Street “Luxuries”

2020 ◽  
pp. 413-433
Author(s):  
Melissa Calaresu
Keyword(s):  
Sixteenth Century ◽  
Material Culture ◽  
Early Modern ◽  
Fast Food ◽  
Food Choices ◽  
Social Distinction ◽  
History Of ◽  
Nutritional Needs ◽  
Early Modern Rome ◽  
The City

The history of eating on the street presents particular challenges as the extant material culture is especially limited. This chapter reveals the variety of food sold on the streets of early modern Rome through the study of a series of images of street sellers printed in the late sixteenth century in response to the growing ethnographic interest of travelers to the city. This chapter turns on its head what was considered a luxury in the early modern economy as these images suggest the range of foodstuffs which cannot be simply understood as daily necessities to meet the basic nutritional needs of the city’s inhabitants such as raw cooking materials or hot fast food. Instead, these images suggest that labor-saving products such as hulled rice or even products such as sweetmeats, which were normally associated with the work of the steward of an aristocratic house and the elite “dressing” of the table, were being sold on the streets. Therefore, despite the inherent ephemerality of the act of selling and eating food and the lack of surviving material culture, these images reveal the complexity of determining social distinction through food choices in early modern Rome.

Introduction

2017 ◽  
Author(s):  
Tom Hamilton
Keyword(s):  
Sixteenth Century ◽  
Material Culture ◽  
Early Modern ◽  
Everyday Life ◽  
Civil Wars ◽  
Modern History ◽  
Early Modern History ◽  
History Of Collecting ◽  
History Of ◽  
Late Renaissance

This chapter explores the material culture of everyday life in late-Renaissance Paris by setting L’Estoile’s diaries and after-death inventory against a sample of the inventories of thirty-nine of his colleagues. L’Estoile and his family lived embedded in the society of royal office-holders and negotiated their place in its hierarchy with mixed success. His home was cramped and his wardrobe rather shabby. The paintings he displayed in the reception rooms reveal his iconoclastic attitude to the visual, contrasting with the overwhelming number of Catholic devotional pictures displayed by his colleagues. Yet the collection he stored in his study and cabinet made him stand out in his milieu as a distinguished curieux. It deserves a place in the early modern history of collecting, as his example reveals that the civil wars might be a stimulus as much as a disruption to collecting in sixteenth-century France.

Benedict XIV’s donation of Amazonian objects to the Istituto delle Scienze of Bologna (1751) Origins and history

2020 ◽  
Author(s):  
Samuele Tacconi
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Amazon Basin ◽  
New World ◽  
Documentary Evidence ◽  
Jesuit Missions ◽  
History Of ◽  
Jesuit Missionary ◽  
The City

Abstract In 1751 Pope Benedict XIV made a donation of Amazonian objects to the Istituto delle Scienze in Bologna, a scientific academy located in the city of his birth. This article reconstructs the history of this group of objects back to its origins in the Jesuit missions of the upper Amazon basin, by presenting and examining new documentary evidence. The encounter between a Jesuit missionary and Pope Benedict XIV is analysed in the context of the early modern reception of the New World and its peoples in Catholic Europe. Finally, an overview is presented of the items in this collection, which represent some of the scarcest and oldest known examples of native material culture from the region.

The Book of the Sick of Santa Maria della Morte in Bologna and the Medical Organization of a Hospital in the Sixteenth-Century

Nuncius ◽  
2016 ◽  
Vol 31 (1) ◽  
pp. 163-235 ◽  
Author(s):  
Paolo Savoia
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Young Student ◽  
Medical Organization ◽  
Internal Organization ◽  
The Poor ◽  
History Of ◽  
The City ◽  
Santa Maria

In 2012 a manuscript was rediscovered in the Biblioteca dell’Archiginnasio of Bologna, titled Libro degli infermi dell’Arciconfraternita di S. Maria della Morte. It is the record of incoming patients of one for the main hospitals of the city, devoted exclusively to the sick poor and not just to the poor, called Santa Maria della Morte, compiled by a young student assistant (astante) for the period 1558–1564. I publish here a transcription of a portion of this Libro pertaining to the year 1560. My introduction situates the manuscript within the context of the history of early modern Italian hospitals, describes the organization of the hospital of Santa Maria della Morte based on archival sources of the period, and finally highlights the connections between surgical and anatomical education and the internal organization of the hospital.

