Digital media and intellectual property

2019 ◽  
Author(s):  
Ronald M. Baecker
Keyword(s):  
Intellectual Property ◽  
Digital Media ◽  
Critical Issue ◽  
Copyright Infringement ◽  
High Price ◽  
Government Grants ◽  
Content Sharing ◽  
Vannevar Bush ◽  
Streaming Services ◽  
The Creation

Vannevar Bush envisioned a machine that would assist humanity in the creative work of writing. Doug Engelbart imagined the collaborative sharing and enhancement of knowledge. Digital media today—text, drawings, photos, audio, and video—surpass the visions of their pioneers. These media may be copied, shared, and modified in ways that challenge the legal system, because unrestricted content sharing without suitable payment to creators runs counter to intellectual property (IP) traditions and laws. Writers, musicians, artists, and inventors have long relied upon IP protection to enable them to control the use of their creations and inventions. Copyright infringement, that is, copying in violation of copyright, threatens the income that they could receive from their creations. The concept of fair use is a critical issue in such discussions, as it allows certain exceptions to copyright. One area that has received a great deal of attention is the digital copying and sharing of music; we shall examine the interplay between conventional behaviour, ethics, technical interventions to limit or block copying, laws and legal battles, and product and pricing innovation. Next, we shall look at similar issues in the domain of motion pictures. There are effective and legal streaming services, yet there are still concerns about copyright infringement. Copyright holders now automatically produce takedown notices to insist that websites remove illegally or improperly sourced material. Such notices include many errors, causing additional complications for video creators. One interesting challenge to the concept and laws of copyright occurs in the creation of mash-ups. Artists use fragments from existing musical or visual performances as well as their own material to create audio-visual works that combine multiple content sources. Artists, lawyers, and businesspeople debate the extent to which such mash-ups violate reasonable copyright protection. Copyright is also significant for academic articles and textbooks. There are two especially interesting cases to discuss. One is the widespread copying of textbooks by students due to the high price of texts. The other is the fair pricing of the publication of research results that have been funded by government grants. This issue has provided one of several stimuli to the creation of open access publications.

PERLINDUNGAN HAK ATAS KEKAYAAN INTELEKTUAL DI KOTA MAKASSAR

2019 ◽  
Vol 1 (1) ◽  
Author(s):  
Ashar Sinilele
Keyword(s):  
Intellectual Property ◽  
Legal Protection ◽  
Copyright Infringement ◽  
Copyright Holder ◽  
The Creation ◽  
The Right

AbstractLaw Copyright No. 19 of 2002 put copyright infringement as an ordinary offense no longer an offense. So that peraktis includes crime offenses. In the Copyright Act there are additional minimum and maximum criminal provisions, which are intended to counteract copyright infringement. The creator or heir has the right to sue the copyright holder to be included in his creation. A work must not be changed even though the copyright has been handed over to another party, except with the consent of his heirs in terms of creation has died. The provisions as referred to in paragraph (2) also apply to changes in the title and subhead of the creation, inclusion and alteration of the name or pseudonym of the creator.Keywords: Legal Protection, Intellectual Property RightsAbstrakUndang-undang Hak Cipta No. 19 Tahun 2002 menempatkan pelanggaran hak cipta sebagai delik biasa bukan lagi delik aduan. Sehingga peraktis termasuk delik-delik kejahatan. Dalam Undang-Undang Hak Cipta tersebut terdapat penambahan ketentuan pidana minimal dan maksimal, yang dimaksudkan untuk menangkal terhadap pelanggaran hak cipta. Pencipta atau ahli warisnya berhak menuntut pemegang hak cipta tetap dicantumkan dalam ciptaannya. Suatu ciptaan tidak boleh diubah walaupun hak ciptanya telah diserahkan kepada pihak lain, kecuali dengan persetujuan ahli warisnya dalam hal penciptaan telah meninggal dunia. Ketentuan sebagai mana dimaksud dalam ayat (2) berlaku juga terhadap perubahan judul dan anak judul ciptaan, pencantuman dan perubahan nama atau nama samaran pencipta.Kata Kunci : Perlindungan Hukum, Hak Atas Kekayaan Intelektual

scholarly journals A robust watermark algorithm for copyright protection by using 5-level DWT and two logos

