Conclusion

2020 ◽  
pp. 117-122
Author(s):  
Sarah Farmer

The postwar history of rural France has often been experienced and analyzed as one of perpetual decline measured by rural outmigration and the death of the peasantry as a social class. While this book has underlined and explored these dislocations and ruptures, it has also pushed back against a declensionist narrative by showing ways in which the French countryside was renewed and changed in the decades of the 1960s ad 1970s by social practices and culture representations that attached symbolic and material value to rural life. Rural society did not die when the peasantry disappeared. Rather, it continued to be reinvented.

2006 ◽  
pp. 89-96
Author(s):  
Ewa Sławkowa

The article presents a lexical and semantic study of the discourse, one of the most widespread terms of modern human sciences. We begin with etymology, and then demonstrate various stages of the development of the meaning of the term in the history of Polish. The lexem “discourse”, well established in the linguistic tradition of Polish, has undergone a characteristic evolution: first, a borrowing from Latin (discurere – “go in diverse directions”), it then became popular in the 16th through 18th centuries as a rhetorically marked Polish (particularly with the view of political speeches and sermons) to signal a kind of discussion and logical exposition of argumentation. Recent contemporary Polish gives this term a slightly archaic and bookish sense. At the same time, however, “discourse” has become a strictly scientific, scholarly term which carved for itself a special discipline of research (discourse studies). In the 1960s and 1970s the work of such linguists as Emile Benveniste or Roman Jakobsen helped to shape the meaning of discourse as a process of speaking, an interactive and dialogic communicative behaviour which sees language as conditioned by diverse social practices and/or ideologies (e.g. historical, scholarly, or feminist discourse).


2020 ◽  
Vol 7 (1) ◽  
pp. 7-54
Author(s):  
Olga Bertelsen

This study analyzes the foundations of unity developed by the Kharkiv multi-ethnic community of writers, and explores post-Khrushchev Kharkiv as a political space and a place of state violence aimed at combating Ukrainian nationalism and Zionism, two major targets in the 1960s-70s. Despite their various cultural and social backgrounds, the Kharkiv literati might be identified as a distinct bohemian group possessing shared aesthetic and political values that emerged as the result of de-Stalinization under Khrushchev. Archival documents, diaries, and memoirs suggest that the 1960s-70s was a period of intense covert KGB operations and “active measures” designed to disrupt a community of intellectuals and to fragment friendships, bonds, and support among Ukrainians, Russians, and Jews along ethnic lines. The history of the literati residing in Kharkiv in the 1960s-70s, their formal and informal practices and rituals, and their strategies of coping with state antisemitism, anti-Ukrainianism, terror, and waves of repression demonstrate that the immutability of ethnic barriers, often attributed to Ukrainian-Russian-Jewish encounters and systematically reinforced by the KGB, seems to be a myth and a stereotype. The writers negated them, escaping from and at the same time augmenting the politics of the place. Their spatial and social practices and habits helped them create a cohesive community grounded in shared history, shared interests in literature and dedication to it, and shared threats emanating from city politics and the KGB. They transcended ethnic boundaries constructed by the authorities, striving for unity, free from Soviet definitions.


Author(s):  
Sunil Bhatia

Narrative inquiry is particularly suited to capture how individuals make meaning of their identities as they engage with mutually shifting global–local cultural interactions. This chapter lays out the conceptual framework that examines how globalization shapes the narrative imagination and how it provides insights into understanding the psychology of globalization in urban India. It argues that individuals use narrative and stories as language-based equipment to express their subject positions and give meaning to the uniqueness and singularity of their experiences. Being interpellated by power structures or created through systems of cultural power does not mean there is no room for individual story-making or agency. The urban Indian youth make and remake their identities as they narrate stories of their lives through the lens of their social class; rootedness in history of colonization and postcolonial culture; exposure to discourses of globalization; and embeddedness in social practices of education, employment, and traditions.


2020 ◽  
pp. 1-8
Author(s):  
Sarah Farmer

In post World War II France, the postwar drive to modernize and explosive economic growth caused the collapse of the peasantry as a social class. Peasants left the countryside en masse, villages emptied out, and fields that had been cultivated for centuries were left fallow. And yet, this book argues, rural France did not vanish in the sweeping transformations of the 1950s and 1960s. Paradoxically, postwar modernization made the French yearn for imaginative and tangible connections to the life that peasants had once lived. This, in turn, became an engine of change in its own right. Rural Inventions explores this paradox. Nostalgia for the rural is a thread that runs through the chapters of this study. Yet Rural Inventions also shows that in the postagrarian society initiated by the postwar economic boom, the rural could become a harbinger of future possibilities. Participants in France’s peasant moment of the 1960s to early 1980s reinscribed dwelling in the countryside as an essential component of contemporary modern life.


