scholarly journals Perception, Exploration, and the Primacy of Touch

Author(s):  
Matthew Ratcliffe

This chapter addresses the question of whether and how the relationship between touch, the body, and bodily activity might be distinctive. I begin by raising a problem for any claim concerning the nature of “touch”: it is unclear what touch is, and all generalizations concerning touch are susceptible to counterexamples. Following this, I consider a recent formulation of the view that tactual perception sometimes utilizes bodily exploration in a distinctive way, and show why that view is problematic. I go on to address various formulations of the claim that touch is somehow more fundamental than the other senses, insofar as it is more intimately bound up with our bodily nature. All of these turn out to be unclear or implausible. I conclude that the most plausible case for the primacy of touch involves an appeal to its diversity, rather than to any particular characteristic of touch.

Author(s):  
D. T. Gauld ◽  
J. E. G. Raymont

The respiratory rates of three species of planktonic copepods, Acartia clausi, Centropages hamatus and Temora longicornis, were measured at four different temperatures.The relationship between respiratory rate and temperature was found to be similar to that previously found for Calanus, although the slope of the curves differed in the different species.The observations on Centropages at 13 and 170 C. can be divided into two groups and it is suggested that the differences are due to the use of copepods from two different generations.The relationship between the respiratory rates and lengths of Acartia and Centropages agreed very well with that previously found for other species. That for Temora was rather different: the difference is probably due to the distinct difference in the shape of the body of Temora from those of the other species.The application of these measurements to estimates of the food requirements of the copepods is discussed.


Paragraph ◽  
2021 ◽  
Vol 44 (2) ◽  
pp. 238-256
Author(s):  
Andrew Sackin-Poll

This article addresses the question of the relationship between corporeality and the ordinary in the works of François Laruelle. This is done through the formulation of the ‘ordinary body’ that draws from across Laruelle's work on the ordinary, corporeality and photography in order to outline Laruelle's radically immanent account of embodiment. The critical outline of Laruellean corporeality and the ordinary body is drawn out via a critical posing of Laruelle in contrast to Deleuze and Guattari. In doing so, the article indicates the singular difference between Laruelle, on one side, and Deleuze and Guattari, on the other, with respect to corporeal immanence and the usage of the everyday and ordinary. The article concludes with an argument that the relationship between the body and the ordinary in Laruelle's thought implies a novel non-philosophical or non-standard ‘poetics’ and usage of the ordinary.


2007 ◽  
Vol 23 (1-2) ◽  
pp. 13-20
Author(s):  
Andrey Kurtenkov

It is related leg problems to the realization of the necessity of doing a detailed analysis of the phenotype correlations between body weight and exterior measurements. As a result of the study, lower coefficients have been obtained of the correlation between the girth of the tarso metatarsus on one hand, and the body weight and the girth behind the wings, on the other hand (respectively 0.563 and 0.608), compared with the one between the body weight and the girth behind the wings (0.898). It is advisable in the selection of ostriches to take into consideration the necessity of a higher phenotypic correlation between the girth of the tarso metatarsus on the one hand, and the body weight and the girth behind the wings on the other hand, with a view to preventing leg problems.


Parasitology ◽  
1941 ◽  
Vol 33 (1) ◽  
pp. 110-116 ◽  
Author(s):  
Kenneth M. Smith

Extracts of caterpillars and other insects are shown to inhibit the infective power of tobacco mosaic and tobacco necrosis viruses. The inhibitor is not sedimented after spinning for 2½ hr. at 30,000 r.p.m. Experiments with non-vector insects such as caterpillars have shown that the virus of sugar-beet curly-top, of tobacco ringspot and other viruses, are destroyed within the body of the insect. On the other hand, tobacco mosaic virus passes through the body of the caterpillar unchanged though greatly reduced in concentration. By the use of the specific insect vector and artificial feeding methods it was possible to recover the virus of curly-top 24 hr. after it had been injected into the blood of the caterpillar but the viruses of tobacco mosaic and tobacco necrosis could not be so recovered. Experimental evidence is given to show that the virus of beet curly-top is present in the saliva of viruliferous insects.


2018 ◽  
Vol 26 (6) ◽  
pp. 1611-1622 ◽  
Author(s):  
Vibeke Bruun Lorentsen ◽  
Dagfinn Nåden ◽  
Berit Sæteren

Background: People with progressive cancer experience that their bodies change due to disease and/or treatment. The body is integral to the unity of the human being, a unity that must be perceived as whole if dignity shall be experienced. Relatives are in touch with the suffering bodies of their dear ones, physically, socially, mentally, and existentially, and thus the relatives’ experiences of the bodies of their dear ones might yield insight into the concept of dignity. Aim: The aim of this study is to explore relatives’ experiences of the patients’ bodily changes from a perspective of dignity. Research design and method: A total of 12 relatives from a hospice in Norway were interviewed. Gadamer’s ontological hermeneutics inspired the interpretation. Ethical considerations: The principles of voluntariness, confidentiality, withdrawal, and anonymity were respected during the whole research process. The Norwegian Social Science Data Services approved the study. Results and conclusion: The conversations about the body were conversations about ambivalent or paradoxical matters that shed light on the concept of dignity. The results show that the relatives got in touch with elements that otherwise would have remained tacit and unspoken, and which gave glimpses of a deeper truth, which might reveal the core of dignity. Furthermore, the relatives’ confirmation of the ambivalence might be understood as a strong ethical obligation to treat the other with dignity. The confirmation may also reveal the relatives’ unselfish love of the other, which can be understood as the core of ethics and ethos. Finally, the results reveal the relatives’ limited insight into their dear ones’ bodily changes, and we discuss the challenges of truly seeing the other. Body knowledge and the relationship between body and dignity as phenomena cannot be ignored and needs more attention and articulation in clinical nursing practice and in nursing research.


