At the end of the line: on kairological history

2020 ◽  
Vol 12 (1) ◽  
pp. 62-90
Author(s):  
Brooke Holmes
Keyword(s):  
Queer Theory ◽  
First Century ◽  
Medieval Studies ◽  
The Past ◽  
Negotiation Of Identity ◽  
Early Twenty ◽  
Making Choices ◽  
History Of ◽  
History Of Anatomy ◽  
Identity And Difference

Abstract This essay examines, from a position within Classics, different angles on critiques of historicism and the turn to anachronism in History, Art History, Medieval Studies, and Queer Theory before proposing the idea of ‘kairological history’, on the model of the artist Paul Chan’s ‘kairological art’. On this analysis, ‘kairological history’ engages the critical and creative resources of anachronic thinking alongside tools of historicism (e.g. empiricism, successionism, periodization, alterity) in making choices about ‘telling time’. These choices reflect a critical understanding of how temporality shapes the valuation of the past, particularly in relation to a ‘classical’ past; the negotiation of identity and difference between past and present; and the kinds of communities that history aims to support. The second half of the essay examines two instances of anachronism within the history of anatomy, one from Galen and one from the early twenty-first century. Both cases represent problems that historicism can correct. But the modality of correction, in itself, is anaemic and risks the very teleology that linear history is so often faulted for. The essay therefore explores what gets lost and what gets found when temporality is aligned with linearity, as well as non-linear modes of telling time.

Modernist Dante

2021 ◽  
pp. 633-650
Author(s):  
Daniela Caselli
Keyword(s):  
Twentieth Century ◽  
James Joyce ◽  
Virginia Woolf ◽  
Ezra Pound ◽  
First Century ◽  
Djuna Barnes ◽  
Dorothy Richardson ◽  
Anglophone Literature ◽  
The Past ◽  
History Of

This chapter traces a history of Dante’s reception in anglophone literature between the 1870s and the 1950s. It acknowledges his importance in Ezra Pound, T.S. Eliot, and James Joyce, but engages more closely with Samuel Beckett, Djuna Barnes, and Virginia Woolf. It shows that the modernist Dante that emerges from these authors’ work is both a formal and political one: recruited as an anti-authoritarian voice from the past and seen anew from feminist and queer perspectives, this is not a twenty-first century Dante forced against his will to virtue-signal, however; on the contrary, this is a Dante anachronistically familiar with key ‘vices’ of twentieth-century authors, readers and commentators. Focusing on sullenness, resistance, and fatigue, the chapter argues for a new understanding of modernist experiments with Dante’s political and formal complexity that refuse to use him as a ‘code or a weapon […] to crush someone’, as Dorothy Richardson put it.

Power in Russia: Modus Vivendi and Artis Imago

2019 ◽  
Author(s):  
Tatyana Zlotnikova ◽  
Keyword(s):  
Art Criticism ◽  
Empirical Support ◽  
First Century ◽  
The Unconscious ◽  
Theoretical Substantiation ◽  
Early Twenty ◽  
Modus Vivendi ◽  
History Of ◽  
Creative Experience ◽  
History Of Culture

Contemporary Russian socio-cultural, cultural and philosophical, socio psychological, artistic and aesthetic practices actualize the Russian tradition of rejection, criticism, undisguised hatred and fear of power. Today, however, power has ceased to be a subject of one-dimensional denial or condemnation, becoming the subject of an interdisciplinary scientific discourse that integrates cultural studies, philosophy, social psychology, semiotics, art criticism and history (history of culture). The article provides theoretical substantiation and empirical support for the two facets of notions of power. The first facet is the unique, not only political, but also mental determinant of the problem of power in Russia, a kind of reflection of modus vivendi. The second facet is the artistic and image-based determinant of problem of power in Russia designated as artis imago. Theoretical grounds for solving these problems are found in F. Nietzsche’s perceptions of the binary “potentate-mass” opposition, G. Le Bon’s of the “leader”, K.-G. Jung’s of mechanisms of human motivation for power. The paper dwells on the “semiosis of power” in the focus of thoughts by A. F. Losev, P. A. Sorokin, R. Barthes. Based on S. Freud’s views of the unconscious and G. V. Plekhanov’s and J. Maritain’s views of the totalitarian power, we substantiate the concept of “the imperial unconscious”. The paper focuses on the importance of the freedom motif in art (D. Diderot and V. G. Belinsky as theorists, S. Y. Yursky as an art practitioner). Power as a subject of influence and object of analysis by Russian creators is studied on the material of perceptions and creative experience of A. S. Pushkin (in the context of works devoted to Russian “impostors” by numerous authors). Special attention is paid to the early twenty-first century television series on Soviet rulers (Stalin, Khrushchev, Brezhnev, Furtseva). The conclusion is made on the relevance of Pushkin’s remark about “living power” “hated by the rabble” for contemporary Russia.

