The First Numismatists

2021 ◽  
pp. 55-74
Author(s):  
Frank L. Holt
Keyword(s):  
Exchange Rates ◽  
Ancient World ◽  
Religious Leaders ◽  
Pliny The Elder ◽  
Medieval Europe ◽  
History Of ◽  
The Many

Innovative and infinitely varied, the many coinages of the ancient world inspired much commentary and speculation by philosophers, poets, playwrights, and religious leaders. Among these were Plato, Aristophanes, Pliny the Elder, and Jesus of Nazareth. These early numismatists took note of exchange rates, coin-types, hoards, counterfeits, forgeries, and monetary superstitions. Rulers and minting officials, such as Rome’s tresviri monetales, knew a great deal about the history of coins and sometimes paid homage to old designs. Folklore spun from Judas’s infamous thirty pieces of silver an elaborate tale of this money’s long journey across many lands. Medieval Europe witnessed major changes in levels of monetization and produced only one notable numismatic commentary from the pen of the scholastic bishop Nicholas Oresme.

A Cultural History of Memory in Antiquity

2020 ◽  
Keyword(s):  
Cultural History ◽  
Cultural Memory ◽  
Ancient World ◽  
Collective Memories ◽  
The Past ◽  
History Of ◽  
The Many ◽  
Definition Of ◽  
The Right ◽  
Remote Past

The ancient world is a paradigm for the memory scholar. Without an awareness that collective memories are not only different from individual memories (or even the sum thereof) but also highly constructed, ancient research will be fundamentally flawed. Many networks of memories are beautifully represented in the written and material remains of antiquity, and it is precisely the ways in which they are fashioned, distorted, preserved or erased through which we can learn about the historical process as such. Our evidence is deeply characterized by the fact that ancient ‘identity’ and ‘memory’ appear exceptionally strong. Responsible for this is a continuing desire to link the present to the remote past, which creates many contexts in which memories were constructed. The ancient historian therefore has the right tools with which to work: places and objects from the past, monuments and iconography, and textual narratives with a primary purpose to memorize and commemorate. This is paired with our desire to understand the ancient world through its own self-perception. With the opportunity of tapping into this world by way of oral history, personal testimonies are a desideratum in all respects. Memory of the past, however, is profoundly about ‘self-understanding’. This volume surveys and builds on the many insights we have gained from vibrant research in the field since Maurice Halbwachs’ and Jan Assmann’s seminal studies on the idea and definition of ‘cultural memory’. While focusing on specific themes all chapters address the concepts and expressions of memory, and their historical impact and utilization by groups and individuals at specific times and for specific reasons.

V. L. Ianin and the History of Novgorod

Slavic Review ◽  
1974 ◽  
Vol 33 (1) ◽  
pp. 114-123
Author(s):  
Lawrence N. Langer
Keyword(s):  
Fifteenth Century ◽  
Urban Society ◽  
Russian History ◽  
Medieval Europe ◽  
Political Traditions ◽  
History Of ◽  
Methodological Problems ◽  
The Republic ◽  
The Many ◽  
The Town

An historian of early Russian history faces many methodological problems, not the least of which is the paucity of sources for the Kievan and Mongol periods. Because of the dearth of material, historians of the medieval Russian town, such as M. N. Tikhomirov and A. M. Sakharov, have generally presented a static conceptualization of urban society, thereby obscuring the dynamic processes and nuances of historical development. Despite the many studies of Novgorod, one can fairly state that historians have often described fourteenth and fifteenth-century Novgorod as though it were virtually unchanged since 1136, when the town declared its independence from Kiev. While recognizing the importance of the Sovet gospod (Council of Lords) and posadnik (mayor), some historians have nevertheless insisted that the veche (assembly) was the sovereign body of the republic. Its meetings were open to the town's citizens, and though the veche at times degenerated into brawls, no prince or posadnik could effectively govern without its concurrence. Indeed, George Vernadsky characterized Novgorod as a democratic republic, somewhat reminiscent of the Greek polis, while Tikhomirov viewed Novgorod's political traditions as similar to those of the urban communes of medieval Europe.