scholarly journals INTERCONFESSIONAL INTERACTIONS ON THE TERRITORIES OF UKRAINE IN THE FIRST HALF OF XVI CENTURY AND THEIR EFFECTS ON EDUCATION AND CULTURE

2020 ◽  
pp. 68-74
Author(s):  
Ruslana Mnozhynska
Keyword(s):  
Sixteenth Century ◽  
Material Culture ◽  
Early Modern ◽  
State Building ◽  
Cultural Development ◽  
Religious Culture ◽  
Point Of View ◽  
Catholic Faith ◽  
History Of ◽  
National Ideology

The article examines the spiritual and religious culture of Ukraine in the first half of the sixteenth century, which is one of the most interesting and poorly researched topics in the history of cultural development of Ukraine. It was during this period that the foundations were laid for the formation of early-modern national thought in its various ways - rationalistic and mystical; Renaissance-humanist and reformist ideas were formed, which later functioned and developed within the boundaries of Ukrainian Baroque culture. There is still an opinion that among the main Christian denominations in Ukraine - Orthodox, Catholic, Protestant and Uniate - national, state-building has always been and is still only Orthodox. As for the “Catholic movement” - Ukrainians of the Catholic faith, almost nothing is known about them in the general public. Meanwhile, from the point of view of national ideology, the "Catholic Rus" for the culture of Ukrainian did, probably, not less than the Greek Catholics or the Orthodox, and could produce no less than the cultural forces for both the Ukrainian material culture and the spiritual.

Picturing the Square, Streets, and Denizens of Early Modern Istanbul: Practices of Urban Space and Shifts in Visuality

2020 ◽  
Vol 37 (1) ◽  
pp. 139-177
Author(s):  
Çiğdem Kafescioğlu
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Urban Space ◽  
Public Spaces ◽  
Political Environment ◽  
Spatial Practices ◽  
Public Square ◽  
History Of ◽  
And Shifts ◽  
The City

Abstract Exploring intersections of spaces, practices, and representations of urbanity and the city in late sixteenth-century Istanbul, this paper traces the emergence of a new set of themes centered on the main public square, the streets, and the denizens of the Ottoman capital in illustrated court histories. It considers new visual imaginings of city and urbanity in view of three issues that resonate with the history of early modern Istanbul: modalities and the lexicon of vision as they took shape parallel to changing spatial practices; the making of a new urban public, and polyphonic forms of representation concomitant to the emergence of new publicities; the conflicted political environment that turned the city’s public spaces into arenas of contestation in the later decades of the 1500s. To this end, the article focuses on narrative paintings and texts of a set of manuscripts created between the late 1580s and the turn of the seventeenth century, and with particular attention to the Sūrnāme-i Humāyūn (Book of Festivities, 1588), explores the notions and connections that shaped them.

Coda: Repositioning Early Modern Prague on the Global Stage

2021 ◽  
pp. 1-2
Author(s):  
Suzanna Ivanič
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Cultural History ◽  
Early Modern Period ◽  
Religious Change ◽  
Early Modern Europe ◽  
Modern Period ◽  
Musical Knowledge ◽  
Historical Moment ◽  
The City

The question that sparked this forum was to what extent we can see Prague as an important stage for Renaissance and Reformation exchange and as an internationally connected city. It is striking, though not unexpected, that all the authors have been drawn to some extent to sources and subjects in Rudolfine Prague. It must be stressed, however, that the emphasis of each of these studies is somewhat different to an older field of “Rudolfine studies.” The researchers here do not focus on the emperor's court but use it as context. It is tangential to their main focal points—on Jewish communities, religious change, and the exchange of scientific and musical knowledge—and these are first and foremost historians not of Prague but of social and cultural history, music, art, material culture, and religion. This indicates a marked shift from the historiography. For this generation of scholars, Prague is not only a city that is home to a fascinating and intriguing art historical moment but is also a city of early modern international connections. It provides a unique context for understanding communities, everyday experiences, religion, and culture in early modern Europe—a multilingual, multiconfessional, and multicultural mixing pot whose composition changed dramatically across the early modern period. Rudolf's court was certainly a catalyst for these crossings and encounters, but they did not fade away after his death in 1612, nor were they limited to the confines of the castle above the city.

