The Queer Biopic in the AIDS Era

2021 ◽  
Author(s):  
Laura Stamm
Keyword(s):  
Social Hygiene ◽  
Queer Cinema ◽  
Shared History ◽  
Todd Haynes ◽  
Derek Jarman ◽  
Aids Crisis ◽  
History Of ◽  
Historical Moment ◽  
John Greyson ◽  
Opening Up

The Queer Biopic in the AIDS Era returns to the historical moment of the AIDS crisis and the emergence of New Queer Cinema to investigate the phenomena of queer biopic films produced during the late 1980s–early 1990s. More specifically, the book asks why queer filmmakers repeatedly produced biographical films of queer individuals living and dead throughout the years surrounding the AIDS crisis. While film critics and historian typically treat the biopic as a conservative, if not cliché, genre, queer filmmakers have frequently used the biopic to tell stories of queer lives. This project pays particular attention to the genre’s queer resonances, opening up the biopic’s historical connections to projects of education, public health, and social hygiene, along with the production of a shared history and national identity. Queer filmmakers’ engagement with the biopic evokes the genre’s history of building life through the portrayal of lives worthy of admiration and emulation, but it also points to another biopic history, that of representing lives damaged. By portraying lives damaged by inconceivable loss, queer filmmakers challenge the illusion of a coherent self presumably reinforced by the biopic genre and in doing so, their films open up the potential for new means of connection and relationality. The book features fresh readings of the cinema of Derek Jarman, John Greyson, Todd Haynes, Barbara Hammer, and Tom Kalin. By calling for a reappraisal of the queer biopic, the book also calls for a reappraisal of New Queer Cinema’s legacy and its influence of contemporary queer film.

Killer Feminism

2016 ◽  
Author(s):  
Patricia White
Keyword(s):  
Primary Source ◽  
Source Material ◽  
Queer Cinema ◽  
Todd Haynes ◽  
History Of ◽  
Women's Films

Celebrated in accounts of the American indie heyday of the 1990s through the 2000s, Killer Films is headed by the equally feted partnership of producers Christine Vachon and Pam Koffler. Drawing on interviews and other primary source material, White seeks integrates the story of Killer as a butch-lesbian woman’s company into the history of feminist filmmaking. This history includes not only the New Queer Cinema but trailblazing lesbian and transgender features such as Go Fish (1994), High Art (1998) and Boys Don’t Cry (1999) and ‘women’s films’ made by women (Mary Harron) and queer men (Todd Haynes).

Gothic Futures

2017 ◽  
Author(s):  
Emily Mccann
Keyword(s):  
Emotional Labor ◽  
Political Action ◽  
Women's Writing ◽  
British Colonialism ◽  
Women's Labor ◽  
Gothic Fiction ◽  
Mass Politics ◽  
History Of ◽  
Historical Moment ◽  
Opening Up

This chapter reconsiders Edith Sitwell’s only novel, I Live under a Black Sun, as Gothic fiction opening up a political reading of British colonialism and women’s labor. When read as citing and rewriting Gothic tropes, the earnest moralizing in the text becomes more nuanced. The ostensibly tidy allegorizing of the salvific power of Christian brotherly love is complicated by the eruption of disavowed sites of material and emotional labor that underwrites such a narrative. The chapter argues for the need to look at Sitwell as a thinker in her own right who dramatized her own strangeness as a way of critiquing the “normalcy” and mass politics around her. Gothic fiction tropes permitted her to offer a secret history of her historical moment, connecting her strangeness to a history of writers with whom she might feel professional kinship while emphasizing her own unique qualities. While she was not interested in feminist political action, Sitwell was concerned with problems of women’s labor in ways we might trace in other mid-century women’s writing that has been dismissed as apolitical or reactionary.

A Note on the Publication History of John Polidori's The Vampyre

2020 ◽  
Vol 22 (3) ◽  
pp. 330-343
Author(s):  
Fabio Camilletti
Keyword(s):  
Textual Criticism ◽  
Active Role ◽  
Publication History ◽  
History Of ◽  
The Relationship ◽  
Opening Up

It is generally assumed that The Vampyre was published against John Polidori's will. This article brings evidence to support that he played, in fact, an active role in the publication of his tale, perhaps as a response to Frankenstein. In particular, by making use of the tools of textual criticism, it demonstrates how the ‘Extract of a Letter from Geneva’ accompanying The Vampyre in The New Monthly Magazine and in volume editions could not be written without having access to Polidori's Diary. Furthermore, it hypothesizes that the composition of The Vampyre, traditionally located in Geneva in the course of summer 1816, can be postdated to 1818, opening up new possibilities for reading the tale in the context of the relationship between Polidori, Byron, and the Shelleys.

