Roman Britain since Haverfield

2015 ◽  
Author(s):  
Martin Millett
Keyword(s):  
Twentieth Century ◽  
Historical Context ◽  
First Century ◽  
Roman Britain ◽  
History Of Research ◽  
Research Activities ◽  
Early Twentieth Century ◽  
History Of ◽  
Changing Patterns ◽  
The Subject

This chapter reviews the history of research on Roman Britain from the early twentieth century down to the first decade of the twenty-first century. It discusses changes in the scope and character of research activities with a particular emphasis on the historical context and the personal and professional connections between those involved in the subject. This involves looking at the links between teachers and their students as well as the networks created by joint participation in fieldwork. This analysis includes a summary of the networks connecting the contributors to this Handbook. The principal figures active in the study of Roman Britain are discussed and key publications on the subject evaluated in the context of changing patterns of research.

Marry Me?

Love, Inc. ◽  
2019 ◽  
pp. 83-112
Author(s):  
Laurie Essig
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
First Century ◽  
Financial Resources ◽  
The Real ◽  
Early Twentieth Century ◽  
Real Change ◽  
History Of ◽  
Twenty First Century ◽  
Diamond Ring

Getting engaged now requires more emotional and financial resources than ever before. Here Essig traces the history of engagements from the birth of companionate marriages in the nineteenth century to the invention of rituals like the bended knee and fetish items like the diamond ring in the early twentieth century. But the real change happened at the beginning of the twenty-first century, as engagements became “spectacular,” requiring not just highly staged events but also highly produced videos and images that could then be disseminated to the larger world.

The Desert Fayum in the twenty-first century

Antiquity ◽  
2018 ◽  
Vol 92 (361) ◽  
pp. 233-238
Author(s):  
Simon Holdaway ◽  
Rebecca Phillipps ◽  
Joshua Emmitt ◽  
Veerle Linseele ◽  
Willeke Wendrich
Keyword(s):  
Twentieth Century ◽  
Recent Article ◽  
The State ◽  
First Century ◽  
Agricultural Origins ◽  
North Shore ◽  
History Of Research ◽  
History Of ◽  
State Of Research ◽  
Academic Debate

From 1924–1928, Gertrude Caton-Thompson and Elinor Gardner surveyed and excavated Epipalaeolithic and Neolithic sites across the Fayum north shore in Egypt, publishing a volume entitled The Desert Fayum (1934). Since then, a number of researchers have worked in the Fayum (e.g. Wendorf & Schild 1976; Hassan 1986; Wenke et al. 1988; Kozłowski & Ginter 1989), and most recently the UCLA/RUG/UOA Fayum Project. The long history of research in the area means that the Fayum is a testament to changing archaeological approaches, particularly regarding the Neolithic. Caton-Thompson and Gardner's study is recognised as one of the most progressive works on Egyptian prehistory, and their research provided the foundation for many subsequent studies in the region (e.g. Wendrich & Cappers 2005; Holdaway et al. 2010, 2016; Shirai 2010, 2013, 2015, 2016a; Emmitt 2011; Emmitt et al. 2017; Holdaway & Wendrich 2017). A recent article in Antiquity, however, uses Caton-Thompson and Gardner's preliminary interpretations of their excavations at a stratified deposit in the Fayum, Kom W, to generate a series of speculative statements concerning agricultural origins in the region (Shirai 2016b). The majority of these statements are very similar to conclusions initially made by Caton-Thompson and Gardner in the first half of the twentieth century, and new data and theory needed to reassess earlier conclusions are not considered. Recently published studies concerning the Fayum north shore and adjacent regions provide a different view of the state of research in this region and the Egyptian Neolithic in general. Here we acquaint Antiquity readers with current archaeological approaches to the Fayum north shore Neolithic, with the intent of stimulating academic debate.

