From Insularity to Islandness
Chapter 3 draws on (post-)phenomenology, ecocriticism, and Benoît Mandelbrot’s fractal geometry to examine a set of diaries and memoirs from the US–Canadian border region in the Pacific Northwest that express a permeable conception of islands and the islanded self. It argues that memoirs like Helene Glidden’s The Light on the Island (1951), Muriel Wylie Blanchet’s The Curve of Time (1961), and David Conover’s Once Upon an Island (1967) imagine islands as spaces inserted within larger ecological and geological continuities. Their reimagination of islands in multiple interconnectedness disrupts arbitrarily drawn political borders, yet they also have a tendency to construct a unified ecological landscape with its own exclusions. Conversely, George Vancouver’s North Pacific journal—the foundational text for this chapter—and the geological diary of George Gibbs inadvertently offer a more radical island poetics: in these texts, the unfamiliar islandscapes aesthetically resist the cartographic drive to fix them.