ecep Herdis Rustandi ◽  
Karto Wijaya ◽  
Rochmanijar Setiady

ABSTRACT : The city of Bandung is the capital of West Java Province, Bandung City also known as the historic City of Bandung is a witness of historic events from Bandung to the sea of fire until the Asian-African Conference (KAA). The city of Bandung also has historical landmarks of the Dutch colonial era including Gedung Merdeka, Gedung Sate, Savoy Homan Hotel, Pasar Baru, and the Great Mosque of Bandung. Because of the many historic buildings in the city of Bandung, Bandung City is the destination of tourist destinations, both local and foreign tourists, Bandung is also known as Parijs Van Java. The nickname was given because the city of Bandung is located on a plateau surrounded by mountains so that the air or temperature in Bandung is very cool as in Europe. Speaking of historical buildings in this writing, the author will take the title of the Great Mosque as a Landmark of Bandung. The Great Mosque of Bandung Established in the 19th century and is one of the historical buildings in the City of Bandung the Great Mosque Several times experienced transformation of forms or renovations from 1810 - 2001. Bandung Grand Mosque is located in the city square of Bandung or in the center of the city is strategically located making the Bandung Great Mosque a religious tourist attraction in the city of Bandung. Keywords : Mosque, Landmark, Bandung, Colonial, Dutch, Architecture


2019 ◽  
Vol 9 (4) ◽  
pp. 193-198
Author(s):  
Lyudmila S. Timofeeva ◽  
Albina R. Akhmetova ◽  
Liliya R. Galimzyanova ◽  
Roman R. Nizaev ◽  
Svetlana E. Nikitina

Abstract The article studies the existence experience of historical cities as centers of tourism development as in the case of Elabuga. The city of Elabuga is among the historical cities of Russia. The major role in the development of the city as a tourist center is played by the Elabuga State Historical-Architectural and Art Museum-Reserve. The object of the research in the article is Elabuga as a medium-size historical city. The subject of the research is the activity of the museum-reserve which contributes to the preservation and development of the historical look of Elabuga and increases its attractiveness to tourists. The tourism attractiveness of Elabuga is obtained primarily through the presence of the perfectly preserved historical center of the city with the blocks of integral buildings of the 19th century. The Elabuga State Historical-Architectural and Art Museum-Reserve, which emerged in 1989, is currently an object of historical and cultural heritage of federal importance. Museum-reserves with their significant territories and rich historical, cultural and natural heritage have unique resources for the implementation of large partnership projects. Such projects are not only aimed at attracting a wide range of tourists, but also stimulate interest in the reserve from the business elite, municipal and regional authorities. The most famous example is the Spasskaya Fair which revived in 2008 in Elabuga. It was held in the city since the second half of the 19th century, and was widely known throughout Russia. The process of the revival and successful development of the fair can be viewed as the creation of a special tourist event contributing to the formation of new and currently important tourism products.


Author(s):  
Daniel M. Grimley

Images of landscape lie at the heart of nineteenth-century musical thought. From frozen winter fields, mountain echoes, distant horn calls, and the sound of the wind moving among the pines, landscape was a vivid representational practice, a creative resource, and a privileged site for immersion, gothic horror, and the Romantic sublime. As Raymond Williams observed, however, the nineteenth century also witnessed an unforeseen transformation of artistic responses to landscape, which paralleled the social and cultural transformation of the country and the city under processes of intense industrialization and economic development. This chapter attends to several musical landscapes, from the Beethovenian “Pastoral” to Delius’s colonial-era evocation of an exoticized American idyll, as a means of mapping nineteenth-century music’s obsession with the idea of landscape and place. Distance recurs repeatedly as a form of subjective presence and through paradoxical connections with proximity and intimacy.


Geosciences ◽  
2021 ◽  
Vol 11 (8) ◽  
pp. 321
Author(s):  
Miltiadis Polidorou ◽  
Niki Evelpidou ◽  
Theodora Tsourou ◽  
Hara Drinia ◽  
Ferréol Salomon ◽  
...  

Akrotiri Salt Lake is located 5 km west of the city of Lemesos in the southernmost part of the island of Cyprus. The evolution of the Akrotiri Salt Lake is of great scientific interest, occurring during the Holocene when eustatic and isostatic movements combined with local active tectonics and climate change developed a unique geomorphological environment. The Salt Lake today is a closed lagoon, which is depicted in Venetian maps as being connected to the sea, provides evidence of the geological setting and landscape evolution of the area. In this study, for the first time, we investigated the development of the Akrotiri Salt Lake through a series of three cores which penetrated the Holocene sediment sequence. Sedimentological and micropaleontological analyses, as well as geochronological studies were performed on the deposited sediments, identifying the complexity of the evolution of the Salt Lake and the progressive change of the area from a maritime space to an open bay and finally to a closed salt lake.