Concepción Arenal and the place of women in modern international law

2020 ◽  
Vol 88 (1-2) ◽  
pp. 211-253
Author(s):  
Ignacio de la Rasilla
Keyword(s):  
Twentieth Century ◽  
International Law ◽  
Legal History ◽  
Historical Context ◽  
International Congress ◽  
Early Twentieth Century ◽  
History Of ◽  
Individual Contributions ◽  
History Of International Law ◽  
Academic Study

Summary This article examines the long-forgotten first book-length treatise on international law ever published by a woman in the history of international law. The first part places Concepción Arenal’s Ensayo sobre el Derecho de gentes (1879) in the historical context of the dawn of the international legal codification movement and the professionalisation of the academic study of international law. The second part surveys the scattered treatment that women as objects of international law and women’s individual contributions to international law received in international law histories up to the early twentieth century. It then draws many parallels between Arenal’s work and the influential resolutions of the first International Congress of Women in 1915 and surveys related developments during the interwar years. The conclusion highlights the need of readdressing the invisibility of women in international legal history.

scholarly journals The origins of marketing practice in Britain: from the ancient to the early twentieth century

2017 ◽  
Vol 9 (4) ◽  
pp. 467-487 ◽  
Author(s):  
Richard A. Hawkins
Keyword(s):  
Twentieth Century ◽  
Historical Development ◽  
Design Methodology ◽  
The State ◽  
Marketing Practice ◽  
Content Type ◽  
Early Twentieth Century ◽  
History Of ◽  
The Subject

Purpose The purpose of this paper is to explore the development of marketing practice in Britain from the ancient to the early twentieth century. It builds upon the author’s chapter in the 2016 Routledge Companion to the History of Marketing. Design/methodology/approach This paper is based on a review of secondary history and archaeology literature supplemented by digitised historic newspaper and magazine advertising. The literature is frameworked using a modified version of Fullerton’s 1988 periodization which has been extended to include the medieval and Roman eras. Findings One of the significant findings of this paper is the key role the state has played in the development of marketing practice in Britain, the construction of pavements being a good example. Originality/value Apart from Nevett’s 1982 history of British advertising and the author’s Routledge Companion to the History of Marketing chapter, this is the first survey of the historical development of British marketing practice. It assembles and presents in a useful way important information. This paper will be of interest to marketing historians, especially students and researchers new to the subject.

scholarly journals On the Russian Concept of Lād, 1830–1945

2019 ◽  
Vol 25 (4) ◽  
Author(s):  
Philip Ewell
Keyword(s):  
Twentieth Century ◽  
Harmonic Function ◽  
English Language ◽  
Primary Role ◽  
National Museum ◽  
Tonal Music ◽  
High Stakes ◽  
Early Twentieth Century ◽  
History Of ◽  
The Subject

Universally translated into English as “mode,” the Russian term лад (“lād”) first appeared in 1830 as a translation from German Tonart, which is usually translated into English as “tonality.” To Tchaikovsky a lād was, in fact, a tonality, but by century’s end lād had come to signify its pre-tonal cousin, mode. Boleslav Yavorsky’s work on the subject in the early twentieth century gave lād new post-modal and post-tonal meaning with respect to quasi-tonal and post-tonal music. In this article, I delve deeply into the history of this uniquely Russian concept, from its inception to its highly modified mid-twentieth century form. Rather than trying to find an English equivalent, I leave “lād” in its transliterated form, which disentangles it from inaccurate translations. I examine a 1945 Chopin analysis by Yavorsky’s student, Sergei Protopopov, which outlines new interpretations for Russian lād. Sketches for this analysis, from the Russian National Museum of Music, provide a backdrop for a reexamination of basic tonal constructs such as cadence, phrase, form, harmonic function, and melodic diminution. I then look at a famous 1930 conference on Yavorsky’s theories as an example of the high stakes involved in creating a Marxist musical science, in which lād played a primary role. I also briefly discuss Yavorsky’s theories as a counterweight to Hugo Riemann’s encroaching functionality, which was brought to Russia by Gregori Catoire in the early twentieth century. It is my hope that this work on lād will fill in many gaps for the English-language reader, and possibly spur further studies on this uniquely Russian concept.

A HISTORY OF “RATIONALISM” IN VICTORIAN BRITAIN

2015 ◽  
Vol 15 (1) ◽  
pp. 63-91 ◽  
Author(s):  
JOSHUA BENNETT
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Victorian Britain ◽  
Sources Of Knowledge ◽  
Specific Term ◽  
Early Twentieth Century ◽  
History Of ◽  
The Subject ◽  
The Relationship ◽  
Intense Debate

“Rationalism” became the subject of intense debate in nineteenth-century Britain. This article asks why this was so, by focusing on the usage and implications of the term in contemporary argument. Rationalism was successively defined and redefined in ways that reached to the heart of Victorian epistemological and religious discussion. By treating rationalism as a contextually specific term, and examining how its implications changed between the 1820s and the early twentieth century, the article brings new perspectives to bear on the development of nineteenth-century freethought and countervailing religious apologetic. It underlines the importance of history, and constructions of intellectual lineage, as ways of establishing the relationship between rationality and religion in a progressively wider-ranging Victorian debate about the sources of knowledge and value.

