scholarly journals Don’t Choose the Nightingale

Author(s):  
Arman Schwartz

“I Pini del Gianicolo,” the third movement of Ottorino Respighi’s Pini di Roma (1924), is the first symphonic composition to feature a phonograph record alongside more conventional orchestral instruments, a peculiar innovation debated by both early listeners and more recent scholars. This chapter seeks to capture Respighi’s use of a pre-recorded nightingale within a wide interpretive net, considering the status of orchestration and signification in early twentieth-century instrumental and dramatic music; the medial history of Respighi’s nightingale; as well as other attempts to combine the animal, mechanical, and musical in the months around the work’s premiere. Birdsong—real, represented, and recorded—might prompt further reflection on the peculiar materiality of timbre, whose mysteries, this chapter suggests, could also be considered the subject of Respighi’s work.

1999 ◽  
Vol 40 (3) ◽  
pp. 389-410 ◽  
Author(s):  
RICHARD ROBERTS

On 5 October 1905, Baia Bari of Gassin village went before the tribunal de province of Segu seeking a divorce from her husband, Tiemoko Boaré of Koila. Both Baia Bari and Tiemoko Boaré were Muslims. Baia Bari claimed that Tiemoko Boaré had mistreated her and that she was prepared to return the bridewealth. In addition, Baia Bari sought the return of 27,000 cowries she claimed Tiemoko Boaré had taken from her, although she did not present any ‘proof’. Tiemoko Boaré agreed to the divorce but denied having taken the money. The court pronounced the divorce and called for Tiemoko Boaré to recover the bridewealth he and his kin had provided to Baia Bari's kin. The court dismissed Baia Bari's claim for the return of 27,000 cowries, because she had failed to produce evidence of the alleged ‘loan’. Neither Baia Bari nor Tiemoko Boaré appealed the court's verdict.How Baia Bari came to bring suit for divorce against her husband for mistreatment and how the provincial court, presided over by the leading African notables of Segu, saw fit to intervene in the domestic affairs of the Boaré household is the subject of this article. The data provided in the ‘Register of Civil and Commercial Judgements Rendered by the Provincial Court of Segu during the Third Quarter of 1905’ are not detailed enough for us to ‘hear’ Baia Bari's complaints about marital mistreatment. Nor does the register tell us anything about how the members of the court understood the evidence of mistreatment, which they accepted, and Baia Bari's claim for the return of 27,000 cowries, which they rejected. Despite the sparse annotation of this case, Baia Bari's legal action raises at least two questions. First, from where did the provincial court ‘receive’ the authority to intervene in the domestic affairs of the Boaré household? Second, why did Baia Bari turn to the provincial court to seek the dissolution of her marriage?


2012 ◽  
Vol 23 (4) ◽  
pp. 404-418 ◽  
Author(s):  
Waltraud Ernst

This article presents a case study of institutional trends in a psychiatric institution in British India during the early twentieth century. It focuses on mortality statistics and long-term confinement rates as well as causes of death. The intention is two-fold: first, to provide new material that potentially lends itself to comparison with the few existing institutional case studies that have explored this particular period; second, to highlight some of the problems inherent in the status of the statistics and the conceptual categories used, and to consider the challenges these pose for any intended comparative and transnational assessment. Furthermore, it is suggested that historians working on the history of western institutions ought to look beyond the confining rim of Eurocentric self-containment and relate their research to other institutions around the world. It is important for social historians to abstain from uncritically reproducing hegemonic histories of the modern world in which western cultures and nations are posited by default as the centre or metropolis and the rest as peripheries whose social and scientific developments may be seen to be of exotic interest, but merely derivative and peripheral.


2017 ◽  
Vol 9 (4) ◽  
pp. 467-487 ◽  
Author(s):  
Richard A. Hawkins

Purpose The purpose of this paper is to explore the development of marketing practice in Britain from the ancient to the early twentieth century. It builds upon the author’s chapter in the 2016 Routledge Companion to the History of Marketing. Design/methodology/approach This paper is based on a review of secondary history and archaeology literature supplemented by digitised historic newspaper and magazine advertising. The literature is frameworked using a modified version of Fullerton’s 1988 periodization which has been extended to include the medieval and Roman eras. Findings One of the significant findings of this paper is the key role the state has played in the development of marketing practice in Britain, the construction of pavements being a good example. Originality/value Apart from Nevett’s 1982 history of British advertising and the author’s Routledge Companion to the History of Marketing chapter, this is the first survey of the historical development of British marketing practice. It assembles and presents in a useful way important information. This paper will be of interest to marketing historians, especially students and researchers new to the subject.


