Two Early Modern Revolts

2019 ◽  
pp. 45-70
Author(s):  
Susan Marks

This chapter continues the discussion of early English social criticism with a consideration of two uprisings of the early modern period: Kett’s Rebellion (1549) and the Midland Rising (1607). These uprisings were formidable instances of organised resistance to enclosure and related changes, and the texts which have come down to us concerning them connect that resistance to a belief in the original equality of all human beings, the common humanity of rich and poor, and the fundamental right of everyone to live (including the right to buy essential provisions at a fair and affordable price).

1990 ◽  
Vol 32 (1) ◽  
pp. 3-23 ◽  
Author(s):  
Kathleen Biddick

Debate over the rise of agrarian capitalism in Europe has established the historiographic chronology, locus, and conceptualization of European development. Proponents of contending schools (the “commercial” or the “political”) have focused on the late medieval through early modern period in England as the crucial time and place of the transformation but argue whether agrarian capitalism derived from economic or political structures (Ashton and Philpin 1985).' Neither school has questioned the common methodology of mapping social and cultural transformation onto a structural matrix. Steps taken by historians, anthropologists, and archaeologists to decenter the European narrative of development have faltered at this same structuralist dilemma.


Religions ◽  
2019 ◽  
Vol 10 (6) ◽  
pp. 355
Author(s):  
Gregory M. Clines

Scholars have long known that Jain authors from the early centuries of the common era composed their own versions of the story of Rāma, prince of Ayodhyā. Further, the differences between Jain and Brahminical versions of the narrative are well documented. Less studied are later versions of Jain Rāma narratives, particularly those composed during the early modern period. This paper examines one such version of the Rāma story, the fifteenth-century Sanskrit Padmapurāṇa by the Digambara author Brahma Jinadāsa. The paper compares Jinadāsa’s work with an earlier text, the seventh-century Sanskrit Padmapurāṇa, authored by Raviṣeṇa, as Jinadāsa explains that he has at hand a copy of his predecessor’s work and is recomposing it to make it “clear”. The paper thus demonstrates the multiple strategies of abridgement Jinadāsa employs in recomposing Raviṣeṇa’s earlier narrative and that, to Jinadāsa, this project of narrative abridgement was also one of clarification.


Author(s):  
Vasily G. Shchukin ◽  

The article describes the phenomenon of the so-called “democratic estate”, which took on the function of a cultural nest. Democracy, in accordance with Russian tradition, dating back to the discourse of the intelligentsia of the XIX century, is identified with the plebeian, motley origin of the inhabitants of the estate. This problem is considered on the basis of the art culture of Krakow at the end of the XIX and beginning of the XX centuries. In the era of modernism, in the wake of the neo-romantic enthusiasm for the problems of the national spirit and the “organic” life of the common people, in western Galicia, which is one of the provinces of Austria-Hungary, such forms of homestead life appeared that could be called exceptional, unique against the background of other manifestations of the democratization of the estate. Cracow artists and then poets and playwrights, discovering the beauty of the village of Małe Bronowice, located near Cracow, and captivated by folk costumes and the beauty of village girls, married them one by one and moved to village huts, but at the same time transformed the latter into real cultural nests. One of these weddings — the poet Lucian Rydel and the daughter of the village headman Jadwiga Mikołajczyk — inspired the outstanding artist and playwright Stanislav Wyspiańsky to create the most famous national drama of the modernist era — the play “The Wedding” (1901). This work, among other things, depicts the tragedy of mutual misunderstanding of the people and the intelligentsia, which impedes the national revival and, ultimately, the restoration of the country’s independence. The author of the article seeks to prove that the “democratic estate” served not only the necessary simplification of the educated stratum of society, but also the introduction of a high, essentially metropolitan culture into the life and consciousness of the lower strata.


2021 ◽  

The responsibility to protect and intervention possessed a central political importance in the early modern period. This volume asks whether there was also a duty to intervene alongside the right to do so. This draws attention to the relationship between the responsibility to protect, security and reputation, which is the focus of the contributions the book contains. Chronologically, they range from the 15th to the 18th centuries and discuss monarchical duties to protect, alliance commitments, confessional legitimation and motives, as well as those based on patronage, contractual relationships and electoral processes. One of the book’s important findings is a deeper understanding of reputation, which is comprehensively examined here as a political guiding factor with reference to changing understandings of security for the first time.


Author(s):  
Don Garrett

BENEDICT DE SPINOZA was one of the most important philosophers of the early modern period and one of the most systematic. Before his death in 1677, at the age of forty-four, he developed a comprehensive conception of the universe and of the place of humanity within it, one that offers distinctive and powerful answers to many of the most fundamental questions that human beings face about how to think, feel, and act....


2017 ◽  
Vol 18 (1) ◽  
pp. 30-57 ◽  
Author(s):  
Mel Evans

Abstract This paper investigates the formal and functional dimensions of reported discourse in sixteenth-century correspondence. It focuses on how letter-writers report the utterances – spoken, thought and written – of high-status sources (namely, the king or queen), in order to assess how the early modern reporting system compares with the present-day equivalent. The early modern values of authenticity, verbatim reporting and verbal authority are examined. The results taken from the Parsed Corpus of Early English Correspondence (PCEEC) suggest that early modern writers prefer to present royal language using indirect reports with semi-conventionalised linguistic features that clearly mark the authority of the source. Only an elite few, associated with the Court, use direct speech. The paper suggests that reporting practices distinguish between speech and writing, with the latter showing nascent signs of anxiety over verbatim reporting. I argue that these trends arise from the larger cultural shift from oral to written records taking place throughout the early modern period.


2014 ◽  
Vol 43 (2) ◽  
pp. 228-242
Author(s):  
Kevin Bond

This paper examines the commercial and recreational cultures of the urban Buddhist temple during Japan’s Edo or early modern period (1603–1868) as depicted in popular guidebooks to famous places ( meisho ki). Encouraged by advances in travel and communication, and a vibrant bourgeois culture, meisho guidebooks presented religious sites to the common public not as static, immobile spaces catering only to otherworldly spiritual concerns, but as open and elastic geographies simultaneously offering immediate material rewards and leisurely and commercial attractions to visitors. As unique media of local religion, guidebooks reflect how the reputation and allure of popular Buddhist temples among the general public were driven by the commodification of local legends and objects of worship, as well as material pleasures of religious spaces. This paper argues the importance of guidebooks in the production of public knowledge and expectation about religious sites in early modern Japan. These guides reveal material concerns and entertainment not as having been antithetical to the operation of Buddhist institutions, but rather as supports for the spread of Buddhist teachings and popularization of deity worship among the urban populace.


2018 ◽  
Vol 7 ◽  
pp. LWFB1-LWFB9
Author(s):  
T. G. Ashplant

The term life writing “from below” is intended to be broad (accommodating) in a double sense: as regards the social status of authors, but also the genre of writing. The phrase “from below” draws on an analogy with the now well-established formulation “history from below” (Sharpe; Hitchcock). In the first instance it refers to authors from low down in a class or status hierarchy. Depending on the society and period in focus, such authors may be slaves, serfs, peasants, crofters, landless labourers, artisans, industrial workers … and may be referred to as—or may designate themselves—plebeians, the labouring poor, the common people, the popular classes, artisans, proletarians, the working class. For the early modern period, James Amelang explains his choice of the term “popular autobiography”:


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