Patron Saints: (1) The European Tradition of Aristocratic Liberalism

2020 ◽  
pp. 129-161
Author(s):  
Kenneth Dyson
Keyword(s):  
Bertrand Russell ◽  
Alexis De Tocqueville ◽  
Liberal Society ◽  
Inner Life ◽  
Jose Ortega Y Gasset ◽  
European Tradition ◽  
Cultural Order ◽  
Canonical Texts ◽  
Additional Value ◽  
Patron Saints

This chapter examines the key authors and texts that provided conservative liberalism and Ordo-liberalism with a distinctive aristocratic character: its paternalism, its scepticism about democracy, its discomfort with the commercial aspects of capitalism, and its belief in a hierarchy of ability. From their interwar origins, conservative liberalism and Ordo-liberalism were about more than the economic order. They were fundamentally about the kind of social and cultural order that was appropriate to a sustainable liberal society and that would stem the crisis of moral and intellectual values. Referencing of canonical texts with which the cultivated bourgeois intelligentsia was familiar had the additional value of endowing conservative liberals and Ordo-liberals with prestige. This chapter examines the most cited authors and texts in this literature: Lord John Acton, Julien Benda, Jacob Burckhardt, Johann Wolfgang Goethe, Gustave Le Bon, Frédéric Le Play, José Ortega y Gasset, Bertrand Russell, George Santayana, and Alexis de Tocqueville. It also looks at Friedrich Hayek’s attempt to establish the Acton-Tocqueville Society. These authors embodied a faith in an aristocracy of knowledge, a distrust of plebeian culture, and a belief in the quality of the inner life and in character as the foundation of a liberal society. Aristocratic liberalism rested on two fears: of unbridled democracy and of the despotic state; of anarchy and servitude. The chapter closes with reflections on the changing fortunes of aristocratic liberalism and their implication for conservative liberalism and Ordo-liberalism.

scholarly journals The Reconstruction of the European Mind: T. S. Eliot’s Criterion and the Idea of Europe

2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Jeroen Vanheste
Keyword(s):  
Interwar Period ◽  
Specific Role ◽  
The Political ◽  
European Identity ◽  
Hugo Von Hofmannsthal ◽  
Jose Ortega Y Gasset ◽  
European Culture ◽  
European Tradition ◽  
Political Events ◽  
European Values

T. S. Eliot was the founder and editor of the Criterion, a literary and cultural review with a European focus that was published during the interwar period. The Criterion functioned as a platform for intellectuals with a shared perception of European culture and European identity. It was part of a network of European periodicals that facilitated an intellectual exchange between writers and thinkers with a common orientation. Examples of other reviews in the Criterion network were the Nouvelle Revue Française from France, La Fiera Letteraria and Il Convegno from Italy, the Revista de Occidente from Spain (edited by José Ortega y Gasset), and Die Neue Rundschau, the Europäische Revue, and the Neue deutsche Beiträge (edited by Hugo von Hofmannsthal) from Germany. In this article, I investigate the specific role the Criterion network of reviews and intellectuals played as an infrastructure for the dissemination of ideas about European culture during the interwar period. I also discuss the content of these ideas about the ‘European mind’. As to the latter, I suggest that Eliot positioned himself as well as his magazine in the European tradition of humanist thinking. Unfortunately, the Criterion’s ambition for a reconstruction of the European mind would dissipate as the European orientation of the 1920s was displaced by the political events of the 1930s. Eliot and his Criterion network expressed a Europeanism that has often been overlooked in recent research. The ideas discussed in this network remain interesting in our time, in which discussions about European values and European identity are topical. What is also highly interesting is the role cultural reviews played during the interwar period as a medium for exchanging such ideas.

scholarly journals The First Witnesses. Martha, Longinus and Veronica in the Slavic Manuscript Tradition (Initial Observations)

2011 ◽  
Vol 1 ◽  
pp. 101-126
Author(s):  
Małgorzata Skowronek ◽  
Marek Majer
Keyword(s):  
Middle Ages ◽  
Literary Texts ◽  
Christian Tradition ◽  
Early Christian ◽  
The Bible ◽  
Manuscript Tradition ◽  
The One ◽  
Canonical Texts ◽  
Patron Saints ◽  
Popular Texts

