“The Real Pure Yog”

2020 ◽  
pp. 157-180
Author(s):  
Patrick D. Bowen

This chapter demonstrates how yoga was introduced to Western readers interested in occultism and the East in the pages of The Theosophist in the early 1880s. In 1885, the newly formed occult society the Hermetic Brotherhood of Luxor (HB of L), which took inspiration from Theosophy, began instructing its members to read about and practice Theosophy-connected forms of yoga as a way to prepare for occult initiation. It was presumably the first society to do so. Using newly unearthed letters of early members of the Theosophical Society and the HB of L, the chapter pioneeringly traces the early history of the introduction of the practice of yoga in these organizations, which later, through Rev. William Ayton, led to Aleister Crowley and other British occultists’ interest in yoga.

1877 ◽  
Vol 10 (1) ◽  
pp. 131-156
Author(s):  
J. H. Batten

The cultivation of Tea in Kumaon has become so important and profitable, that it is interesting to trace the early history of this industry; and the duty of placing on record as true an account as possible of its introduction, rise and progress, is one which ought not to be neglected by those who are acquainted with the real facts; yet, after all, there is not very much to be told, even by those in full possession of all the data, when they show that, in this case—belonging, as it does, in an especial manner, to the best interests of British India—the seed of the sower “fell upon good ground, and yielded fruit, some an hundred-fold, some sixty, some thirty.”


1886 ◽  
Vol 18 (4) ◽  
pp. 491-526
Author(s):  
Henry C. Kay

The following particulars on the origin and early history of the Banu ‘Oḳayl are from Ibn Khaldūn, vol. ii. p. 312, vol. vi. p. 11, etc. (Bulak Edition).I may perhaps allow myself to begin by reminding the reader that Eastern writers invariably represent the Ismailian Arabs as the posterity of ‘Adnan, descendant of Ismail, and the people of each tribe as the actual children of one or other of the Arab Patriarch's posterity, after each of whom the tribe is usually named. But it is obviously unnecessary, to say the least of it, to regard the genealogies attributed to the tribes as anything more than the real or reputed pedigrees of their chiefs.


1953 ◽  
Vol 8 (31) ◽  
pp. 193-216 ◽  
Author(s):  
Aubrey Gwynn

It has become a commonplace of Irish history to assume that this country lay outside the full stream of European life until the twelfth century, and to preface an account of the Norman invasion with a brief survey of the very remarkable movement for the reform of the Irish church which we associate principally with the name of St Malachy. Dean Lawlor's short introductory essay to his translation of St Bernard's Life of St Malachy appeared in 1920, and is still the most readable version of this commonly accepted view. It is the purpose of this paper to criticise this view as a whole, and I shall have a good deal to say in criticism, not only of Lawlor's essay, but also of the last chapter of Kenney's otherwise admirable Sources for the early history of Ireland. All the more reason why I should begin by stating clearly my own personal debt to both these scholars. If I criticise their conclusions and their inadequate statement of the evidence, I do so in full consciousness of all that I have learned from their useful publications.