2021 ◽  
Vol 22 (2) ◽  
pp. 842
Author(s):  
Alaa Rishek Hoshi ◽  
Nasharuddin Zainal ◽  
Mahamod Ismail ◽  
Abd Al-Razak T. Rahem ◽  
Salim Muhsin Wadi
Keyword(s):  
Intellectual Property ◽  
Property Rights ◽  
Digital Media ◽  
Intellectual Property Rights ◽  
Copyright Protection ◽  
Critical Issue ◽  
Digital Data ◽  
Robust Watermark ◽  
Protecting Intellectual Property ◽  
Watermark Algorithm

<span>Recent growth and development of internet and multimedia technologies have made it significant to upload data; however, in this situation, the protection of intellectual property rights has become a critical issue. Digital media, including videos, audios, and images are readily distributed, reproduced, and manipulated over these networks that will be lost copyright. Also, the development of various data manipulation tools like PDF converter and Photoshop Editor has resulted in digital data copyright issues. So, a digital watermarking technique has emerged as an efficient technique of protecting intellectual property rights by providing digital data copyright authentication and protection. In this technique, a watermarked document was integrated into electronic data to prevent unauthorized access. In this paper, A robust watermark algorithm based on a 5-level DWT and Two Log was proposed to enhance the copyright protection of images in unsecured media. Our lab results validate that our algorithm scheme is robust and forceful against several sets of attacks, and high quality watermarked image was achieved, where the algorithm was assessed by computation of many evaluation metrics such as PSNR, SNR, MAE, and RMSE.</span>

Cross-border copyright, complexity and collaboration: Approaching intellectual property across an international consortium of photo archives

2021 ◽  
Vol 46 (1) ◽  
pp. 3-6
Author(s):  
Melissa Gold Fournier
Keyword(s):  
Intellectual Property ◽  
Open Access ◽  
International Consortium ◽  
Cross Border ◽  
The Us ◽  
Research Platform ◽  
The Creation ◽  
The Cross

AbstractWhat are the cross-border intellectual property and copyright issues faced by PHAROS, an international consortium of photo archives, in the creation of an open access research platform? How does the consortium define open access? Are approaches to copyright in reproductive media across the US, UK and EU compatible, and can 14 partners from six countries agree to assess and express rights in the same way? Developments in the field and the consortium's 2020 International Copyright Workshop project have helped PHAROS define and address these issues.

scholarly journals Response to Melissa Raphael

2016 ◽  
Vol 6 (2) ◽  
pp. 23-25
Author(s):  
Ruth Illman
Keyword(s):  
Digital Media ◽  
Image Of God ◽  
Human Face ◽  
Human Beings ◽  
Jewish Art ◽  
Contemporary Issue ◽  
The Face ◽  
The Creation ◽  
The Image Of God ◽  
Ethical Demand

A response to Melissa Raphael’s article ‘The creation of beauty by its destruction: the idoloclastic aesthetic in modern and contemporary Jewish art’. Key themes discussed include the notion of human beings as created in the image of God, Levinas’s understanding of the face and its ethical demand as well as the contemporary issue of the commodification of the human face in digital media.

scholarly journals LOCAL MEDIA IN THE CORONA CRISIS: SIGNIFICANCE AND CHALLENGES ON THE EXAMPLE OF POŽEGA 034 PORTAL

2021 ◽  
Vol 21 (1) ◽  
Author(s):  
Ante Mandarić ◽  
Goran Matijević
Keyword(s):  
Public Health ◽  
Digital Media ◽  
Crisis Communication ◽  
The State ◽  
Public Research ◽  
The Public ◽  
Number Of Patients ◽  
Local Media ◽  
The World ◽  
The Creation

