Early Years, Early Films
Rosi's cinematic sensibility was influenced by his father's photography and sketching, his formative years he spent in Naples, and his apprenticeship with Visconti. La sfida (The Challenge, 1958), his debut work, which shows great affinity with the work of Cartier-Bresson, announces Rosi's future themes: the seductions and traps of power, the collusion between organized crime and business, the harsh social reality of Italy's South. His second, more ambitious work, I magliari (The Swindlers, 1959), is one of the first Italian films confronting the cultural and ethnic issues arising from southern Italian emigration. The film, which alternates documentary-like scenes with popular Italian comedy, is enhanced by the location shooting that will become a hallmark of Rosi's cinema. Rosi departs from the overly melodramatic style of La sfida and develops an aesthetic characterized by a realist exactness of space and penchant for exploring psychological states of mind.