H. G. Wells and Monstrous Vegan Desires

2021 ◽  
pp. 61-88
Author(s):  
Emelia Quinn
Keyword(s):  
Nineteenth Century ◽  
Sexual Desire ◽  
Late Nineteenth Century ◽  
Animal Body ◽  
The Future ◽  
Late Nineteenth ◽  
The Relationship ◽  
Corporeal Body

Chapter 2 focuses on the work of H. G. Wells and in particular his The Island of Doctor Moreau (1896). The Beast People of Doctor Moreau manifest a Frankensteinian legacy through their monstrous veganism, iterating the four key traits of the monstrous vegan as identified in Chapter 1. Framed through a consideration of ‘vegansexuality’, this chapter considers the relationship between alimentary and sexual desire. Contextualized in relation to late-nineteenth-century anti-vivisection movements and Darwinian ideas, veganism, as ethical abstraction divorced from the corporeal body, is seen to result in a failure to acknowledge the reality of human desires and the inescapably cannibalistic nature of our relation to others. The veganism of the Beast People is associated with artificiality, as a linguistic appendage that must be continually recited. Veganism is also seen as a spectre of the future, a utopian aspiration corrupted by its contact with the animal body.

Pater's Parerga: Framing the Imaginary Portraits

2013 ◽  
Vol 3 (2) ◽  
pp. 119-135
Author(s):  
Giles Whiteley
Keyword(s):  
Nineteenth Century ◽  
Formal Structure ◽  
Literary Genre ◽  
Late Nineteenth Century ◽  
Liminal Space ◽  
Critical Attention ◽  
Similar Operation ◽  
Late Nineteenth ◽  
The Relationship

Walter Pater's late-nineteenth-century literary genre of the imaginary portrait has received relatively little critical attention. Conceived of as something of a continuum between his role as an art critic and his fictional pursuits, this essay probes the liminal space of the imaginary portraits, focusing on the role of the parergon, or frame, in his portraits. Guided by Pater's reading of Kant, who distinguishes between the work (ergon) and that which lies outside of the work (the parergon), between inside and outside, and contextualised alongside the analysis of Derrida, who shows how such distinctions have always already deconstructed themselves, I demonstrate a similar operation at work in the portraits. By closely analysing the parerga of two of Pater's portraits, ‘Duke Carl of Rosenmold’ (1887) and ‘Apollo in Picardy’ (1893), focusing on his partial quotation of Goethe in the former, and his playful autocitation and impersonation of Heine in the latter, I argue that Pater's parerga seek to destabilise the relationship between text and context so that the parerga do not lie outside the text but are implicated throughout in their reading, changing the portraits constitutively. As such, the formal structure of the parergon in Pater's portraits is also a theoretical fulcrum in his aesthetic criticism and marks that space where the limits of, and distinctions between, art and life become blurred.

Police Records

2019 ◽  
pp. 797-819
Author(s):  
Cristina Vatulescu
Keyword(s):  
Nineteenth Century ◽  
Detective Fiction ◽  
Media History ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Police Records ◽  
History Of ◽  
Late Nineteenth ◽  
Relationship Of ◽  
The Relationship

This chapter approaches police records as a genre that gains from being considered in its relationships with other genres of writing. In particular, we will follow its long-standing relationship to detective fiction, the novel, and biography. Going further, the chapter emphasizes the intermedia character of police records not just in our time but also throughout their existence, indeed from their very origins. This approach opens to a more inclusive media history of police files. We will start with an analysis of the seminal late nineteenth-century French manuals prescribing the writing of a police file, the famous Bertillon-method manuals. We will then track their influence following their adoption nationally and internationally, with particular attention to the politics of their adoption in the colonies. We will also touch briefly on the relationship of early policing to other disciplines, such as anthropology and statistics, before moving to a closer look at its intersections with photography and literature.

Chinese toms in the making of the drum kit: Localization and exoticism

2021 ◽  
Vol 5 (2) ◽  
pp. 227-242 ◽  
Author(s):  
Henry Johnson
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Music Education ◽  
Popular Music ◽  
Musical Instruments ◽  
New Music ◽  
Late Nineteenth Century ◽  
The Future ◽  
Late Nineteenth

The late nineteenth century and early decades of the twentieth century saw the drum kit emerge as an assemblage of musical instruments that was central to much new music of the time and especially to the rise of jazz. This article is a study of Chinese drums in the making of the drum kit. The notions of localization and exoticism are applied as conceptual tools for interpreting the place of Chinese drums in the early drum kit. Why were distinctly Chinese drums used in the early drum kit? How did the Chinese drums shape the future of the drum kit? The drum kit has been at the heart of most popular music throughout the twentieth century to the present day, and, as such, this article will be beneficial to educators, practitioners and scholars of popular music education.

