Love and Incest
This chapter starts by discussing Orpheus as a figure who combines the roles of the archetypal poet and lawgiver (Horace, Ars Poetica 391–401; Ovid, Metamorphoses 10–11). While in Horace the legendary bard institutes marriage laws, in Ovid he is the founding father of pederasty. Orpheus’ version of the myth of Myrrha (a daughter who fell in love with her father) re-evaluates the prohibition on incest as the origin of the law of the father. Myrrha’s love is an attempt to appropriate patria potestas by challenging the father’s power to say no to incest. What is more, the myths of Orpheus and Myrrha resonate with Augustan Rome: Orpheus bears more than fleeting similarities to the teacher of the Ars amatoria; Cinyras and Myrrha recall Augustus and Julia, a resemblance that opens the gap between the intention of the law of the pater patriae and its undesirable effects.