Aristocrats and Writers

2019 ◽  
pp. 85-122
Author(s):  
Robert A. Schneider

This chapter, building on the last, argues that the motivation for writers to reform French and create a new literary culture largely had to do with their relationship to the Parisian elite—the aristocratic ladies and gentlemen who, in the generation following the Wars of Religion, resettled in the capital, thus transforming urban culture according to their new tastes, values, and interests. The chapter briefly looks at the physical and demographic transformation of the city in this period and then proceeds to examine the myriad relationships between writers and aristocrats, both individually and collectively. It emphasizes in particular patronage, and also the importance of appealing to women as fundamental to this culture. It ends with a consideration of the “invention” of honnêteté as a code of behavior and values that writers fashioned out of various sources in service to their aristocratic betters.

Author(s):  
Azhari Amri

Film Unyil puppet comes not just part of the entertainment world that can be enjoyed by people from the side of the story, music, and dialogue. However, there is more value in it which is a manifestation of the creator that can be absorbed into the charge for the benefit of educating the children of Indonesia to the public at large. The Unyil puppet created by the father of Drs. Suyadi is one of the works that are now widely known by the whole people of Indonesia. The process of creating a puppet Unyil done with simple materials and formation of character especially adapted to the realities of the existing rural region. Through this process, this research leads to the design process is fundamentally educational puppet inspired by the creation of Si Unyil puppet. The difference is the inspiring character created in this study is on the characters that exist in urban life, especially the city of Jakarta. Thus the results of this study are the pattern of how to shape the design of products through the creation of the puppet with the approach of urban culture.


Author(s):  
Mara Regina do Nascimento

Este artigo propõe-se a ser uma colaboração com os estudos dedicados às irmandades religiosas brasileiras, na sua face regional. A linha de pensamento adotada toma a cidade, a experiência urbana e as ditas associações religiosas como instâncias sociais intimamente relacionadas e interdependentes. Durante o século XIX, a irmandade gestora da Santa Casa de Misericórdia em Porto Alegre cumpria um papel fundamental não apenas para a composição material de seu espaço, mas igualmente para conferir-lhe o status de importante cidade dentro do mosaico urbano que compunha o Império brasileiro. Tomando por base o histórico de ações concretas da irmandade, como a construção do Hospital, as iniciativas para a caridade e filantropia e a promoção das festas litúrgicas, este artigo analisa o vínculo indissociável entre o associativismo católico e o estilo de vida urbano dos setecentos e oitocentos. Palavras-chave: Irmandades Religiosas. Santa Casa de Misericórdia. Cultura Urbana.AbstractThis paper intends to collaborate with other works dedicated to the study of brazilian religious brotherhoods, in their regional aspect. The line of thought  adopted takes the city, the urban experience and the religious associations above mentioned as closely related and interdependent social instances. During the XIX century, the brotherhood in charge of the Holy House of Mercy in the city of Porto Alegre played a fundamental role, not just in the material composition of the urban space, but also in giving it the status of an important city within the urban mosaic comprised by the Brazilian Empire. Based on the (historic of) concrete actions of this brotherhood, as were the construction of the Hospital, the creation of a social representation for the notion of charity, and the promotion of liturgic feasts, this article analyses the unbreakable bond between catholic associativism and the urban lifestyle of the XVIII and XIX centuries.Keywords: Religious Brotherhoods. Holy House of Mercy. Urban Culture. 