The epidemic of the disease COVID-19, in Požeština in relation to China, where it originated in other parts of Croatia, appeared somewhat later, while Požega-Slavonia County in terms of total share in relation to other counties in Croatia remained relatively well , 16th place, out of a total of 20 counties, ie a smaller number of patients was recorded. In the conditions of public health danger to the health and lives of people with expressed uncertainty, citizens around the world were flooded with numerous information, about the disease, ways of prevention, treatment that at one point threatened to turn into an infodemia, as warned by the WHO. The importance of crisis communication in such conditions is of great importance, and how governments and headquarters communicate messages about the crisis to the public, which is discussed in the first parts of the paper and points out several inconsistencies and illogicalities in the actions of the state headquarters. prohibition and permission to make recommendations contrary to the epidemiologist’s recommendations. But more important than the recommendations of headquarters and governments, today are the recommendations and news transmitted by digital media, and especially the local ones that bring news and recommendations for the area where we live. Therefore, the aim of this paper was to investigate in the central part the significance of the local 034 Portal in the Corona crisis, and its monitoring of the crisis and its impact on the public. Research through several segments, it was found that the portal maintained the level of reporting on regular events and adjusted reporting on the Crown to the conditions and situation in the county, not leading to sensationalism, concern, fear, but was a carrier of preventive activities and a good ally in the fight. against the epidemic, that is, he followed the guidelines for informing the WHO and did not contribute to the creation of an infodemia.

scholarly journals Peran Lembaga Manajemen Kolektif Sebagai Bentuk Perlindungan Hukum Pencipta Lagu Dan Pemilik Hak Terkait

2019 ◽  
Vol 22 (01) ◽  
pp. 37-54
Author(s):  
Elly Hernawati
Keyword(s):  
Intellectual Property ◽  
Property Rights ◽  
Intellectual Property Rights ◽  
Copyright Protection ◽  
Copyright Holder ◽  
Business Climate ◽  
Management Agency ◽  
Collective Management ◽  
The Creation ◽  
The Right

Copyright is one of the Intellectual Property Rights components and should be paid attention to. Even more in technology era that developing, copyright protection needed to be enhanced, so that the right of creator, Copyright holder or owner of relevant rights can be protected and urge people to create. Indirectly, good and healthy business climate could be fostered.  Not all people have skill to create, that is why those people who have skill to create must be protected and even awarded, hoping that people urged to create. One of the creations that protected are song and music. In creating song or music, creator involve recording producer, music director or arranger. Regarding the creation, creator holds moral and economy rights, while parties involved hold the relevant rights to it. Collective Management Agency is an agency that help creator or relevant rights owner in managing and distributing the creation which is song or music that being commercialized. Yet the creator must be the member of the agency beforehand. Commercialization of a song or music by user can rise problem. Protection to the song or music is for the whole thing, including lyric, notation, arrangement and song title. The utilization of a song or music should be still protecting the parties that hold the copyright and the relevant right to it.

scholarly journals Legal regulation of advertising agencies in the context of intellectual property law

2021 ◽  
pp. 5-10
Author(s):  
Nadiia Fedorova
Keyword(s):  
Intellectual Property ◽  
Property Rights ◽  
Legal Regulation ◽  
Practical Aspect ◽  
Advertising Agencies ◽  
Advertising Agency ◽  
Professional Business ◽  
The Creation ◽  
Business Entities ◽  
The Right