Kharkiv Scenography School of O. Khvostenko-Khvostov: The Experience of Professionalization

2021 ◽  
Vol 2021 (02) ◽  
pp. 85-95
Author(s):  
V. Chechyk ◽  
Keyword(s):  
Material Culture ◽  
Teaching Practice ◽  
Early Years ◽  
Music And Literature ◽  
Avant Garde ◽  
Theatrical Design ◽  
Outstanding Teachers ◽  
History Of ◽  
Compulsory Subject ◽  
The City

The article is devoted to the early years of formation of Kharkiv scenography school and to the creative and pedagogical activities of Olexander Khvostenko-Khvostov (1895–1967). It was reported that the bold experiments of this artist, in the field of theatrical design of 1918–1922, made him one of the central figures of Kharkiv avant-garde scene (“Mystery Buff”; “The Army in the City”; “Lilyuli”, etc), strengthening the reputation of an innovator and causing the beginning of pedagogical activity at the Kharkiv Art College in 1921. The theatrical and decorative workshop was opened at the faculty of painting at the Kharkiv Art College in 1922, it was headed by A. Khvostenko-Khvostov. Among the first graduates were such bright alumni as A. Volnenko, P. Suponin, V. Ryftin, A. Bosulaev, B. Chernyshov, and others. Fundamental provisions of the educational program, which A. Khvostenko borrowed from the teaching practice of A. Exter (Kyiv Studio, 1918–1920), reflected the formation idea of future theater artist’s synthetic thinking. It is known that the education program of the Theater and Scenery Workshop of KAC, equally with the Studio of A. Exter, in addition to the subjects common to all students of painting and drawing faculty as special subjects (theatrical scenery, technique and technology of the stage, etc.) included also the history of theater (I. Turkeltaub), material culture, costume, music and literature (A. Beletsky). O. Khvostenko paid special attention to theoretical and practical issues of composition. He introduced the course of fundamentals of directing (V. Vasilko) as a compulsory subject. Much of what the students mastered at the Workshop was tested on the professional stages of Kharkiv theaters. Associated with the Kharkiv Art School for a quarter of a century (1921–1946), O. Khvostenko-Khvostov has not still been included in the pantheon of its outstanding teachers.

Ritual Time and Popular Expectations of Papal Rule in Early Modern Rome

2019 ◽  
Vol 45 (1) ◽  
pp. 29-49
Author(s):  
John M. Hunt
Keyword(s):  
Early Modern ◽  
Moral Economy ◽  
The Political ◽  
The People ◽  
The Future ◽  
Imminent Death ◽  
Early Modern Rome ◽  
The City

The political and ritual life of early modern Rome provided its inhabitants ample opportunities not only to express grievances with papal government but also to voice expectations of newly elected pontiffs. Three ritual moments in particular—each linked as a cycle related to the pope’s reign—looked toward the future. These were the papal election, the possesso (the newly elected pontiff’s procession to San Giovanni in Laterano), and the pope’s death. As the papal election commenced in the conclave, Romans communicated their hopes for a pontiff who would adhere to a traditional moral economy by keeping the city abundantly supplied with grain and other foodstuffs. The ceremonies connected to the possesso reinforced these concerns; during the pope’s procession from Saint Peter’s to San Giovanni, the people greeted him with placards, statues, and ritual shouts, which reminded him to uphold this sacred duty. A pope who failed to abide by this moral economy faced popular discontent. This took the form of murmuring and pasquinades that wished for his imminent death, thus anticipating an end to his odious reign and to the future freedoms of the vacant see, a time in which the machinery of papal government and justice halted, allowing the people to vocalize their anger. Immediately on the heels of the pope’s death came the papal election, starting the cycle anew. This paper will argue that the rhythms of papal government enabled the people to articulate their expectations of papal rule, both present and future, grounded in traditional paternalism.

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