The Church
This chapter examines how the East German government commemorated the firebombing of Dresden at the end of World War II. Religious spaces and musical institutions became central to the state’s antifascist propaganda as commemorative rituals for the firebombing took shape in the early 1950s. On the tenth anniversary of the attack, in 1955, local politicians participated in a grand reopening ceremony of the city’s oldest church, consecrated with performances of Rudolf Mauersberger’s Dresdner Requiem (1947/1948). Annual performances of this work allowed congregants to maintain ties to the Lutheran faith in a socialist society, and created a context for the expression of narratives about the firebombing that could not be voiced openly in public spaces. Drawing on performers’ testimonies, audience accounts, and Mauersberger’s revisions to the score, this chapter demonstrates how the Dresdner Requiem served as an outlet for grief in postwar Dresden.