V. History as Matter for Philosophy: The Parallel Lives

2017 ◽  
Vol 47 ◽  
pp. 89-112
Keyword(s):  
Ancient World ◽  
Roman History ◽  
Parallel Lives ◽  
History Of ◽  
The Many

Reading Plutarch's Parallel Lives is a fascinating encounter with the history of the ancient world. It includes witnessing the foundation of Athens (Thes. 24.1–3) and Rome (Rom. 11.1–12.1); participating in the battles of Salamis (Arist. 9.1–4; Them. 13.1–15.4), Pharsalus (Pomp. 69.1–72.6; Caes. 42.1–45.8), Philippi (Brut. 49.1–10), and Actium (Ant. 65.1–66.8); marvelling at Alexander sitting on Darius’ throne (Alex. 37.7); being dazzled by the wonderful buildings on the Acropolis (Per. 12.1–13.14); watching in dismay as Caesar is killed with twenty-three dagger blows (Caes. 66.1–14); sharing Pyrrhus’ desperation with one more victory (Pyrrh. 21.14); and standing aghast at the rape of the Sabines (Rom. 14.1–15.7), the tragic fate of Spartacus (Crass. 8.1–11.10), and Hannibal's triumph at Cannae (Fab. 16.1–9). It is a rendezvous with so many distinguished figures of Greek and Roman history: the protagonists and antagonists of the Lives, of course, but also the many less-known figures behind the scene, like Mnesiphilus, the teacher of Themistocles (Them. 2.6–7) or Damon, the brains behind the young Pericles (Per. 4.1–4). The decisive moments of history, such as Caesar's famous alea iacta est before his crossing of the Rubicon (Caes. 32.8; Pomp. 60.4), or his veni vidi vici at Zela (Caes. 50.3), are juxtaposed with ‘petite histoire’ with all its juicy anecdotes: Demetrius’ liaison with Lamia (Demetr. 27.1–14), Pericles’ relationship with Aspasia (Per. 24.2–12), Pompey's fondness for Flora (Pomp. 2.5–8), and, of course, Antony's notorious affair with Cleopatra (Ant. 36.1–7; 53.5–12; 71.4–86.9).

A 200-Year History of the Study of Childhood Language Disorders of Unknown Origin: Changes in Terminology

2020 ◽  
Vol 5 (1) ◽  
pp. 6-11 ◽  
Author(s):  
Laurence B. Leonard
Keyword(s):  
Language Impairment ◽  
Specific Language Impairment ◽  
Scientific Literature ◽  
Language Disorder ◽  
Language Disorders ◽  
Unknown Origin ◽  
Developmental Language Disorder ◽  
The Past ◽  
History Of ◽  
The Many

Purpose The current “specific language impairment” and “developmental language disorder” discussion might lead to important changes in how we refer to children with language disorders of unknown origin. The field has seen other changes in terminology. This article reviews many of these changes. Method A literature review of previous clinical labels was conducted, and possible reasons for the changes in labels were identified. Results References to children with significant yet unexplained deficits in language ability have been part of the scientific literature since, at least, the early 1800s. Terms have changed from those with a neurological emphasis to those that do not imply a cause for the language disorder. Diagnostic criteria have become more explicit but have become, at certain points, too narrow to represent the wider range of children with language disorders of unknown origin. Conclusions The field was not well served by the many changes in terminology that have transpired in the past. A new label at this point must be accompanied by strong efforts to recruit its adoption by clinical speech-language pathologists and the general public.