The epithet ‘first witnesses’, conferred on the three saints in the title, is but a conventional designation; it seems fitting as common for the figures of saints, who gave proof of their devotion to Christ. Otherwise, although they make no simultaneous appearance in any of the canonical texts, there are – interestingly – far more interconnections between the three characters in pseudo-canonical and legendary literature than could be surmised from the lack thereof in the Bible. The aim of the paper is to present a literary picture of three New Testament heroes, as commemorated in different literary texts representing diverse cultural registers, even from the Ancient Christian Times until the close of the Middle Ages. Among them there are short and extended lives and passions of saints, liturgical poetry, as well as specific, more popular texts, such as ‘tales’ and legends. The material under discussion largely includes texts that form a part of the Slavic Orthodox tradition, depicting them on the background of fairly wellknown works belonging to the Western Christian tradition. It turns out that the legends are inspired by the canonical text on the one hand, while on the other hand they themselves infiltrate official texts – they become officially sanctioned as soon as their popularity is taken over and adopted by liturgical practice. It should be borne in mind that those legends – part of which is known both in the Eastern and in the Western Christianity – confirm one further crucial characteristic of texts constituting the canonical and pseudo-canonical tradition: the commonness of themes and motifs which can without exaggeration be called ‘wandering’. They determine the fact that there is hardly any originality in the formation of the characters of patron saints; moreover, on the level of creating the notion of sainthood and its reception, there seem to be far more common points than differences between both of the Early Christian traditions – the East and the West. The paper is an attempt to point out how the Christian tradition exemplifies various manifestations of holiness, what means it has for annotating, elucidating and embellishing the Biblical hypertext, and how it adapts pseudo-canonical legends for the purposes of liturgical use.

scholarly journals Nuevos lenguajes fílmicos en la vieja Europa: el cine social de los hermanos Dardenne

2013 ◽  
pp. 97-121
Author(s):  
Margarita Campillo ◽  
Juan Sáez ◽  
Andrés Zaplana
Keyword(s):  
Social Exclusion ◽  
Open Door ◽  
Film Analysis ◽  
Inner Life ◽  
Great Opportunity ◽  
Narrative Style ◽  
European Tradition ◽  
Palabras Clave ◽  
Characteristic Style ◽  
Siglo Xx

Resumen:Las películas de los hermanos Dardenne son documentos vivos, poblados de perso-najes marginales y excluidos, que ofrecen enormes posibilidades para reflexionar desde múltiples espacios educativos. Su obra presenta un reconocido estilo personal autoral, tanto en la forma como en las historias que aborda, susceptible de análisis y profundización. Adentrarse en ella y bucear su estilo narrativo es el objetivo de este estudio. Para  materializarlo se esboza, al inicio, la tradición europea creadora de nuevas formas de expresión fílmica a lo largo del siglo XX -desde el naturalismo poético francés hasta llegar al movimiento nórdico “Dogma 95”- para explorar, más detenidamente, a continuación la produc-ción de los directores belgas: siguiendo un planteamiento evolutivo que transita desde sus primeros trabajos que antecederán a “La promesa” (1996) hasta su último film, “El niño de la bicicleta”( 2011), en este texto se analizan las obras de ficción de los hermanos y el estilo característico que pre-domina en ellas.  Planos cortos, que trans-miten su propia vida interior, y de larga duración para que se pueda seguir atentamente la acción, filmación continua-da en el mismo orden programado en el guión, ausencia de música intrusiva, imá-genes despojadas de toda clase de buenos sentimientos… el sello personal de los Dardenne abre cauces novedosos de expresión comunicativa tan poderosos como creativos.   Abstract: The movies of the Dardenne brothers are living documents filled with marginalized characters that offer a great opportunity to think and reflect  from different educational perspectives.  Their work  has a very personal composition; for being ahead of its time and for the depth of its analysis. With this essay, we try to explore and dive deep in their narrative style. For that, we first draft their influences taken from the European tradition with its new ways of filmic expressions, throughout the XX century: from the poetic French naturalism to the Nordic movement “Dogma 95”, to explore in bigger detail, after that, the influence of the productions of Belgian directors: all of these following an evolutionary approach that goes from their first movies before “La promesse” (1996), to their last film, “The kid with a bike” ( 2011),in this text, we analyze their fictional tales and their characteristic style.  Close ups that describe an inner life and long shots to attend to the events in detail. The filming is always done in the order planned in the screenplay, there is always a lack of intrusive music, images without any kind of good feelings...the style of the Dardenne brothers which is an open door to new communicative styles, all of them powerful and creative. Palabras clave: Cine; historia del cine; análisis fílmico; narrativa audiovisual; exclusión social Keywords: Cinema; cinema history; film analysis; audiovisual narration; social exclusion