Doing Things with Legal History

2018 ◽  
pp. 922-940
Author(s):  
Alfred L. Brophy
Keyword(s):  
Property Rights ◽  
Historical Analysis ◽  
First Century ◽  
Unequal Distribution ◽  
Alternative Vision ◽  
Early Twenty ◽  
History Of ◽  
Support Property ◽  
Late Twentieth

This chapter discusses the role of historical analysis in property law. The history of property has been used to offer support for property rights. Their long history makes the distribution of property look normal, indeed natural and something that cannot or should not be challenged. However, historically in the U.S there have been competing visions of property. From the Progressive era onward especially, the history of property has been used to show the unequal distribution of property and to offer an alternative vision that expands the rights of non-owners of property. In the late twentieth and early twenty-first century, the history of opposition to feudalism and protection of the rights of non-owners was used to protect the rights of non-owners. Thus, the history of property has been a tool of judges and legislators to support property rights and it has also been, less frequently, a tool of critique.

scholarly journals The Adaptability Paradox: Constitutional Resilience and Principles of Good Government in Twenty-First-Century America

2019 ◽  
Vol 18 (2) ◽  
pp. 354-369
Author(s):  
Stephen Skowronek ◽  
Karen Orren
Keyword(s):  
Institutional Arrangements ◽  
Structural Approach ◽  
First Century ◽  
Institutional Adaptation ◽  
The Past ◽  
The Us ◽  
Good Government ◽  
History Of ◽  
Us Constitution ◽  
Twenty First Century

Faith in the resilience of the US Constitution prompts many observers to discount evidence of a deepening crisis of governance in our day. A long history of success in navigating tough times and adapting to new circumstances instills confidence that the fundamentals of the system are sound and the institutions self-correcting. The aim of this article is to push assessments of this sort beyond the usual nod to great crises surmounted in the past and to identify institutional adaptation as a developmental problem worthy of study in its own right. To that end, we call attention to dynamics of adjustment that have played out over the long haul. Our historical-structural approach points to the “bounded resilience” of previous adaptations and to dynamics of reordering conditioned on the operation of other governance outside the Constitution’s formal written arrangements. We look to the successive overthrow of these other incongruous elements and to the serial incorporation of previously excluded groups to posit increasing stress on constitutional forms and greater reliance on principles for support of new institutional arrangements. Following these developments into the present, we find principles losing traction, now seemingly unable to foster new rules in support of agreeable governing arrangements. Our analysis generates a set of propositions about why the difficulties of our day might be different from those of the past in ways that bear directly on resilience and adaptability going forward.

GLASS MUSIC OF THE TWENTIETH AND TWENTY-FIRST CENTURIES

Tempo ◽  
2019 ◽  
Vol 73 (289) ◽  
pp. 30-41 ◽  
Author(s):  
Hunter Coblentz
Keyword(s):  
First Century ◽  
Early Twenty ◽  
Musical Practices ◽  
History Of ◽  
Late Twentieth ◽  
Twenty First Century

AbstractThis article serves as an introduction to the twentieth- and twenty-first-century musical practices that have made use of glass instruments and objects. Emphasis is placed on those practices that use glass in a raw, acoustic manner, and those that take advantage of the precision with which glass can be tuned. First, a general history of glass music is presented, followed by an overview of the physical and acoustic aspects pertaining to the material that are relevant to those composers wishing to integrate glass into their works. Finally, the composers, performers and instrument builders who have made significant use of glass in the late twentieth and early twenty-first centuries are surveyed.

scholarly journals The Under-Appreciated Rodent: Harbingers of Plague From the Middle Ages to the Twenty-First Century

2019 ◽  
Vol 50 (2) ◽  
pp. 171-185 ◽  
Author(s):  
Anne Hardy
Keyword(s):  
Middle Ages ◽  
Dna Analysis ◽  
First Century ◽  
Bubonic Plague ◽  
The Past ◽  
Black Rat ◽  
History Of ◽  
Ancient Dna Analysis ◽  
Long Term Trends

The history of the rat and the wider rodent family in relation to bubonic plague suggests multiple ways in which different research disciplines can contribute to the understanding of mortality, morbidity, and epidemics in the past: For instance, demographic approaches can can clarify long-term trends in, and disruptions to, patterns of mortality; the study of psychological responses to disease since 1850 can lend insights into past disease behaviors; and archaeological discoveries and the still-developing technology of ancient dna analysis can help in the determination of causes and effects. As the link between the black rat and bubonic plague shows, without the collaboration of interdisciplinary methods, our understanding would surely suffer. The history of plague and the Black Death encompasses far more than the involvement of rats, but the enduring sylvatic reservoirs of plague infection that the rats and their many rodent cousins constituted in the past, and still constitute, should not be blithely discounted.