2008 ◽  
Vol 39 (4) ◽  
pp. 1111
Author(s):  
Lisa H. Cooper ◽  
Alexander Cowan ◽  
Jill Steward
Keyword(s):  

2018 ◽  
Vol 931 ◽  
pp. 770-775
Author(s):  
Maria V. Timashova

Conglomerations of modern cities are becoming increasingly fractional/disintegrated. An urban person turns into a special type of a person called “homo urbis”, capable of living in a "stone jungle" of performance, in a dense concentration of urban culture objects and amongst the most heterogeneous human mass. The modern civilizational paradigm predetermines the dynamics of the processes of socio-cultural personal identity formation performance in urban culture environment, as well as its globalization and glocalization. The very phenomenon of personal identity in modern urban culture falls into the spectrum of multiple "identities", its evolutionary and critical performance processes. All socio-cultural and civilizational interactions of urban cultural environment are mixed up in existential contradictions. Clear and distinct bases of the traditional world are giving way to civilizationally complex chaos, diverse cultural multilayer and their intricate interlacement. The coexistence of numerous axiological patterns, stereotypes, narratives and metanarratives of the city result in colossal ideological and spiritual tension, where a person has been considered the core of the concentration of the crisis problems since the Socratic anthropological turn. In this connection, the problem of determination and creation of an urban personality, by all means, should be supplemented with the most important heuristic and ontological component – the search for personal identity, as the correlation of the ever-forming civilizational mass of existence with the process of self-reflection of an individual.


2011 ◽  
Vol 368-373 ◽  
pp. 3435-3439
Author(s):  
Ming Hui Ye ◽  
Xiang Wu Meng ◽  
Han Zhang

City square, as a major public urban space. By a sense of spiritual civilization, it should be a window of the city and essential building space to daily life of local residents; it also bears an important heritage city in cultural context responsibility. Based on the Yellow River in Lanzhou City, Barry style line design concept of the study, analyzed and summarized, presented the concept of square designs to create a historical and cultural context of urban culture, the importance of heritage and modern artistic expression should be on urban history and culture diversity to interpretation, to make people re-establish the cultural identity for the city to gain ownership of the spirit.


2005 ◽  
Vol 56 (6) ◽  
pp. 527 ◽  
Author(s):  
Peter Newman

Major trends that are draining people from the Wheatbelt are globalisation of the economy (and its associated global urban culture) and coastalisation based on lifestyle preferences. A focus on Wheatbelt towns in partnership with the adjacent global city is needed to reverse the decline. It will require a new quality of life attraction similar to that drawing people to the coast, a stronger sense of place, and greater social diversity. It will also require tapping of new global city sustainability obligations through partnerships between the city and its bioregion on issues of biodiversity, new bioindustries, and new water regimes, and clear planning to contain sprawl in the city and coasts. Hope for rejuvenation can be provided through the example of inner city areas, which suffered similar problems of decline, and reversed them over a 30-year period.


10.1068/d256t ◽  
2003 ◽  
Vol 21 (2) ◽  
pp. 169-194 ◽  
Author(s):  
Alexander Vasudevan

In this paper I explore the textual performance of Berlin in the early 20th century, focusing on the multiple spaces of classical German modernity (1900–33) as they are described and reinvented within the poetics of a rapidly modernizing metropolis. It is argued that writing Berlin cannot offer a unifying text or conceptual system which arranges the city ipso facto into a single territory, a generalise space of selected indices and icons. Alternatively, the writing of the city explores the ongoing transformation of the city in text. My purpose in this paper is, therefore, irrefutably bound up with the capacity of the urban text to remap imaginatively the changing condition of the city onto the text itself—hence the fashioning of textual presences as surrogate city spaces. The notion of performance is furthermore deployed to account for the immediacy and evanescence characterizing the Berlin of classical modernity, a period that rehearsed the contradictions of modernization in accelerated form. From journalistic reportage to novels, the textual performance of Berlin necessitates an enabling reception and adaptation to the destabilizing nature of urban industrial modernity, which in turn can be plotted in two interrelated ways: first, in the proliferation of textual strategies which approximate the montage effect of the incipient modernization of the city; second, in the writerly anticipation of cinematic innovations as the scripting of a ‘moving’ urban culture of modernity. Taken together, these writings inhabit traveling geographies which provide models of performative identification for appropriating and embracing the complexity of the modern city.


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