Public sector values: between the real and the ideal

2013 ◽  
Vol 20 (4) ◽  
pp. 586-606 ◽  
Author(s):  
Rachel Gabel-Shemueli ◽  
Ben Capell
Keyword(s):  
The Real ◽  
Organization ◽  
2010 ◽  
Vol 17 (3) ◽  
pp. 379-393 ◽  
Author(s):  
Casper Hoedemaekers

This article explores the question of identification through a Lacanian lens, paying specific attention to the interruption of identification in the self-presentation of employees. Jacques Lacan’s notion of the Real is taken up here as a conceptualization of the limits inherent in representation, and the unexpected effects of signification that go beyond the meaning effects engendered in the process of speaking. Identification is viewed here as an iterative condensation and simplification of recurrent significations within a local organizational context, aiming to displace and repress the indeterminacy of meaning and the failure of intentionality in discourse. Interview material from a public sector case study is used to analyse identifications with images of the ‘ideal employee’, which can be interpreted through interviewees’ moves to demarcate themselves from images of the ‘non-ideal’. The analysis then turns to examine interruptions in this self-presentation in the form of slips, contradictions and breakdowns of the narrative. The article concludes that the examined interruptions indicate considerable space for resistance and re-signification in identifications.


2020 ◽  
Vol 20 (1) ◽  
Author(s):  
Conor Gilligan ◽  
Teresa Loda ◽  
Florian Junne ◽  
Stephan Zipfel ◽  
Brian Kelly ◽  
...  

Abstract Background The development of professional identity is a fundamental element of medical education. There is evidence that in Germany, students’ perceptions of the ideal and real doctor differ, and that of themselves as physicians falls between these constructs. We sought to compare students’ perceptions of themselves, the ideal doctor, and the ‘real’ doctor and investigate differences from first to final year in the relationships between these constructs, as well as differences between Australian and German cohorts. Method Students in the first and final years of their medical program at one Australian and one German university were invited to complete the Osgood and Hofstatter polarity profile, involving the description of their mental image of the ideal and real doctor, and the doctor they hope to become, with adjectives provided. Results One hundred sixty-seven students completed the survey in Australia (121 year 1, 46 year 5) and 188 in Germany (164 year 1, 24 year 6). The perception of the ideal doctor was consistent across all respondents, but that of the real doctor and self-image differed between country and year. Differences existed between country cohorts in perceptions of ‘confidence’, ‘strength’, ‘capability’ and ‘security’. Conclusions The pattern previously reported among German students was maintained, but a different pattern emerged among Australian students. Differences between countries could reflect cultural differences or variations in the overt and hidden curricula of medical schools. Some of the constructs within the profiles are amenable to educational interventions to improve students’ confidence and sense of capability.


Stats ◽  
2021 ◽  
Vol 4 (1) ◽  
pp. 205-215
Author(s):  
David Trafimow ◽  
Tonghui Wang ◽  
Cong Wang

In a recent article, Trafimow suggested the usefulness of imagining an ideal universe where the only difference between original and replication experiments is the operation of randomness. This contrasts with replication in the real universe where systematicity, as well as randomness, creates differences between original and replication experiments. Although Trafimow showed (a) that the probability of replication in the ideal universe places an upper bound on the probability of replication in the real universe, and (b) how to calculate the probability of replication in the ideal universe, the conception is afflicted with an important practical problem. Too many participants are needed to render the approach palatable to most researchers. The present aim is to address this problem. Embracing skewness is an important part of the solution.


Leonardo ◽  
2008 ◽  
Vol 41 (4) ◽  
pp. 418-419 ◽  
Author(s):  
Caitlin Jones ◽  
Lizzie Muller

This paper describes a new approach to documenting media art which seeks to place in dialogue the artist's intentions and the audience's experience. It explicitly highlights the productive tension between the ideal, conceptual existence of the work, and its actual manifestation through different iterations and exhibitions in the real world. The paper describes how the approach was developed collaboratively during the production of a documentary collection for the artwork Giver of Names, by David Rokeby. It outlines the key features of the approach including artist's interview, audience interviews and data structure.


1978 ◽  
Vol 78 (6) ◽  
pp. 1034
Author(s):  
Cynthia Chase Schipani
Keyword(s):  
The Real ◽  

1970 ◽  
Vol 54 (4) ◽  
pp. 291
Author(s):  
Strother B. Purdy ◽  
Yvonne Rodax
Keyword(s):  
The Real ◽  

Author(s):  
A. Félix Vico-Prieto ◽  
Juan M. Rosas ◽  
José E. Callejas-Aguilera ◽  
Angel Cagigas

Theories of beauty perception have tilting between the importance of the golden section, and the importance of cultural and learning factors on perception of beauty. The contradiction between those approaches may be solved by taking in account the real golden proportion rather than the ideal golden proportion. A new framework to conduct new and more comprehensive experimental approaches to the study of beauty is proposed.


1984 ◽  
Vol 35 (3) ◽  
pp. 270-283,386 ◽  
Author(s):  
Mutsundo Atarashi

2019 ◽  
Vol 26 (3) ◽  
pp. 31-46
Author(s):  
Krzysztof Wałczyk

Nikifor Krynicki (Epifaniusz Drowniak, 1895-1968) was one of the most popular non-academic Polish painters worldwide. To show the biblical inspiration in his creative output I chose two categories from various thematic aspects: self-portraits and landscapes with a church. There are plenty of Nikifor’s paintings showing him as a teacher, as a celebrating priest, as a bishop, or even as Christ. A pop­ular way to explain this idea of self-portraits is a psychological one: as a form of auto-therapy. This analysis is aims to show a deeper expla­nation for the biblical anthropology. Nikifor’s self-portraits as a priest celebrating the liturgy are a symbol of creative activity understood as a divine re-creation of the world. Such activity needs divine inspira­tion. Here are two paintings to recall: Potrójny autoportret (The triple self-portrait) and Autoportret w trzech postaciach (Self-portrait in three persons). The proper way to understand the self-identification with Christ needs a reference to biblical anthropology. To achieve our re­al-self we need to identify with Christ, whose death and resurrection bring about our whole humanity. The key impression we may have by showing Nikifor’s landscapes with a church is harmony. The painter used plenty of warm colors. Many of the critics are of the opinion that Nikifor created an imaginary, ideal world in his landscapes, the world he wanted to be there and not the real world. The thesis of this article is that Nikifor created not only the ideal world, but he also showed the source of the harmony – the divine order.


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