Locke’s Inclinations

2021 ◽  
pp. 159-176
Author(s):  
Stewart Duncan

Locke is officially agnostic about the nature of the human mind: he thinks we cannot know that materialism is true, but also that we cannot know that dualism is true. Despite this agnosticism, we can ask whether Locke thought one of those views was more likely than the other. The chapter considers arguments on both sides. A small number of texts suggest he thought dualism more likely. On the other hand, Lisa Downing has argued that Locke thought materialism more likely, on the basis of the similarities between human and animal minds. This chapter argues that the reasons she offers do not show us that Locke was inclined to materialism. Nevertheless, Locke did show the possibility of materialism, not just by saying it was possible, but by developing at length an account of the mind that did not depend upon its being an immaterial substance.

1997 ◽  
Vol 7 (2) ◽  
pp. 269-286 ◽  

Last year saw the publication of two major studies on the evolution of the human mind, Human Evolution, Language and Mind by William Noble and Iain Davidson, and The Prehistory of the Mind by Steven Mithen. Both draw on a number of disciplines including archaeology, psychology, philosophy and animal ethology, but their resulting scenarios of human development differ in several important respects. The question of mind is central to our understanding of the origin of humanness. As Noble and Davidson put it, ‘the mark of modern human behaviour is its self-consciousness, its “mindedness”’. They trace the origin of this behaviour back no further than 100,000 years ago. In Noble and Davidson's view, the behaviours of the ancestors of humans were similar in crucial respects to those of modern non-human primates. Mithen, on the other hand, ‘cannot accept … that language did not appear in a gradual fashion’. Mithen proposes a series of distinct intelligences, and puts forward a modular theory of the evolution of the human mind. In the following pages we present the issues in the form of a debate, inviting each of the three authors to review each other's books and then offering them the opportunity to defend their alternative standpoints. We begin with Mithen's review of Noble and Davidson, then Noble and Davidson's review of Mithen, and finish with their respective replies to the comments and criticisms which have been raised.


Panoptikum ◽  
2021 ◽  
pp. 109-129
Author(s):  
Barbara Szczekała

The article is a theoretical proposal which aims to create an alternative framework for mapping postclassical cinema. This framework is based on establishing various modes of relations between narration and spectacle, especially those represented by mind-game films and post-plot films. Instead of considering narration and spectacle as opposition, I suggest redescribing their complementary dynamics. I argue that there is visible feedback between mind-game films and the cinema of digital attractions, which I see as complementary processes of making “spectacular mind games” and “mind-gaming the spectacles”. The article contains an analysis of similar types of cinematic experiences delivered by “narration” and “attractions” and indicates the mutual influences between these two phenomena. Both narration and attraction may bring similar, affective sensations: the notion of shock and dissonance, discomfort, astonishment, kinesthetic impulse or cognitive stimulation. As for the article’s conclusion: postclassical cinema variously reshapes the distribution of narration and attraction. Mind-game films are becoming cinematic spectacles. On the other hand, more and more “post-plot” blockbusters are introducing the “mind-gaming the spectacle” strategy, and are engaging viewers with “cognitive” attractions as well.


2017 ◽  
Author(s):  
Christian Barth

How are we to explain the fact that we can refer to objects by means of mental acts? And what accounts for our being conscious of mental acts? René Descartes and Gottfried Wilhelm Leibniz provide fascinating answers to these two central questions of the philosophy of mind. In this study, the concepts of both authors are analyzed in detail, compared with each other and related to current positions. The analyses show that Descartes represents a deflationary conception of consciousness (conscientia). Consciousness is "only" an aspect of intentionality that constitutes the essential feature of the Cartesian mind. The analyses of Leibniz unveil that he represents a far more complex and demanding conception of the mind in comparison to Descartes, which makes for a higher connectivity with contemporary convictions. The salient features of his position are the structural conception of intentionality and the distinction between two forms of consciousness (apperception and conscientia) that correspond to the phenomenal consciousness and the reflexive self-consciousness. In contrast to Descartes, Leibniz also assigns consciousness to non-rational animals in the form of apperception. Conscientia, on the other hand, is reserved for rational substances.