2016 ◽  
Vol 8 (2) ◽  
pp. 126
Author(s):  
Gunne Grankvist ◽  
Petri Kajonius ◽  
Bjorn Persson

<p>Dualists view the mind and the body as two fundamental different “things”, equally real and independent of each other. Cartesian thought, or substance dualism, maintains that the mind and body are two different substances, the non-physical and the physical, and a causal relationship is assumed to exist between them. Physicalism, on the other hand, is the idea that everything that exists is either physical or totally dependent of and determined by physical items. Hence, all mental states are fundamentally physical states. In the current study we investigated to what degree Swedish university students’ beliefs in mind-body dualism is explained by the importance they attach to personal values. A self-report inventory was used to measure their beliefs and values. Students who held stronger dualistic beliefs attach less importance to the power value (i.e., the effort to achieve social status, prestige, and control or dominance over people and resources). This finding shows that the strength in laypeople’s beliefs in dualism is partially explained by the importance they attach to personal values.</p>


Author(s):  
Joanne Diaz

Shakespeare’s comedies feature characters who are always open to the possibilities of Ovidian transformation, and in four comedies in particular—Two Gentlemen of Verona, Taming of the Shrew, Love’s Labour’s Lost, and Much Ado about Nothing—the transformation can be a painful one. This chapter surveys these four comedies in order to understand the relationship between teaching and taming. I engage with recent Shakespeare criticism that foregrounds the importance of Ovid’s work to the rhetorical practices of Tudor-era grammar schools. I also draw upon readings of Ovid’s Heroides, Ars Amatoria, and Metamorphoses in order to articulate a vision of a pedagogical enterprise that on the one hand privileged translation and transformation and on the other hand attempted to regulate the bodies of Tudor schoolboys. In doing so, I explore the complex Ovidian engagements that produced knowledge of the body and of relationships in Shakespeare’s culture and on his stage.


1982 ◽  
Vol 98 (2) ◽  
pp. 241-245 ◽  
Author(s):  
T. W. Searle ◽  
N. McC. Graham ◽  
J. B. Donnelly

SUMMARYCorriedale and Dorset Horn castrate male (wether) lambs reared at pasture were weaned at 19 kg live weight (LW), brought indoors and fed a high protein diet such that half of each group grew at ca. 200 g/day and the other half at ca. 100 g/day. Animals were slaughtered at 25 and 30 kg LW and chemical composition (protein, fat, energy, water and ash) of the body determined. The relationship between each body component and shorn empty-body weight was examined by regression analysis.Within levels of feeding the results were similar in the two breeds. When comparisons were made between feeding levels, the slower-growing animals contained more fat, energy and ash than the faster-growing group, less water, but similar amounts of protein at any given empty-body weight.


2017 ◽  
Vol 5 (3) ◽  
pp. 272
Author(s):  
Jordi Morell Rovira

The article explores the relationship of the person with the hole through both literal and metaphorical situations. On the one hand, it points up the body in seclusion and suspended in a time interval, as in the case of the accident at the mine in San José (Chile) or works by artists like J. Wall, G. Schneider or R. Ondák. In this way, opposed feelings evoke the experiences of waiting and/or punishment, which are explanatory of a confined body or a hole. Literature, cinema and art deal with these events from multiple aspects, which become existential allegories about the individual. On the other hand, the act of digging gains prominence as a symbol of work, but also of the absurd. Recalling the ambivalence that may suggest a person making a hole, this article carries out a drift through works by artists of different generations and contexts, such as C. Burden, M. Heizer, F. Miralles, Geliti, S. Sierra, F. Alÿs, M. Salum, X. Ristol or N. Güell. A series of clearly performative or conceptual works, where the act of digging, drilling, burying or unburying become common practices that show the diversity of meanings and intentions.


Maska ◽  
2016 ◽  
Vol 31 (179) ◽  
pp. 34-45
Author(s):  
Renaud Herbin

The close connection between creation, theory, and institutions is the starting point for the author’s reflection on the kinds of spaces the latter should prepare. He emphasises that of particular interest are those spaces that are established between different approaches (or rather relationships between the body, the object, and the image). In Reprendre son soufflé by Julika Mayer, the puppet and the actor form a relationship that leaves none of the participants untouched but allows their identities to be changed. Similarly, the puppeteer-dancer in Uta Gebert’s Anubis reveals himself in order to uncover the relationship which links him and the puppet: both exist solely in motion, in the zone of exchange. Bodies and objects, assembled into body-objects, seem to meet by chance in Miet Warlop’s Springville, but in the forefront is the Image, which follows a visual logic in placing the body-objects in different configurations. On the other hand, the space occupied by the body in Yngvild Aspeli’s Signaux is undefined: the actor, his puppet-double, and his phantom limb embody a feeling of strangeness and pain. In the project Anémochore, Christophe Le Blay enables the embodiment of the environment (the wind) in the image of a recorded trace, with which a dancer then engages in dance. Space is therefore something unfinished, something open, undefinable and empty, all of which applies equally to bodies, objects, and images.


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