Author(s):  
Neeraj G Baruah ◽  
J Vernon Henderson ◽  
Cong Peng

Abstract Institutions persisting from colonial rule affect the spatial structure and conditions under which 100s of millions of people live in Sub-saharan African cities. In a sample of 318 cities, Francophone cities have more compact development than Anglophone, overall, in older colonial sections, and at clear extensive margins long after the colonial era. Compactness covers intensity of land use, gridiron road structures and leapfrogging of new developments. Why the difference? Under British indirect and dual mandate rule, colonial and native sections developed without coordination. In contrast, integrated city planning and land allocation were featured in French direct rule. These differences in planning traditions persist.1


2006 ◽  
Vol 45 (5) ◽  
pp. 740-753 ◽  
Author(s):  
Lisa S. Darby ◽  
K. Jerry Allwine ◽  
Robert M. Banta

Abstract Differences in nighttime transport and diffusion of sulfur hexafluoride (SF6) tracer in an urban complex-terrain setting (Salt Lake City, Utah) are investigated using surface and Doppler lidar wind data and large-scale surface pressure differences. Interacting scales of motion, as studied through the URBAN 2000 field program combined with the Vertical Transport and Mixing (VTMX) experiment, explained the differences in the tracer behavior during three separate intensive operating periods. With an emphasis on nighttime stable boundary layer conditions, these field programs were designed to study flow features responsible for the nighttime transport of airborne substances. This transport has implications for air quality, homeland security, and emergency response if the airborne substances are hazardous. The important flow features investigated included thermally forced canyon and slope flows and a low-level jet (LLJ) that dominated the basin-scale winds when the surface pressure gradient was weak. The presence of thermally forced flows contributed to the complexity and hindered the predictability of the tracer motion within and beyond the city. When organized thermally forced flows were present, the tracer tended to stay closer to the city for longer periods of time, even though a strong basin-scale LLJ did develop. When thermally forced flows were short lived or absent, the basin-scale low-level jet dominated the wind field and enhanced the transport of tracer material out of the city.


2014 ◽  
Vol 31 (7-8) ◽  
pp. 267-271 ◽  
Author(s):  
Martin Parker

This short note considers the migration of the skyscraper from New York and Chicago to Asia and its absence in the emerging megacities of the Global South. Following 9/11, many commentators assumed that the skyscraper was finished, but this was clearly not the case, with super-tall construction now accelerating. However, the distributions of contemporary skyscrapers show us that there are shifts in global power and also in urban form.


Author(s):  
Екатерина Александровна Мельникова

Статья посвящена истории бытования мезенской росписи - зооморфного орнамента, использовавшегося с начала XIX в. мастерами д. Палащелье Архангельской губ. для декорирования деревянных изделий, и в первую очередь прялок. В центре внимания находится судьба мезенской лошадки - главного символа палащельской росписи, ставшего в XXI в. основой локального бренда в г. Мезени и его окрестностях. В работе рассматривается история палащельского промысла, включая трансформацию его социального, экономического и культурного значений на протяжении XX-XXI вв. Прялка - главный носитель мезенской росписи - перестала выполнять свою утилитарную роль, став объектом семейной памяти и культурной ценностью, связанной с локальной идентичностью местных жителей и художественным значением, определяемым экспертами-профессионалами. Вследствие этих перемен, а также миграций населения из деревень в города прялки с мезенской росписью стали ассоциироваться с покинутой малой родиной и деревенским миром в целом, вызывая к жизни особую форму чувствительности, требующей специальных навыков понимания, толкования и любви к мезенской росписи. Как показано в работе, два режима восприятия мезенской лошадки - семейной памяти и эстетической ценности - тесно взаимосвязаны, определяя эмоциональную привязанность и популярность этого элемента традиционной росписи среди современных жителей г. Мезени и Мезенского района. This article concerns the history of the Mezen horse, a zoormorphic ornament from the village Palashchelye in the Mezen Region of Arkhangelsk Province. From the beginning of the 19th century it has been used by craftsmen to decorate wooden items, especially spinning wheels. In the beginning of the present century the Mezen horse became the symbol of Palashchelye painting and the main local brand for the city of Mezen and its environs. The article examines the history of Palashchel crafts and discusses the transformation of its social, economic and cultural significance during the 20th and 21st centuries. The spinning wheel, the main bearer of Mezen decoration, has ceased to fulfill a utilitarian role, becoming instead a focus of family memories and cultural value, interpreted both in terms of local identity and artistic significance. As a result of this change, as well as the migration of the population from villages to cities, spinning wheels with Mezen painting began to be associated with one’s abandoned birthplace and the rural world in general. This has given rise to a special kind of sensitivity that entails special skills of interpretation as well as love. Two different modes of such sensibility are discussed in the article - the mode of family memory and the mode of esthetic value - that are interwoven, endowing the Mezen horse with emotional meaning and broad popularity among the modern urban inhabitants of Mezen and its environs.


2020 ◽  
Vol 2020 (12-3) ◽  
pp. 250-258
Author(s):  
Mahomed Gasanov ◽  
Abidat Gazieva

The article is devoted to the analysis of the historiography of the history of the city of Kizlyar. This issue is considered in the historical context of the Eastern Caucasus. The author analyzes the three main theoretical concepts of the problem concerning Russia’s policy in the region, using the example of the city of Kizlyar in the context of historiography.


2013 ◽  
Vol 71 (2) ◽  
pp. 125-126 ◽  
Author(s):  
Antonio E. Nardi ◽  
Adriana Cardoso Silva ◽  
Jaime E. Hallak ◽  
José A. Crippa

Until the beginning of the 19th century, psychiatric patients did not receive specialized treatment. The problem that was posed by the presence of psychiatric patients in the Santas Casas de Misericórdia and the social pressure from this issue culminated in a Decree of the Brazilian Emperor, D. Pedro II, on July 18, 1841. The “Lunatic Palace” was the first institution in Latin America exclusively designed for mental patients. It was built between 1842 and 1852 and is an example of neoclassical architecture in Brazil, located at Saudade Beach in the city of Rio de Janeiro. In the 1930s and 1940s, the D. Pedro II Hospital was overcrowded, and patients were gradually transferred to other hospitals. By September of 1944, all the patients had been transferred and the hospital was deactivated. Key words: psychiatry, history, madness.


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