Other Worlds

2021 ◽  
pp. 151-194
Author(s):  
Laura Kolb
Keyword(s):  
Early Modern ◽  
Center Stage ◽  
The World ◽  
Poetic Imagination ◽  
Compound Interest ◽  
The Relationship

Chapter 4 turns from social fictions to fictive renderings of the wide and variegated world of trade. Early modern merchandise mirrored—and fueled—the poetic imagination. In turn, poets conjured fantastic visions of the world structured by trade. Ben Jonson’s Volpone exemplifies the period association of circulating commodities with poetic creativity: between world and word. Yet the play, remarkably, lacks debt relations. Decades later, Jonson revisits the relationship between word and world in his late, strange The Magnetic Lady, where credit takes center stage. The play’s figure of commerce, Moth Interest, is a moneylender whose verbal and imaginative capacity marks him as an heir of Jonson’s Volpone but renders him out of place in an economy increasingly oriented towards abstract capital and away from tangible wealth. Reading this play alongside tables of compound interest and tables of logarithms, the chapter argues that the play represents a world turning toward the abstract and numerical, and away from the verbal and material. It thus signals an end to the fictions of credit that had animated the Shakespearean stage: fictions that were fundamentally local and dialogic, developed in the interplay of artifice and interpretation.

Traducing the Soul: Donne's Second Anniversarie

PMLA ◽  
2006 ◽  
Vol 121 (5) ◽  
pp. 1493-1508 ◽  
Author(s):  
Ramie Targoff
Keyword(s):  
Early Modern ◽  
Early Modern Literature ◽  
The Self ◽  
Modern Literature ◽  
Marked Contrast ◽  
The Earth ◽  
The World ◽  
The Relationship

Readers have long acknowledged John Donne's lament for the decay of the world in the two Anniversarie poems commemorating Elizabeth Drury. What has not been acknowledged is the extent to which the second of these poems stages the reluctance of the soul to depart from the carcass of the earth so vividly depicted in the first. In The Second Anniversarie, Donne does something unprecedented in early modern literature: he gives voice to a soul that cannot bear to leave its earthly body behind. This essay argues that Donne represents a mutual longing between soul and body that stands in marked contrast to conventional Protestant depictions of the relationship between the two parts of the self. His explanation for such mutual longing, I contend, derives from his belief in the corporeal origins of the soul. (RT)

Visionary Spenser and the Poetics of Early Modern Platonism

2017 ◽  
Author(s):  
Kenneth Borris
Keyword(s):  
Early Modern ◽  
Edmund Spenser ◽  
Faerie Queene ◽  
Elizabeth I ◽  
The Sublime ◽  
The World ◽  
Poetic Imagination ◽  
National Significance ◽  
Shepheardes Calender ◽  
The Faerie Queene

This book defines Platonism’s roles in early modern theories of literature, then turns to reappraise the Platonizing major poet Edmund Spenser. Platonic concerns and conceptions profoundly affected early modern English and continental poetics, yet the effects have had little attention. Literary Platonism energized pursuits of the sublime, and knowledge of this approach to poetry yields cogent new understandings of Spenser’s poetics, his major texts, his poetic vocation, and his cultural influence. By combining Christian resources with doctrines of Platonic poetics such as the poet’s and lover’s inspirational furies, the revelatory significance of beauty, and the importance of imitating exalted ideals rather than the world, he sought to attain a visionary sublimity that would ensure his enduring national significance, and he thereby became a seminal figure in the English literary “line of vision” including Milton and Blake among others. Although readings of Spenser’s Shepheardes Calender typically bypass Plato’s Phaedrus, this text deeply informs the Calender’s treatments of beauty, inspiration, poetry’s psychagogic power, and its national responsibilities. In The Faerie Queene, both heroism and visionary poetics arise from the stimuli of love and beauty conceived Platonically, and idealized mimesis produces its faeryland. Faery’s queen, projected from Elizabeth I as in Platonic idealization of the beloved, not only pertains to temporal governance but also points toward the transcendental Ideas and divinity. Whereas Plato’s Republic valorizes philosophy for bringing enlightenment to counter society’s illusions, Spenser champions the learned and enraptured poetic imagination, and proceeds as such a philosopher-poet.

“Topophilia” and “Topophobia”:Towards Phenomenology of Spacial Experience

2020 ◽  
pp. 55-65
Author(s):  
Kate I. Khan ◽  
Keyword(s):  
The Body ◽  
Critical Comparison ◽  
Psychological Diagnosis ◽  
Subjective Judgement ◽  
The World ◽  
Poetic Imagination ◽  
Human Attitude ◽  
The Right ◽  
The Relationship ◽  
The City