Keywords: advertising, legal regulation, subjects of advertising activity, consumerrights, advertising legislation, hidden advertising, comparative advertising The main prerequisite for the rationalization of advertisingactivities in all its scale is the methodological and planned preparation of advertisingmessages and their correct use at all stages of the advertising process. Advertisingagencies play an important role in being qualified coordinators between trade(distribution) and marketing, for the benefit of consumers.The specificity of legal relations arising in connection with the creation and distributionof advertising is associated with the fact that their subjects on the part ofadvertising producers are mainly professional business entities, which concludeagreements on the creation of advertising with their customers. Relationships betweenadvertising creators and advertising agencies are mainly built based onorder agreements for the creation and use of objects of intellectual property rightsor labour contracts. In this case, the author retains non-property intellectual propertyrights, while property rights in most cases pass to the advertising agency oradvertising customer.So, the author retains non-property rights, and, unfortunately, they, as a rule, areunimplemented properly in relations arising from the creation and distribution of advertising.Undoubtedly, we are talking about the right to a name. As a rule, advertisementsdon’t include their creators' name, regardless of how they are distributed.However, this doesn’t mean that the rights of the advertising author. or the rights ofthe advertisement constituent elements author may be violated. The legislation notesthe possibility not to indicate the name of the author with his consent or at his request.According to Law of Ukraine “Copyright and Related Rights”, the author has apersonal non-property right to demand recognition of his authorship by properly indicatingthe author's name on the work and its copies of any public use of the work, certainly,if it’s possible. However, the purpose of advertising is to disseminate informationabout a product or service and not about its author. For the practical aspect ofthis situation, it’s usually indicated that the producer is an advertising agency, notthe individual authors of the content.

Making It for the Screen

2015 ◽  
pp. 249-264
Author(s):  
Paul Chilsen
Keyword(s):  
Digital Media ◽  
Media Literacy ◽  
Teaching And Learning ◽  
Authentic Learning ◽  
The Internet ◽  
Creation Process ◽  
Screen Media ◽  
The World ◽  
The Creation ◽  
Digital Media Literacy

We are immersed in a culture of spoken media, written media, and now irrevocably, digital screen media. Just as writing and speaking skills are keys to functioning in society, we must consider that the world increasingly demands proficiency in “mediating” as well. Doing anything less leaves this powerful medium in the hands of a relative few. By offering instruction in what digital screen media is, how it is effectively created, how the Internet continues to alter communication, and how this all informs everyday teaching and learning, digital media literacy can become more broadly understood and accessible. This chapter follows a program developed by the Rosebud Institute and looks at how—using simple, accessible technology—people can become more digital media literate by creating screen products themselves. The creation process also enables deeper, more authentic learning, allowing us all to communicate more effectively, to self-assess more reflectively, and to thrive in a screen-based world.

Intellectual Property Protection on Multimedia Digital Library

2011 ◽  
pp. 2113-2117
Author(s):  
Hideyasu Sasaki
Keyword(s):  
Intellectual Property ◽  
Digital Library ◽  
Digital Libraries ◽  
Information Science ◽  
Database Design ◽  
Critical Issue ◽  
Intellectual Property Protection ◽  
Library Community ◽  
Digital Contents ◽  
The Right

The principal concern of this article is to provide researchers and practitioners in information science and technology with legal references on the concepts, issues, trends, and frameworks of intellectual property protection regarding multimedia digital library in engineering manner. Digital library is the global information infrastructure in the networked society (Borgman, 2003). A digital library, as an information system, consists of digital contents in databases and retrieval mechanisms. The right protection of digital library is a critical issue in the digital library community that demands frameworks for recouping their investment in database design and system implementation. Intellectual property law gives incentive to advance appropriate investment in database design and implementation with two types of intellectual property protection: copyright and patent (Jakes & Yoches, 1989; Junghans & Levy, 2006). Multimedia digital contents take a variety of forms including text, images, photos, and video streams, which often commingle in multimedia digital libraries. Nevertheless, present legal studies are not satisfactory as the source of technical interpretation of the intellectual properties regarding multimedia digital libraries. The intellectual property protection of the multimedia digital libraries demands clear and concise frameworks.

Sign in / Sign up

Export Citation Format

Share Document