‘The Marriage Outlaws’: Experiences of Marriage Breakdown Before Divorce

2019 ◽  
pp. 160-192
Author(s):  
Niamh Cullen

This chapter charts experiences of marriage breakdown and attitudes towards separation from the late 1940s to the 1970s. Although divorce was not legal until 1970, legal separations were permitted in this period. This chapter thus makes use of evidence from a case study of legal separations in late 1940s and 1950s Turin and from a smaller sample of diaries and memoirs that provide a broader geographical picture. While many of these writers separated in the 1970s, 1980s, and later, this chapter argues that the roots of breakdown can frequently be found in the economic miracle years, when the growing media focus on romantic love often did not match up to the reality of married life. Just as women were more likely to be ambivalent about their wedding, they were much more likely than men to ask for a separation or divorce. What we see also in these years is perhaps not simply greater dissatisfaction in marriage, but new languages to comprehend and give shape to it. The idea of marriage for love was key to the divorce campaigns, although the reality was that it was still very difficult for a woman to leave her marriage even up to the 1970s. While we see alternative narratives about love, marriage, and commitment developing from the unofficial culture around the post-war PCI to 1968, this chapter shows how work and feminism often gave women the tools they needed to leave their marriages.

Author(s):  
Niamh Cullen

This book investigates how the intimate lives of Italians were transformed during the post-war ‘economic miracle’ of the 1950s and 1960s, during which millions of Italians migrated to the cities, leaving behind rural ways of life and transforming how people thought about love, marriage, gender, and family. At the core of this book lies the investigation of almost 150 unpublished diaries and memoirs written by ordinary men and women who were growing up and coming of age during these years. The book weaves these personal stories together with the Italian popular culture of the time, which was saturated with both new and old ideas of romance. Films and magazines encouraged young Italians to put romantic love and individual desire over family, contributing to changing expectations about marriage, and sometimes tensions within families. At the same time popular love stories were frequently laced with jealousy, hinting at the darker emotions that were linked, in many minds, to love. Through its exploration of courtship, marriage, honour crime, forced marriage, jealousy, and marriage breakdown, this book traces the ways in which the lives both of individuals and of the nation itself were shaped by changing understandings of romantic love and its darker companions, honour and jealousy.


Author(s):  
C. Claire Thomson

Building on the picture of post-war Anglo-Danish documentary collaboration established in the previous chapter, this chapter examines three cases of international collaboration in which Dansk Kulturfilm and Ministeriernes Filmudvalg were involved in the late 1940s and 1950s. They Guide You Across (Ingolf Boisen, 1949) was commissioned to showcase Scandinavian cooperation in the realm of aviation (SAS) and was adopted by the newly-established United Nations Film Board. The complexities of this film’s production, funding and distribution are illustrative of the activities of the UN Film Board in its first years of operation. The second case study considers Alle mine Skibe (All My Ships, Theodor Christensen, 1951) as an example of a film commissioned and funded under the auspices of the Marshall Plan. This US initiative sponsored informational films across Europe, emphasising national solutions to post-war reconstruction. The third case study, Bent Barfod’s animated film Noget om Norden (Somethin’ about Scandinavia, 1956) explains Nordic cooperation for an international audience, but ironically exposed some gaps in inter-Nordic collaboration in the realm of film.


GeoJournal ◽  
1994 ◽  
Vol 32 (3) ◽  
pp. 253-259 ◽  
Author(s):  
Ivan Bičík ◽  
Vít Štěpánek
Keyword(s):  
Land Use ◽  

Author(s):  
Lies Wesseling

This article probes the extent to which literary history and cultural history may mutuallyilluminate each other, without neglecting the poetic dimension of literary works. Thispoetic dimension is embedded within the genre repertoires that shape the production andreception of literary works. One should therefore take into close account that the literaryrepresentation of social conflict is always deflected by the prism of genre conventions.Focusing on the case study of the Dutch Gothic novel, I argue that Gothic tales provide aspecific take on the post-war modernization of the Netherlands. As such, they make avaluable contribution to historical debates about the periodization of the sixties andseventies, not in spite of, but because of their specific poetic properties. Thus, it is verywell possible to bring literary works to bear upon the discussion of historical issueswithout either infringing upon the relative autonomy of the literary system or neglectingthe specific expertise of literary studies as a discipline in its own rights.


