Meter and Rhythm in the Sung Poetry of Iranian Khorasan
The rhythmic theory developed by al-Fārābī remains relevant to the analysis of sung poetry in the contemporary Middle East, not least with respect to the question of how duration comes to be determined and the conception of verse as a constituent of melody (Arabic laḥn) in the fullest sense. This chapter reviews some of Fārābī’s concepts in relation to Christopher Hasty’s discussion of projective potential. Analysis of eight examples of sung verse in Persian and Khorasani Turkish focuses on coordination of tunes with rhythmic cycles associated with different types of poetic meter. I argue that the best analytical work on Persian traditional music, notably that of Dariush Talā’i, provides an excellent foundation for studies of Iran’s regional musics.