2000 ◽  
Vol 27 (2) ◽  
pp. 261-268
Author(s):  
R. J. CLEEVELY

A note dealing with the history of the Hawkins Papers, including the material relating to John Hawkins (1761–1841) presented to the West Sussex Record Office in the 1960s, recently transferred to the Cornwall County Record Office, Truro, in order to be consolidated with the major part of the Hawkins archive held there. Reference lists to the correspondence of Sibthorp-Hawkins, Hawkins-Sibthorp, and Hawkins to his mother mentioned in The Flora Graeca story (Lack, 1999) are provided.


1998 ◽  
Vol 25 (2) ◽  
pp. 283-291
Author(s):  
P.S.M. PHIRI ◽  
D.M. MOORE

Central Africa remained botanically unknown to the outside world up to the end of the eighteenth century. This paper provides a historical account of plant explorations in the Luangwa Valley. The first plant specimens were collected in 1897 and the last serious botanical explorations were made in 1993. During this period there have been 58 plant collectors in the Luangwa Valley with peak activity recorded in the 1960s. In 1989 1,348 species of vascular plants were described in the Luangwa Valley. More botanical collecting is needed with a view to finding new plant taxa, and also to provide a satisfactory basis for applied disciplines such as ecology, phytogeography, conservation and environmental impact assessment.


2014 ◽  
Vol 5 (1) ◽  
Author(s):  
Andrew Pickering

"Instead of considering »being with« in terms of non-problematic, machine-like places, where reliable entities assemble in stable relationships, STS conjures up a world where the achievement of chancy stabilisations and synchronisations is local.We have to analyse how and where a certain regularity and predictability in the intersection of scientists and their instruments, say, or of human individuals and groups, is produced.The paper reviews models of emergence drawn from the history of cybernetics—the canonical »black box,« homeostats, and cellular automata—to enrich our imagination of the stabilisation process, and discusses the concept of »variety« as a way of clarifying its difficulty, with the antiuniversities of the 1960s and the Occupy movement as examples. Failures of »being with« are expectable. In conclusion, the paper reviews approaches to collective decision-making that reduce variety without imposing a neoliberal hierarchy. "


Author(s):  
Timur Gimadeev

The article deals with the history of celebrating the Liberation Day in Czechoslovakia organised by the state. Various aspects of the history of the holiday have been considered with the extensive use of audiovisual documents (materials from Czechoslovak newsreels and TV archives), which allowed for a detailed analysis of the propaganda representation of the holiday. As a result, it has been possible to identify the main stages of the historical evolution of the celebrations of Liberation Day, to discover the close interdependence between these stages and the country’s political development. The establishment of the holiday itself — its concept and the military parade as the main ritual — took place in the first post-war years, simultaneously with the consolidation of the Communist regime in Czechoslovakia. Later, until the end of the 1960s, the celebrations gradually evolved along the political regime, acquiring new ritual forms (ceremonial meetings, and “guards of memory”). In 1968, at the same time as there was an attempt to rethink the entire socialist regime and the historical experience connected with it, an attempt was made to reconstruct Liberation Day. However, political “normalisation” led to the normalisation of the celebration itself, which played an important role in legitimising the Soviet presence in the country. At this stage, the role of ceremonial meetings and “guards of memory” increased, while inventions released in time for 9 May appeared and “May TV” was specially produced. The fall of the Communist regime in 1989 led to the fall of the concept of Liberation Day on 9 May, resulting in changes of the title, date and paradigm of the holiday, which became Victory Day and has been since celebrated on 8 May.


Transfers ◽  
2013 ◽  
Vol 3 (2) ◽  
pp. 24-46 ◽  
Author(s):  
Franziska Torma

This article deals with the history of underwater film and the role that increased mobility plays in the exploration of nature. Drawing on research on the exploration of the ocean, it analyzes the production of popular images of the sea. The entry of humans into the depths of the oceans in the twentieth century did not revitalize myths of mermaids but rather retold oceanic myths in a modern fashion. Three stages stand out in this evolution of diving mobility. In the 1920s and 1930s, scenes of divers walking under water were the dominant motif. From the 1940s to the 1960s, use of autonomous diving equipment led to a modern incarnation of the “mermen“ myth. From the 1950s to the 1970s, cinematic technology was able to create visions of entire oceanic ecosystems. Underwater films contributed to the period of machine-age exploration in a very particular way: they made virtual voyages of the ocean possible and thus helped to shape the current understanding of the oceans as part of Planet Earth.


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