2021 ◽  
Vol 52 (1) ◽  
pp. 36-77
Author(s):  
Claire Petitmengin

Abstract Both Buddhist meditation and micro-phenomenology start from the observation that our experience escapes us, we don’t see it as it is. Both offer devices that allow us to become aware of it. But, surprisingly, the two approaches offer few precise descriptions of the processes which veil experience, and of those which make it possible to dissipate these veils. This article is an attempt to put in parentheses declarative writings on the veiling and unveiling processes and their epistemological background and to collect procedural descriptions of this veiling and unveiling processes. From written and oral meditation teachings on the one hand, micro-phenomenological interviews applied to meditative experience and to themselves on the other hand, we identified four types of veiling processes which contribute to screen what is there, and ultimately to generate the naïve belief in the existence of an external reality independent of the mind: attentional, emotional, intentional and cognitive veils. The first part of the article describes these veiling processes and the processes through which they dissipate. It leads to the identification of several “gestures” conducive to this unveiling. The second part describes the devices used by meditation and by micro-phenomenology to elicit these gestures.


2020 ◽  
Author(s):  
Ursula Renz

Spinoza's ethics is grounded by a conviction which is as simple as it is programmatic: Subjective experience can be explained, and its successful explanation is of ethical relevance. For it makes us smarter, freer and happier. This is the programmatic conviction behind Spinoza's ethics and motivates many of the theses it puts forward. Ursula Renz shows which kind of a theory of the human mind informs this program. The systematic differentiation of theory parts in the architecture of ethics proves to be a decisive move: A theory part that deals with questions of the ontology of the mental is followed by a definition of the human mind as a kind of subject theory, which in turn is separated from a theory part dealing with the constitution of content. This structure makes it possible to deal separately with different problems that arise in the course of the explanation of experience. In the end, Spinoza succeeds in avoiding both reductionisms and skepticisms right from the start. In this way, two intuitions are brought together that are often considered incompatible: on the one hand, the view that experience is something irreducibly subjective, and on the other hand, the assumption that there are better and worse explanations of experience.


2003 ◽  
Vol 13 (1) ◽  
pp. 101-136 ◽  
Author(s):  
Khalid Bouzoubaâ Fennane

After his refutation of the doubts concerning Proposition I.7 (in the Book of solving doubts), Ibn al-Haytham mentions three possible ways in which circles may intersect, submitting them to the following “intuitive” argument: one part of one of the two circles is situated inside of the other circle, and its other part is situated outside of it. One is therefore tempted to believe that the commentator accepts the principle of continuity in the case of circles, since his argument has the following meaning: if a circle is divisible into two parts (or, again, passes through two points), one of which (or one of the two points) is situated inside the other circle, and the other outside of it, then the two circles cut one another. The author of this article proposes to establish the limits of this belief, on the basis of the following reflections: 1). It will be noted first of all that what could be called the ‘principle of the intersection of circles’ does not constitute ipso facto a principle in the mind of Ibn al-Haytham: no allusion is made to it in the commentary on Proposition I.1, among others. 2) It will be established later on that if one accepts (according to the explanation of Ibn al-Haytham in his Commentary on the premisses) that a line is the result of the movement of a point, the principle of continuity should be considered by him as something which is obvious by itself, without being stated. This conclusion will be based on an analysis of the notion of continuity in its classical meaning, and on Ibn al-Haytham’s commentary on Proposition X.1. 3) On the other hand, we should note the presence of a ‘sketch’ of topological language, which Ibn al-Haytham develops for the notion of a circle (particularly in the Commentary): one could say in this context that his reflection constitutes an important, if not principal, stage in the process which was to lead to the explicit formulation of the principle of continuity.