Author(s):  
Joy Damousi

It is in the US that the case study genre is reinvented within a politicised psychiatric-psychoanalytical framework in the work of Viola Bernard. Bernard’s writings pose enduring questions about the relationship between activism and US psychiatry, politics and race relations. This chapter traces Bernard’s efforts to develop a new, authoritative and politically effective narrative through her case notes and advocacy about black subjects. This involved mobilising the case study genre in the public domain at large, for political as well as medical purposes, in the context of a turbulent period in US history.


Author(s):  
Els De Vos ◽  
Eva Storgaard

The joint European+ project Re-use of Modernist Buildings (RMB) started its activities in 2016. It is an educational collaboration between different European universities and organisations. The main objectives of this initiative is on the one hand to enhance student and staff mobility through a shared educational programme on master degree level; on the other hand it is to develop transformation strategies for modernist  buildings, mainly from the post-war period. RMB wants to develop an educational approach to this specific architectural heritage based on common definitions, approaches and methodologies. It takes its point of departure in existing research, educational practices and reference projects in the partner countries. This paper discusses the need for appropriate approaches to modernist buildings, definitions of re-use strategies and the position of RMB – as well as how the project’s educational programme is conceived and structured. Additional a more detailed description of the concept and the making of a so-called Case Study Handbook of Modernist Buildings follows, illuminating its asset as an important research and design tool.


2019 ◽  
Vol 9 (5-s) ◽  
pp. 151-153
Author(s):  
Neha Pandya ◽  
Hetal P. Baraiya

Patient was anxious to conceive after active married life of 5 years. The present case study was done to evaluate the role of Ayurvedic Shodhana therapy i.e. Yogabasti for two consecutive menstrual cycles in the management of anovulation. After completing two courses of Yogabasti, improvement was noticed i.e. Ovulation study (during treatment - anovulatory cycle, After treatment - ovulatory cycle). The line of treatment was followed in this case was to treat the provoked Vata Dosha and vitiated Rasa Dhatu. There were no adverse effects found during the Ayurvedic Panchakarma procedure i.e. Yogabasti. Keywords: Anovulation, Panchakarma, Shodhana, Yogabasti


Author(s):  
Duncan William Maxwell ◽  
Mathew Aitchison

Over the past decade, Australia has witnessed increased interest in industrialised building, particularly in the production of housing. This has happened under many different banners, including: prefabricated, modular, transportable and offsite construction methodologies. This interest has grown from a combination of factors, including: increased rate of housing construction and density; rising property and construction costs; the desire for increased efficiency and productivity; and a concern for the quality and sustainability of building systems. Historically, Australia has played an episodic role in the emergence of prefab and transportable buildings since the colonial era, but it does not have a longstanding industrialised building industry. In this context, an analysis of the experiences of North American, European and Japanese examples, provides valuable insights. This paper focuses on Swedenäó»s approach to industrialised building and the lessons it holds for the emerging Australian sector. Sweden represents a valuable case study because of similarities between the two countries, including: the high standard of living, cost of labour, and design and quality expectations; along with geographic and demographic similarities. Conversely, stark differences between the national situation also co-exist, notably climate, business approaches, political outlook, and cultural factors. In the 1950s, Swedish companies exported prefab houses to Australia to combat the Post-War housing shortage, which also supplies a historical dimension to the comparison. Most importantly, Sweden boasts a longstanding industrialised building industry, both in terms of practice and theory. This paper will survey and compare the Swedish industry, and its potential relevance for Australia. Areas of discussion include: the relationship between industry and academy (practice and theory); the diversity of technique and methodologies and how they may be adapted; platform thinking (technical and operational); the staged industrialisation of conventional practices; and the importance of a socially, environmental and design-led practice of building.


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