Discurso méédico, cultura higiéénica y la mujer en la ciudad de Mééxico al cambio de siglo (XIX ––XX)

2002 ◽  
Vol 18 (1) ◽  
pp. 1-22 ◽  
Author(s):  
Claudia Agostoni
Keyword(s):  
Public Health ◽  
Nineteenth Century ◽  
Medical Profession ◽  
Late Nineteenth Century ◽  
The Future ◽  
Private And Public ◽  
Late Nineteenth ◽  
Siglo Xix ◽  
Las Mujeres

This article explores why alongside sanitary legislation and public health works, Mexican physicians of the late nineteenth century attempted to transform the habits, customs and day to day activities of the population. It stresses the importance that the teaching of the principles of private and public hygiene had for the future of the country, how this education was to be carried out, and why some members of the medical profession believed that the hygienic education of mothers/women was an unavoidable requirement for the progress of the nation. Este artíículo analiza por quéé durante las déécadas finales del siglo diecinueve, el gremio méédico mexicano consideraba que era absolutamente indispensable que los habitantes del paíís, y en particular las mujeres de la capital, contaran con una cultura de la higiene. No sóólo era fundamental sanear y ordenar a la ciudad de Mééxico mediante obras de infraestructura sanitaria, y emitir leyes que regularan la salubridad de la nacióón, sino que era igualmente importante, y quizáás máás urgente, que los habitantes transformaran sus háábitos y costumbres de acuerdo con lo establecido por la higiene púública y privada. Asimismo, el artíículo examina los méétodos mediante los cuales se procuróó crear una cultura de la higiene, y por quéé la madre de familia fue considerada como una aliada imprescindible para la empresa de los higienistas.

Female Onanism: Condemned Pleasures, Medical Probes, and Late-Victorian Pornography

2021 ◽  
Vol 11 (2) ◽  
pp. 148-164
Author(s):  
Stefano Rossi
Keyword(s):  
Nineteenth Century ◽  
Social Norms ◽  
Sexual Desire ◽  
Female Sexuality ◽  
Late Nineteenth Century ◽  
Female Self ◽  
Erotic Literature ◽  
Medical Discourses ◽  
Late Nineteenth

The more Victorian physicians deepened their research into female sexuality, the more a culture of lust infected the hypocritical façade of a nation strictly attached to social norms of order, formality, and bigotry. Lascivious sexual desire and carnal appetite – here embodied in female masturbation – were taboos that had to be forcibly silenced. Yet, late-Victorian pornography mocked medical discourses on female onanism, as well as fears related to female sexuality, and revealed ‘unspeakable’ secret domestic settings marred by ‘dangerous’ practices, scandalous carnality and deviant desires. Furthermore, contemptuous of literary censorship and strict morality, the plenteous erotic literature, represented here by William Lazenby's pornographic magazine The Pearl, not only dared to taunt physicians’ concerns about female ‘self-pollution’ circulating at that time, but also found a great inspiration in the huge domestic success of some innovative medical tools – specifically patented to assuage women's nerves – being produced in those years: electric vibrators. Those ‘engines’ rapidly invaded pornographic literature of the late nineteenth century and became central to a great number of erotic stories, titillating fables and poems, as clearly demonstrated by the contents of The Pearl.

Lyric, Aestheticism and the Later Nineteenth Century

2016 ◽  
Author(s):  
Marion Thain
Keyword(s):  
Nineteenth Century ◽  
Lyric Poetry ◽  
Late Nineteenth Century ◽  
Michael Field ◽  
Time Space ◽  
Edith Cooper ◽  
Late Nineteenth ◽  
Katharine Bradley

Chapter 1 offers important historical and conceptual contexts for the late nineteenth century. The chapter suggests that ‘aestheticist lyric poetry’ might be usefully conceptualised ‘through the twin impetuses of conceptual expansion and formal reduction’. It then goes on to outline the context of ‘cultural modernity’, to which it is suggested aestheticist lyric poetry is responding, in order to define further the ‘crisis’ in lyric. It also introduces the three conceptual frames that set the remit for the three parts of the book; these are three key axes around which lyric poetry operates: time, space and subjectivity. Chapter 1 ends with a preliminary case study from the work of ‘Michael Field’ (the assumed name of Katharine Bradley and Edith Cooper) to demonstrate in practice the relevance of the three frames to aestheticist poetry.