Paradise Lost in Dutch, 1728–2003

2017 ◽  
Author(s):  
Jan Frans van Dijkhuizen
Keyword(s):  
Twentieth Century ◽  
Paradise Lost ◽  
First Century ◽  
Religious Dimension ◽  
Early Twentieth Century ◽  
Early Twenty ◽  
History Of ◽  
Twenty First Century ◽  
Verse Form ◽  
The Relationship

This chapter offers a history of Dutch translations of Paradise Lost, from the early eighteenth to the early twenty-first century. The focus is on the question of how Dutch translators have grappled with two issues: the epic’s verse form, especially its lack of rhyme and syntactic idiosyncrasies; and its politico-religious dimension, its complex view of the relationship between earthly and divine authority, as well as its anti-predestinarian stance. The history of Paradise Lost in Dutch, which starts with the translation of Van Zanten in 1728, is characterized by an unresolved formal struggle with Milton’s blank verse, embraced unreservedly only in the early twentieth century, with translator Gutteling. Before 1900, the politico-religious dimension of Paradise Lost was at the fore for translators, yet this aspect of the poem has receded in prominence, with translators after 1900 presenting the poem instead as a timeless and self-contained work of literary genius.

scholarly journals Don’t Choose the Nightingale

2018 ◽  
Author(s):  
Arman Schwartz
Keyword(s):  
Twentieth Century ◽  
The Third ◽  
Early Twentieth Century ◽  
The Status ◽  
History Of ◽  
The Subject ◽  
Dramatic Music

“I Pini del Gianicolo,” the third movement of Ottorino Respighi’s Pini di Roma (1924), is the first symphonic composition to feature a phonograph record alongside more conventional orchestral instruments, a peculiar innovation debated by both early listeners and more recent scholars. This chapter seeks to capture Respighi’s use of a pre-recorded nightingale within a wide interpretive net, considering the status of orchestration and signification in early twentieth-century instrumental and dramatic music; the medial history of Respighi’s nightingale; as well as other attempts to combine the animal, mechanical, and musical in the months around the work’s premiere. Birdsong—real, represented, and recorded—might prompt further reflection on the peculiar materiality of timbre, whose mysteries, this chapter suggests, could also be considered the subject of Respighi’s work.

scholarly journals Burned Rock Mounds in North-Central and Northeastern Oklahoma

2014 ◽  
Author(s):  
Robert L. Brooks
Keyword(s):  
Twentieth Century ◽  
River Basin ◽  
Cultural Landscape ◽  
North Central ◽  
History Of Research ◽  
Early Twentieth Century ◽  
Mound Construction ◽  
History Of

Burned rock mounds haven been identified in Oklahoma since the early twentieth century. The Oklahoma River Basin Survey pioneered the study of these features of the cultural landscape in the 1960's- 1970's; however, little research has taken place since that time. This paper reports on the history of research pertaining to burned rock mound features, examines their distribution on the cultural landscape and their construction, analyzes the artifact content of the mounds, and presents some thoughts on the purpose of mound construction and use

American Vampires

2016 ◽  
Author(s):  
Jeffrey Andrew Weinstock
Keyword(s):  
Twentieth Century ◽  
Gender And Sexuality ◽  
First Century ◽  
Social Convention ◽  
Early Twentieth Century ◽  
History Of ◽  
Twenty First Century

This chapter charts the American vampire narrative through four stages: 1) a ‘pre-history’ of its American origins; 2) the legacy of Bram Stoker’s Dracula (1897) in early twentieth-century American literary and cinematic adaptations; 3) the proliferation of vampire narratives via their increasing celebration of the vampire as hero liberated from social convention and embodying post-Watergate scepticism of authority; and 4) twenty-first-century representations whose ironic humanization of the vampire contest hegemonic structures of race, gender, and sexuality.

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