2021 ◽  
Vol 40 (64) ◽  
pp. 145
Author(s):  
Felipe Dos Santos Matias

Resumo: O presente artigo estuda, inicialmente, o Santo Ofício português – iniciado em 1536 e oficialmente extinto apenas no século XIX, em 1821 –, procurando abordar alguns aspectos históricos, sociais, políticos e culturais decorrentes do funcionamento do tribunal inquisitorial em solo luso. Para tanto, dialoga-se com historiadores e intelecuais como António Baião, Anita Novinsky, António Sérgio, Lana Lage da Gama Lima, Giuseppe Marcocci, José Pedro Paiva, Toby Green, António José Saraiva, Eduardo Lourenço, dentre outros. Em um segundo momento do estudo, analisa-se a obra História da origem e estabelecimento da Inquisição em Portugal (1854), de Alexandre Herculano (1810-1877), buscando-se evidenciar a forma pela qual a narrativa historiográfica herculaniana constituiu um discurso crítico em relação à institucionalização da Inquisição no reino português – durante a monarquia de D. João III – e aos laços estreitos entre os poderes real e religioso.Palavras-chave: Inquisição; Portugal; Alexandre Herculano.Abstract: This article initially studies the Portuguese Holy Office - which began in 1536 and was officially extinguished only in the 19th century, in 1821 - and seeks to address some historical, social, political and cultural aspects arising from the operation of the Inquisitorial Court on Portuguese soil. To do so, it dialogues with historians and intellectuals such as António Baião, Anita Novinsky, António Sérgio, Lana Lage da Gama Lima, Giuseppe Marcocci, José Pedro Paiva, Toby Green, António José Saraiva, Eduardo Lourenço, among others. In a second moment of study, the work History of the origin and establishment of the Inquisition in Portugal (1854), by Alexandre Herculano (1810-1877), is analyzed, seeking to highlight the way in which the herculanian historiographic narrative constituted a discursive criticism in relation to the institutionalization of the Inquisition in the Portuguese kingdom – during the monarchy of D. João III – and to the close ties between the real and religious powers.Keywords:Inquisition; Portugal; Alexandre Herculano.Resumo: O presente artigo[1] estuda, inicialmente, o Santo Ofício português – iniciado em 1536 e oficialmente extinto apenas no século XIX, em 1821 –, procurando abordar alguns aspectos históricos, sociais, políticos e culturais decorrentes do funcionamento do tribunal inquisitorial em solo luso. Para tanto, dialoga-se com historiadores e intelecuais como António Baião, Anita Novinsky, António Sérgio, Lana Lage da Gama Lima, Giuseppe Marcocci, José Pedro Paiva, Toby Green, António José Saraiva, Eduardo Lourenço, dentre outros. Em um segundo momento do estudo, analisa-se a obra História da origem e estabelecimento da Inquisição em Portugal (1854), de Alexandre Herculano (1810-1877), buscando-se evidenciar a forma pela qual a narrativa historiográfica herculaniana constituiu um discurso crítico em relação à institucionalização da Inquisição no reino português – durante a monarquia de D. João III – e aos laços estreitos entre os poderes real e religioso.Palavras-chave: Inquisição; Portugal; Alexandre Herculano.Abstract: This article initially studies the Portuguese Holy Office - which began in 1536 and was officially extinguished only in the 19th century, in 1821 - and seeks to address some historical, social, political and cultural aspects arising from the operation of the Inquisitorial Court on Portuguese soil. To do so, it dialogues with historians and intellectuals such as António Baião, Anita Novinsky, António Sérgio, Lana Lage da Gama Lima, Giuseppe Marcocci, José Pedro Paiva, Toby Green, António José Saraiva, Eduardo Lourenço, among others. In a second moment of study, the work History of the origin and establishment of the Inquisition in Portugal (1854), by Alexandre Herculano (1810-1877), is analyzed, seeking to highlight the way in which the herculanian historiographic narrative constituted a discursive criticism in relation to the institutionalization of the Inquisition in the Portuguese kingdom – during the monarchy of D. João III – and to the close ties between the real and religious powers.Keywords: Inquisition; Portugal; Alexandre Herculano.[1] Este estudo é parte da tese As representações da Inquisição nos discursos historiográfico de Alexandre Herculano e literário de José Saramago, defendida em 2014, na UFJF. 


Author(s):  
Michael Peneder ◽  
Andreas Resch

Part I provides a synopsis of the ongoing stream of innovation in monetary and financial history, as well as the scholarly struggle to understand and assimilate it in the history of monetary thought. It serves as an introduction to the non-specialist, providing the general historical background. In the first of three chapters, the focus is on the early origins of money as a social institution. It is of significance to the later discussion of Schumpeter’s monetary theory for two reasons: first, the historical account illustrates the perpetual stream of new monetary arrangements and their importance to the real economy; second, the modern historical record puts into perspective the traditional preoccupation with metallism and the coinage of money as a means of exchange, which dominated the monetary orthodoxy at Schumpeter’s time. In other words, the early history of money highlights the modernity of Schumpeter’s later vision.