Inside Views

2018 ◽  
pp. 19-25
Author(s):  
Andrew Warnes
Keyword(s):  
Nineteenth Century ◽  
Late Nineteenth Century ◽  
Self Image ◽  
History Of ◽  
Late Nineteenth ◽  
Self Service ◽  
Sister Carrie ◽  
Individual Self

Chapter 1 offers a brief history of the demise of the shop counter and of the rise of self-service over the late nineteenth century. It offers a brief reading of Sister Carrie, showing how self-service engendered a new relationship to the commodity object, which, in turn, reflected on individual self-image.

Realism and Hope After Niebuhr

Worldview ◽  
1972 ◽  
Vol 15 (5) ◽  
pp. 4-14
Author(s):  
John C. Bennett
Keyword(s):  
Nineteenth Century ◽  
Social Gospel ◽  
Late Nineteenth Century ◽  
Recent Past ◽  
Fourth Period ◽  
The Social ◽  
The Future ◽  
Late Nineteenth ◽  
Great Force

I have already lived in three different theological climates, during three periods marked by quite different hopes and expectations for the future of humanity. I am not sure whether or not we are entering a fourth period, but the pattern of both commitments and hopes is less clear than it seemed to be in the recent past.Before 1930 and back into the late nineteenth century there was the period of the Social Gospel, which was a great force in the churches and which reflected the secular expectations of progress that were general at the time. I was part of this movement myself and to a large extent shared its hopes, though I never believed that progress was inevitable or irreversible.

scholarly journals THE INTERACTION BETWEEN LANDSCAPE ARCHITECTURE AND URBAN DEVELOPMENT. DO WE HAVE A COMMON GOAL? / KRAŠTOVAIZDŽIO ARCHITEKTŪROS IR URBANISTIKOS SĄVEIKA – AR TURIME BENDRĄ TIKSLĄ

2015 ◽  
Vol 7 (1) ◽  
pp. 6-19 ◽  
Author(s):  
Vaiva Deveikienė
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Urban Development ◽  
Urban Design ◽  
Landscape Architecture ◽  
Urban Landscape ◽  
Late Nineteenth Century ◽  
Common Goal ◽  
Late Nineteenth ◽  
The Relationship

The article analyses the problem of the relationship and interaction between urban design and landscape architecture. This refers to the period of the modern city from the late nineteenth century to the present day. There are presented and discussed urbanization processes and examples of solutions with emphasis on problems arising from the relationship between a city and nature as well as those related to urban landscape and sustainability of urban landscaping in the twentieth century. Straipsnyje analizuojama urbanistikos ir kraštovaizdžio architektūros santykio ir sąveikos problema. Aprėpiamas moderniojo miesto laikotarpis – nuo XIX a. antrosios pusės iki nūdienos. Pateikiama XX a. urbanizacijos procesų ir sprendinių pavyzdžių, aptariama akcentuojant miesto santykio su gamta, želdynais, t. y. gyvo, tvaraus miesto kraštovaizdžio, formavimo problematiką.

The implications of illegitimacy in late-nineteenth-century Iceland: the relationship between infant mortality and the household position of mothers giving birth to illegitimate children

2000 ◽  
Vol 15 (3) ◽  
pp. 435-461 ◽  
Author(s):  
ÓLÖF GARĐARSDÓTTIR
Keyword(s):  
Nineteenth Century ◽  
Infant Mortality ◽  
Premarital Sex ◽  
Late Nineteenth Century ◽  
Sexual Permissiveness ◽  
Late Nineteenth ◽  
Premarital Sexual ◽  
High Degree ◽  
Sex Attitudes ◽  
The Relationship

In his article ‘Premarital sexual permissiveness and illegitimacy in the Nordic Countries’, Richard F. Tomasson discusses high illegitimacy rates in preindustrial Iceland. He points out that during the nineteenth century children born out of wedlock were proportionally more numerous in Iceland than in other European countries. In Tomasson's view high illegitimacy rates in Iceland were due to liberal attitudes towards premarital sex – attitudes that were deeply rooted in traditional Nordic society. In his words, ‘The Ancient Scandinavians accorded women higher status, and along with this went liberal attitudes toward premarital sex relations, illegitimacy, and divorce. Such attitudes often appear to be a concomitant of a high degree of equality between the sexes.’

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