Wisdom and Wisdom Literature

Author(s):  
Will Kynes

This chapter introduces the volume by arguing that the study of biblical wisdom is in the midst of a potential paradigm shift, as interpreters are beginning to reconsider the relationship between the concept of wisdom in the Bible and the category Wisdom Literature. This offers an opportunity to explore how the two have been related in the past, in the history of Jewish and Christian interpretation, how they are connected in the present, as three competing primary approaches to Wisdom study have developed, and how they could be treated in the future, as new possibilities for understanding wisdom with insight from before and beyond the development of the Wisdom Literature category are emerging.

2021 ◽  
Author(s):  
◽  
Eleanor Jane Rainford

<p>‘Ka mua, ka muri’, Walking backwards into the future, is a Māori proverb that aptly describes the findings of this thesis. That we should look to the past to inform the future is arguably the purpose of history, yet we have to walk back far enough. Tracing back from the present, this thesis will address what has driven political, economic, environmental and social change within the South Wairarapa region from 1984 to the present day. The region has experienced significant changes to its physical and social environment over the past thirty years. Many modern historians have attributed the key changes of this period, such as agricultural intensification, diversification, rising unemployment and environmental degradation, to the economic re-structuring of the Fourth Labour Government. This thesis will argue that these changes, and neoliberal reform itself, are consequent of much longer historiographical trends. Examination of the historical context and legacies of the intensification of dairy farming, rise of the viticulture industry, and the relationship between Ngāti Kahungunu and Rangitāne o Wairarapa and their whenua, reveals complexities in the history of the region that histories of neoliberal change commonly conceal. The identification of these long running historiographical trends aides understanding of the historical context in which neoliberal reform occurred, and provides alternative narratives for the changes that have occurred over the past thirty years. Furthermore, it suggests alternative trajectories for how viticulture, agriculture and Te Ao Māori may walk into the future.</p>


2021 ◽  
Author(s):  
◽  
Eleanor Jane Rainford

<p>‘Ka mua, ka muri’, Walking backwards into the future, is a Māori proverb that aptly describes the findings of this thesis. That we should look to the past to inform the future is arguably the purpose of history, yet we have to walk back far enough. Tracing back from the present, this thesis will address what has driven political, economic, environmental and social change within the South Wairarapa region from 1984 to the present day. The region has experienced significant changes to its physical and social environment over the past thirty years. Many modern historians have attributed the key changes of this period, such as agricultural intensification, diversification, rising unemployment and environmental degradation, to the economic re-structuring of the Fourth Labour Government. This thesis will argue that these changes, and neoliberal reform itself, are consequent of much longer historiographical trends. Examination of the historical context and legacies of the intensification of dairy farming, rise of the viticulture industry, and the relationship between Ngāti Kahungunu and Rangitāne o Wairarapa and their whenua, reveals complexities in the history of the region that histories of neoliberal change commonly conceal. The identification of these long running historiographical trends aides understanding of the historical context in which neoliberal reform occurred, and provides alternative narratives for the changes that have occurred over the past thirty years. Furthermore, it suggests alternative trajectories for how viticulture, agriculture and Te Ao Māori may walk into the future.</p>


Author(s):  
Nick Hubble

The introduction defines and contextualises what William Empson called ‘the popular, vague, but somehow obvious, idea of proletarian literature’. After discussing various theories of proletarian literature, including Empson’s conception of it as a version of pastoral, it is analysed in terms of a complex intersectional relationship between gender and class and illustrated by a case study of Naomi Mitchison’s We Have Been Warned. The second half of the introduction begins with a detailed reception history of proletarian literature before going on to discuss the relationship between proletarian literature and modernism. The final section lays out the argument of the book and argues that the key orientation of proletarian modernist writing is to the future rather than the past.


2016 ◽  
Vol 27 (1) ◽  
pp. 56-61 ◽  
Author(s):  
Michelle Aebersold

Simulation has had a long and varied history in many different fields, including aviation and the military. A look into the past to briefly touch on some of the major historical aspects of simulation in aviation, military, and health care will give readers a broader understanding of simulation’s historical roots and the relationship to patient safety. This review may also help predict what the future may hold for simulation in nursing. Health care, like aviation, is driven by safety, more specifically patient safety. As the link between simulation and patient safety becomes increasingly apparent, simulation will be adopted as the education and training method of choice for such critical behaviors as communication and teamwork skills.


1992 ◽  
Vol 20 (1) ◽  
pp. 20-27 ◽  
Author(s):  
Paul C. Vitz

After a summary of sources of power contained in narratives as proposed by Kilpatrick (1986), a case history of Christian narrative counseling is presented. Emphasis is on a narrative conclusion to the counseling process that focuses on the client's future. This future is understood as a story constructed by the client in response to God's call: the working out of a vocation. The vocation story, interpreted in the framework of Northrop Frye's (1957) four narrative archetypes, is primarily a comedy or romance, not tragedy or irony. The therapist's role in a narrative ending to therapy is interpreted as similar to that of a coach. Narrative models in psychology are also identified as part of a major paradigm shift to a less positivistic psychology, one that is much more compatible with Christian Scripture than is the traditional scientific paradigm.