ARTISTIC AND AESTHETIC EDUCATION AND MUSICAL PSYCHOTHERAPY OF A SPECIALIST’S TRAINING

2020 ◽  
Vol 384 (2) ◽  
pp. 222-232
Author(s):  
P. V. Menshikov ◽  
G. K. Kassymova ◽  
R. R. Gasanova ◽  
Y. V. Zaichikov ◽  
V. A. Berezovskaya ◽  
...  
Keyword(s):  
Performance Practice ◽  
Piano Music ◽  
Traumatic Experiences ◽  
Special Role ◽  
Native Culture ◽  
History Of ◽  
The Subject ◽  
And Performance ◽  
The Many ◽  
Special Meaning

A special role in the development of a pianist as a musician, composer and performer, as shown by the examples of the well-known, included in the history of art, and the most ordinary pianists, their listeners and admirers, lovers of piano music and music in general, are played by moments associated with psychotherapeutic abilities and music features. The purpose of the study is to comprehend the psychotherapeutic aspects of performing activities (using pianists as an example). The research method is a theoretical analysis of the psychotherapeutic aspects of performing activities: the study of the possibilities and functions of musical psychotherapy in the life of a musician as a “(self) psychotherapist” and “patient”. For almost any person, music acts as a way of self-understanding and understanding of the world, a way of self-realization, rethinking and overcoming life's difficulties - internal and external "blockages" of development, a way of saturating life with universal meanings, including a person in the richness of his native culture and universal culture as a whole. Art and, above all, its metaphorical nature help to bring out and realize internal experiences, provide an opportunity to look at one’s own experiences, problems and injuries from another perspective, to see a different meaning in them. In essence, we are talking about art therapy, including the art of writing and performing music - musical psychotherapy. However, for a musician, music has a special meaning, special significance. Musician - produces music, and, therefore, is not only an “object”, but also the subject of musical psychotherapy. The musician’s training includes preparing him as an individual and as a professional to perform functions that can be called psychotherapeutic: in the works of the most famous performers, as well as in the work of ordinary teachers, psychotherapeutic moments sometimes become key. Piano music and performance practice sets a certain “viewing angle” of life, and, in the case of traumatic experiences, a new way of understanding a difficult, traumatic and continuing to excite a person event, changing his attitude towards him. It helps to see something that was hidden in the hustle and bustle of everyday life or in the patterns of relationships familiar to a given culture. At the same time, while playing music or learning to play music, a person teaches to see the hidden and understand the many secrets of the human soul, the relationships of people.

Integration of Ecological and Engineering Aspects in Planning Large Scale Tidal Power Development in the Bay of Fundy, Canada

1984 ◽  
Vol 16 (1-2) ◽  
pp. 281-295 ◽  
Author(s):  
Donald C Gordon
Keyword(s):  
Large Scale ◽  
Feasibility Studies ◽  
Bay Of Fundy ◽  
Final Decision ◽  
Power Development ◽  
Tidal Power ◽  
History Of ◽  
Scientists And Engineers ◽  
The Many ◽  
University Scientists

Large-scale tidal power development in the Bay of Fundy has been given serious consideration for over 60 years. There has been a long history of productive interaction between environmental scientists and engineers durinn the many feasibility studies undertaken. Up until recently, tidal power proposals were dropped on economic grounds. However, large-scale development in the upper reaches of the Bay of Fundy now appears to be economically viable and a pre-commitment design program is highly likely in the near future. A large number of basic scientific research studies have been and are being conducted by government and university scientists. Likely environmental impacts have been examined by scientists and engineers together in a preliminary fashion on several occasions. A full environmental assessment will be conducted before a final decision is made and the results will definately influence the outcome.

THE ROLE OF NON-GOVERNMENTAL ORGANIZATIONS (NGOs) AS INTERMEDIARIES OF THE EUROPEAN UNION DECISION TO ADOPT INTERNATIONAL ACCOUNTING STANDARDS: 1973–2002

2016 ◽  
Vol 43 (2) ◽  
pp. 59-127 ◽  
Author(s):  
Devrimi Kaya ◽  
Robert J. Kirsch ◽  
Klaus Henselmann
Keyword(s):  
European Union ◽  
Accounting Standards ◽  
International Accounting ◽  
International Accounting Standards ◽  
The European Union ◽  
Governmental Organizations ◽  
Non Governmental Organizations ◽  
History Of ◽  
The Many