In 1938 Broom described a reptile from the Upper Permian of South Africa as Millerina , concluding that it was a very primitive cotylosaur ‘ancestral’ to the mammal-like reptiles. To it he added several other genera, including one, Milerosaurus , with a pelycosaur-like temporal opening. Very well-preserved specimens of this last genus make possible a nearly complete description of the whole skeleton of these animals. They are shown by the occurrence of a typical lizard-like columella auris and tympanic cavity to be sauropsids, and are evidently far more primitive in general structure than any other members of that group. The group founded for them is shown to include, with great probability, Mesenosaurus from near the beginning of the Russian Permian reptilecontaining deposits. The real resemblance of the millerosaurs to primitive captorhinids and pelycosaurs is evidence of a common ultimate derivation from anthracosaurs. The Millerosauria provide a starting point for the development of all sauropsids except perhaps the Chelonia. Thus the first appearance of ‘diapsid’ reptiles in the Upper Permian Cistecephalus Zone, and the immensely rapid development they show in the Lower Trias, is related to the effective disappearance of Dicynodon , and of the carnivorous gorgonopsids and Therocephalia which preyed on it, at the end of Permian time. The break is as great as that which separates the beginning of Tertiary from the end of Cretaceous times amongst land-living vertebrates.


2018 ◽  
Vol 17 (17) ◽  
pp. 93
Author(s):  
Juan C. Busto Cortina

A partir de la reciente publicación de dos ediciones de poesía asturiana del siglo XVII, se examinan y sistematizan algunas informaciones sobre los poetas que participaron en los certámenes poéticos de 1639, 1665 y 1666. Los treinta años que separan uno y otros certámenes, y el ámbito jesuita donde se desarrolla el primero, hizo que muy pocos de los poetas que intervinieron en el de 1639 participasen en los que tuvieron lugar en la segunda mitad de siglo, hasta hace poco los únicos conocidos. Se pone en relación este tipo de poesía celebrativa que se compone en asturiano con lo que se produce en otros lugares de España. En el ámbito universitario salmantino se acogen textos en sayagués y también se emplea el sayagués (junto con el asturiano) en el certamen ovetense de 1639, en lo que pudo tener que ver la procedencia salmantina de su compilador, el P. Andrés Mendo. Sin embargo, mientras el sayagués pierde importancia en su uso literario a lo largo del XVII (ello se ve claramente en los villancicos), el empleo de otras lenguas irá en cambio en aumento a partir de este siglo. Ello es manifiesto en Galicia, en Navarra y en Asturias, cuyas lenguas vernáculas tendrán cabida en diversos certámenes durante este periodo. Se destaca el interés de otra nueva celebración poética de la que no había noticia hasta ahora: la que tiene lugar con la llegada a Asturias del obispo Ambrosio Ignacio de Spínola. En este contexto surge el nombre de un poeta completamente ignorado: Juan García de Prada, que muestra seguir de cerca el magisterio de Marirreguera en el uso de la octava real y de otros recursos literarios. Se dedica una especial atención al surgimiento de los primeros testimonios literarios manuscritos en asturiano que deben ser datados en la segunda mitad del XVII. Asimismo, se examina el caso particular de alguna obra regueriana: el Romance a Santa Eulalia de Mérida y el entremés de El Alcalde. De este entremés se ofrece una versión inédita contenida en un manuscrito de la primera mitad del XVIII, primer testimonio manuscrito de una obra de Marirreguera. Este testimonio presenta algunos rasgos lingüísticos (el empleo del pronombre -ye en función de dativo) que también aparecen en los poemas de García de Prada de la segunda mitad del XVII.Palabras clave: poesía asturiana del XVII; poesía celebrativa; Juan García de Prada; Andrés Mendo; Marirreguera; historia de la lengua asturiana; teatro de ‘entremés’.From the recent publication of two editions of Asturian poetry of the 17th century, some information on the poets who participated in the poetic contests of 1639, 1665 and 1666 are examined and systematized. The thirty years that separate one and other contests, and the Jesuit area where the first one was developed, made that very few of the poets who intervened in the one of 1639 could do so in those that took place in the second half of the century, the only ones known till recent times. This type of celebratory poetry that is composed in Asturian relates with what is produced in other places of Spain. In the University of Salamanca, texts are given in Sayagués, and the Sayagués (together with the Asturian) is also used in the competition of Oviedo in 1639, with which the Salmantine origin of its compiler, Fr. Andrés Mendo, could have had somethings to do. However, while the Sayagués lost importance in its literary use throughout the seventeenth century (this is clearly seen in the villancicos), the use of other languages will gradually increase from this century on. This is evident in Galicia, Pamplona and Asturias whose vernacular languages will have room in various competitions during this period. The interest of another new poetic celebration of which unknown is highlights: the one that takes place with the arrival in Asturias of the bishop Ambrosio Ignacio de Spínola. In this context comes the name of a completely ignored poet: Juan García de Prada, who shows to follow closely the magisterium of Marirreguera in the use of the real octave and other literary resources. Particular attention is given to the emergence of the first literary manuscripts testimonies in Asturian that must be dated in the second half of the xvii. Also the particular case of some Marirreguera’s work is examined: the «Romance to Santa Eulalia of Mérida» and the «El Alcalde» entremés. From this entremés an unpublished version contained in a manuscript of the first half of the xviii, first manuscript testimony of a work of Marirreguera is offered. This testimony presents some linguistic features (the use of the pronoun -ye in function of dative) that also appear in the poems of García de Prada of the second half of the xvii.Keywords: Asturian poetry of the 17th century; celebratory poetry; Juan García de Prada; Andrés Mendo; Marirreguera; history of the Asturian language; theatrical ‘entremés’.