2015 ◽  
Vol 1 ◽  
Author(s):  
Stefano Collicelli Cagol

The recent debate on the relationship between histories of exhibition and art history tends to consider the former as supplementary to the latter. While it is certainly not the case that art history of the second half of the twentieth century should be reduced to a history of exhibitions—given the variety of contexts in which artists have operated—exhibition histories should likewise not be addressed only to enrich art historical narratives, or be selected according to their relationship to an art historical canon. In fact, exhibition histories provide critical tools to approach history in itself: by revealing cultural debates of the past, they help retracing histories of ideas; their expanded field highlights the connections between art and other realms, such as commerce, and they reveal politics and policies of an institution, stressing the latter in order to create a narrative to understand the present and imagine the future.


2016 ◽  
pp. 126-137
Author(s):  
Piotr Petrykowski

[full article and abstract in Lithuanian; abstract in English] This article discusses the relationship between the development of individual identity and the culture of social memory. The starting point of the analysis is the hermeneutics of biblical texts referencing the postulate to remember and commemorate specific events in the history of the people of Israel. Such remembrance, however, is not understood solely as a memory of the past, but instead becomes the point of reference for the present and the future. The results of the analysis of the biblical texts are then referenced to education in contemporary social and cultural settings. The author points out that breaking with the past causes confusion and disorientation with regard to the reference points in the future and ultimately affects the meaning of the present, which – deprived of perspective – acquires its own autotelic value. The lack of the culture of memory also results in reducing the past to an idyllic form, illusionary rather than authentic, thus becoming a mere object of longing. It also reduces the future to the merely incidental, uprooted from the past events and thoughtlessly independent of the human being.


2017 ◽  
pp. 5-21 ◽  
Author(s):  
E. Yasin

The article is devoted to major events in the history of the post-Soviet economy, their influence on forming and development of modern Russia. The author considers stages of restructuring, market reforms, transformational crisis, and recovery growth (1999-2011), as well as a current period which started in2011 and is experiencing serious problems. The present situation is analyzed, four possible scenarios are put forward for Russia: “inertia”, “mobilization”, “decisive leap”, “gradual democratic development”. More than 30 experts were questioned in the process of working out the scenarios.


2014 ◽  
Vol 59 (1) ◽  
pp. 49-60
Author(s):  
Davide Sparti

Obwohl jede menschliche Handlung mit einem gewissen Grad an Improvisation erfolgt, gibt es kulturelle Praktiken, bei denen Improvisation eine überwiegende Rolle spielt. Um das Risiko zu vermeiden, einen zu breiten Begriff von Improvisation zu übernehmen, konzentriere ich mich im vorliegenden Beitrag auf den Jazz. Meine zentrale Frage lautet, wie Improvisation verstanden werden muss. Mein Vorgehen ist folgendes: Ich beginne mit einem Vergleich von Improvisation und Komposition, damit die Spezifizität der Improvisation erklärt werden kann. Danach wende ich mich dem Thema der Originalität als Merkmal der Improvisation zu. Zum Schluss führe ich den Begriff affordance ein, um die kollektive und zirkuläre Logik eines Solos zu analysieren. Paradigmatisch wird der Jazzmusiker mit dem Engel der Geschichte verglichen, der nur auf das Vergangene blickt, während er der Zukunft den Rücken zugekehrt hat, und lediglich ihr zugetrieben wird. Weder kann der Improvisierende das Material der Vergangenheit vernachlässigen noch seine genuine Tätigkeit, das Improvisieren in der Gegenwart und für die Zukunft, aufgeben: Er visiert die Zukunft trotz ihrer Unvorhersehbarkeit über die Vermittlung der Vergangenheit an.<br><br>While improvised behavior is so much a part of human existence as to be one of its fundamental realities, in order to avoid the risk of defining the act of improvising too broadly, my focus here will be upon one of the activities most explicitly centered around improvisation – that is, upon jazz. My contribution, as Wittgenstein would say, has a »grammatical« design to it: it proposes to clarify the significance of the term »improvisation.« The task of clarifying the cases in which one may legitimately speak of improvisation consists first of all in reflecting upon the conditions that make the practice possible. This does not consist of calling forth mysterious, esoteric processes that take place in the unconscious, or in the minds of musicians, but rather in paying attention to the criteria that are satisfied when one ascribes to an act the concept of improvisation. In the second part of my contribution, I reflect upon the logic that governs the construction of an improvised performance. As I argue, in playing upon that which has already emerged in the music, in discovering the future as they go on (as a consequence of what they do), jazz players call to mind the angel in the famous painting by Klee that Walter Benjamin analyzed in his Theses on the History of Philosophy: while pulled towards the future, its eyes are turned back towards the past.


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