2019 ◽  
Vol 25 (4) ◽  
Author(s):  
Philip Ewell

Universally translated into English as “mode,” the Russian term лад (“lād”) first appeared in 1830 as a translation from German Tonart, which is usually translated into English as “tonality.” To Tchaikovsky a lād was, in fact, a tonality, but by century’s end lād had come to signify its pre-tonal cousin, mode. Boleslav Yavorsky’s work on the subject in the early twentieth century gave lād new post-modal and post-tonal meaning with respect to quasi-tonal and post-tonal music. In this article, I delve deeply into the history of this uniquely Russian concept, from its inception to its highly modified mid-twentieth century form. Rather than trying to find an English equivalent, I leave “lād” in its transliterated form, which disentangles it from inaccurate translations. I examine a 1945 Chopin analysis by Yavorsky’s student, Sergei Protopopov, which outlines new interpretations for Russian lād. Sketches for this analysis, from the Russian National Museum of Music, provide a backdrop for a reexamination of basic tonal constructs such as cadence, phrase, form, harmonic function, and melodic diminution. I then look at a famous 1930 conference on Yavorsky’s theories as an example of the high stakes involved in creating a Marxist musical science, in which lād played a primary role. I also briefly discuss Yavorsky’s theories as a counterweight to Hugo Riemann’s encroaching functionality, which was brought to Russia by Gregori Catoire in the early twentieth century. It is my hope that this work on lād will fill in many gaps for the English-language reader, and possibly spur further studies on this uniquely Russian concept.


2015 ◽  
Vol 15 (1) ◽  
pp. 63-91 ◽  
Author(s):  
JOSHUA BENNETT

“Rationalism” became the subject of intense debate in nineteenth-century Britain. This article asks why this was so, by focusing on the usage and implications of the term in contemporary argument. Rationalism was successively defined and redefined in ways that reached to the heart of Victorian epistemological and religious discussion. By treating rationalism as a contextually specific term, and examining how its implications changed between the 1820s and the early twentieth century, the article brings new perspectives to bear on the development of nineteenth-century freethought and countervailing religious apologetic. It underlines the importance of history, and constructions of intellectual lineage, as ways of establishing the relationship between rationality and religion in a progressively wider-ranging Victorian debate about the sources of knowledge and value.


Author(s):  
Martin Millett

This chapter reviews the history of research on Roman Britain from the early twentieth century down to the first decade of the twenty-first century. It discusses changes in the scope and character of research activities with a particular emphasis on the historical context and the personal and professional connections between those involved in the subject. This involves looking at the links between teachers and their students as well as the networks created by joint participation in fieldwork. This analysis includes a summary of the networks connecting the contributors to this Handbook. The principal figures active in the study of Roman Britain are discussed and key publications on the subject evaluated in the context of changing patterns of research.


2017 ◽  
Vol 60 (4) ◽  
pp. 1047-1069
Author(s):  
ANTHONY D. KAUDERS

AbstractThe history of free will has yet to be written. With few exceptions, the literature on the subject is dominated by legal and philosophical works, most of which recount the ideas of prominent thinkers or discuss hypothetical questions far removed from specific historical contexts. The following article seeks to redress the balance by tracing the debate on hypnosis in Germany from 1894 to 1936. Examining responses to hypnosis is tantamount to recording common understandings of autonomy and heteronomy, self-control and mind control, free will and automaticity. More specifically, it is possible to identify distinct philosophical positions related to the question as to whether hypnosis could surmount free will or not. The article demonstrates that the discourse often centred on the perceived struggle, located within a particular ‘personality’, between an individual's ‘character’ or ‘soul’ and the infiltration by a foreign or hostile force. While one group (compatibilists) emphasized the resilience of the ‘moral inhibitions’, another group (determinists) doubted that these were sufficient to withstand hypnosis.


Author(s):  
Massimiliano Badino ◽  
Jaume Navarro

This chapter addresses the historiography that justifies the contents of this book along the three major lines: (i) the usual divide between classical physics and modern physics is misleading when trying to explain the status quo of the ether in the early twentieth century; (ii) the ether remains alive in many quarters, thanks to a complex entanglement of authority, knowledge and ethos of some of the main actors involved in this story; (iii) the ether played a relevant role in the quest for unity in knowledge of nature in an attempt to transcend the divide between the material and the spiritual. Finally, this chapter makes a plea for pluralism in the history of science, escaping from linear and progressive accounts in the history of the demise of the ether.


Author(s):  
Didier Debaise

Which kind of relation exists between a stone, a cloud, a dog, and a human? Is nature made of distinct domains and layers or does it form a vast unity from which all beings emerge? Refusing at once a reductionist, physicalist approach as well as a vitalistic one, Whitehead affirms that « everything is a society » This chapter consequently questions the status of different domains which together compose nature by employing the concept of society. The first part traces the history of this notion notably with reference to the two thinkers fundamental to Whitehead: Leibniz and Locke; the second part defines the temporal and spatial relations of societies; and the third explores the differences between physical, biological, and psychical forms of existence as well as their respective ways of relating to environments. The chapter thus tackles the status of nature and its domains.


Transfers ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 115-119 ◽  
Author(s):  
Susan E. Bell ◽  
Kathy Davis

Translocation – Transformation is an ambitious contribution to the subject of mobility. Materially, it interlinks seemingly disparate objects into a surprisingly unified exhibition on mobile histories and heritages: twelve bronze zodiac heads, silk and bamboo creatures, worn life vests, pressed Pu-erh tea, thousands of broken antique teapot spouts, and an ancestral wooden temple from the Ming dynasty (1368–1644) used by a tea-trading family. Historically and politically, the exhibition engages Chinese stories from the third century BCE, empires in eighteenth-century Austria and China, the Second Opium War in the nineteenth century, the Chinese Cultural Revolution of the mid-twentieth century, and today’s global refugee crisis.


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