Preamble

2012 ◽  
Author(s):  
Alan Ryan
Keyword(s):  
Political Philosophy ◽  
Political Theory ◽  
Death Penalty ◽  
Political Thought ◽  
John Locke ◽  
Thomas Hobbes ◽  
John Stuart Mill ◽  
Bertrand Russell ◽  
Alexis De Tocqueville ◽  
Isaiah Berlin

This book explores the history and nature of liberalism and includes the views of political thinkers such as Thomas Hobbes, John Locke, John Stuart Mill, Bertrand Russell, Isaiah Berlin, Alexis de Tocqueville, Jean-Jacques Rousseau, and G.W.F. Hegel. Part 1 of the book deals with conceptual and practical issues and covers topics ranging from liberalism and freedom to culture, and death penalty. Part 2 deals with liberty and security and includes Hobbes's political philosophy as well as Locke's thoughts on freedom. Part 3 examines liberty and progress and includes topics such as Mill's political thought, utilitarianism and bureaucracy, democracy, and Berlin's political theory. Part 4 focuses on liberalism in America, and Part 5 is concerned with work, ownership, freedom, and self-realization.

Progress Toward Describing the Inner Life of the Dying

PsycCRITIQUES ◽  
2015 ◽  
Vol 60 (10) ◽  
Author(s):  
Madelaine Lawrence ◽  
Rebecca Ramirez
Keyword(s):  
Inner Life

Recurrent varicose veins below the knee after varicose vein surgery

Phlebologie ◽  
2007 ◽  
Vol 36 (03) ◽  
pp. 132-136
Author(s):  
M. W. de Haan ◽  
J. C. J. M. Veraart ◽  
H. A. M. Neumann ◽  
P. A. F. A. van Neer
Keyword(s):  
Varicose Vein ◽  
Varicose Veins ◽  
Varicose Vein Surgery ◽  
Proximal Point ◽  
Perforating Veins ◽  
Recurrent Varicose Veins ◽  
Below The Knee ◽  
Duplex Imaging ◽  
Additional Value

SummaryThe objectives of this observational study were to investigate whether varicography has additional value to CFDI in clarifying the nature and source of recurrent varicose veins below the knee after varicose vein surgery and to investigate the possible role of incompetent perforating veins (IPV) in these recurrent varicose veins. Patients, material, methods: 24 limbs (21 patients) were included. All patients were assessed by a preoperative clinical examination and CFDI (colour flow duplex imaging). Re-evaluation (clinical and CFDI) was done two years after surgery and varicography was performed. Primary endpoint of the study was the varicographic pattern of these visible varicose veins. Secondary endpoint was the connection between these varicose veins and incompetent perforating veins. Results: In 18 limbs (75%) the varicose veins were part of a network, in six limbs (25%) the varicose vein appeared to be a solitary vein. In three limbs (12.5%) an incompetent sapheno-femoral junction was found on CFDI and on varicography in the same patients. In 10 limbs (41%) the varicose veins showed a connection with the persistent below knee GSV on varicography. In nine of these 10 limbs CFDI also showed reflux of this below knee GSV. In four limbs (16%) the varicose veins showed a connection with the small saphenous vein (SSV). In three limbs this reflux was dtected with CFDI after surgery. An IPV was found to be the proximal point of the varicose vein in six limbs (25%) and half of these IPV were detected with CFDI as well. Conclusion: Varicography has less value than CFDI in detecting the source of reflux in patients with recurrent varicose veins after surgery, except in a few cases where IPV are suspected to play a role and CFDI is unable to detect these IPV.