scholarly journals An Act of War? The Interview Affair, the Sony Hack, and the Hollywood–Washington Power Nexus Today

2017 ◽  
Vol 53 (1) ◽  
pp. 1-27
Author(s):  
TONY SHAW ◽  
TRICIA JENKINS
Keyword(s):  
The United States ◽  
Global Market ◽  
Us Foreign Policy ◽  
First Century ◽  
The Other ◽  
State Security ◽  
The Past ◽  
Early Twenty ◽  
The Us ◽  
The One

Film has been an integral part of the propaganda war fought between the United States and North Korea over the past decade. The international controversy surrounding the Hollywood comedy The Interview in 2014 vividly demonstrated this and, in the process, drew attention to hidden dimensions of the US state security–entertainment complex in the early twenty-first century. Using the emails leaked courtesy of the Sony hack of late 2014, this article explores the Interview affair in detail, on the one hand revealing the close links between Sony executives and US foreign-policy advisers and on the other explaining the difficulties studios face when trying to balance commercial and political imperatives in a global market.

Foucault’s Folie et déraison: its influence and its contemporary relevance

2020 ◽  
Vol 31 (3) ◽  
pp. 351-358
Author(s):  
Andrew Scull
Keyword(s):  
Social History ◽  
Michel Foucault ◽  
History Of Psychiatry ◽  
First Century ◽  
Major Work ◽  
Early Twenty ◽  
The World ◽  
History Of ◽  
Anglo American ◽  
The Impact

Michel Foucault remains one of the most influential intellectuals in the early twenty-first century world. This paper examines the origins and impact of his first major work, Folie et déraison, on the history of psychiatry, particularly though not exclusively in the world of Anglo-American scholarship. The impact and limits of Foucault’s work on the author’s own contributions to the history of psychiatry are examined, as is the larger influence of Madness and Civilization (as it is known to most Anglophones) on the nascent social history of psychiatry. The paper concludes with an assessment of the sources of the appeal of Foucault’s work among some scholars, and notes his declining influence on contemporary scholars working on the history of psychiatry.

Sharp and telling

2018 ◽  
Vol 31 (3) ◽  
pp. 547-562
Author(s):  
Karin Tybjerg
Keyword(s):  
Surgical Instruments ◽  
First Century ◽  
Surgical Instrument ◽  
The Public ◽  
Public Displays ◽  
Historical Collections ◽  
Teaching Aids ◽  
Early Twenty ◽  
History Of ◽  
The University

Abstract Surgical instrument collections have been used in a multitude of ways – as tools, taxonomies, teaching aids, representation, historical highlights and public displays – and they provide a key to understanding the shifting relations between surgery, medical museums and medical history. Tracing the uses of the surgical instrument collections from the Royal Danish Academy of Surgery and the Medical Historical Museum at the University of Copenhagen reveals a network of disciplinary and institutional changes from the late nineteenth to early twenty-first century. The history of the collections maps relations between scientific and cultural historical collections and between medicine and history. In the same way as surgical instruments have connected the surgeon’s hand to the patients’ body, the surgical instrument collections connect together the public, medical practice and history.

scholarly journals Tsunami currents in ports

2015 ◽  
Vol 373 (2053) ◽  
pp. 20140372 ◽  
Author(s):  
Jose C. Borrero ◽  
Patrick J. Lynett ◽  
Nikos Kalligeris
Keyword(s):  
Historical Record ◽  
First Century ◽  
Future Research ◽  
Current State ◽  
Early Twenty ◽  
Tsunami Current ◽  
History Of ◽  
Induced Currents ◽  
Port Engineering ◽  
Maritime Community

Tsunami-induced currents present an obvious hazard to maritime activities and ports in particular. The historical record is replete with accounts from ship captains and harbour masters describing their fateful encounters with currents and surges caused by these destructive waves. Despite the well-known hazard, only since the trans-oceanic tsunamis of the early twenty-first century (2004, 2010 and 2011) have coastal and port engineering practitioners begun to develop port-specific warning and response products that accurately assess the effects of tsunami-induced currents in addition to overland flooding and inundation. The hazard from strong currents induced by far-field tsunami remains an underappreciated risk in the port and maritime community. In this paper, we will discuss the history of tsunami current observations in ports, look into the current state of the art in port tsunami hazard assessment and discuss future research trends.

Sign in / Sign up

Export Citation Format

Share Document