The Subaltern Speak- A Study On The Culture Of The Arunachalis With Special Reference To Mamang Dai’s The Legends Of Pensam

2019 ◽  
Vol 5 (4) ◽  
pp. 14-20
Author(s):  
Ms. Cheryl Antonette Dumenil ◽  
Dr. Cheryl Davis
Keyword(s):  
Special Reference ◽  
Small World ◽  
Natural World ◽  
Arunachal Pradesh ◽  
North East India ◽  
North East ◽  
Shared History ◽  
History Of ◽  
And Gender ◽  
Insight Into

North- East India is an under veiled region with an awe-inspiring landscape, different groups of ethnic people, their culture and heritage. Contemporary writers from this region aspire towards a vision outside the tapered ethnic channel, and they represent a shared history. In their writings, the cultural memory is showcased, and the intensity of feeling overflows the labour of technique and craft. Mamang Dai presents a rare glimpse into the ecology, culture, life of the tribal people and history of the land of the dawn-lit mountains, Arunachal Pradesh, through her novel The Legends of Pensam. The word ‘Pensam’ in the title means ‘in-between’,  but it may also be interpreted as ‘the hidden spaces of the heart’. This is a small world where anything can happen. Being adherents of the animistic faith, the tribes here believe in co-existence with the natural world along with the presence of spirits in their forests and rivers. This paper attempts to draw an insight into the culture and gender of the Arunachalis with special reference to The Legends of Pensam by Mamang Dai.

RUSSIAN-BELARUSIAN TUTORIAL "HISTORY OF THE GREAT PATRIOTIC WAR. ESSAYS ON THE SHARED HISTORY"

2020 ◽  
pp. 68-88
Author(s):  
Elena A. Kosovan ◽  
Keyword(s):  
Point Of View ◽  
Joint Work ◽  
Eurasian Economic Union ◽  
Shared History ◽  
Great Patriotic War ◽  
History Of ◽  
Independent States ◽  
The Republic ◽  
Integration Project ◽  
Second World

The paper provides a review on the joint Russian-Belarusian tutorial “History of the Great Patriotic War. Essays on the Shared History” published for the 75th anniversary of the victory in the Great Patriotic War. The tutorial was prepared within the project “Belarus and Russia. Essays on the Shared History”, implemented since 2018 and aimed at publishing a series of tutorials, which authors are major Russian and Belarusian historians, archivists, teachers, and other specialists in human sciences. From the author’s point of view, the joint work of specialists from the Russian Federation and the Republic of Belarus in such a format not only contributes to the deepening of humanitarian integration within the Union state, but also to the formation of a common educational system on the scale of the Commonwealth of Independent States or the Eurasian integration project (Eurasian Economic Union – EEU). The author emphasises the high research and educational significance of the publication reviewed when noting that the teaching of history in general and the history of the Second World War and the Great Patriotic War in particular in post-Soviet schools and institutes of higher education is complicated by many different issues and challenges (including external ones, which can be regarded as information aggression by various extra-regional actors).

Burney's The Wanderer and Early-Nineteenth-Century Commodity Fetishism

2002 ◽  
Vol 57 (1) ◽  
pp. 1-30 ◽  
Author(s):  
Andrea Henderson
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Social Changes ◽  
Commodity Fetishism ◽  
Early Nineteenth Century ◽  
Labor Theory ◽  
History Of ◽  
Theory Of Value ◽  
Historical Moment ◽  
The Wanderer

This essay explores a particular moment in the history of commodity fetishism by means of an examination of Frances Burney's The Wanderer (1814). The novel, which is explicitly concerned with the social changes facing early-nineteenth-century England, reveals that at this historical moment the commodity inspired emotions of a particular kind: it was idealized and perceived as attractively individualized, aloof, exotic, and changeable, and it elicited a passionate and sometimes even painful form of desire. In The Wanderer Burney explores the human repercussions of this new way of engaging with objects in the marketplace. She reveals, moreover, the extent to which the fetishism of the commodity reflected not just developments within the economy but also political change: under the influence of the French Revolution the charisma once generated by social status was transferred to the economic realm, where, embodied in the commodity, it gave rise to a pleasurable but masochistic reverence. Burney'sargument for the usefulness of economic independence necessarily leads her to appreciate the commodity fetishism she describes: even while she develops a labor theory of value, Burney promotes a mystification of the commodity by insisting on the aloof independence of both labor and its products. Thus, Burney uses the apparent autonomy of things——which Marx decries——as a means to argue for the autonomy of the makers of those things.

The Afterlife of Empire in Beckett’s How It Is

2021 ◽  
Vol 33 (1) ◽  
pp. 88-105
Author(s):  
Anthony Cordingley
Keyword(s):  
Algerian War ◽  
Literary Representation ◽  
The Holocaust ◽  
History Of ◽  
Historical Moment

Abstract Relationships of political domination in Beckett’s Comment c’ est (1961)/How It Is (1964) are typically read through a specific historical moment (the Holocaust, the Algerian War) or literary representation (Dante, Sade). This article reveals spectres in the text from the long history of the colonisation of Ireland to the legacy of Renaissance and Enlightenment humanism; it explores Beckett’s sense of complicity in the Anglo-Irish Ascendency.