Arthroscintigraphy in Suspected Rotator Cuff Rupture

1998 ◽  
Vol 37 (08) ◽  
pp. 272-278 ◽  
Author(s):  
S. Gratz ◽  
G. Köster ◽  
T. Behr ◽  
R. Vosshenrich ◽  
E. Grabbe ◽  
...  
Keyword(s):  
Rotator Cuff ◽  
Shoulder Joint ◽  
Clinical Signs ◽  
Diagnostic Efficiency ◽  
Rotator Cuff Rupture ◽  
Lower Viscosity ◽  
Rotator Cuff Lesion ◽  
Shoulder Region ◽  
Degenerative Alterations ◽  
Additional Value

Summary Aim: In order to evaluate the diagnostic efficiency of arthroscintigraphy in suspected rotator cuff ruptures this new imaging procedure was performed 20 times in 17 patients with clinical signs of a rotator cuff lesion. The scintigraphic results were compared with sonography (n = 20), contrast arthrography (n = 20) and arthroscopy (n = 10) of the shoulder joint. Methods: After performing a standard bone scintigraphy with intravenous application of 300 MBq 99m-Tc-methylene diphosphonate (MDP) for landmarking of the shoulder region arthroscintigraphy was performed after an intraarticular injection of 99m-Tc microcolloid (ALBURES 400 μCi/5 ml). The application was performed either in direct combination with contrast arthrography (n = 10) or ultrasound conducted mixed with a local anesthetic (n = 10). Findings at arthroscopical surgery (n = 10) were used as the gold standard. Results: In case of complete rotator cuff rupture (n = 5), arthroscintigraphy and radiographic arthrography were identical in 5/5. In one patient with advanced degenerative alterations of the shoulder joint radiographic arthrography incorrectly showed a complete rupture which was not seen by arthroscintigraphy and endoscopy. In 3 patients with incomplete rupture, 2/3 results were consistant. A difference was seen in one patient with a rotator cuff, that has been already revised in the past and that suffered of capsulitis and calcification. Conclusion: Arthroscintigraphy is a sensitive technique for detection of rotator cuff ruptures. Because of the lower viscosity of the active compound, small ruptures can be easily detected, offering additional value over radiographic arthrography and ultrasound, especially for evaluation of incomplete cuff ruptures.

The Event Universe

2015 ◽  
Author(s):  
Leemon B. McHenry
Keyword(s):  
Electromagnetic Field ◽  
Quantum Mechanics ◽  
Common Sense ◽  
Physical Theory ◽  
Alfred North Whitehead ◽  
Bertrand Russell ◽  
Theory Of Relativity ◽  
The World ◽  
Modern Physics ◽  
Linguistic Methods

What kinds of things are events? Battles, explosions, accidents, crashes, rock concerts would be typical examples of events and these would be reinforced in the way we speak about the world. Events or actions function linguistically as verbs and adverbs. Philosophers following Aristotle have claimed that events are dependent on substances such as physical objects and persons. But with the advances of modern physics, some philosophers and physicists have argued that events are the basic entities of reality and what we perceive as physical bodies are just very long events spread out in space-time. In other words, everything turns out to be events. This view, no doubt, radically revises our ordinary common sense view of reality, but as our event theorists argue common sense is out of touch with advancing science. In The Event Universe: The Revisionary Metaphysics of Alfred North Whitehead, Leemon McHenry argues that Whitehead's metaphysics provides a more adequate basis for achieving a unification of physical theory than a traditional substance metaphysics. He investigates the influence of Maxwell's electromagnetic field, Einstein's theory of relativity and quantum mechanics on the development of the ontology of events and compares Whitehead’s theory to his contemporaries, C. D. Broad and Bertrand Russell, as well as another key proponent of this theory, W. V. Quine. In this manner, McHenry defends the naturalized and speculative approach to metaphysics as opposed to analytical and linguistic methods that arose in the 20th century.

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