This paper analyzes the role of non-governmental organizations (NGOs) as intermediaries in encouraging the European Union (EU) to adopt International Accounting Standards (IAS). Our analysis begins with the 1973 founding of the International Accounting Standards Committee (IASC), and ends with 2002 when the binding EU regulation was approved. We document the many pathways of interaction between European supranational, governmental bodies and the IASC/IASB, as well as important regional NGOs, such as the Union Européenne des Experts Comptables, Économiques et Financiers (UEC), the Groupe d'Etudes des Experts Comptables de la Communauté Économique Européenne (Groupe d'Etudes), and their successor, the Fédération des Experts Comptables Européens (FEE). This study investigates, through personal interviews of key individuals involved in making the history of the organizations studied, and an extensive set of primary sources, how NGOs filled key roles in the process of harmonization of international accounting standards.

State-Sponsored Inequality

2017 ◽  
Author(s):  
Shuang Chen
Keyword(s):  
Qing Dynasty ◽  
Social Stratification ◽  
Social Hierarchy ◽  
The State ◽  
Structural Inequality ◽  
Political Hierarchy ◽  
History Of ◽  
Agrarian Societies ◽  
Stratification System ◽  
The Many

The book explores the social economic processes of inequality produced by differential state entitlements. Drawing on uniquely rich source materials from central and local archives, the book provides an unprecedented, comprehensive view of the creation of a socio-economic and political hierarchy under the Eight Banners in the Qing dynasty in what is now Shuangcheng County, Heilongjiang province. Shuangcheng was settled by bannermen from urban Beijing and elsewhere in rural Manchuria in the nineteenth century. The state classified the immigrants into distinct categories, each associated with differentiated land entitlements. By reconstructing the history of settlement and land distribution in this county, the book shows that patterns of wealth stratification and the underlying social hierarchy were not merely imposed by the state from the top-down but created and reinforced by local people through practices on the ground. In the course of pursuing their own interests, settlers internalized the distinctions created by the state through its system of unequal land entitlements. The tensions built into the unequal land entitlements therefore shaped the identities of immigrant groups, and this social hierarchy persisted after the fall of the Qing in 1911. The book offers an in-depth understanding of the key factors that contributed to social stratification in agrarian societies in the nineteenth- and early twentieth-century China. Moreover, it also sheds light on the many parallels between the stratification system in Qing-dynasty Shuangcheng and the structural inequality in contemporary China.

Hearing the Crimean War

2019 ◽  
Keyword(s):  
Nineteenth Century ◽  
Sound Studies ◽  
The Black Sea ◽  
Crimean War ◽  
National Unity ◽  
Black Sea Region ◽  
Academic Fields ◽  
History Of ◽  
The Many

This book addresses the sounds of the Crimean War, along with the many ways nineteenth-century wartime is aurally constructed. It examines wide-ranging experiences of listeners in Britain, France, Turkey, Russia, Italy, Poland, Latvia, Daghestan, Chechnya, and Crimea, illustrating the close interplay between nineteenth-century geographies of empire and the modes by which wartime sound was archived and heard. This book covers topics including music in and around war zones, the mediation of wartime sound, the relationship between sound and violence, and the historiography of listening. Individual chapters concern sound in Leo Tolstoy’s wartime writings, and his place within cosmopolitan sensibilities; the role of the telegraph in constructing sonic imaginations in London and the Black Sea region; the absence of archives for the sounds of particular ethnic groups, and how songs preserve memories for both Crimean Tatars and Polish nationalists; the ways in which perceptions of voice rearranged the mental geographies of Baltic Russia, and undermined aspirations to national unity in Italy; Italian opera as a means of conditioning elite perceptions of Crimean battlefields; and historical frames through which to understand the diffusion of violent sounds amid everyday life. The volume engages the academic fields of musicology, ethnomusicology, history, literary studies, sound studies, and the history of the senses.

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