Feminism

2011 ◽  
Author(s):  
Nancy J. Hirschmann
Keyword(s):  
Political Philosophy ◽  
Political Theory ◽  
Contemporary Politics ◽  
History Of ◽  
And Gender ◽  
Opening Up ◽  
The Way

The topic of feminism within the history of political philosophy and political theory might seem to be quite ambiguous. Feminists interested in the history of political philosophy did not urge the abandonment of the canon at all, but were instead protesting the way in which political philosophy was studied. They thus advocated “opening up” the canon, rather than its abolishment. There have been at least five ways in which this “opening” of the canon has been developed by feminists in the history of political philosophy. All of them do not only demonstrate that the history of political philosophy is important to feminism; they also demonstrate that feminism is important to the history of political philosophy. A two-tiered structure of freedom, with some conceptualizations of freedom designated for men and the wealthy, and other conceptualizations designated for laborers and women, shows that class and gender were important dimensions to be explored when examining the history of political philosophy. One way in which feminism has opened up the canon is its relevance to contemporary politics.

scholarly journals Dating ancient human samples using the recombination clock

2015 ◽  
Author(s):  
Priya Moorjani ◽  
Sriram Sankararaman ◽  
Qiaomei Fu ◽  
Molly Przeworski ◽  
Nick J Patterson ◽  
...  
Keyword(s):  
Best Practice ◽  
Radiocarbon Dates ◽  
Genetic Method ◽  
Human Samples ◽  
Shared History ◽  
Complementary Approach ◽  
Neanderthal Admixture ◽  
History Of ◽  
The Difference ◽  
Age Estimates

The study of human evolution has been revolutionized by inferences from ancient DNA analyses. Key to these is the reliable estimation of the age of ancient specimens. The current best practice is radiocarbon dating, which relies on characterizing the decay of radioactive carbon isotope (14C), and is applicable for dating up to 50,000-year-old samples. Here, we introduce a new genetic method that uses recombination clock for dating. The key idea is that an ancient genome has evolved less than the genomes of extant individuals. Thus, given a molecular clock provided by the steady accumulation of recombination events, one can infer the age of the ancient genome based on the number of missing years of evolution. To implement this idea, we take advantage of the shared history of Neanderthal gene flow into non-Africans that occurred around 50,000 years ago. Using the Neanderthal ancestry decay patterns, we estimate the Neanderthal admixture time for both ancient and extant samples. The difference in these admixture dates then provides an estimate of the age of the ancient genome. We show that our method provides reliable results in simulations. We apply our method to date five ancient Eurasian genomes with radiocarbon dates ranging between 12,000 to 45,000 years and recover consistent age estimates. Our method provides a complementary approach for dating ancient human samples and is applicable to ancient non-African genomes with Neanderthal ancestry. Extensions of this methodology that use older shared events may be able to date ancient genomes that fall beyond the radiocarbon frontier.

Epochê e Época no pensamento logotectónico

Phainomenon ◽  
2005 ◽  
Vol 10 (1) ◽  
pp. 117-128
Author(s):  
Marcus Brainard
Keyword(s):  
Full Range ◽  
History Of Philosophy ◽  
Phenomenological Tradition ◽  
History Of ◽  
Opening Up

Abstract This article deals with “epoch” and “epoché”, each of which plays a central role in Heribert Boeder’s thought. Because it understands itself as the building of rational wholes, or logoi, his thought - but also that which it builds - is termed the “logotectonic”. The first part of the article situates the logotectonic epoché in the phenomenological tradition, particularly with respect to its key manifestations in Husserl and Heidegger, while also setting it off from that tradition. It is shown to be not a method of access to consciousness, to say nothing of a withholding of Being, but rather a fundamental reticence on the part of the inquirer with respect to what has been thought. It is an exclusion of one’s idiosyncrasies in order to approach what has been thought in and on its own terms. It is this new epoché, and it atone, that gives access to the epoch in Boeder’s sense. Each of three epochs of philosophy is governed by a unique principle, which is given voice in the wisdom proper to that epoch atone and to which philosophy responds (either negatively or positively). The character of this response is the basis of Boeder’s claim that the history of philosophy is the “crisis of principles.” The principle of a given epoch determines the tasks to be accomplished by the philosophy of that epoch. Once the full range of tasks is completed, the epoch is concluded, making way for a new principle and thus a new epoch. The succession of epochs comes to an end, however - in Hegel. In view of this end, the article then takes up the subsequent “periods” of thought: modernity and submodernity; it seeks to show briefly how neither constitutes an epoch, but also how the end of submodernity coincides with the opening up of the possibility of rescuing wisdom from its oblivion and granting it a present that makes dwelling possible once again. This is precisely task that moves the logotect and, by extension, the logotectonic.

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