2019 ◽  
Vol 67 (3) ◽  
pp. 5-23
Author(s):  
Dariusz Dąbek

This article seeks to show that E.A. Milne’s philosophy of science has its roots in the philosophy of Aristotle and it could be an inspiration for Popper’s philosophy. The similarities with Aristotle’s concept are as follows: 1) the aim of science is to explain phenomena by discovering general principles; 2) the mind is responsible for discovering them, although experience guides the search; 3) deducing detailed statements from general assumptions is the most important element of research. On the other hand, Milne’s proposal is consistent with Popper’s main ideas: 1) criticism of the principle of induction; 2) preference for the hypothetical-deductive method (assumptions should be bold hypotheses that require empirical testing to be accepted); 3) appreciation of falsification and confidence in the effectiveness of deductive logic.


Author(s):  
Maksim Prikhodko

The present paper investigates the interaction between Logos and language in the treatise of Philo of Alexandria "The Worse attacks the Better". Language is regarded by Philo as the actualization of thought in its articulated expression, as the initial moment of creativity. The source of such action is the divine Logos, but the development of thought in the word happens in two opposite directions: one leads to joy, while the other, to suffering. The starting point of this separation is the initial orientation (love) of the mind to God or to self. In the first case, the mind in the act of utterance (expression) overcomes its own isolation. It comes into contact with the divine Logos and achieves joy. The crucial moment of this "leaving the brackets" of self individual thinking towards the light of the divine Logos is laughter. In another case, when the mind does not link words with their source, false creativity is produced, leading to suffering. Аpplying the concept of laughter to the doctrine of Logos and language, Philo reconciles the ideal plan of conceiving truth and its interpretation with the real functioning of the human mind and speech.


2021 ◽  
Vol 3 (137) ◽  
pp. 1-22
Author(s):  
Majed Jamil NASIF ◽  
Ridha Thamer BAQER

          The freedom and the existential engagement represent two essential notions in the mind of the writer Jean-Paul Sartre. It has been presented in a good and clear way by his philosophy or, in a clearer way, by his artworks. More specifically, the two plays of this author, The Flies and the dirty hands, are the mirror that reflects these twos existential notions.           These two plays are the perfect testimonies for the two important periods in the XXth century: before and after the Second World War. These two periods vary in so far, the human mind, politics and literature as are concerned. This variation has followed the historical and the political changes in the world in general and in France in particular.           Even if The Flies and the dirty hands are considered like two different existential dramas, but each one completes the other. The first drama evokes a human mind but, indirectly, another political one, whether the other play evokes the inverse. Oreste and Hugo, the two heroes of our study plays, are the superior heroes who try to save humanity of slavery and submission to injustice. Sartre and his audience place their hopes in these two heroes who search for the freedom through their existential engagement.           In the other hand, the female characters have played an affective role in the dramatic action in the two plays. By its freedom and its existential engagement, the female condition, according to Sartre's vision, searches for proving his human existence and revolting against the authority of the family, the society and the humanity. 


Author(s):  
Isabella Image

Patristic theology emphasizes how humans are created in God’s image. Some older scholarship on Hilary has seen his imago theology as ‘Alexandrian’. This supposed category sees God’s image only in the human mind/soul and not the body; and suggests that humans are ‘in God’s image’ but not themselves ‘God’s image’ (a title reserved for Christ). This chapter shows that Hilary only demonstrates such doctrines in the Psalms commentary, which is known to be derived from Origen; the category ‘Alexandrian’ thus collapses and seems to mean merely ‘Origenistic’. Hilary’s Matthew commentary, on the other hand, presents imago theology less characteristic of Origen (for example stating we are in God’s image, and that this includes the body). Lastly tentative evidence is presented for Hilary deliberately writing out an element of Origen’s imago theology, namely the notion that the image was lost at the Fall.


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