1936 ◽  
Vol 68 (03) ◽  
pp. 443-462 ◽  
Author(s):  
S. Paranavitana
Keyword(s):  

Among the royal titles used by the early Sinhalese kings there are two which, as royal titles, were not adopted by any of the dynasties known to us in India, and were therefore peculiar to Ceylon. An investigation into the history of these two titles is likely to throw some light on the origin of kingship in ancient Ceylon, and I therefore propose in this paper to pursue this line of study so far as the material available at present allows us to do so. The conclusions at which I have arrived by a study of the available data on this may not, in the present state of our knowledge, be taken as definitely established; but they might, nevertheless, be worthy of consideration by scholars interested in the early history of the Sinhalese people.


Author(s):  
Paul Walker

This book explores the roots of the classic fugue and the early history of non-canonic fugal writing through the three principal fugal genres of the sixteenth century: motet, ricercar, and canzona. The book begins with the pivot in Western composition from an emphasis on variety to one on repetition, first developed by such Franco-Flemish composers as Loyset Compère and Josquin des Prez toward the end of the fifteenth century. By around 1520 Jean Mouton and his contemporaries had established the classic Franco-Flemish motet with its well-known point-of-imitation structure. Nicolas Gombert proved to be the real pioneer in the further development of this idea in the 1530s when he explored the return of thematic material after its initial presentation, an approach that proved central not only to the motet writing of Thomas Crecquillon and Jacobus Clemens non Papa, but also to the earliest experiments in serious abstract instrumental composition (the ricercar) undertaken by a series of organists active in Venice, most notably Claudio Merulo and Andrea Gabrieli. The most important innovation of the last decades of the century was the creation at the hands of Brescian organists of the fugal canzona alla francese, an instrumental genre inspired not by the sophisticated compositional style of the motet, but by the contrapuntally looser approach of such imitative chansons as Passereau’s Il est bel et bon. By century’s end, composers such as Giovanni de Macque had given the canzona a contrapuntal integrity commensurate with that of the ricercar.


Religions ◽  
2019 ◽  
Vol 10 (2) ◽  
pp. 116
Author(s):  
Aaron Griffith

This article examines American Protestant anti-lynching advocacy in the early twentieth century. In contrast to African American Protestants, who framed their anti-lynching efforts in ways that foregrounded the problem of racism and black experiences of suffering, white mainline Protestant critiques of lynching regularly downplayed race and framed the crime in terms of its threat to American civilization and national law and order. This article connects these latter concerns to the national war on crime of the 1930s and 40s and the early history of the modern carceral state.


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