The research is dedicated to the critical comparison of two phenomenological strategies that elaborate the issue of space (G. Bachelard’s and D. Trigg’s), and link the placement in space with the emotional and bodily experience and the ca­pacity of human to extend beyond. Phenomenological descriptions of the spacial experience indicate the deeply emotional colouring of human attitude towards place, that implies searching for one’s “own place in the world”, or a home. The article develops the idea that the relationship between the human and the space (or the way the body perceives the space) can be conceptualized through the concepts of topophilia and topophobia. This explanation has existential ground, and it has to deal with poetic imagination, hope and anxiety. The con­cepts of the friendly/unfriendly landscape or environment cannot be reduced to the personal or subjective judgement on its ergonomics, but it also cannot be limited to the constructive characteristics and pecularities of some place per­ceived as a “workspace”, “leisure area” etc. The friendliness of the space as such can be comprehended through the phenomenological description of bodily expe­rience and the corresponding research of topophilia and topophobia, which should be treated not as psychological diagnosis or concrete attitudes of con­sciousness, but as phenomena, which are revealing itself in the world. Phe­nomenology of bodily presence in space can be seen as a prolific method, that could provide the descriptions of experience, which are necessary for implemen­tation of “the right of the city” (H. Lefebvre).

scholarly journals World Soul – Anima Mundi: The Origins and Fortunes of a Fundamental Idea edited by Christoph Helmig

2021 ◽  
Vol 2 (1) ◽  
Author(s):  
Christina Hoenig
Keyword(s):  
Early Modern ◽  
Life Forms ◽  
Western Philosophy ◽  
Fundamental Idea ◽  
Creative Commons ◽  
Physical Universe ◽  
The World ◽  
Human Understanding ◽  
Anima Mundi ◽  
The Relationship

The idea of a world soul, first meaningfully explored in Western philosophy in Plato’s dialogue Timaeus, has been drawn on throughout its doctrinal history to explain the relationship between god and the cosmos with its ensouled life forms. It has played a fundamental role in accounts concerning the organization and nature of the physical universe and our human understanding thereof, and has thus featured in a range of cosmological, biological, and epistemological contexts. This collection of essays illustrates many such contexts, demonstrating that the world soul was a more or less continuous staple of ancient philosophical thought, at least until the time of the Neoplatonists. The volume follows its history chronologically, beginning with the world soul’s early stirrings in Heraclitus’ concept of universal λόγος, and ending with a glance at its Nachleben in Renaissance and early modern philosophy. Reviewed by: Christina Hoenig, Published Online (2021-08-31)Copyright © 2021 by Christina HoenigThis open access publication is distributed under a Creative Commons Attribution-NonCommercial-NoDerivatives License (CC BY-NC-ND) Article PDF Link: https://jps.library.utoronto.ca/index.php/aestimatio/article/view/37728/28730 Corresponding Author: Christina Hoenig,University of PittsburghE-Mail: [email protected]

Kazakhstan’s Economic Growth in the Context of the World Economy

2006 ◽  
pp. 133-146 ◽  
Author(s):  
K. Arystanbekov
Keyword(s):  
Economic Growth ◽  
Economic Policy ◽  
World Economy ◽  
World Ocean ◽  
Direct Access ◽  
Crude Petroleum ◽  
Nation States ◽  
The World ◽  
The Relationship

Kazakhstan’s economic policy results in 1995-2005 are considered in the article. In particular, the analysis of the relationship between economic growth and some indicators of nation states - population, territory, direct access to the World Ocean, and extraction of crude petroleum - is presented. Basic problems in the sphere of economic policy in Kazakhstan are formulated.

“All in a Garden Green”: Shakespeare's Staging of Garden Imagery

2019 ◽  
Vol 26 (2) ◽  
pp. 227-252
Author(s):  
Deborah Solomon
Keyword(s):  
Early Modern ◽  
Literary Tradition ◽  
The Public ◽  
The World ◽  
Audience Interaction ◽  
The Many ◽  
Green World

This essay draws attention to the surprising lack of scholarship on the staging of garden scenes in Shakespeare's oeuvre. In particular, it explores how garden scenes promote collaborative acts of audience agency and present new renditions of the familiar early modern contrast between the public and the private. Too often the mention of Shakespeare's gardens calls to mind literal rather than literary interpretations: the work of garden enthusiasts like Henry Ellacombe, Eleanour Sinclair Rohde, and Caroline Spurgeon, who present their copious gatherings of plant and flower references as proof that Shakespeare was a garden lover, or the many “Shakespeare Gardens” around the world, bringing to life such lists of plant references. This essay instead seeks to locate Shakespeare's garden imagery within a literary tradition more complex than these literalizations of Shakespeare's “flowers” would suggest. To stage a garden during the sixteenth and seventeenth centuries signified much more than a personal affinity for the green world; it served as a way of engaging time-honored literary comparisons between poetic forms, methods of audience interaction, and types of media. Through its metaphoric evocation of the commonplace tradition, in which flowers double as textual cuttings to be picked, revised, judged, and displayed, the staged garden offered a way to dramatize the tensions produced by creative practices involving collaborative composition and audience agency.

Virginia Woolf and Being-in-the-world

2017 ◽  
Author(s):  
Emma Simone
Keyword(s):  
Virginia Woolf ◽  
Historical Context ◽  
The Political ◽  
Cartesian Dualism ◽  
Self And Other ◽  
The World ◽  
Binary Oppositions ◽  
The Individual ◽  
The Relationship ◽  
Existential Perspective

Virginia Woolf and Being-in-the-world: A Heideggerian Study explores Woolf’s treatment of the relationship between self and world from a phenomenological-existential perspective. This study presents a timely and compelling interpretation of Virginia Woolf’s textual treatment of the relationship between self and world from the perspective of the philosophy of Martin Heidegger. Drawing on Woolf’s novels, essays, reviews, letters, diary entries, short stories, and memoirs, the book explores the political and the ontological, as the individual’s connection to the world comes to be defined by an involvement and engagement that is always already situated within a particular physical, societal, and historical context. Emma Simone argues that at the heart of what it means to be an individual making his or her way in the world, the perspectives of Woolf and Heidegger are founded upon certain shared concerns, including the sustained critique of Cartesian dualism, particularly the resultant binary oppositions of subject and object, and self and Other; the understanding that the individual is a temporal being; an emphasis upon intersubjective relations insofar as Being-in-the-world is defined by Being-with-Others; and a consistent emphasis upon average everydayness as both determinative and representative of the individual’s relationship to and with the world.

A Māori Girl Watches, Listens, and Learns – Coming of Age from an Indigenous Viewpoint: Mauri (Merata Mita, 1988)

2018 ◽  
Author(s):  
Alistair Fox
Keyword(s):  
Indigenous People ◽  
Coming Of Age ◽  
Natural World ◽  
Feature Film ◽  
Indigenous Woman ◽  
Spiritual Dimension ◽  
The World ◽  
Life Force ◽  
Relationship Of ◽  
The Relationship

This chapter examines Merata Mita’s Mauri, the first fiction feature film in the world to be solely written and directed by an indigenous woman, as an example of “Fourth Cinema” – that is, a form of filmmaking that aims to create, produce, and transmit the stories of indigenous people, and in their own image – showing how Mita presents the coming-of-age story of a Māori girl who grows into an understanding of the spiritual dimension of the relationship of her people to the natural world, and to the ancestors who have preceded them. The discussion demonstrates how the film adopts storytelling procedures that reflect a distinctively Māori view of time and are designed to signify the presence of the mauri (or life force) in the Māori world.

On Metaphysics and the Political: A Polemics of Reading Baudelaire in the 1930s

2019 ◽  
Vol 58 (2) ◽  
pp. 249-259
Author(s):  
Joseph Acquisto
Keyword(s):  
Twentieth Century ◽  
Political Crisis ◽  
The Political ◽  
Modern Poetry ◽  
Progressive Politics ◽  
The World ◽  
Relationship Of ◽  
The Relationship ◽  
Insight Into

This essay examines a polemic between two Baudelaire critics of the 1930s, Jean Cassou and Benjamin Fondane, which centered on the relationship of poetry to progressive politics and metaphysics. I argue that a return to Baudelaire's poetry can yield insight into what seems like an impasse in Cassou and Fondane. Baudelaire provides the possibility of realigning metaphysics and politics so that poetry has the potential to become the space in which we can begin to think the two of them together, as opposed to seeing them in unresolvable tension. Or rather, the tension that Baudelaire animates between the two allows us a new way of thinking about the role of esthetics in moments of political crisis. We can in some ways see Baudelaire as responding, avant la lettre, to two of his early twentieth-century readers who correctly perceived his work as the space that breathes a new urgency into the questions of how modern poetry relates to the world from which it springs and in which it intervenes.

Divine Machines

2011 ◽  
Author(s):  
Justin E. H. Smith
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Scientific Inquiry ◽  
Life Sciences ◽  
Theoretical Interest ◽  
Living World ◽  
Mechanical Philosophy ◽  
Organic Life ◽  
The World ◽  
Generation Theory

Though it did not yet exist as a discrete field of scientific inquiry, biology was at the heart of many of the most important debates in seventeenth-century philosophy. Nowhere is this more apparent than in the work of G. W. Leibniz. This book offers the first in-depth examination of Leibniz's deep and complex engagement with the empirical life sciences of his day, in areas as diverse as medicine, physiology, taxonomy, generation theory, and paleontology. The book shows how these wide-ranging pursuits were not only central to Leibniz's philosophical interests, but often provided the insights that led to some of his best-known philosophical doctrines. Presenting the clearest picture yet of the scope of Leibniz's theoretical interest in the life sciences, the book takes seriously the philosopher's own repeated claims that the world must be understood in fundamentally biological terms. Here it reveals a thinker who was immersed in the sciences of life, and looked to the living world for answers to vexing metaphysical problems. The book casts Leibniz's philosophy in an entirely new light, demonstrating how it radically departed from the prevailing models of mechanical philosophy and had an enduring influence on the history and development of the life sciences. Along the way, the book provides a fascinating glimpse into early modern debates about the nature and origins of organic life, and into how philosophers such as Leibniz engaged with the scientific dilemmas of their era.

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